{"id":8653,"date":"2020-11-12T07:00:00","date_gmt":"2020-11-12T12:00:00","guid":{"rendered":"https:\/\/vweisfeld.com\/?p=8653"},"modified":"2020-11-11T18:10:16","modified_gmt":"2020-11-11T23:10:16","slug":"where-writers-ideas-come-from-theme","status":"publish","type":"post","link":"https:\/\/vweisfeld.com\/?p=8653","title":{"rendered":"Where Writers&#8217; Ideas Come From: Theme"},"content":{"rendered":"\n<div class=\"wp-block-image\"><figure class=\"alignleft size-large is-resized\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/vweisfeld.com\/wp-content\/uploads\/2020\/11\/acorns-theme-oak.jpg?resize=322%2C389&#038;ssl=1\" alt=\"\" class=\"wp-image-8651\" width=\"322\" height=\"389\"\/><\/figure><\/div>\n\n\n\n<p>There\u2019s a place in the world for books whose sole aim is to entertain, but these books often don\u2019t have staying power. Shakespeare, Dickens (the inspiration for the names of our kittens, Will and Charles), Twain\u2014wrote stories that were popular and, because they explore universal themes, have continued relevance to readers today. Modern authors tackle difficult themes too: Margaret Atwood, Cormac McCarthy, Toni Morrison. As do mystery\/thriller writers: Steph Cha, Walter Mosley, Don Winslow.<\/p>\n\n\n\n<p class=\"has-text-color\" style=\"color:#8a0002\"><strong>Author Philip Pullman&#8217;s Insight<\/strong><\/p>\n\n\n\n<p>In a recent <a href=\"https:\/\/www.theguardian.com\/books\/2020\/oct\/10\/25-years-of-his-dark-materials-philip-pullman-on-the-journey-of-a-lifetime?utm_term=f78927e773412f55603fcbae88825ed9&amp;utm_campaign=Bookmarks&amp;utm_source=esp&amp;utm_medium=Email&amp;CMP=bookmarks_email\"><em>Guardian<\/em> essay<\/a>, author Philip Pullman discussed how he arrives at a theme. His works have themes, in retrospect, but \u201cthat aim or purpose, or theme, wasn\u2019t where I started. It\u2019s far too abstract.\u201d He allows as how some successful writers can start with a theme and develop a novel to illustrate it. Not him. \u201cI don\u2019t start with a theme in mind at all,\u201d he says, \u201cbut with characters in particular situations. If I\u2019m lucky a theme becomes visible to me before I reach the end of the story, so I can go back and cut, or shape, or move, or amplify, or reduce various parts of the text in order to clarify the theme I\u2019m beginning to see.\u201d<\/p>\n\n\n\n<p>I was so happy to read this, because I\u2019d been feeling rather dim that I didn\u2019t recognize sooner the theme of the novel I\u2019ve been working on. I thought of it as a simple crime novel, in which a man fails to do something important and fears he\u2019ll be found out. He torments himself about this, but before he can substantively confront his failing, a great many more bad things happen, to him and to those he loves. Not until I was writing query letters (better late than never) did I realize the story is about a man trying to regain self-respect. (You\u2019ll have to read the book to find out whether he succeeds.) In other words, a theme can reveal itself organically out of the work.<\/p>\n\n\n\n<p class=\"has-text-color\" style=\"color:#850003\"><strong>Surprise!<\/strong><\/p>\n\n\n\n<p>This recognition was a surprise. I hadn\u2019t counted on being skilled enough to create something around a Theme. Even the idea sounds like a prescription for deadly prose. However, I shouldn\u2019t have been wary. As Donald Maass, in his excellent advice to writers suggests, no matter what the specific content (time, place, characters, plot) of a novel is, these specifics need to connect to something larger, to the universal. That\u2019s what creates the emotional connection for the reader.<\/p>\n\n\n\n<p>We may not have the experience of being stranded on Mars, but we know what it is to feel abandoned, to keep our spirits up by busily plugging away at tasks that are manageable. We may not have the experience of living in Margaret Atwood\u2019s Gideon, but many women (at least) know what it is to play eternal second-fiddle to another group of people, to be systematically devalued. We may not have the experience of my character, architect Archer Landis, who discovers a murder and doesn\u2019t report it, but we know what it is to feel shame.<\/p>\n\n\n\n<figure class=\"wp-block-table\"><table><tbody><tr><td>For the past few Thursdays, my posts have examined influences in my crime novel, tentatively titled <em>Four Proofs of Courage<\/em>. I\u2019m delighted to report that it is under contract with Black Opal Books, and when I have the schedule, I\u2019ll share it. I appreciate the readers who have told me they like these posts. I hope you do too and would love to hear from you. Previous posts in \u201cWhere Writers\u2019 Ideas Come From\u201d: <br><a href=\"http:\/\/www.vweisfeld.com\/?p=8553\">Why an Architect?<\/a><br><a href=\"http:\/\/www.vweisfeld.com\/?p=8576\">Who Are These Women?<\/a><br><a href=\"http:\/\/www.vweisfeld.com\/?p=8602\">Seeing the World Through a Character\u2019s Eyes<\/a><br><a href=\"http:\/\/www.vweisfeld.com\/?p=8615\">What Kind of Trip Is It?<\/a><br><a href=\"http:\/\/www.vweisfeld.com\/?p=8630\">Slivers of Backstory<\/a><\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<p><em>Photo: pasja1000 for Pixabay<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>There\u2019s a place in the world for books whose sole aim is to entertain, but these books often don\u2019t have staying power. Shakespeare, Dickens (the inspiration for the names of our kittens, Will and Charles), Twain\u2014wrote stories that were popular &hellip; <a href=\"https:\/\/vweisfeld.com\/?p=8653\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"Where Writers' Ideas Come From: Theme - this sounded like too much of a reach, only to discover it was there all the time. Another instance where revisions turn into successful excavations.  ","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[174,29],"tags":[1773],"class_list":["post-8653","post","type-post","status-publish","format-standard","hentry","category-first-draft-blog","category-writing","tag-philip-pullman"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p2NkiT-2fz","_links":{"self":[{"href":"https:\/\/vweisfeld.com\/index.php?rest_route=\/wp\/v2\/posts\/8653","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/vweisfeld.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/vweisfeld.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/vweisfeld.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/vweisfeld.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=8653"}],"version-history":[{"count":1,"href":"https:\/\/vweisfeld.com\/index.php?rest_route=\/wp\/v2\/posts\/8653\/revisions"}],"predecessor-version":[{"id":8654,"href":"https:\/\/vweisfeld.com\/index.php?rest_route=\/wp\/v2\/posts\/8653\/revisions\/8654"}],"wp:attachment":[{"href":"https:\/\/vweisfeld.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=8653"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/vweisfeld.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=8653"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/vweisfeld.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=8653"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}