Saint Joan

Saint Joan

Andrus Nichols & Eric Tucker in Saint Joan; photo: T. Charles Erickson

Bedlam Theater Company is presenting, in rotating repertory productions, Shakespeare’s Hamlet and George Bernard Shaw’s Saint Joan at McCarter Theatre Center in Princeton through February 12. Each of the plays is done with the same four cast members playing all the parts, which makes for some quick persona changes.

Due to scheduling difficulties, I’ve seen only the Saint Joan—a difficult choice, because Hamlet is always revelatory, and the experience of each is meant to shed light on the other. As with any Shaw, a good twenty minutes near the end could be ditched. Good old G.B.S. seems determined to bang audiences over the head with his messages. Still, you’ll never see a more vigorous interpretation of this work, one that easily keeps you going through a full three acts (in direct contradistinction to the growing trend for one-act, 90-minute affairs), as religious dogma and divine inspiration cross swords.

The cast members manage to be simultaneously energetic and nuanced, and they wring every bit of humor out of the play’s early scenes. Bedlam founder Eric Tucker was terrific in Saint Joan, especially as the Earl of Warwick, but then all the actors (Andrus Nichols as Joan), Edmund Lewis and Tom O’Keefe (both in numerous parts) keep your interest and your intellect on their toes. I’m as much a fan of gorgeous sets and inspired costumes as anyone, but Bedlam’s stripped-down, bare-stage version has the virtue of showing how brilliant actors can conjure people and relationships to life unaided.

Bedlam has a commitment to using “all the house,” and for Saint Joan, the first few rows of audience seats were on the stage, and a cast member occasionally emerged from somewhere in the main house. Not to worry, audience members aren’t called upon to do more than observe.

Despite having been a patron of the Niagara-on-the-Lake, Ontario, Shaw Festival for more than 20 seasons I’d never seen Saint Joan. And, if you also feel this classic is worth getting to know, you might never find a more approachable and engaging mounting of it than this one.

For tickets, call the McCarter box office at 609-258-2787, or visit the box office online.

A Christmas Carol

A Christmas Carol

Greg Wood as Ebenezer Scrooge; photo: T. Charles Erickson

McCarter Theatre Center’s annual production of Charles Dickens’s A Christmas Carol has long been a staple of family holiday celebrations in Central New Jersey. Even 18 years  after the previous version premiered, the show routinely drew huge crowds during its December run. Still, it was time for a new approach, and the revamped 2016 production has been eagerly anticipated.

Director Adam Immerwahr sought a solid Victorian England vibe for this sparkling new production, which premiered December 10 and runs through December 31. Immerwahr’s intent was to explore how Scrooge’s redemption “isn’t just the redemption of one man . . . when a person changes, it can transform an entire community.”  Then he filled it with songs from what Immerwahr calls “the treasure trove of terrific Christmas music of Dickens’s era” (carol playlist). Even some carols not used explicitly have “become part of the underscoring of the play,”  whose music was composed by Obie-award winning composer Michael Friedman.

The show manages to be both different with fresh sets and staging and familiar, retaining the adaptation by award-winning  playwright David Thompson. Ebenezer Scrooge (played by Greg Wood) has never said “Bah! Humbug!” with more feeling, Bob Cratchit (Warner Miller) never more patiently put-upon, and the rest of the cast, mostly playing multiple parts, never more lively, including: Fred/Undertaker (JD Taylor), Lily/Belle (Jamila Sabares-Klemm), Mrs. Dilber (Sue Jin Song), Fan/Miss Kate (Kelsey Carroll), Solicitor Matthew/Young Scrooge (A.J. Shively), Solicitor David/Mr. Fezziwig (Lance Roberts), Mrs. Cratchit (Jessica Bedford), and Mrs. Fezziwig/Lady Char/Laundress (Anne L. Nathan). Dickens’s work is stuffed with memorable characters and many parts amount to a cameo, but all were quite up to snuff.

The familiar tale of a miser’s comeuppance is all there, how the Ghost of Christmas Past (Ivy Cordle) reminds him how he gave up his youthful opportunities for happiness in order to pursue wealth; the Ghost of Christmas Present (Mimi Francis) shows him how others, especially the Cratchits live now; and the Ghost of Christmas Future (Elisha Lawson) lays out a frightening scenario that causes him to vow to change. Old Marley’s ghost (Frank X) is particularly effective (frightening a child sitting in front of me) and has my favorite line from the story, the sententious “I wear the chains I forged in life.” The early dark scenes change to light as Scrooge wakes Christmas morning a new man.

A Christmas Carol

photo: T. Charles Erickson

The cast is augmented by a 27-member community ensemble, which greets theatre-goers, carols and rings bells from the stage, the aisles, and the boxes, and dances exuberantly! Members of this adult group, plus a dozen-member children’s ensemble were recruited through partnerships with ten local organizations and schools. The entire audience becomes involved, with the singing of a carol at the beginning and end of the performance.

Also underscoring the community nature of this production are the theater’s plans for sold-out Fezziwig Parties, a drama workshop for children on the theme of kindness and generosity (called Cratchit Kindness) on December 28, engagement of local businesses in developing unique refreshments for patrons, as well as its usual audio-described and American Sign Language interpreted performance (December 17) and an open captioned performance (December 18).

Production credits to Daniel Ostling (set design); Charles Sundquist (musical direction); Darron L. West (sound design); Lorin Latarro (choreography); Linda Cho (costumes); Lap Chi Chu (lighting); Jeremy Chernick (special effects); Gillian Lane-Plescia (dialect coach).

For tickets, call the box office at 609-258-2787 or visit the box office online.