Listen Up! 3 Terrific Thrillers in Audio

earphones

photo: John O’Nolan, creative commons license

Catching up on highly regarded crime thrillers of the last year, I’ve turned to audio for these:

*****Prussian Blue
By the late Philip Kerr, narrated by John Lee. This was Kerr’s next-to-last historical crime novel featuring Berlin detective Bernie Gunther, and takes place in 1939 and 1956. Lee’s reading imbues Gunther with every sly hint and ironic twist in his attitude toward the Nazis. Some of his colleagues at the time were aware: “I don’t know how you’ve survived this long, Gunther, feeling as you do.” But survive he has, and 17 years later, he’s working in France when a former colleague—now head of the East German secret police, the Stasi—demands he murder a certain woman. Rather than comply, Gunther goes on the run. Scenes of his flight across France are interspersed with recollections of a 1939 murder case at Hitler’s famous mountaintop retreat in Obersalzberg, which he was brought in to solve and which put him right in the middle of a power struggle between two of Hitler’s top men. It would be a hard job to choose which tale is more nerve-wracking. Lee’s Gunther is just right, his Nazis odious, and his Stasi enemies no better. Nominated for a 2018 Edgar Award and five stars from CrimeFictionLover.com.

****Bluebird, Bluebird
By Attica Locke, narrated by J.D. Jackson. In northeast Texas, a black man’s body is found floating in the bayou behind the only black-owned business in the tiny fictional town of Lark. Texas Ranger Darren Matthews is on suspension, but decides to poke around. One of the few black Rangers, he’s worked before on race-connected deaths and believes this is one. When he arrives in the town, the sheriff’s men are fishing another body out of the water—this one a white woman. Surely the deaths are linked, but how? And can he prove it? As he tries, Jackson’s narration expertly conveys not just Matthews’s determination, but the sheriff’s weakness, the malevolence of local Aryan Brotherhood of Texas members, the shifting moods of the dead man’s elegant wife from Chicago, who is the sort of Bluebird (messenger) of the title, and, finally, the townspeople black and white who are protecting a decades-old wall of secrets, all of whom are intriguing if just a bit predictable. Winner of the 2018 Edgar Award for Best Novel. TV series in the works.

*****The Marsh King’s Daughter
By Karen Dionne, narrated by Emily Rankin. Helena Pelletier is the protagonist in this thriller, set in the Michigan’s Upper Peninsula. She’s trying to live a normal life with her husband and two daughters, while keeping her bizarre past a secret. Rankin’s reading makes it clear this isn’t easy, and it becomes impossible when her Native American father kills two guards and escapes from prison, “armed and dangerous.” Years before, he kidnapped a fourteen-year-old girl and took her into the remote marshlands as his wife. There they lived off the land and had a daughter—Helena. Rankin conveys how much the young Helena adored her father and what he taught her about hunting, fishing, and survival. Eventually, the girl and her mother were found, and her father ended up in prison, an outcome that has left Helena deeply conflicted. Now that he’s on the run, she’s has to see whether she can live up to his nickname for her, Bangii-Agawaateyaa, “Little Shadow,” and find him before he finds her and her daughters. An international bestseller, it was frequently named one of the best books of 2017. Movie in the works.

****High White Sun

Marfa Texas

photo: Nathan Russell, creative commons license

By J. Todd Scott – High White Sun is a solid follow-up to Scott’s 2016 debut hit, The Far Empty. A prologue set in 1999 recounts the murder of Texas Ranger Bob Ford, the long echo of which reverberates through events of the current day like the howling of the wind off the distant Mexican mountains. In the small town of Murfee, Texas, Sheriff Chris Cherry does not wear his badge easily. He worries.

When a popular river guide is murdered and suspicion lights on new arrivals to the area, pegged by everyone as bad actors, he worries a lot. They’ve set up some distance from Murfee at a wide spot in the road ominously named Killing. Head of this clan is an obvious hard case, John Wesley Earl, accompanied by his brother, two sons, a couple of girlfriends, and several cousins and hangers-on. Author Scott dives deep into Earl’s history, and while he never becomes sympathetic, you certainly understand him and how little regard he has for anyone else, including his family.

The sheriff’s wants to rid his county of the Earl clan, but his priorities aren’t shared by the FBI. Its agent wants Cherry to leave the Earls alone. John Wesley Earl is their confidential informant, recruited when he was in prison and a leader in the ultra-violent Aryan Brotherhood of Texas. More than a white supremacist group, Earl’s ABT is a major criminal enterprise, responsible for bringing drugs into every one of the state’s prisons and beyond and connected to all the dirty deals and killing that goes along with that. Out of prison, he’ll be getting his cut of the “business.” It will make him wealthy.

Earl is holed up in Killing because his son Jesse is there, awaiting the appearance of Thurman Flowers, a self-styled preacher with grandiose plans for establishing a community of white supremacists, his Church of Purity. They need only two things: guns and money. An ex-soldier who’s part of the clan promises to get them the guns, and Jesse is plotting to get hold of his father’s money.

Unfortunately, the sheriff’s deputies are keeping a few secrets from him, certainly the men of the Earl crew have secrets, and the law enforcement agencies aren’t sharing everything with each other, either. When all these secrets come out into the open, the resulting storm seems destined to destroy them all.

****Number 7, Rue Jacob

cell phone camera

photo: rocksee, creative commons license

By Wendy Hornsby –Maggie MacGowen is an almost-forty-year-old American, dedicated to her documentary filmmaking career and engaged to delightful Frenchman Jean-Paul Bernard, about a decade her senior. Though he says his job is “in business,” she realizes it is something far more consequential and lets him keep his secrets.

She’s in Paris to rendezvous with him and look for some documentary film work there, as they plan to marry. She’ll stay at number 7, rue Jacob, in a flat inherited from her biological mother, a Frenchwoman she never really knew. After her mother died, she learned she has a half-brother, a grandmother, an uncle, and nephews in France, still practically strangers.

Her inheritance isn’t just the flat. Maggie and Jean-Paul now own all three buildings of a former convent, including a mysterious basement library. Many people want the library’s contents, including officials from the diocese, the Vatican, and the Louvre, whom Maggie’s mother believed should have the religious books. The library also contains a number of illuminated manuscripts created for 17th c. Russian regent Sofia Alekseyevna. These are of almost inestimable value, since most such treasures were destroyed during the Revolution.

Almost before Maggie can unpack, Jean-Paul sends an urgent summons and a request for her to meet him in Italy. She follows his ominous instructions—burner phones only, cash, no credit cards—to the letter. When she finds Jean-Paul, he’s been injured. A drone dropped a bomb in front of his vehicle. This is an exciting set-up for the cat-and-mouse game that takes the pair from Venice to Ravenna and across Italy.

Hornsby’s novel is a cautionary tale about how easily people’s location can be tracked these days. First, a simple tracking device was attached to Maggie’s coat. Then someone uses social media to broadcast a call to “find this couple!” Photos of them are posted by dozens of casual passersby, as if Maggie and Jean-Paul are targets in some terrifying Pokemon Go universe.

The instructions change from “find them” to “stop them” with a reward attached, and the risk goes through the roof. Anyone with a cell phone can potentially expose them. Whether all the technology can be used exactly as Hornsby uses it here, the story bears the stamp of “Oh yeah, I can believe some idiot would try that.”

But what do their pursuers want? Are they after Maggie, with her film exposé about unexploded landmines? Or is Jean-Paul the real target? Or is it 7 rue Jacob itself, and its hidden library of precious illuminated texts? My questions about the initial attacks on Jean-Paul weren’t ever satisfactorily answered, but in the thrill of the chase, I set them aside. Again, though, the motivation is weak.

From the streets of Paris to the canals of Venice, to the several other locales in this story takes, Hornsby establishes an alluring sense of place. She has a clear writing style and creates significant tension around the threat to Maggie and Jean-Paul, as well as a warm and sexy relationship between them. At the same time, she pays attention to the ties to Maggie’s new French family that complicate whatever she decides about her unexpected, many-strings-attached inheritance.

****Lullaby Road

Night Sky

photo: U.S., Bureau of Land Management

By James Anderson–In this, as in Anderson’s admirable debut novel, The Never Open Desert Diner, you share the adventures of short-haul truck driver Ben Jones, who drives a hundred-mile stretch between two small towns in the high Utah desert. If the town of Price is next-to-nothing, Rockmuse, at the other end of his route, amounts to even less.

These are literary novels, yet they encompass mysteries and crimes of many kinds, including crimes of the spirit. Anderson sets you down, unmistakably, in the high desert—with its sunrises and sunsets, the brilliance of its stars at night, its smells, the amazing quiet, and its deadly hazards, human and otherwise.

In his new book, half-Jewish, half-Indian Ben and his cast of oddball desert dwellers are as reclusive and tetchy as ever. They live far from ordinary conceptions of civilization for a reason, generally. Ben delivers their groceries, water, auto parts, horse feed—whatever they need. In hot weather, it can be a brutal job. In winter, it may be worse. Blinding snowstorms barrel over the mountains, scouring the land and hitting the mesa to the east, only to ricochet back for another strike on the inhabitants.

Ben is in a tricky situation. On a not very good morning, winter weather-wise, he fuels up at the Stop ‘n’ Gone before starting a run to Rockmuse, and finds a Mexican child and a suspicious dog, sitting by one of the pumps. A child not dressed for the freezing temperatures. The station owner has locked up and won’t respond to Ben’s pounding. Ben has “no choice”—a phrase he particularly loathes—but to take the child inside the warm truck cab and sort things out later. The child doesn’t talk. Eventually, Ben finds out why.

This is bad enough, but his neighbor stops him before he can drive away and hands over her infant daughter. She has “no choice” but to deposit her baby with him for the day. Like it or not, and he definitely does not, he’s left holding the diaper bag. So now you understand the book’s title.

The child, the protective dog, and the infant Belle turn out to be good travelers. That’s lucky, because the day turns dangerous and requires all Ben’s concentration. With the road margins indistinct in the blinding snow, it’s like driving into oblivion. And that’s just the weather.

Author Anderson does a great job describing the difficulties Ben runs up against trying to help the people living in such a remote place—their scant resources and limited access to communications, helicopter airlifts, and other take-for-granted trappings of modern life.

Much as Ben hates it, “no choice” often is the choice, and everything cannot turn out well. The book is generous in acknowledging that good people can make bad decisions, it is sincere in grieving for the innocent, and it leaves open the expectation that bad people may yet get what’s coming to them.

***In Strangers’ Houses

Cleaner

photo: ePi.Longo, creative commons license

By Elizabeth Mundy – Highly visible as an “issue” and yet highly invisible as individuals, East European immigrants and best friends Lena Szarka and her friend Timea Dubay clean London’s houses in the daytime and its offices at night. Although the work offers them more upward mobility than would be possible back in Hungary, working in a foreign country isn’t easy. The language is difficult, the systems and culture are unfamiliar, and nasty anti-immigrant sentiment lies just below the surface.

Most of Elizabeth Mundy’s debut murder mystery is told from Lena’s point of view, enabling a close-up perspective on the complexities and hazards of immigrant life on the lower rungs of the economic ladder. As house cleaners, she and Timea work in others’ private spaces, see their most intimate secrets, and observe their habits. It is an act of faith that they can do so safely and will be paid for their efforts. Mundy has created engaging characters facing believable challenges. It’s no surprise this is intended as the first of a series featuring the warm-hearted Lena.

Lena is a few years older than Timea and coping fairly well. But Timea, a single mother, is struggling. She’s never told anyone who her son Laszlo’s father is—and though it was hard to leave the boy behind, she expects this sojourn abroad to jump-start a better life for them both. The women’s childhood friend Istvan, a handsome television actor, also lives in London. Istvan is married to a well-off woman who has helped his career, and he’s achieved a lifestyle starkly contrasting with that of the women, one that lets him concentrate on what is most important, himself.

Early in the story, Lena begins to worry about Timea. Her friend is increasingly unhappy and confesses that the problem is someone she must get away from. When Timea doesn’t come home one night, Lena’s worry blossoms into fear, and when she doesn’t return by the next day, Lena goes to the police. They are disinclined to take the disappearance seriously. Experience tells them Timea is most likely with a boyfriend and will turn up.

When Timea’s body does turn up, floating in Regent’s Canal, the police take a brief interest, but conclude the death was suicide. They hold this opinion even more strongly once the autopsy reveals Timea was three months pregnant. Mundy rounds out her characters in a series of flashbacks to Lena, Timea, and Istvan as children, a history that convinces Lena that Timea would never kill herself. In true amateur detective form, Mundy gives Lena no choice but to embark on the investigation herself.

Mundy shows a somewhat different facet of London than we usually see and makes Lena’s situation fresh and interesting. The writing is solid, though the police detective sometimes sounds as if he’s memorized a criminology textbook. By contrast, Lena’s slight awkwardness in expression is part of the book’s charm. After all, English is a bit of a struggle for her, but she sticks with it bravely, just as she does the pursuit of Timea’s killer. A quick read without a lot of graphic violence or sex. I’ll be interested to see more from Mundy.

Got the Horse Right Here!

horse racing

photo: TNS Sofres, creative commons license

It’s Derby week, and attention turns to things equine. The horses are huge, but run on the most fragile of ankles. The jockeys are small, but mostly heart. Racing is a quick way to burn money. No wonder storytellers have capitalized on its dramatic potential. This is a repost of my favorite horse books and screen entertainment, with the addition of Triple Crown, a crime novel by Felix Francis, carrying on his late father Dick’s call to the post.

Horse Heaven – by Jane Smiley. Smiley won the Pulitzer Prize in 1992 for A Thousand Acres, yet I found this novel way more satisfying. She’s developed a stableful of engaging characters as you follow the fates of several horses bred for racing, a risky proposition in the best of times. As much about people and their passions and predilections as about horses, of course.

Lords of Misrule – by Jaimy Gordon. Winner of the 2010 National Book Award, this novel is set in the lower echelons of horse-racing, among people for whom the twin spires of Churchill Downs are a distant dream. She has an almost miraculous way of capturing the way horse people think and talk.

The Horse God Built – by Lawrence Scanlan. This one I haven’t read, but it was too tempting to include a book about Secretariat—“the horse God built.” Secretariat won racing’s Triple Crown (the Kentucky Derby, the Preakness, and the Belmont Stakes) in 1973, with track-blistering performances. This nonfiction book is Secretariat as seen through the eyes of his groom and a story of friendship. This is one of six great nonfiction books about racing compiled by Amy Sachs for BookBub.

Seabiscuit, by Laura Hillenbrand, was made into an Academy Award-nominated film starring Toby Maguire, Jeff Bridges, Chris Cooper, and real-life jockey Gary Stevens. A heartwarming story, this production includes footage shot from the midst of a race—an unforgettable view of why this sport is so dangerous. Rotten Tomatoes critics rating 77%, audiences 76%.

Luck – HBO. For the full immersion experience, try this nine-episode series, developed by David Milch. It’s all-star cast includes Dustin Hoffman, Dennis Farina, John Ortiz, Richard Kind, Nick Nolte, Michael Gambon and, again, jockey Gary Stevens (who raced in the 2016 Kentucky Derby at age 53). The three touts, convinced they’re on track for riches, are priceless.

****The Greek Wall

razor wire fenceWritten by Nicolas Verdan, translated from the French by W. Donald Wilson –The European refugee crisis has been front-and-center in the news media for so long it’s become easy to tune it out. In award-winning Swiss author Nicolas Verdan’s literary crime thriller, all the horrifying consequences of what happens when groups of people are ripe for exploitation are on display. And he doesn’t stop there, underscoring how wide its ripples have spread in European society.

It’s 2010, and Agent Evangelos of the Greek National Intelligence Service is sent to investigate a severed head found outside the northern city of Orestiada on the border separating Greece and non-EU Turkey border. Is it the head of a Westerner? That’s what Evangelos’s superiors want to know, and they want the answer to be ‘yes.’ Something else to blame on the refugees.

Finnish members of the European Border and Coast Guard (Frontex) found the head near the bank of the Evros River. This strip of land is not only Greece’s border but that of the EU’s passport-free Schengen Area—in a sense, all of Europe. It’s the main crossing point for refugees into the European Union. Greek politicians want to build a Trump-like border wall there, and they want the EU to pay for it. Greece certainly can’t. (In real life, a 10-mile wall—actually a razor-wire fence—was eventually built.)

Verdan’s novel – his first available in English – is part political thriller, part police procedural, part mystery. A brief prologue offers hints regarding who has lost his head, but the circumstances are murky.

Much of this literary, sensitively written novel adopts the close-up point of view of Agent Evangelos, who takes the constant reversals of policy in stride simply by ignoring them. His focus is on solving the crime, and he moves doggedly forward, even when he’s told not to push his inquiry too hard. Novels based on current events risk becoming outdated, but the essential humanity of Verdan’s characters make this story timeless. An extra star here for humanity.

A Trio of Notable Crime Novels

photo: Stew Dean, creative commons license

Exciting plots, award-winning authors, worthy protagonists. Three crime thrillers for spring!

****Slow Horses

By Mick Herron – In Britain’s MI5, the slow horses are the agents whose incompetence, outrageous errors, or general unlikeability cause them to slip off the fast track. They’re stabled at the aptly-named Slough House, far from Regent’s Park, the energized center of important decisions and brisk walking. With luck, sheer boredom will move them to seek some different pasture.

The slow horses work under the benign supervision of Jackson Lamb, who may be more wolf than lamb, and you’d be forgiven for anticipating that the luckless occupants of Slough House are not without tradecraft tools and the wit to use them.

When a young man is abducted by people threatening to behead him live on the Internet, the political complexities of the situation quickly escalate. Slough House has reason to be involved, but HQ won’t hear of it. Worse, a violent attack on one of them suggests any means possible will be used to prevent their sticking their noses in. Slow horses or no, the race is on. Against the kidnappers and against their own superiors.

Herron has written a page-turner of a novel, with many laugh-out-loud moments. This first in an award-winning series was thoroughly enjoyable.

***Night Life

By David C. Taylor, narrated by Keith Szarabajka – In 1954 New York City, police detective Michael Cassidy—who could have inspired Sinatra’s “My Way”—becomes embroiled in a mystery that will require all his detecting skills and a great deal of political savvy to unravel. A young gay man is found tortured to death. The killer was apparently looking for something. Cassidy must look for it too.

He’s not sure what he’ll find when he starts turning over rocks in these early Cold War days, with paranoia about Communism and Communists on the rise, with the hearings of Senator Joe McCarthy’s witch hunt in the news, with the CIA and the FBI competing for scraps of information. Cassidy is a straight-up cop, but he’s unaware of his own vulnerabilities. He’s about to discover them, and they will put the people he cares about most at risk.

Screenwriter Taylor creates a powerful noir atmosphere that evokes not only the streets of New York some sixty years ago but also the psychic atmosphere, with its fear-mongering about the Red Menace and its rampant homophobia. In this novel, both of these caused people to kill and be killed. Nice narration from Keith Szarabajka.

This book won the 2016 Nero Wolfe Award for Best American Mystery, and was a Mystery Writers of America Edgar Award nominee.

***Shutter Man

By Richard Montanari, narrated by Scott Brick – Another good cop story, this one intergenerational. It’s set in Philadelphia, and the early scenes take place in 1976 in an Irish neighborhood called Devil’s Pocket. Back then, a group of teenage friends from the Pocket were involved somehow in the death of a mentally disabled young man who was a member of the powerful Irish crime family, the Farrens.

Today, one of those young men is police detective Kevin Byrne, another is DA candidate Jimmy Doyle, and the Farrens are still operating outside the law. Byrne and his friend, Assistant DA Jessica Balzano (teamed up in several of Montanari’s books) are working on a set of bizarre killings that seem to be linked, but how? And do they reach all the way back to those Devil’s Pocket days?

Montanari’s characters are interesting and well-rounded and he creates considerable narrative tension. While Scott Brick provided a fine narration, the multitude of characters and the switching between time periods make this a better candidate for enjoying in print.

One of The New York Times‘s 10 Best Crime Novels of 2016.

****A Hole in One

Golf Clubs

photo: Susanne Nilsson, creative commons license

By Judy Penz Sheluk – In this charming cozy mystery set in a small town north of Toronto, Canada, Arabella Carpenter decides to promote her Glass Dolphin antiques shop by sponsoring a hole in one contest at a local charity golf tournament. The prize: a pricy jet ski. All good fun until she hits her ball into the woods, and amongst the trees finds not her golf ball, but a dead body.

The victim, killed by a gunshot to the chest, is the estranged father of Arabella’s ex-husband, Levon Larroquette. The two men were so estranged that Arabella never met her ex-father-in-law. But she has seen him. He and Levon were arguing in the park just a few days before the tournament. Arabella still has feelings for Levon, and precisely how strong those feelings are is revealed whenever he encourages her to join him in drinking a little too much cognac.

Levon might have flaws as a husband, but Arabella is convinced he’s no killer. Worried that her information has made him appear more guilty, she’s determined to clear Levon’s name by investigating the murder herself, with the help of her business partner Emily, a former investigative reporter.

This is the second in the Glass Dolphin mystery series, in which Arabella and Emily boldly go where, maybe, they shouldn’t, as some of the information they turn up seems to implicate Levon even further. Their inquiries give author Sheluk the opportunity to introduce a sizeable cast of interesting, often amusing characters, with their tidbits of information and propensity for creating confusion: an Elvis impersonator, potential romantic interests for both Arabella and Emily, a vengeful local newspaper editor and reckless blogger, and an antique dealer going out of business who has sad secrets of her own.

Sheluk is an antiques expert herself and currently editor of the New England Antiques Journal. Writing with a light touch, she has a knack for inserting just the right amount of intriguing details about antique items, the antiques market, or running a small business. That information gives the story a nice grounding in reality, even as the plot twists and turns.

A Hole in One is thick with dialog, with the banter between the two women full of good humor. You may not doubt that they will succeed, almost despite themselves, but the fun is in seeing how they go about it as their theories—and the bodies—pile up.

 

*****Fever

Abandoned house

photo: Lane Pearman, creative commons license

Written by Deon Meyer, translated from the Afrikaans by KL Seegers – Opening with the lines, “I want to tell you about my father’s murder. I want to tell you who killed him and why,” this noted South African author takes a good long while to get to the actual killing of Willem Storm, but he uses the time well.

The world has been devastated by the Fever—a new infectious disease that spreads rapidly and catastrophically. A few people have a genetic quirk that saves them, but 95 percent of the world’s population has died. Willem and his son Nico, hiding out in a remote South African cave, survive. The big challenge is “now what?”

Willem has a vision for what should come next. He and his son fill a tractor-trailer with useful items they find as they traverse the countryside. They aren’t the only survivors, of course, and food becomes increasingly hard to find. With a pre-Fever population of approximately 56 million, South Africa alone would have a residual population of 2.8 million.

How people react in such a desperate situation reveals their fundamental values. Willem Storm envisions a new egalitarian society built on democratic principles. He finds a suitable location, and he and Nico drive the countryside, leaving posters asking people of good will to come. Gradually, they do, and they name their new community Amanzi, “water.”

Teenage Nico is torn between his father’s idealism and the aggressive values of a new arrival in the community, Domingo. He has a past he won’t talk about, works with military precision, and an affinity for weapons. He consistently argues for more security precautions, because the threats are real—packs of wild dogs, marauding motorcycle gangs, and murderous thieves. “People are animals,” Domingo says.

Amanzi’s creation is an amazing adventure story. The book may be 530 pages long, but it is very hard (truly, almost impossible) to put down—at least for someone like me who is interesting in how things work, or don’t. Nico narrates most of it, though a great many other residents recount their experiences both before Amanzi and in the community, gradually building up a “360-degree” perspective on Willem, Domingo, Nico, and Amanzi. Only in the last 20 pages are the most horrifying crimes of the novel revealed, and these are the least satisfying pages of all.

If you are intrigued by the situations and challenges presented in post-apocalyptic thrillers like Cormac McCarthy’s The Road or Stephen King’s The Stand, this novel is sure to get you thinking.