An interesting cast of characters assembled yesterday for the Liberty State Fiction Writers’ fourth annual conference. Two hundred writers, editors, and agents in a Woodbridge, N.J., hotel talked about stuff I know zero about (zombies) and never heard of (enneatypes).
Quite a learning experience. Many of the attendees write in genres and sub-genres I’ve also never heard of. Romance publisher Harlequin alone has some 30 lines, including Harlequin Medical, Harlequin Historical, and Harlequin Historical Undone, as in bodice laces, I suppose. Since Harry Potter, there’s an upsurge in writing for the Young Adult and Middle Grade markets. None of this is what I do, but what was nevertheless inspiring about the meeting is that these women—and most of the attendees were women—are getting it done. They have kids, they have jobs, but they are writing books. Not only that, their books are published, sometimes self-published and self-promoted, but they are getting it done, and a remarkable number are making a living at it. At the book-signing session, a ballroom was filled with long tables where authors sat behind piles of their books, beaming like proud mamas.
Yes, I heard the common gripe, “I just want to write, I don’t want to do all this social media,” and the firm answer, “Today, being a good business person is half your responsibility as a writer.” Even an agented book that goes to a traditional publisher needs promotion at the author’s end. With only one major bookstore chain left, the competition for attention is keener. Meanwhile, the biggest physical store selling books is Wal-Mart. Marketing expert Jen Talty reflected on the myriad forms available to authors now, from self-publishing to e-books to audio to video game scripts to film, to you-name-it and said, “The product is not the book, it is the story.”
About the zombies. “New York Times best-selling author” Jonathan Maberry—an entertaining speaker—said, “a zombie book isn’t about the zombies. It’s about how people behave when faced with an immediate life-threatening crisis.” He recommended World War Z by Max Brooks, son of Mel. This summer, a movie version will be released, starring Brad Pitt. Maberry borrowed a great image for keeping the action in a thriller moving: “Imagine your character is walking a tightrope and behind him, it’s on fire.”
All the people in one workshop seemed to know about enneagrams except me. They are typologies of people’s personalities—nine types, precisely—and the traits associated with them, reduced to a dense chart. Authors can use these typologies to assess how their character might react in a particular situation. For example, a character of the “perfectionist” type tends to react with gut instinct and under stress becomes moody and irrational. I suspect such charts are helpful to the writers who use them, but that many characters are combinations of types, and one or another comes to the fore depending on circumstances. It seemed to simplistic to me, and Wikipedia notes that the system isn’t science-based or easily tested.
My reason for attending the conference was to talk face-to-face with literary agents. It’s bad form to collar an agent in the hallway and pitch your book, but the conference arranges brief (5-minute!) appointments, and I signed up to meet all three agents there who represent mystery/thriller authors. But first, I attended a workshop on pitching, which was filled with good advice and timely reminders, which I immediately adopted. And, all of the agents I talked to want to see all or part of my manuscript. A possible first step on a long road ahead, while I get cracking on the video game adaptation.