****They All Fall Down

caramelized sugar

photo: Serene Vannoy, creative commons license

By Tammy Cohen – Hannah is a new patient in a women’s low-security psychiatric facility called The Meadows outside London, the result of an incident Cohen takes some time to reveal.

In the several weeks before this new psychological thriller opens, two of the facility’s dozen or so patients have committed suicide. In fact, the first line is, “Charlie cut her wrists last week with a shard of caramelized sugar.” Hannah doesn’t believe Charlie killed herself. She believes both of the so-called suicides were murder. But who will believe her?

Most of the short chapters are told in either Hannah’s first-person point of view or that of her mother Corinne, in third-person. Corinne isn’t sure what to make of Hannah’s accusations. She wants to believe her daughter, but Hannah’s done some strange things lately that weaken her credibility.

At the same time, Corinne is desperate to believe her daughter is safe at The Meadows. And the director, Dr. Oliver Roberts, and the art therapist, the supportive Laura, as well as most of the other staff seem capable and conscientious, don’t they? Are these people who they say they are? Their contention that their patients are high-risk, with histories of suicide attempts, never quite reassures her.

Author Cohen has assembled an interesting group of patients: Odelle, thin as a stick with serious eating disorders; Stella, whose otherworldly appearance results from too many cosmetic surgeries, including removal of a rib to achieve a smaller waistline; and Judith, who says she’s just being “honest” when she makes her intentionally cruel remarks. As events unfold and confidences are shared, these patients form a kind of lamenting Greek chorus.

The characters are mostly well developed; however, it was jarring when the patients’ ages would be mentioned. They were in their mid-thirties or so (Hannah is 32), but they came across like teenagers. Perhaps this is because they are highly dependent, vulnerable personalities.

Throw into the mix a lurking filmmaker and his cameraman working on a “fly-on-the-wall” documentary. The filmmakers were a nice touch (with the director Justin “doused in self-absorption like cheap cologne”), since an underlying theme of the book is perception. What does the “neutral” eye of the camera perceive? What do each of the characters perceive about each other, and do they trust each others’ perceptions—they certainly share doubts about Hannah’s—and does she even trust her own?

In general, the writing style is effective and the pace is good and varied. Cohen uses cliffhangers to keep you reading “one more chapter”—mysterious items and messages turn up in the hospital, a red baby hat on Corinne’s doorstep. Eventually these are all explained, but the repeated technique begins to feel artificial. On the whole, an intriguing psychological thriller.

A longer version of this review appeared on CrimeFictionLover.com.

****DIS MEM BER

teenage girl

photo: Tammy McGary, creative commons license

By Joyce Carol Oates – This collection of mostly longish short stories features Oates’s sly humor and penchant for the off-kilter. There’s something just a little bit obsessive, just a little wrong about many of the stories’ protagonists, until there’s a LOT wrong. Someplace along the line, they take a turn into some very dark places.

The disarticulated title of the story, “DIS MEM BER” anticipates the menace underlying the tale of a pre-teen girl fascinated by her older step-cousin—handsome, mysterious, and just disreputable enough to charm a young girl and enrage her father. The first-person narrator mostly misses the sinister potential in his attentions, but you will not, and you read on with growing unease.

Similarly, in the story “Heartbreak,” a lumpy young teen is jealous of her attractive older sister and her budding relationship with their stepfather’s handsome nephew. It opens as follows: “In the top drawer of my step-dad’s bureau the gun was kept,” signaling that Oates will follow Chekhov’s famous advice: “If you say in the first chapter that there is a rifle hanging on the wall, in the second or third chapter it absolutely must go off.”

Although these two tales turn out quite differently, they show an affinity for the voice of a young girl troubled by her sexuality and the impact on men that she has, may have, may never have, wants, and fears. Oates mimics the progress and backtracking and stuttering nature of thought with liberal use of interjected italics and parenthetical phrasing: “Even when Rowan was furious with me, and disgusted with me, still he was fond of me. This I know. It is a (secret) memory I cherish.” These devices in places feel excessive, even intrusive. Parentheses within parentheses send you down a rabbit hole.

Young girls are not the only females prey to second thoughts. The eerie story “The Crawl Space” concerns a widow haunted by—and haunting—the home she shared with her husband, now in other hands. Similarly, in “Great Blue Heron,” a new widow is plagued by her husband’s brother, determined to wrest the executorship of his estate—and, undoubtedly, all his assets—from her. What precisely happens in these two stories, as the women’s ghosts and fantasies take hold, is not clear. Their trace of ambiguity leaves you free to interpret. Letting readers “do some of the work themselves” can be a strength of the short story form.

In “The Drowned Girl,” a college student becomes obsessed with the unexplained death of a fellow student. “Like gnats such thoughts pass through my head. Sometimes in my large lecture classes the low persistent buzzing is such that I can barely hear the professor’s voice and I must stare and stare like a lip-reader.” In this, as in all of these stories, Oates deftly creates a specific, concrete setting for her characters. The believability of these environments makes you believe the characters also are plausible until you’ve traveled with them pretty far into the deep weeds of their bizarre perceptions.

The final story, “Welcome to Friendly Skies!” is not a thematic fit with the others, but ends the book on a decidedly humorous note. Passengers on a you-can-anticipate “ill-fated” flight to Amchitka, Alaska, are taken through the standard airplane safety monologue with a great many ominous additions.

Lawrence Block’s recent multi-authored short story collection, In Sunlight or in Shadow, inspired by the realist paintings of Edward Hopper, could not pass up the opportunity to include one of Oates’s lonely—and deliciously skewed—female protagonists.

*****A Necessary Evil

Hindu God Baruda

photo: Keshav Mukund Kandhadai, creative commons license

By Abir Mukherjee – Reading this fast-paced police procedural is like a trip back in time to the British Raj, mid-1920. Calcutta-based Imperial Police Force Captain Sam Wyndham and his Sergeant Surendranath Banerjee—whom Wyndham insists on calling Surrender-not—find themselves embroiled in a complicated and politically tricky investigation.

An old school acquaintance of the Sergeant’s, Crown Prince Adhir Singh Sai of Sambalpore is visiting Calcutta to attend the formation of a Chamber of Princes, another in His Majesty’s Government’s urgent stratagems to dampen the population’s growing sentiment supporting Home Rule. While Wyndham and Banerjee are riding in a car with the Prince, he tells them he’s received anonymous death threats back home. Right on cue, a man dressed in the saffron robes of a Hindu priest steps in front of the car and shoots him dead. The two policemen investigate and find the attacker, who commits suicide rather than be taken.

Further steps in the investigation, it seems, will have to take place in Sambalpore, but as one of the larger and more important Princely States, Sambalpore is administered under the auspices of its Maharajah, not the British government. The Sergeant’s acquaintanceship with the prince provides an excuse for the pair of them to go to Sambalpore for the funeral and—strictly unofficially, of course—see what they can find out.

In an author’s note Mukherjee says there was an actual princely state of Sambalpur southwest of Calcutta, with a several thousand-year history. It was notable as a place where both diamonds and coal—which figure in the plot of the novel—were prevalent. Carbon in its various forms has made the fictional Maharaja of Sambalpore the fifth richest man in India, enabling the lavish lifestyle Wyndham and Surrender-not enjoy as his guests.

Sambalpore is also a center of the worship of Lord Jagannath, an avatar of Vishnu. The English word juggernaut, which refers to a merciless and unstoppable force, derives from the temple cars used in worshiping Jagannath and metaphorically in this novel, to the forces that ally to secure Sambalpore’s future.

As a first-person narrator, Wyndham is perceptive and charming. At times he plays his clueless Englishman card, as in the sobriquet for his sergeant. He good-naturedly criticizes their peon for not managing to master English, despite years of service, never turning that linguistic mirror on himself. The only cultural difficulty he seems unable to accommodate is the idea of an Englishwoman involved with an Indian man. Meanwhile, he’s adopted some local customs quite whole-heartedly, including the rituals and pleasures of opium-smoking.

Wyndham’s cultural blind spots are a clever narrative device for Mukherjee, who uses them to inform the Captain—and the reader—about social, political, and religious matters that impinge on the investigation. Mukherjee has created an engaging pair of police protagonists and an array of well-conceived secondary characters too.

As the plot unfolds, the complexity of Sambalpore palace life, the royal family, and the ambitious civil servants is spread out before you, and it is difficult to see how matters will resolve. Yet, time is short. The English diplomat stationed in Sambalpore, who has a deliciously gossipy wife, is determined to get rid of him and Surrender-not, and the two policemen may be put on the next train north to Calcutta at any moment.

Ellery Queen Mystery Magazine – May/June 2017

Ellery Queen

(photo: Vicki Weisfeld)

Beginning this year, EQMM—a prominent short story publisher with a 75-year history—began publishing six times a year. The issues are longer than the former single-month editions, and the policy was instituted undoubtedly to save mailing costs. I hope this doesn’t mean an eventual reduction in the number of stories EQMM publishes, because outlets for mystery/crime short stories are severely limited.

Judging by the quality of the May-June 2017 issue, there’s no shortage of entertaining content out there. Here are some of the stories I liked best:

  • “Charcoal and Cherry,” by Zoe Z. Dean, in which an amateur sleuth teams up with a retired police detective to unravel a cold-case murder.
  • “Rosalie Marx is Missing,” by Robert S. Levinson. A pair of amateur Las Vegas sleuths find a missing granddaughter. Lively banter.
  • “Find and Replace,” by Marjorie Eccles, an increasingly hilarious (and suspicious) exchange of letters between a homeowner and a newspaper’s gardening expert.
  • “Your Name Will Be Written in Lights,” by Jonathan Moore, author of last year’s excellent The Poison Artist. A show girl puts on the performance of her life.
  • “In the Time of the Voodoo,” by John Lantigua, high-tension effort to protect a Miami immigrant from her past and the Tonton Macoute.
  • “Angel Face,” by M.C. Lee, attention to detail may exonerate a wrongly convicted death row prisoner, in Florida, “a state where the statue of Blind Justice would be better suited standing in front of a Whac-A-Mole machine.”

Libraries and big box bookstores carry EQMM, or subscribe! Available in print and for the Kindle.

Books by some of the authors highlighted above:

Best Mystery, Crime, and Thriller Fiction – 2017

books

(photo: wikimedia.org)

Because reading a bad novel seems, well, criminal, we can thank Bill Ott at The Booklist Reader for wading through the enormous output of crime, thriller, and mystery fiction to come up with his list of top books of the year, 5/1/16-4/15/17. He admits to ignoring some long-running series, in favor of bringing to light less familiar authors and work. So, from his list, in alphabetical order:

  • The Boy Who Escaped Paradise, by J. M. Lee, translated by Chi-Young Kim – part of a growing shelf of fiction set in North Korea—home base for alternative facts—where the mechanisms of the state purposefully distort the lives, minds, and hearts of the people. Gil-mo has escaped, following an adventurous trail through several countries. Now he sits wounded in a New York City jail cell, while the authorities try to answer the question, is he a murderer and a terrorist or a mathematical genius?
  • Celine, by Peter Heller – Celine is nearly 70, a private investigator with an oxygen tank, who specializes in missing persons. A “captivating, brainy, and funny tale” full of suspense, it’s set in the beautifully described Yosemite National Park. As in so many investigations, her quest is for more secrets than the fate of a nature photographer presumed killed by a grizzly.
  • Dark Side of the Moon, by Les Wood – Ott compares the zingy dialog of this novel about the theft of a diamond to that of Donald E. Westlake (author of the classic jewel-theft caper, The Hot Rock). It’s told from the  point of view of one of Glasgow’s notorious crime lords. Wood honed his crime-writing skills concocting detection challenges as a teaching tool for his physiology students at Glasgow Caledonia University.
  • Darktown, by Thomas Mullen – Set in post-World War II Atlanta, the story follows an unauthorized murder investigation by two newly hired black cops, at a time when “one-quarter of Atlanta policemen were, in fact, members of the Ku Klux Klan,” said Mullen in an NPR interview. They were supposed to patrol only the black neighborhoods, many of whose residents “saw them as toothless sellouts.” This story of men under pressure is already in line to become a television series.
  • Let the Devil Out, by Bill Loehfelm – “The most compelling, complex patrol cop in the genre” is Loehfelm’s New Orleans rookie Maureen Coughlin, on the trail of a white supremacist militia. This is Loehfelm’s fourth book featuring his smart and strong protagonist, with the gritty, corrupt, fascinating city of New Orleans her frowzled co-star.
  • Razor Girl, by Carl Hiassen – another laugh-out-loud story displaying “Hiaasen’s skewed view of a Florida slouching toward Armageddon.” The super-cool Merry Mansfield may be a scammer, whose trade is phony auto accidents, but when she rear-ends the rental car of the agent to a TV reality star, a high-profile mess ensues, richly peopled with Florida characters, including disgraced detective Andrew Yancy, eager to redeem himself.
  • Revolver, by Duane Swierczynski – Set in 1965, 1995, and 2015, this three-generation crime story is a “bleak, powerful tale of corruption,” Ott says, and shows how long a family will persist in trying to resolve a tragic murder. Crimespree Magazine likens the book’s style and its portrayal of the city of Philadelphia (“a character unto itself”) to the master, Dashiell Hammett.
  • What We Become, by Arturo Pérez-Reverte – In 1928, Max works ocean liners as a tango dancer with an eye for the ladies and their jewelry. Pérez-Reverte “drinks freely from many genres: historical epic, Hitchcockian thriller, and deliciously sexy love story,” Ott says. His affair with the beautiful but married Mecha Inzunza flares, then fades. Eleven years later their paths across again in France, when Max becomes involved in a risky espionage and her husband away, fighting in Spain.

Edgar Winners 2017

The Mystery Writers of America recently announced its 2017 Edgar winners. As last year, none of the nominees for “best novel” were in Ott’s list, which to me is evidence of the quantity of good writing out there. Awarded an Edgar for “best novel” was Before the Fall by Noah Hawley and for “best first novel” was Under the Harrow by Flynn Berry. Two other truly excellent novels in the latter category, reviewed here, were Dodgers by Bill Beverly and The Drifter by Nicholas Petrie.

Be sure to check out the “Book Reviews . . .” tab above to find more in the crime/mystery/thriller genre.

*****Ill Will

Cemetery

photo: Andrew, creative commons license

Written by Dan Chaon – Past and present crimes haunt the two main protagonists of this beautifully crafted new literary thriller. In the present day, psychologist Dustin Tillman lives in suburban Cleveland, Ohio. One son is away at college, and his younger son, Aaron, is supposedly taking college courses locally. In truth, he and his friend Rabbit are heavy into the drug scene, and part of the story is told in Aaron’s spot-on voice.

Dustin grew up part of a closely knit family in small-town western Nebraska. Two brothers had married two sisters, and Dustin was the child of one pair, and his twin cousins Wave and Kate the daughters of the other. In addition, his parents adopted a teenager, Russell Bickers, whose previous foster family died in a fire. Rusty and Dusty.

Dusty is a dreamy, highly suggestible kid. Rusty and the twins entertain themselves with manufacturing Dusty’s memories, putting him places he hasn’t been, including him in scenes he hasn’t observed, making him not trust his own senses and memories.

Dustin’s parents are oblivious to all this, boozing and using, and the siblings may be careless about which spouse they sleep with. Early on, you learn that when Dustin was thirteen and the girls seventeen, all four parents were shot to death. Kate believed Rusty did it. Wave did not. And Dustin’s memories are, well. Thirty years later now, DNA evidence exonerates Rusty, and he’s released from prison to lurk on the fiery horizon of the story like a rising sun.

Interwoven with the exploration of these past events is a narrative about mysterious present-day deaths. Dusty’s patient Aqil Ozorowski—a police officer on medical leave—is obsessed with the accidental drowning of a series of male college students. Over a period of years, young men’s bodies have been found in lakes and rivers of the Midwest, some with what Ozorowski deems significant dates of death, like 10/10/10. The authorities are frustratingly unconcerned, saying the students simply fell into the water, drunk, but Ozorowski rails at the lack of proper investigation. Eventually he inveigles Dustin in some unofficial research.

Aaron thinks his dad is a fool. The whole family mocks the “astral traveling” when Dustin’s attention just . . . goes. Dustin suffered bouts of sleepwalking after his family’s murders, and in some respects, he still sleepwalks through life. Chaon typographically expresses the tendency of minds to wander, through blanks in the middle of         You get the idea. After a while, this technique establishes a dreamy disconnect that seems not just real, but really dangerous.

Chaon is a widely praised short story writer and was a National Book Award finalist for an early collection. He has no trouble here sustaining interest in the actions and fates of his fascinating, flawed characters. If you tire of thrillers where the characters are no deeper than the page they’re written on, you’ll find this richly presented family a welcome change.

A longer version of this review appeared on CrimeFictionLover.com. You can order a copy with the affiliate link below.

Short Mystery Fiction – Ellery Queen Picks

baby sea turtles

photo: Chris Evans, creative commons license

Short stories are a great diversion when you don’t have the time or attention span for a novel. The pacing is different. Every word should count. A paperback or magazine of short stories travels well too. Ellery Queen Mystery Magazine, now in its 76th year, is one of the best.

The EQMM editors select a wide variety of stories from the broad categories of mystery, crime, and suspense and now publish six times a year. Here are a few from recent issues that I found particularly entertaining.

  • “Frank’s Beach” by Scott Loring Sanders – a bit of sea turtle ecology and a dead body. Sanders’s stories have appeared in Best American Mystery Stories and he has a new collection out last month, Shooting Creek. (Ellery Queen Mystery Magazine, November 2016)
  • “Flowing Waters” by Brendan DuBois – a prolific writer of short stories, this one focused on a woman with PTSD and her formerly abused rescue dog. A classic case of who rescued whom? DuBois latest novel, Storm Cell, was published late last year. (EQMM, January/February 2017)
  • “Oh, Give Me a Home” by Gerald Elias – tracking down a rogue group of survivalists in Utah’s Uintas Mountains. Elias (a former violinist) has a novel, Devil’s Trill. (EQMM March/April 2017)
  • “Ruthless” by Judith Cutler – a Black Widow meets her match. Cutler’s novel Head Start will be out later this year. (EQMM March/April 2017)
  • “The Model Citizen” by William Dylan Powell – love these humorous tales featuring former cop Billy Raskolnikov and his monkey Ringo who live on the boat David’s Fifth Margarita. (EQMM March/April 2017)

If you follow this blog at all, you may recall that my own story, “A Slaying Song Tonight” led off the EQMM holiday issue (January/February 2017), with a tale of how relationships are tested when a Christmas caroling excursion becomes the opportunity for murder.

 

****Jade Dragon Mountain

Red Lantern, China

photo: Jakob Montrasio, creative commons license

By Elsa Hart – This charming debut mystery hits my personal buttons, set as it is in China, 1708, and incorporating many of the conventions of novels of Old China. Elsewhere I’ve written about my admiration of the Tang Dynasty’s quasi-historical Judge Dee, made famous by the detective novels of Dutch author Robert van Gulik.

Of course, the romantic vision of historical China in novels—A Dream of Red Mansions and those written by Westerns alike—and movies—from Raise the Red Lantern to The Assassin—bears no resemblance to China under Communism, nor to the everyday lives of poverty and privation of most Chinese of the past. The novels, even the mysteries dealing with lust, avarice, and murder are generally set among the nobility and the scholars. The tea may be poisoned, but it’s served in a translucent porcelain cup.

In Hart’s debut, exiled former librarian in the Forbidden City Li Du (already we encounter a scholar), traveling in a remote southern area, enters a town where his cousin is the magistrate to register his presence. On his arrival he learns that the Emperor of China is visiting the town in six days! He will preside over (and pretend to instigate) an eclipse of the sun. This visit accounts for the enormous bustle and elaborate preparations Li Du observes.

The town and the magistrate’s compound, including its impressive library, are evocatively described. Hart took me right to those places. For me, a delightful return. Although the Emperor’s visit will be a great honor for the magistrate and the town, it creates great risk as well. Many people, including foreigners, are anxious to influence what the Emperor sees and believes.

The magistrate, beset with difficult decisions and details, would prefer to dismiss the untimely murder of a Jesuit astronomer as simply the work of a group of Tibetans camped in the nearby mountains. But Li Du knows these men and believes them innocent. As an exile, he cannot afford to create any difficulties, yet he cannot let the false accusation rest and a murderer go free. His cousin allows him just a few days to solve the crime, as the Emperor’s visit comes ever-nearer. But is a worse crime in the making?

Hart has woven an intricate plot, drawing on real-life politics: the historical isolationism of China versus European pressure to open trade, conflicts between the Jesuits and the Dominicans, the friction inherent in the rigid Chinese class structure. These elements make the story both fascinating and subtle.

Incident at Hidden Temple

Incident at Hidden Temple, Pan Asian Rep

Dinh James Doan & Briana Sakamoto – photo: John Quincy

Pan Asian Repertory Theatre’s current production—the world premiere of Damon Chua’s Incident at Hidden Temple—is an evocative reminder of a pivotal piece of World War II history, and its title reminiscent of my favorite mystery novels—the Tang Dynasty adventures of Judge Dee. Part noir murder mystery and part political showdown, the play takes place in Southwest China in 1943. Under the direction of Kaipo Schwab, the production opened January 26 at Clurman Theatre at Theatre Row.

U.S. Flying Tigers squadrons are helping the Chinese Nationalists led by Chiang Kai-Shek (played by Dinh James Doan). In the first of the play’s many short scenes, an American pilot (Nick Jordan) is murdered by a Chinese woman (Rosanne Ma).

Nearby, a train stops at a place called Hidden Temple, and journalism student Ava Chao (Ying Ying Li) disembarks to stretch her legs. She meets Chinese-American pilot trainee Walter Hu (Tim Liu) and a mysterious blind man (also played by Dinh James Doan).

Ava’s younger sister Lucy (Briana Sakamoto) also talks to the blind man, who tells her a story. In one of the play’s most charming moments, he and she act out the story using classical Chinese gestures and body movements. When Lucy disappears, Ava seeks help in finding her from U.S. General Cliff Van Holt (Jonathan Miles), head of a Flying Tigers squadron.

Soon, several mysteries are in play. Why was the pilot killed? Why is Walter Hu pretending to be someone else? What happened to Lucy? Will any of the characters ever be pure enough in heart to see the hidden temple?

Meanwhile, on the stage of world power politics, larger issues are unresolved. Van Holt wants to cooperate with Chiang and build a forward air base in the eastern region of China from which U.S. planes can attack the Japanese islands directly. General Stillwell, through his aide (Nick Jordan), opposes this plan. The Japanese are the immediate threat, but Mao’s Communist forces in the north also must be reckoned with.

Act One does a good job in setting up the multiple conflicts and questions. While Act Two has resonant moments, it isn’t as strong, relying on some unlikely coincidences and encounters. Ultimately, though the story questions are answered (except the biggest one, which the playwright leaves to the audience), there’s almost too much to bring together smoothly.

The staging and the acting overall are excellent, with Dinh James Doan and Ying Ying Li deserving special mention. Set designer Sheryl Liu, in tandem with Pamela Kupper (lighting), creates just the right amount of moody atmospherics on a stripped-down stage.

For tickets, call Telecharge: 212-239-6200 or telecharge.com. Special performances and discounts are detailed at the Pan Asian Rep website.

The Critics Pick: Best Crime/Mystery/Thrillers of 2016

police, San Francisco, passersby

(photo: Thomas Hawk, Creative Commons license)

Yesterday, I reported on the only book to receive four mentions among eight different “best of 2016” lists for crime, mystery, and thriller fiction, and the three mentioned three times. Below are the books receiving two mentions. All the others—just over 60 books in all—were mentioned only once. So there’s lots of “best” books out there. If readers are interested, I’ll post the list of the 60, as well. Let me know. Yesterday’s post here.

Two Mentions

Putting several of these, starting with those in bold, on my “to read” list!

Before the Fall by Noah Hawley – A suspicious plane crash leads to a damaging media onslaught for survivors while the police investigate.
Black Widow by Chris Brookmyre – A rogue journalist investigates a woman victimized by Internet trolls; when her husband dies, is the “Black Widow” moniker correct?
The Black Widow by Daniel Silva – a political thriller about efforts to prevent an Islamist attack on Paris with a “heart-stopping, unexpected and deeply unsettling” grand finale, says the Washington Post.
Fool Me Once by Harlan Coben – a nanny cam reveals a widow’s husband may not be dead after all in this “smart, fast-paced thriller by a master,” according to Library Journal.
His Bloody Project by Graeme Macrae Burnet – combines a legal thriller and literary game so well, it wound up on the Man Booker prize shortlist.
I Let You Go by Claire Mackintosh – “A clever combination of police procedural and psychological thriller,” says CrimeFictionLover.com, which begins with a child’s hit-and-run death.
Missing, Presumed by Susie Steiner – A missing woman’s nearest and dearest may not be telling the police the whole story.
Rise the Dark by Michael Koryta – Investigator Mark Novak is taunted by a recently released prisoner who claims knowledge of Novak’s wife’s murder.
The Second Life of Nick Mason by Steve Hamilton – Convicted murderer Nick Mason gets a surprise early prison release and must try to build a new life, and goes about it all really, really wrong.
The Trespasser by Tana French, provides another outing of the fascinating Dublin Murder Squad.

The Sources

These U.S. and U.K. publications provided the original lists: BookRiot, The Guardian, Kirkus Reviews, Library Journal, New York Times, The Telegraph (crime & thriller), The Telegraph (50 Best Books for Christmas), Washington Post.