Listen Up! Take 2

earphones

photo: John O’Nolan, creative commons license

Three notable audiobooks for your consideration: the fantastic debut novel She Rides Shotgun, award-nominee The Breakdown, and Hangman, follow-up to last year’s mega-hit, Ragdoll. Starting with the best of the three.

*****She Rides Shotgun
By Jordan Harper, narrated by David Marantz – Winner of the 2018 Edgar Award for best debut novel, this is the audio equivalent of a real page-turner (though I’m never tempted to listen at 2x speed!). When Nate McClusky leaves prison after refusing to work for the dangerous gang Aryan Steel, a death warrant is issued for him and his family. He finds out how determined the killers are when he discovers his ex-wife and her new husband murdered, and realizes his eleven-year-old daughter Polly will be next. He picks her up at school before the killers find her, and the chase is on. They’re practically strangers to each other, as he’s been incarcerated for most of her childhood. She’s a quirky kid, shy and smart as a whip, teddy bear in tow.

Nate hasn’t had much parenting experience, but he warms to the role, and two have terrifying—and sometimes heartwarming—adventures roaming Southern California, as they gradually become partners in evading their would-be killers as well as the police. Betrayal is a constant anxiety. Based on the premise—the criminal dad, the kid—I didn’t think I’d like this book as much as I did, no small part of which relates to Marantz’s excellent narration.

Another recent and remarkable book about a criminal father raising a daughter was Hannah Tinti’s The Twelve Lives of Samuel Hawley, also an award nominee.

***The Breakdown
By B.A. Paris, narrated by Georgia Maguire – Another domestic thriller of the “is she going crazy, or is someone doing this to her?” variety. Unfortunately, the big reveal seemed obvious early on, which tarnished the entertainment value. I selected it because the book was on the “Best Novel” short-list for a 2018 Thriller Award. Compared to the other two nominees I read, it falls short of the nail-biting excitement of Gin Phillips’s Fierce Kingdom or the fascination of Dan Chaon’s Ill Will.

Rain on Windshield

Iwan Gabovitch, creative commons license

The story takes place in and around a mid-sized English market town. One night, as Cass is driving through the woods to her isolated (natch) home in a terrible rainstorm, she sees a woman in her car, stopped by the side of the road. Since the woman doesn’t appear to be in distress, rather than get drenched, she doesn’t offer aid. The next morning, she learns the woman has been murdered. And that she knows her.

Guilt over not helping, strange occurrences that make her think the killer may now be stalking her, and fear that, like her mother, she may be suffering from early-onset Alzheimer’s make for a pretty mopey outlook. The narration reflects that, though I admire Maguire’s portrayal of the long-suffering husband. You can hear—and empathize with—his growing doubts about his wife’s mental state. If you like the “gaslight” sub-genre, you may enjoy this.

**Hangman
By Daniel Cole, narrated by Alex Wyndham – This book follows on the successful 2017 thriller Ragdoll, and involves some of the same characters, charged with solving a series of baffling murders that hits London and New York. Are they Ragdoll-related or grisly copycats? DCI Emily Baxter, who was key to solving the Ragdoll case, is flown to New York to liaise [!]. I like how prickly she is—don’t try to sweet-talk her for god’s sake! The CIA operative is an engaging character too.

I’m not squeamish, but my lack of enthusiasm for Hangman derives from its excess of sadistic violence, which appeared ramped up for shock value. A male narrator was chosen for the audiobook, though usually the narrator’s gender matches that of the protagonist. Possibly the publishers thought the extreme violence would be better portrayed in a male voice, and Wyndham does a fine job presenting UK and US characters of varying ethnicities.

Read an earlier Listen Up! compilation here.

Pages vs. the Silver Screen – 2018 Edition

BlacKkKlansman

BlacKkKlansmanThe real-life Ron Stallworth infiltrated the KKK in the late 70s, but in his movie, director Spike Lee resets the action earlier in the decade and makes some other changes for a stunning result. Every thoughtful American should see this riveting film (trailer), which ping-pongs between comedy and tragedy, passing repeatedly through high drama and providing first-rate acting from a fine cast, start to finish.

The comedy part comes from the ability of Colorado Springs’s first black police officer, Stallworth (played by John David Washington), to convince a local chapter of the Ku Klux Klan and even former KKK Grand Wizard David Duke (Topher Grace) that he’s actually a hate-filled white racist. The tragedy comes from considering that the racial issues that divided the country in the 1970s remain painfully relevant today. In a grim coincidence, I saw this film on August 12, the one-year anniversary of Charlottesville’s deadly white supremacist rally.

Stallworth built his unlikely relationships by phone, but when his physical presence was needed, his white colleague Flip Zimmerman (Adam Driver) stood in. Spike Lee could have made a predictable film out of this basic material, but he works it, proving nuance and impact. He intercuts footage of a KKK initiation ceremony with scenes from a black student organization’s meeting with an aging civil rights figure (Harry Belafonte). Two speeches received with wild enthusiasm by totally different audiences bookend the story: a compelling stemwinder early in the film by Corey Hawkins as Kwame Ture, the name adopted by former Black Panther leader Stokely Carmichael, and, near the end of the film, a speech by David Duke carefully designed to mask his underlying meaning and make it more palatable to mainstream.

Self-awareness, loyalty, respect, humanity—these values are all on view, as are their opposites.

Rotten Tomatoes critics’ rating: 97%; audiences 77%.

Leave No Trace

Leave No Trace Based on Peter Rock’s 2009 novel My Abandonment, this film, directed by Debra Granik, raises a lot of questions it doesn’t answer (trailer). It was inspired by the true episode, which you can read about on Rock’s website, that in its conclusion is more unsettling than the film.

For four years, Vietnam Veteran Will (played by Ben Foster) has lived with his adolescent daughter Tom (Thomasin McKenzie) in Portland’s 5200-acre Forest Park, their camouflaged encampment further hidden by waist-high vegetation. Will apparently suffers from PTSD, and selling the drugs the VA gives him is one way the pair makes money. They visit the city for groceries and other supplies, though most of their time is spent in the rain forest.

Eventually, they are discovered. Unexpectedly, the authorities make a heroic effort to find a living arrangement that Will can tolerate. Helicopters spook him. Crowds spook him. Many things. For Tom’s benefit, he struggles to adapt to a more regularized life. The love between them is palpable, but will it be enough?

Foster gives a strong performance; McKenzie has received considerable praise, though the scanty dialog doesn’t give her much to work with, and she hits just a few emotional notes. You can count the times she smiles on one hand.

Rotten Tomatoes critics’ rating: 100%; audiences 86%.

The Book – Film Smackdown

Quite a few other movies this year are based on well-regarded books, as noted in this Literary Hub article. Which works better? Based on Book Marks ratings for books and Rotten Tomatoes for films, here’s the score:

  • Both darn good: Annihilation, Crazy Rich Asians, We the Animals, Lean on Pete, Sharp Objects, The Wife, The Looming Tower (I’m watching it on Hulu now)
  • Books markedly better than the movie: Red Sparrow, The Yellow Birds, Ready Player One, On Chesil Beach, Dietland
  • Movies markedly better than the book: Uh-oh.
  • Still to come in 2018: Bel Canto (read the book years ago; looking forward to the film and Ken Watanabe!)

****Texas Two-Step

cowboy boots

photo: Robert Stinnett, creative commons license

By Michael Pool – In this novel of crimes, both petty and not-so, Michael Pool takes you from the laid-back atmosphere of Colorado, where marijuana growing, possession, and sale is legal to rural Teller County in East Texas where it definitely is not. The county’s official policy is strictly anti-pot, rigorously enforced by its long-time sheriff, Jack Gables, who is especially diligent if he isn’t getting a cut of the action.

Transplanted Texans Cooper Daniels and Trevor Davis, close friends from childhood, have been living in Colorado for years. They think of their Texas drug deal as just going home for a spell, but home has changed, and they’ll have to dance a pretty lively two-step to stay out of jail and, maybe, out of the cemetery.

Cooper believes it’s worth the risk of selling his organic crop to the sketchy Texas drug dealer, “Sancho” Watts, because he’s vowed this deal will be his last. He’s turning a new leaf and has sworn to acquire himself a legitimate career to please his pregnant girlfriend. If he doesn’t shape up, she’s leaving him.

Cooper and Davis seem like good-natured stoners, but Watts is a wild man. Some time before the story starts, Watts sold a psychedelic drug to the grandson of a Texas state senator, and the boy killed himself. Now the legislator wants revenge, and he’s tapped Texas Ranger Russ Kirkpatrick to get something on Watts—anything, just so it puts him in jail for a long stretch.

To Kirkpatrick, the senator is a pest with a strong sense of entitlement. But the politician is not letting go, and if Kirkpatrick doesn’t produce, he’ll be a Ranger no more. While he’d rather not have this assignment, he has it, and it leads him to Teller County where the sheriff is notorious for pulling in the welcome mat when out-of-town law enforcement arrives.

Sancho Watts has teamed up with a Teller County celebrity, and you’d have to appreciate how much Texans love their football to understand the full significance of this partnership. The young man is former University of Texas footballer Bobby Burnell who lost his budding pro football career in a freak accident.

The separate strands of the story move smoothly toward an inevitable showdown, the outcome of which could go a number of different ways, most of them disastrous. Focusing on the action, Pool is light on description, and he writes good, humor-laced dialog. This is a book for fans of how things are done in Texas. Big. Very big.

***Animal Instinct: Human Zoo

Elephant - Sam Felder

photo: Sam Felder, creative commons license

By Simon Booker (this is an Audible Original, narrated by Imogen Church with a strong cast portraying the characters). PTSD has left former police detective Joe Cassidy (played by Brendan Coyle—Bates on Downton Abbey) with debilitating panic attacks. To get away from the world, he’s set himself up in a remote cottage on Dungeness Beach in Kent, but the world comes to him when he’s contacted by an old friend. Adam Pennyfeather (Joseph Marcell) inherited a wild animal park, and once saved Cassidy’s life when he was almost trampled by an elephant. Adam’s daughter Bella has gone missing, and he wants Cassidy to help find her. As a friend. As someone who owes him.

Cassidy is also on hiatus from his marriage to Katie (Lia Williams), herself a police detective, who’s handling the investigation of Bella’s disappearance. When Bella’s body is found in the elephant house, strung up like a side of meat, Katie is handed her first murder investigation. This creates inevitable tension between the couple, acting in their official and unofficial capacities.

The fault lines in the Pennyfeather family gradually reveal themselves. Adam’s wife is Isabel (Victoria Hamilton), and his younger daughter is Saffron (Rebekah Hinds). She and her husband, pizza entrepreneur Liam O’Mara (Harry Lloyd), tell Cassidy about Isabel’s lifelong loathing of her younger brother Felix, now Adam’s lawyer, and how Isabel preferred her daughters to her son Gabriel. His birth led to serious post-partum psychosis for which she was hospitalized. Fearing for the boy’s safety, Adam put him up for adoption many years before, and has since learned that Gabriel died in a motorcycle accident.

Trying to worm her way into Cassidy’s orbit is a relentless local journalist, an Australian woman named Chrissy McBride. Brigid Lohrey makes this character so annoying that, along with Cassidy, you’ll probably think, “Oh, no, not her again!”

Cassidy believes his wife is seeing someone, was seeing someone while they were married, at least early on, and that their son Luke is the other man’s child. Three DNA samples sent to a Cambridge lab will tell the tale, but is that information he really wants? Booker builds a nice bit of tension around the receipt of these laboratory results, and with Coyle’s solid portrayal, you can appreciate how torn Cassidy is.

The production includes sound effects of the type a foley artist would deploy in a radio play to indicate a closing door, footsteps, and the like. Possibly this is a matter of personal taste, but the sound effects feel redundant and jar me out of the story.

Animal Instinct is a nicely played, complex story and billed as the first book in a series featuring Joe Cassidy. TV writer Booker will find his listeners looking forward to more.

Listen Up! 3 Terrific Thrillers in Audio

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photo: John O’Nolan, creative commons license

Catching up on highly regarded crime thrillers of the last year, I’ve turned to audio for these:

*****Prussian Blue
By the late Philip Kerr, narrated by John Lee. This was Kerr’s next-to-last historical crime novel featuring Berlin detective Bernie Gunther, and takes place in 1939 and 1956. Lee’s reading imbues Gunther with every sly hint and ironic twist in his attitude toward the Nazis. Some of his colleagues at the time were aware: “I don’t know how you’ve survived this long, Gunther, feeling as you do.” But survive he has, and 17 years later, he’s working in France when a former colleague—now head of the East German secret police, the Stasi—demands he murder a certain woman. Rather than comply, Gunther goes on the run. Scenes of his flight across France are interspersed with recollections of a 1939 murder case at Hitler’s famous mountaintop retreat in Obersalzberg, which he was brought in to solve and which put him right in the middle of a power struggle between two of Hitler’s top men. It would be a hard job to choose which tale is more nerve-wracking. Lee’s Gunther is just right, his Nazis odious, and his Stasi enemies no better. Nominated for a 2018 Edgar Award and five stars from CrimeFictionLover.com.

****Bluebird, Bluebird
By Attica Locke, narrated by J.D. Jackson. In northeast Texas, a black man’s body is found floating in the bayou behind the only black-owned business in the tiny fictional town of Lark. Texas Ranger Darren Matthews is on suspension, but decides to poke around. One of the few black Rangers, he’s worked before on race-connected deaths and believes this is one. When he arrives in the town, the sheriff’s men are fishing another body out of the water—this one a white woman. Surely the deaths are linked, but how? And can he prove it? As he tries, Jackson’s narration expertly conveys not just Matthews’s determination, but the sheriff’s weakness, the malevolence of local Aryan Brotherhood of Texas members, the shifting moods of the dead man’s elegant wife from Chicago, who is the sort of Bluebird (messenger) of the title, and, finally, the townspeople black and white who are protecting a decades-old wall of secrets, all of whom are intriguing if just a bit predictable. Winner of the 2018 Edgar Award for Best Novel. TV series in the works.

*****The Marsh King’s Daughter
By Karen Dionne, narrated by Emily Rankin. Helena Pelletier is the protagonist in this thriller, set in the Michigan’s Upper Peninsula. She’s trying to live a normal life with her husband and two daughters, while keeping her bizarre past a secret. Rankin’s reading makes it clear this isn’t easy, and it becomes impossible when her Native American father kills two guards and escapes from prison, “armed and dangerous.” Years before, he kidnapped a fourteen-year-old girl and took her into the remote marshlands as his wife. There they lived off the land and had a daughter—Helena. Rankin conveys how much the young Helena adored her father and what he taught her about hunting, fishing, and survival. Eventually, the girl and her mother were found, and her father ended up in prison, an outcome that has left Helena deeply conflicted. Now that he’s on the run, she’s has to see whether she can live up to his nickname for her, Bangii-Agawaateyaa, “Little Shadow,” and find him before he finds her and her daughters. An international bestseller, it was frequently named one of the best books of 2017. Movie in the works.

****The Greek Wall

razor wire fenceWritten by Nicolas Verdan, translated from the French by W. Donald Wilson –The European refugee crisis has been front-and-center in the news media for so long it’s become easy to tune it out. In award-winning Swiss author Nicolas Verdan’s literary crime thriller, all the horrifying consequences of what happens when groups of people are ripe for exploitation are on display. And he doesn’t stop there, underscoring how wide its ripples have spread in European society.

It’s 2010, and Agent Evangelos of the Greek National Intelligence Service is sent to investigate a severed head found outside the northern city of Orestiada on the border separating Greece and non-EU Turkey border. Is it the head of a Westerner? That’s what Evangelos’s superiors want to know, and they want the answer to be ‘yes.’ Something else to blame on the refugees.

Finnish members of the European Border and Coast Guard (Frontex) found the head near the bank of the Evros River. This strip of land is not only Greece’s border but that of the EU’s passport-free Schengen Area—in a sense, all of Europe. It’s the main crossing point for refugees into the European Union. Greek politicians want to build a Trump-like border wall there, and they want the EU to pay for it. Greece certainly can’t. (In real life, a 10-mile wall—actually a razor-wire fence—was eventually built.)

Verdan’s novel – his first available in English – is part political thriller, part police procedural, part mystery. A brief prologue offers hints regarding who has lost his head, but the circumstances are murky.

Much of this literary, sensitively written novel adopts the close-up point of view of Agent Evangelos, who takes the constant reversals of policy in stride simply by ignoring them. His focus is on solving the crime, and he moves doggedly forward, even when he’s told not to push his inquiry too hard. Novels based on current events risk becoming outdated, but the essential humanity of Verdan’s characters make this story timeless. An extra star here for humanity.

A Trio of Notable Crime Novels

photo: Stew Dean, creative commons license

Exciting plots, award-winning authors, worthy protagonists. Three crime thrillers for spring!

****Slow Horses

By Mick Herron – In Britain’s MI5, the slow horses are the agents whose incompetence, outrageous errors, or general unlikeability cause them to slip off the fast track. They’re stabled at the aptly-named Slough House, far from Regent’s Park, the energized center of important decisions and brisk walking. With luck, sheer boredom will move them to seek some different pasture.

The slow horses work under the benign supervision of Jackson Lamb, who may be more wolf than lamb, and you’d be forgiven for anticipating that the luckless occupants of Slough House are not without tradecraft tools and the wit to use them.

When a young man is abducted by people threatening to behead him live on the Internet, the political complexities of the situation quickly escalate. Slough House has reason to be involved, but HQ won’t hear of it. Worse, a violent attack on one of them suggests any means possible will be used to prevent their sticking their noses in. Slow horses or no, the race is on. Against the kidnappers and against their own superiors.

Herron has written a page-turner of a novel, with many laugh-out-loud moments. This first in an award-winning series was thoroughly enjoyable.

***Night Life

By David C. Taylor, narrated by Keith Szarabajka – In 1954 New York City, police detective Michael Cassidy—who could have inspired Sinatra’s “My Way”—becomes embroiled in a mystery that will require all his detecting skills and a great deal of political savvy to unravel. A young gay man is found tortured to death. The killer was apparently looking for something. Cassidy must look for it too.

He’s not sure what he’ll find when he starts turning over rocks in these early Cold War days, with paranoia about Communism and Communists on the rise, with the hearings of Senator Joe McCarthy’s witch hunt in the news, with the CIA and the FBI competing for scraps of information. Cassidy is a straight-up cop, but he’s unaware of his own vulnerabilities. He’s about to discover them, and they will put the people he cares about most at risk.

Screenwriter Taylor creates a powerful noir atmosphere that evokes not only the streets of New York some sixty years ago but also the psychic atmosphere, with its fear-mongering about the Red Menace and its rampant homophobia. In this novel, both of these caused people to kill and be killed. Nice narration from Keith Szarabajka.

This book won the 2016 Nero Wolfe Award for Best American Mystery, and was a Mystery Writers of America Edgar Award nominee.

***Shutter Man

By Richard Montanari, narrated by Scott Brick – Another good cop story, this one intergenerational. It’s set in Philadelphia, and the early scenes take place in 1976 in an Irish neighborhood called Devil’s Pocket. Back then, a group of teenage friends from the Pocket were involved somehow in the death of a mentally disabled young man who was a member of the powerful Irish crime family, the Farrens.

Today, one of those young men is police detective Kevin Byrne, another is DA candidate Jimmy Doyle, and the Farrens are still operating outside the law. Byrne and his friend, Assistant DA Jessica Balzano (teamed up in several of Montanari’s books) are working on a set of bizarre killings that seem to be linked, but how? And do they reach all the way back to those Devil’s Pocket days?

Montanari’s characters are interesting and well-rounded and he creates considerable narrative tension. While Scott Brick provided a fine narration, the multitude of characters and the switching between time periods make this a better candidate for enjoying in print.

One of The New York Times‘s 10 Best Crime Novels of 2016.

***A Darker State

car headlights

photo: Lothar Massmann, creative commons license

By David YoungLife in East Germany in the mid-1970s is the true subject of David Young’s intriguing series of police procedurals-cum-political-thrillers, and dark it is.

Oberleutnant Karin Müller in East Berlin’s Kriminalpolizei—considered by some overpromoted to that post—has been inexplicably promoted again while on maternity leave. Now a major, she’s being put in charge of a team that will oversee investigations of high-profile murders anywhere in the country, murders that might “prove embarrassing to the Republic.” In other words, investigations that inevitably will put her on a collision course with the Ministry for State Security, the dreaded East German Secret Police. The Stasi.

Müller isn’t eager to cut short her maternity leave. But, as inducement, her boss reveals that a spacious apartment will be hers if she accepts the new job assignment—a giant step up from the tiny quarters where she’s living with her infant twins, their father, and her grandmother. And there’s the not inconsiderable inducement that she’d be working again with Werner Tilsner who also has been promoted. Müller accepts. Thank goodness. Now we can move on with the story and leave behind awkward references to the series’ earlier books.

Their first case arises when Tilsner is summoned to where a young man’s body has been found. The body has the marks of restraints and, it turns out, an abnormally high amount of testosterone in his blood. He’s only the first. The roadblocks that Müller and Tilsner encounter as their investigation proceeds have the machinations of the Stasi written all over them.

Meanwhile, Jonas Schmidt, the pedantic Kriminaltechniker who aids Müller and Tilsner with the forensic aspects of their investigations is in an increasingly sour mood. Trouble at home. Schmidt’s teenage son Markus has taken up with friends his parents deem unsuitable. Markus’s new friends are homosexual, and you suspect he’s being set up for something dangerous, even if he doesn’t see it. While East Germany legalized homosexuality in 1968, changing the law has not changed prejudices.

As in his first book, Stasi Child, Young tells part of the story from a victim’s first-person point of view, in this case Markus’s, starting a few months before Müller and Tilsner begin their new assignment. It’s a clever way to introduce backstory, since all crimes have some sort of history.

While the time shifts were mostly easy to follow, what would add to my understanding of the narrative would be a map showing the places the story takes place. Frequently, Müller is torn by late-night calls to go off somewhere, leaving the twins with her grandmother once again. I had no sense of whether these places are a few miles or a few hundred miles distant.

In an afterword, Young writes that he became interested in East Germany when he arranged a tour for a band he was in. “German venues loved booking UK bands.” Luckily for us (and for Young and his fellow musicians), they did not meet the same fate as the British band Pearl Harbor in the Belgian thriller Back Up, reviewed here recently, in which all the band members are murdered in the first eighty pages!

A longer version of this review appeared on crimefictionlover.com.

*****Robicheaux

Bayou, Louisiana, swamp

photo: Bart Everson, creative commons license

By James Lee Burke – For an American story setting that immediately and richly evokes a colorful geographic, cultural, moral, and culinary milieu, it’s hard to beat the hot, humid Cajun country of southern Louisiana. James Lee Burke has made Iberia Parish the primary home for his literary works, and it continues to serve him well. This new novel is his twenty-first featuring now semi-retired but perpetually on-call sheriff’s detective Dave Robicheaux.

If you’re a fan, you will expect Burke’s newest crime fiction to serve up a gumbo thick with oddball characters, history, philosophy, current crises, people trying to do right, and others not caring to. You won’t be disappointed. From corruption to an unhinged serial killer, this book has it all.

At the outset of the story, most of which is told by Dave in first person, he sees the ghosts of Confederate soldiers marching through the swamp. The scene enables a meditation on mortality, a reexamination of grief over his wife Molly’s death in an automobile crash, and a way to get at truths “that have less to do with the dead than the awareness (that life is) a continuum in which all time occurs at once, like a dream inside the mind of God.” Heavy stuff for a man soon to be facing some nightmarish characters more likely spawned by the devil’s imagination. Burke’s Acadiana is a place where you can believe in such things.

About the plot, suffice it to say that it is complex, with perhaps four main threads that Dave must tease apart and reweave into a coherent set of motives and opportunities. An unexpected subplot involves Dave’s daughter Alafair (the name of Burke’s real-life daughter), a mystery writer (again, as in real life).

Although the narrative follows Dave Robicheaux through the steps of his investigations, to call this a police procedural would shortchange the essence of the book. It more resembles a philosophical probe of the circumstances in which crimes can occur. An example are two of Burke’s quintessential Louisiana characters, sons of old southern families, who are deeply involved in the story’s events: Jimmy Nightingale and Levon Broussard.

Dave notes “an existential difference between the two families. For the Nightingales, manners and morality were interchangeable. For Levon Broussard and his ancestors, honor was a religion, . . . the kind of mind-set associated with a Templar Knight or pilots in the Japanese air force.” Such reflections on the psyches of his characters provide the sense that you’re reading about living, breathing individuals, with all their baggage and capacity for the unexpected.

As the mayhem of the story winds down, Dave’s best friend gives his assessment of their situation in south Louisiana: “There’re no safe places anymore. Everyone knows that except you.”

 

****Crazy Rhythm

gumshoe, detective

photo: Jason Howell, creative commons license

By T.W. Emory If you need a break from serial killers and world-at-risk mayhem, TW Emory’s Gunnar Nilson mysteries may be a perfect, lighthearted alternative. Crazy Rhythm is entertaining, engaging, and written with tongue in cheek and a big tip of the grey fedora to Raymond Chandler’s wisecracking private eyes.

PI Gunnar Nilson lives in the rain-soaked northwest United States. In the current era, he’s a resident in the Finecare assisted living facility in Everett, Washington, north of Seattle, recuperating from a broken leg. But in his early 1950s heyday, he was a private eye in the city itself. He has stories to tell, and what’s even more gratifying for an old man, attractive Finecare staff member Kirsti Liddell, aged about 20, wants to hear them.

This is the second book having this set-up, and author TW Emory moves you smoothly back to the post-WW II era with its ways of talking and living. Nilson, the detective, lives in a heavily Scandinavian boarding house with his landlady, Mrs. Berger, a former fan dancer with the photographs to prove it, and two other single men.

In the story he tells Kirsti, years ago Rune Granholm, the younger ne’er-do-well brother of an old friend wants Nilson to attend a meeting with him where a significant amount of cash will be exchanged for an expensive Cartier watch. The whole set-up sounds fishy to Nilson, but he agrees to go out of loyalty to his dead friend and an understandable dab of curiosity. When he arrives at Granholm’s apartment to meet up prior to the exchange, he finds Granholm shot dead.

He is soon distracted from looking into Granholm’s death by a potentially lucrative case dropped in his lap. He’s asked to investigate threatening phone calls a wealthy heiress has been receiving. Delving into this woman’s complicated past reveals, well, complications.

Nilson is soon embroiled in more than one tricky situation involving beautiful women who seem rather more ardent than informative. At these points, Kirsti breaks in to remind Nilson that her mother, to whom she relays their conversations, finds his many supposed romantic conquests entirely unbelievable.

Some blood is spilled – Granholm’s certainly – but the whole effect is more charming than nail-biting. Nilson’s evocation of Raymond Chandler is also entertaining, such as, “…it was guys like Rune who eventually got me to believe that the human race was for me to learn from, when I wasn’t bent over laughing at it.”

Nilson is never wrong-footed as he pursues his investigations of various colorful characters, and it’s fun to watch him in action. Writing a pastiche of an author as revered as Chandler is brave, and Emory carries it off in a style aptly embodied in the novel’s title. A fast read—perfect entertainment for a long airplane flight!