{"id":2027,"date":"2014-05-19T06:22:37","date_gmt":"2014-05-19T10:22:37","guid":{"rendered":"http:\/\/vweisfeld.com\/?p=2027"},"modified":"2014-06-17T06:40:59","modified_gmt":"2014-06-17T10:40:59","slug":"tamer-of-horses","status":"publish","type":"post","link":"https:\/\/vweisfeld.com\/?p=2027","title":{"rendered":"Tamer of Horses"},"content":{"rendered":"<div id=\"attachment_1966\" style=\"width: 305px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/i0.wp.com\/vweisfeld.com\/wp-content\/uploads\/2012\/10\/5773506304_e7fb1fcb0c_b_converted.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-1966\" class=\"wp-image-1966\" src=\"https:\/\/i0.wp.com\/vweisfeld.com\/wp-content\/uploads\/2012\/10\/5773506304_e7fb1fcb0c_b_converted.jpg?resize=295%2C292\" alt=\"Iliad, Hector, Tamer of Horses\" width=\"295\" height=\"292\" srcset=\"https:\/\/i0.wp.com\/vweisfeld.com\/wp-content\/uploads\/2012\/10\/5773506304_e7fb1fcb0c_b_converted.jpg?w=1024&amp;ssl=1 1024w, https:\/\/i0.wp.com\/vweisfeld.com\/wp-content\/uploads\/2012\/10\/5773506304_e7fb1fcb0c_b_converted.jpg?resize=300%2C297&amp;ssl=1 300w, https:\/\/i0.wp.com\/vweisfeld.com\/wp-content\/uploads\/2012\/10\/5773506304_e7fb1fcb0c_b_converted.jpg?resize=302%2C300&amp;ssl=1 302w\" sizes=\"auto, (max-width: 295px) 100vw, 295px\" \/><\/a><p id=\"caption-attachment-1966\" class=\"wp-caption-text\">Hector, Tamer of Horses (photo: farm6.staticflickr.com)<\/p><\/div>\n<p>A wonderful play by Trenton playwright William Mastrosimone in production through 6\/8 by the <a href=\"http:\/\/www.passagetheatre.org\/\">Passage Theatre Company<\/a>. Amazing acting (Hector, played by Reynaldo Piniella; Ty Fletcher, by Edward O\u2019Blenis; and Georgiane Fletcher, by Lynnette R. Freeman), and the well-plotted play moves along briskly, exploring the limits of teacher and teaching. The play never descends into sentimentality in dealing with a tough street kid and the middle-class couple that believes it better to try to save him than protect themselves. Direction by the sure-footed Adam Immerwahr.<\/p>\n<p><em>The Iliad<\/em> and its hero Hector, Tamer of Horses, also stars, providing enduring lessons to a generation that knows a Trojan as something you buy at the drug store. Homer\u2019s words \u201ctake their place next to urban rap lyrics\u201d as the modern-day Hector and the disaffected teacher \u201cmatch wits in a struggle for Hector&#8217;s survival.\u201d Passage Theatre productions appear at Trenton\u2019s easy-to-get-to Mill Hill Playhouse. Secure parking right in front. Don\u2019t miss it!<\/p>\n<h6 class=\"zemanta-related-title\" style=\"font-size: 1em;\">Related articles<\/h6>\n<ul class=\"zemanta-article-ul zemanta-article-ul-image\" style=\"margin: 0; padding: 0; overflow: hidden;\">\n<li class=\"zemanta-article-ul-li-image zemanta-article-ul-li\" style=\"padding: 0; background: none; list-style: none; display: block; float: left; vertical-align: top; text-align: left; width: 84px; font-size: 11px; margin: 2px 10px 10px 2px;\"><a style=\"box-shadow: 0px 0px 4px #999; padding: 2px; display: block; border-radius: 2px; text-decoration: none;\" href=\"http:\/\/rss.nytimes.com\/c\/34625\/f\/642557\/s\/3ac8cfbf\/sc\/38\/l\/0L0Snytimes0N0C20A140C0A50C250Cnyregion0Ca0Ereview0Eof0Etamer0Eof0Ehorses0Ein0Etrenton0Bhtml0Dpartner0Frss0Gemc0Frss\/story01.htm\" target=\"_blank\"><img data-recalc-dims=\"1\" decoding=\"async\" style=\"padding: 0; margin: 0; border: 0; display: block; width: 80px; max-width: 100%;\" src=\"https:\/\/i0.wp.com\/i.zemanta.com\/273683872_80_80.jpg?w=584\" alt=\"\" \/><\/a><a style=\"display: block; overflow: hidden; text-decoration: none; line-height: 12pt; height: 83px; padding: 5px 2px 0 2px; background-image: none;\" href=\"http:\/\/rss.nytimes.com\/c\/34625\/f\/642557\/s\/3ac8cfbf\/sc\/38\/l\/0L0Snytimes0N0C20A140C0A50C250Cnyregion0Ca0Ereview0Eof0Etamer0Eof0Ehorses0Ein0Etrenton0Bhtml0Dpartner0Frss0Gemc0Frss\/story01.htm\" target=\"_blank\">Theater Review | New Jersey: A Review of &#8216;Tamer of Horses&#8217; in Trenton<\/a><\/li>\n<li class=\"zemanta-article-ul-li-image zemanta-article-ul-li\" style=\"padding: 0; background: none; list-style: none; display: block; float: left; vertical-align: top; text-align: left; width: 84px; font-size: 11px; margin: 2px 10px 10px 2px;\"><a style=\"box-shadow: 0px 0px 4px #999; padding: 2px; display: block; border-radius: 2px; text-decoration: none;\" href=\"http:\/\/tweyr.wordpress.com\/2014\/01\/03\/the-tamer-of-horses\/\" target=\"_blank\"><img data-recalc-dims=\"1\" decoding=\"async\" style=\"padding: 0; margin: 0; border: 0; display: block; width: 80px; max-width: 100%;\" src=\"https:\/\/i0.wp.com\/i.zemanta.com\/235798238_80_80.jpg?w=584\" alt=\"\" \/><\/a><a style=\"display: block; overflow: hidden; text-decoration: none; line-height: 12pt; height: 83px; padding: 5px 2px 0 2px; background-image: none;\" href=\"http:\/\/tweyr.wordpress.com\/2014\/01\/03\/the-tamer-of-horses\/\" target=\"_blank\">The Tamer of Horses<\/a><\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>A wonderful play by Trenton playwright William Mastrosimone in production through 6\/8 by the Passage Theatre Company. Amazing acting (Hector, played by Reynaldo Piniella; Ty Fletcher, by Edward O\u2019Blenis; and Georgiane Fletcher, by Lynnette R. Freeman), and the well-plotted play &hellip; <a href=\"https:\/\/vweisfeld.com\/?p=2027\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"Tamer of Horses","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[61,60,104,147],"tags":[98],"class_list":["post-2027","post","type-post","status-publish","format-standard","hentry","category-character","category-storytelling","category-the-morgue","category-theater","tag-story"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p2NkiT-wH","_links":{"self":[{"href":"https:\/\/vweisfeld.com\/index.php?rest_route=\/wp\/v2\/posts\/2027","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/vweisfeld.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/vweisfeld.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/vweisfeld.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/vweisfeld.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2027"}],"version-history":[{"count":3,"href":"https:\/\/vweisfeld.com\/index.php?rest_route=\/wp\/v2\/posts\/2027\/revisions"}],"predecessor-version":[{"id":2030,"href":"https:\/\/vweisfeld.com\/index.php?rest_route=\/wp\/v2\/posts\/2027\/revisions\/2030"}],"wp:attachment":[{"href":"https:\/\/vweisfeld.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2027"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/vweisfeld.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2027"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/vweisfeld.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2027"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}