{"id":6846,"date":"2017-10-12T06:02:39","date_gmt":"2017-10-12T10:02:39","guid":{"rendered":"http:\/\/vweisfeld.com\/?p=6846"},"modified":"2017-10-11T17:13:58","modified_gmt":"2017-10-11T21:13:58","slug":"good-storytelling-works-regardless-of-genre","status":"publish","type":"post","link":"https:\/\/vweisfeld.com\/?p=6846","title":{"rendered":"Good Storytelling Works, Regardless of Genre"},"content":{"rendered":"<div id=\"attachment_6847\" style=\"width: 257px\" class=\"wp-caption alignright\"><a href=\"http:\/\/vweisfeld.com\/?attachment_id=6847\" rel=\"attachment wp-att-6847\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-6847\" class=\"size-medium wp-image-6847\" src=\"https:\/\/i0.wp.com\/vweisfeld.com\/wp-content\/uploads\/2017\/10\/Draft-Sebastien-Wiertz-247x300.jpg?resize=247%2C300\" alt=\"draft\" width=\"247\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/vweisfeld.com\/wp-content\/uploads\/2017\/10\/Draft-Sebastien-Wiertz.jpg?resize=247%2C300&amp;ssl=1 247w, https:\/\/i0.wp.com\/vweisfeld.com\/wp-content\/uploads\/2017\/10\/Draft-Sebastien-Wiertz.jpg?resize=123%2C150&amp;ssl=1 123w, https:\/\/i0.wp.com\/vweisfeld.com\/wp-content\/uploads\/2017\/10\/Draft-Sebastien-Wiertz.jpg?w=351&amp;ssl=1 351w\" sizes=\"auto, (max-width: 247px) 100vw, 247px\" \/><\/a><p id=\"caption-attachment-6847\" class=\"wp-caption-text\">photo: Sebastien Wiertz, creative commons license<\/p><\/div>\n<p>Genre fiction is no longer disparaged as the poor stepchild to literary (i.e., &#8220;real&#8221;) fiction. In some ways, writing it can be harder. <a href=\"http:\/\/lithub.com\/what-trying-to-finish-a-crime-novel-taught-me-about-writing\/\">Jennifer Kitses<\/a> for <em>LitHub<\/em> recently discussed why genre fiction is not necessarily easier to create and, more to the point, what lessons it teaches all writers.<\/p>\n<p>The elements of noir she thought of as genre-specific\u2014\u201chigh-stakes encounters, a mystery to solve, a protagonist in danger\u201d\u2014are key elements of good storytelling, regardless of genre, she says.<\/p>\n<p>Readers of this blog will recognize in her words the sentiment of late Swedish crime writer Henning Mankell, which appear on my website\u2019s home page: \u201cEvery good story has a mystery in it.\u201d Think <em>Hamlet<\/em>\u2014a murder and a ghost story. Think <em>Macbeth<\/em>\u2014a murder and an inciting female. Think the Greeks.<\/p>\n<p>Kitses cites seven lessons from attempting her own crime novel:<\/p>\n<p>1) don\u2019t be afraid of adding tension \u2013 and remember that what ramps up the tension is not necessarily some violent episode. It can be a character\u2019s own ongoing situation. A perfect example is Gin Phillips\u2019s recent <a href=\"http:\/\/www.vweisfeld.com\/?p=6696\"><em>Fierce Kingdom<\/em><\/a>, in which the tension is almost unbearable, while all the protagonist is doing is hiding herself and her four-year-old behind a rock. That situation may be internal, as when Melissa Scrivner Love\u2019s <a href=\"http:\/\/www.vweisfeld.com\/?p=6492\"><em>Lola<\/em><\/a> has to turn on her own brother.<\/p>\n<p>2) give the reader a chance to breathe. Personally, I had to put Gin Phillips\u2019s book down from time to time because of 1). This is one aspect of pacing, and many authors give their readers a break by introducing humor, typically among the detectives or with secondary characters. <a href=\"http:\/\/www.vweisfeld.com\/?p=5868\">Tami Hoag<\/a> is excellent at this in her Kovac and Liska novels.<\/p>\n<p>3) chapter endings shouldn\u2019t feel like endings. The last lines of one chapter should carry your readers into the next, keeping their curiosity piqued through artful (not cheesy!) <a href=\"http:\/\/www.vweisfeld.com\/?p=6567\">cliffhangers<\/a>.<\/p>\n<p>4) let your reader know whom to root for. Thrillers commonly use multiple points-of-view to present the story. Poorly handled, that can dilute your readers\u2019 focus. Tammy Cohen\u2019s recent <a href=\"http:\/\/www.vweisfeld.com\/?p=6803\"><em>They All Fall Down<\/em><\/a> keeps her character Hannah front and center by writing the chapters from her point of view in the first person, whereas chapters from other points of view are third-person, filtered through the narrator\u2019s voice.<\/p>\n<p>5) love your secondary characters. It\u2019s great when they\u2019re real, and not just moved onto stage like cardboard cut-outs. Nick Petrie\u2019s character Lewis is a good example; I grinned when he showed up in Petrie\u2019s second novel, <a href=\"http:\/\/www.vweisfeld.com\/?p=6332\"><em>Burning Bright<\/em><\/a>. SO glad to see him again!<\/p>\n<p>6) keep research in perspective. Research can be a way to avoid actual writing. Because I like research, I have to avoid the Too-Much-Already quicksand. What works for me is to do enough to start sparking ideas. After that, I confine myself to just-in-time research as I go along. When you do begin to write, your reader doesn\u2019t need every detail. Feel free to hit the highlights and feel confident about the firm base underneath.<\/p>\n<p>7) remember you\u2019re writing fiction \u2013 just jettison plot developments that aren\u2019t working. Characters too. I\u2019ve swept up<\/p>\n<p>characters from the cutting-room floor and put them in short stories. Lessens the pain.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Genre fiction is no longer disparaged as the poor stepchild to literary (i.e., &#8220;real&#8221;) fiction. In some ways, writing it can be harder. Jennifer Kitses for LitHub recently discussed why genre fiction is not necessarily easier to create and, more &hellip; <a href=\"https:\/\/vweisfeld.com\/?p=6846\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"Good Storytelling Works, Regardless of Genre - Writing tips for authors who want to create resonant work","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[62,174,29],"tags":[166,28],"class_list":["post-6846","post","type-post","status-publish","format-standard","hentry","category-authors","category-first-draft-blog","category-writing","tag-creativity","tag-writers"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p2NkiT-1Mq","_links":{"self":[{"href":"https:\/\/vweisfeld.com\/index.php?rest_route=\/wp\/v2\/posts\/6846","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/vweisfeld.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/vweisfeld.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/vweisfeld.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/vweisfeld.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6846"}],"version-history":[{"count":1,"href":"https:\/\/vweisfeld.com\/index.php?rest_route=\/wp\/v2\/posts\/6846\/revisions"}],"predecessor-version":[{"id":6848,"href":"https:\/\/vweisfeld.com\/index.php?rest_route=\/wp\/v2\/posts\/6846\/revisions\/6848"}],"wp:attachment":[{"href":"https:\/\/vweisfeld.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6846"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/vweisfeld.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=6846"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/vweisfeld.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=6846"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}