Oscar and his Shorts

Academy Award, Oscar

It’s become increasingly easy to see the Academy Award-nominated short films—animated, documentaries, and live action, and I’ve enjoyed them a great deal.

The documentaries generally give an in-depth examination of some small aspect of life or interesting person, usually overlooked and often a moving testament to the human spirit. (I’m thinking about the former prison inmates taught to staff a high-end Cleveland restaurant in last year’s Knife Skills or Joe’s Violin from 2017.)  

The live action films explore myriad stories of the human condition—last year’s film about the deaf child who wanted to learn sign language—including lighter moments, such as the absurdly funny 2017 Spanish film, Timecode.

Not this year. The Academy process resulted in nominees of almost unrelieved bleakness. We skipped the documentaries (on racism, Nazism, dying, and the plight of refugees crossing the Mediterranean to Europe). The only film with a hopeful message was about young women in India trying to overcome the stigma of menstruation. That they needed to was discouraging enough. Maybe these films were truly outstanding, but the topics (except the last) are well-worn.

We had a similarly dubious assessment of the live action shorts nominees, noting the heavy “children in peril” theme, but made a last-minute decision to see them anyway. It would be a job of work to decide which was most depressing (links below are to trailers):

  • Madre (Spain) – the mother of a six-year-old has a shaky phone connection to her six-year-old son abandoned by his father and alone on a beach somewhere, he can’t tell her where. Great acting by Marta Nieto as the distraught and helpless mother. Director’s Notes.
  • Marguerite (Canada) – an elderly woman in failing health and her compassionate caregiver. Sweet acting, but breaks no new ground.
  • Fauve (Canada) – two children enter an abandoned, forbidden mine. Quicksand figures in. All I can say is, Why?
  • Skin (U.S.) – a heavily tattooed redneck, though a supportive father, lets his racism run rampant, which goes badly in an unexpected way. (Casting against type, FYI, the actor playing the dad is a ballet dancer.) Interesting, well-acted.
  • Detainment (Ireland)  – the most controversial of the films, it’s about a 1993 British case, in which two ten-year-old boys abducted, tortured, and murdered a two-year-old. The script is based on the police’s taped interviews with the boys. The actors playing the children and their parents do a remarkable job. It wasn’t easy for the detectives, either. The mother of the slain boy campaigned to have the film withdrawn from Oscar consideration because she hadn’t been interviewed for it; however, director Vincent Lambe wanted the actual police interviews to speak for themselves. The case has raised questions about the proper handling of juvenile defendants. In a chilling note, viewers are informed that the last two tapes from the interviews were deemed to disturbing to be heard by the jury and have never been revealed. Tough to watch but a strong contender.

Photo: David Torcivia, creative commons license