{"id":11404,"date":"2025-03-26T07:00:00","date_gmt":"2025-03-26T11:00:00","guid":{"rendered":"https:\/\/vweisfeld.com\/?p=11404"},"modified":"2025-03-25T17:55:33","modified_gmt":"2025-03-25T21:55:33","slug":"permissible-laughter","status":"publish","type":"post","link":"https:\/\/vweisfeld.com\/?p=11404","title":{"rendered":"Permissible Laughter"},"content":{"rendered":"<div class=\"wp-block-image\">\n<figure class=\"alignright size-full is-resized\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"584\" height=\"584\" src=\"https:\/\/i0.wp.com\/vweisfeld.com\/wp-content\/uploads\/2025\/03\/Rawi-Hage.jpg?resize=584%2C584&#038;ssl=1\" alt=\"\" class=\"wp-image-11405\" style=\"width:236px;height:auto\" srcset=\"https:\/\/i0.wp.com\/vweisfeld.com\/wp-content\/uploads\/2025\/03\/Rawi-Hage.jpg?w=1024&amp;ssl=1 1024w, https:\/\/i0.wp.com\/vweisfeld.com\/wp-content\/uploads\/2025\/03\/Rawi-Hage.jpg?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/vweisfeld.com\/wp-content\/uploads\/2025\/03\/Rawi-Hage.jpg?resize=150%2C150&amp;ssl=1 150w\" sizes=\"auto, (max-width: 584px) 100vw, 584px\" \/><\/figure>\n<\/div>\n\n\n<p>In a thought-provoking interview with award-winning Lebanese-Canadian novelist, journalist, and visual artist <a href=\"https:\/\/amzn.to\/4j17FKn\">Rawi Hage<\/a> a few years back, he talked about how it\u2019s the writer\u2019s job to push the limits, to not settle for being only entertaining. For me this resonates with the idea that authors shouldn\u2019t try to bang out the next \u201cThe Girl Who. . .\u201d book, but strike out into some new territory. Of course, for many, it seems, they run up against a failure of imagination or an excess of anxiety, which is why when a particular book catches on, it will have so many clones. In a contradiction bound eventually to fail, many authors try to recapture that uniqueness.<\/p>\n\n\n\n<p>Think, for example of Dan Brown\u2019s books and all the religio-cryptic thrillers that came afterward. Or all the books where a discrete set of people with a shared past and rivalries and bitter secrets are stranded on an island, in a remote area cut off by a storm, or wherever, and . . . they start to die. Or the <em>Gone Girl<\/em> clones, or, rather, would-be clones.<\/p>\n\n\n\n<p>Hage said he thinks of himself as \u201ca confrontational writer,\u201d and the more marginal he feels about a piece, the better his writing is. In other words, he\u2019s not trying to please everyone. \u201cWriters who try to please and go by the rules and try to do the right things, they tend to fail,\u201d he thinks. It\u2019s an interesting stance to take, and difficult for authors, when the publishing industry seems increasingly risk-averse.<\/p>\n\n\n\n<p>He talked interestingly about the way the Arabic language affected his writing. He read a lot of Arabic poetry as a young man, and it\u2019s very visual, perhaps making up for strictures on visual representations of people and animals in the culture generally. It\u2019s a \u201cvery elaborate\u201d language, he says. Writing in English, he pared back.<\/p>\n\n\n\n<p>Even so, he brings \u201cbags and bags of history, travels, concerns, revenge; a mixture of the emotional, the experiential, and the cultural\u201d to his writing. That comports with my view of writing as like assembling a jigsaw puzzle with a thousand disparate pieces of the kinds he mentions, and seeing what picture they create. He wisely infuses that mix with dark humor too. Pavlov, the protagonist of his fourth novel, <em><a href=\"https:\/\/amzn.to\/4hNajT8\">Beirut Hellfire Society<\/a><\/em>, says, \u201cLaughter should be permissible under all circumstances.\u201d<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"584\" height=\"390\" src=\"https:\/\/i0.wp.com\/vweisfeld.com\/wp-content\/uploads\/2025\/03\/Arabic-Art.jpg?resize=584%2C390&#038;ssl=1\" alt=\"\" class=\"wp-image-11406\" style=\"width:327px;height:auto\" srcset=\"https:\/\/i0.wp.com\/vweisfeld.com\/wp-content\/uploads\/2025\/03\/Arabic-Art-scaled.jpg?resize=1024%2C683&amp;ssl=1 1024w, https:\/\/i0.wp.com\/vweisfeld.com\/wp-content\/uploads\/2025\/03\/Arabic-Art-scaled.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/vweisfeld.com\/wp-content\/uploads\/2025\/03\/Arabic-Art-scaled.jpg?resize=150%2C100&amp;ssl=1 150w, https:\/\/i0.wp.com\/vweisfeld.com\/wp-content\/uploads\/2025\/03\/Arabic-Art-scaled.jpg?resize=1536%2C1024&amp;ssl=1 1536w, https:\/\/i0.wp.com\/vweisfeld.com\/wp-content\/uploads\/2025\/03\/Arabic-Art-scaled.jpg?resize=2048%2C1365&amp;ssl=1 2048w, https:\/\/i0.wp.com\/vweisfeld.com\/wp-content\/uploads\/2025\/03\/Arabic-Art-scaled.jpg?resize=450%2C300&amp;ssl=1 450w, https:\/\/i0.wp.com\/vweisfeld.com\/wp-content\/uploads\/2025\/03\/Arabic-Art-scaled.jpg?w=1168&amp;ssl=1 1168w, https:\/\/i0.wp.com\/vweisfeld.com\/wp-content\/uploads\/2025\/03\/Arabic-Art-scaled.jpg?w=1752&amp;ssl=1 1752w\" sizes=\"auto, (max-width: 584px) 100vw, 584px\" \/><\/figure>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>In a thought-provoking interview with award-winning Lebanese-Canadian novelist, journalist, and visual artist Rawi Hage a few years back, he talked about how it\u2019s the writer\u2019s job to push the limits, to not settle for being only entertaining. For me this &hellip; <a href=\"https:\/\/vweisfeld.com\/?p=11404\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[62,174,1749,29],"tags":[],"class_list":["post-11404","post","type-post","status-publish","format-standard","hentry","category-authors","category-first-draft-blog","category-international","category-writing"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p2NkiT-2XW","_links":{"self":[{"href":"https:\/\/vweisfeld.com\/index.php?rest_route=\/wp\/v2\/posts\/11404","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/vweisfeld.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/vweisfeld.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/vweisfeld.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/vweisfeld.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=11404"}],"version-history":[{"count":1,"href":"https:\/\/vweisfeld.com\/index.php?rest_route=\/wp\/v2\/posts\/11404\/revisions"}],"predecessor-version":[{"id":11407,"href":"https:\/\/vweisfeld.com\/index.php?rest_route=\/wp\/v2\/posts\/11404\/revisions\/11407"}],"wp:attachment":[{"href":"https:\/\/vweisfeld.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=11404"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/vweisfeld.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=11404"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/vweisfeld.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=11404"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}