Listen Up! Take 2

earphones

photo: John O’Nolan, creative commons license

Three notable audiobooks for your consideration: the fantastic debut novel She Rides Shotgun, award-nominee The Breakdown, and Hangman, follow-up to last year’s mega-hit, Ragdoll. Starting with the best of the three.

*****She Rides Shotgun
By Jordan Harper, narrated by David Marantz – Winner of the 2018 Edgar Award for best debut novel, this is the audio equivalent of a real page-turner (though I’m never tempted to listen at 2x speed!). When Nate McClusky leaves prison after refusing to work for the dangerous gang Aryan Steel, a death warrant is issued for him and his family. He finds out how determined the killers are when he discovers his ex-wife and her new husband murdered, and realizes his eleven-year-old daughter Polly will be next. He picks her up at school before the killers find her, and the chase is on. They’re practically strangers to each other, as he’s been incarcerated for most of her childhood. She’s a quirky kid, shy and smart as a whip, teddy bear in tow.

Nate hasn’t had much parenting experience, but he warms to the role, and two have terrifying—and sometimes heartwarming—adventures roaming Southern California, as they gradually become partners in evading their would-be killers as well as the police. Betrayal is a constant anxiety. Based on the premise—the criminal dad, the kid—I didn’t think I’d like this book as much as I did, no small part of which relates to Marantz’s excellent narration.

Another recent and remarkable book about a criminal father raising a daughter was Hannah Tinti’s The Twelve Lives of Samuel Hawley, also an award nominee.

***The Breakdown
By B.A. Paris, narrated by Georgia Maguire – Another domestic thriller of the “is she going crazy, or is someone doing this to her?” variety. Unfortunately, the big reveal seemed obvious early on, which tarnished the entertainment value. I selected it because the book was on the “Best Novel” short-list for a 2018 Thriller Award. Compared to the other two nominees I read, it falls short of the nail-biting excitement of Gin Phillips’s Fierce Kingdom or the fascination of Dan Chaon’s Ill Will.

Rain on Windshield

Iwan Gabovitch, creative commons license

The story takes place in and around a mid-sized English market town. One night, as Cass is driving through the woods to her isolated (natch) home in a terrible rainstorm, she sees a woman in her car, stopped by the side of the road. Since the woman doesn’t appear to be in distress, rather than get drenched, she doesn’t offer aid. The next morning, she learns the woman has been murdered. And that she knows her.

Guilt over not helping, strange occurrences that make her think the killer may now be stalking her, and fear that, like her mother, she may be suffering from early-onset Alzheimer’s make for a pretty mopey outlook. The narration reflects that, though I admire Maguire’s portrayal of the long-suffering husband. You can hear—and empathize with—his growing doubts about his wife’s mental state. If you like the “gaslight” sub-genre, you may enjoy this.

**Hangman
By Daniel Cole, narrated by Alex Wyndham – This book follows on the successful 2017 thriller Ragdoll, and involves some of the same characters, charged with solving a series of baffling murders that hits London and New York. Are they Ragdoll-related or grisly copycats? DCI Emily Baxter, who was key to solving the Ragdoll case, is flown to New York to liaise [!]. I like how prickly she is—don’t try to sweet-talk her for god’s sake! The CIA operative is an engaging character too.

I’m not squeamish, but my lack of enthusiasm for Hangman derives from its excess of sadistic violence, which appeared ramped up for shock value. A male narrator was chosen for the audiobook, though usually the narrator’s gender matches that of the protagonist. Possibly the publishers thought the extreme violence would be better portrayed in a male voice, and Wyndham does a fine job presenting UK and US characters of varying ethnicities.

Read an earlier Listen Up! compilation here.

**Love Me Not

Motorcycle

photo: Chris Jefferson, creative commons license

By M J ArlidgeThis contemporary crime thriller set in Southampton, England, pits the local police force against a pair of serial killers. It’s a multiple point-of-view novel, told mostly from the perspective of DI Helen Grace, newly returned to her job, but also from the perspective of numerous other characters, including DS Charlene (Charlie) Brooks, various witnesses, and sleazy and irritating journalist Emilia Garanita.

Although many of the principal characters are women, they seem no more than superficially female. Grace rushes into situations on her Kawasaki without analyzing them or indicating the police department has any procedural requirements. Well along in the story, the author writes that she is now being propelled by instinct, whereas it seems that instinct is what has driven her all along. And, though the author refers to Grace’s feelings about her work, her emotions tend to be expressed in clichéd, rather than insightful, ways. There’s an unsatisfying pop psychology analysis of the killers’ motivations that does not evolve as new information is gained.

Perhaps police and school administrators’ paranoia about shooting incidents is markedly less in the U.K. than in the States, but when the serial killer invades a middle school, you have to wonder whether there should be more of a protocol or official response than having Grace calmly saying to a bunch of bemused teachers and students, “You should leave.”

Authors are constantly told “show, don’t tell,” especially when it comes to emotions. A worse pitfall is showing then telling, which suggests the author doesn’t trust the reader to understand what has taken place and needs him to explain it. Arlidge does this repeatedly. One example: A man is numb with shock about his wife’s murder until his dogs bound into the room and affectionately greet him. As he pets them, he comes near to tears. The author can’t resist explaining that the dogs’ love and devotion has penetrated the husband’s shock, revealing how devastated he is, which of course takes all the wind out of the emotional moment.

The action of the novel occurs over the course of a single jam-packed day, with flashbacks as necessary. Surprisingly, the police determine the identity of one of the killers less than a third of the way into the novel and the other, less than half-way in. This means the entire last half the book is an extended chase scenario as the police struggle to get one step ahead of the perpetrators.

This last half is fast-paced, of course, and readers attracted to entertainment rich with car chases may find it just the ticket. According to Amazon, this is Arlidge’s seventh novel featuring DI Grace, and he has been producing two of them a year since 2014, plus a pair of short stories. That’s a pretty fast pace too!