The Greenleaf Murders

The sense of place is so strong in some crime novels that their setting—London, Paris, St. Mary Meade—practically becomes one of the characters. You get a good example of that in RJ Koreto’s new mystery, The Greenleaf Murders, in which a Manhattan Gilded Age mansion takes on that role. It’s a non-speaking part, of course, except that the house does seem to speak to the book’s protagonist. She’s a young woman architect planning the top-to-bottom renovation named Wren Fontaine. Not only that, this mansion has secrets to tell.

Koreto introduces plausible antagonists drawn from the nature of Wren work. For example, a downmarket property development firm that renovates (on the cheap) historic homes and turns them into Bed-and-Breakfasts. The developer’s representative has her eyes on the Greenleaf property, despite the pall of neglect hanging over the mansion now. The owner, Steven Greenleaf, is cagey about his plans for the building, but he’s firm on the point that the only current resident, his elderly Aunt Agnes and her companion, Mrs. Ryan, will keep their small apartment. Mrs. Ryan, née Murphy, is the last of a long line of Murphys with an intimate—possibly too intimate—connection to the Greenleafs. For generations, the Murphys worked for the family as maids, drivers, kitchen help, and now, companion. It’s a shared history with all the twists and reversals you may expect, starting with the long-dead corpse Wren finds in the attic.

The police check it out, but, really, they’re more concerned about twenty-first century crimes, and their interest picks up when the property developer turns up dead, shot by the same gun that killed the attic corpse a century before.

Digging for clues to the killings that will help her understand the house gives Wren the opportunity to interact with some interesting secondary characters. There’s Mrs. Ryan’s son, patient Sergeant Ortiz from the NYPD, and a historic preservation purist who knows more about the details of the house than it seems he should. And, there’s a descendant of one of the original owners–a member of the prominent Vanderwerf family. These characters liven up the story, as Wren herself tends to brood. Mostly, she worries she doesn’t have the people skills needed for her job. Houses, ok, she can relate to them, but people? Luckily for Wren, Heather Vanderwerf has every intention of bringing her out of her shell.

The story moves along steadily, but at a stately pace suitable to the mansion itself, as Wren amasses information and develops her theories. I liked Koreto’s writing style and could envision the house and its influence on the characters, though, at times, the dialog seemed contrived to move the plot forward.

To me, the house and the story seem to say we don’t really escape the past, and more of it is with us all the time than we recognize or acknowledge. Wren, with her dedication to preserving the past, as reflected in the homes people designed and lived in, understands this better than most.

Order here from Amazon (affiliate link).

Know someone who loves rehabbing old houses or Gilded Age New York? They’ll love this!

The Bone Records

What’s most fun about Rich Zahradnik’s new crime thriller set in Brooklyn, The Bone Records, is the peek into worlds most of us haven’t experienced first-hand. It tells the story of Grigg (Grigoriy) Orlov, whose father has been missing for five months. Grigg is trying to find him.

As the story begins, Grigg searches for Dad between his daytime job working for the city and a more intriguing evening gig at Coney Island’s Conquistador Arcade. He has scoured his Coney Island neighborhood and the Little Odessa portion of Brighton Beach, where Russian émigrés like his father gravitate. A high school teacher, his father was well known and liked. Surely, someone must have an idea whom his father might have connected with, where he might have gone.

Grigg doesn’t fit into the community the way his father always has. His mother, who died when he was a toddler, was from Jamaica. To the Russians, he will always be an outsider. The author gives you a good sense of Grigg’s anxieties and makes them seem well-founded. He feels out of place, and you feel it too.

Late one night, asleep in his empty house, Grigg is awakened by an intruder. It’s Dad! But hard on his heels is a man with a gun. The Orlovs try to escape, and his father is mortally wounded. He leaves Grigg two things: his dying words, which are “Get to Katia. Katia Sokolov—” and a strange black tube. Katia’s and Grigg’s fathers were best friends and left the Soviet Union together. She may know something, but her orbit is another place he doesn’t seem to fit.

Once he and Katia unroll the tube, they discover it is a bootleg sound recording (and not a good one) of the old Buddy Holly song, “Not Fade Away.” In the 1950s, when the Soviet Union was busily banning Western music and performers, rock n roll fans recorded blacklisted songs on discarded X rays and surreptitiously sold and traded them. They called them bone records. Author Zahradnik provides just enough background information about Soviet life to suggest the secrets the fathers left behind. Very possibly, the past has now reached out to snare his father, and maybe Grigg too.

He’s convinced the police won’t give the investigation a good try, and in a well-worn staple of amateur detective fiction, decides he will have to investigate the murder himself. Katia will help. This quest brings him into inevitable conflict with the Russian mafia, vicious crime lords who dominate Little Odessa. Constantly running into new dangers, he’s on a carousel whirling faster and faster. To get off is to die.

The story’s Coney Island amusement park backdrop was fun, and I enjoyed the complex web of relationships in the local Russian émigré community. The neighborhood comprises just a few square blocks in south Brooklyn, yet gives this thriller a distinctive flavor. The result is as much a roller coaster ride for the reader as a turn on the Coney Island Cyclone.

Rich Zarahdnik is the author of the Coleridge Taylor mysteries, including Lights Out Summer, which won the Shamus Award from the Private Eye Writers of America in 2018.

Damascus Station

So many former CIA analysts turn to writing fiction, you have to wonder whether real life outside the agency seems to lack sufficient drama. Whatever, their willingness to lay bare their former lives often redounds to the benefit of fans of realistic spy fiction, like me. David McCloskey’s debut thriller, Damascus Station, is one of the best. I listened to the audio version, narrated by Andrew B. Wehrlen, and found it utterly engaging.

In the early days of the Syrian uprising, around 2011, Americans are determined to infiltrate the multi-pronged and highly paranoid security apparatus of Syrian President Bashar al-Assad. It’s a challenging task but certainly well worth doing.

CIA case officer Sam Joseph is helping his colleague and friend, Valerie Owens, exfiltrate an important Syrian asset. Assad’s agents are everywhere, and the panicky agent misses his meeting with Joseph and Owens. When their safe house is attacked, Joseph escapes, and Owens is arrested. Because she has diplomatic protection, they believe she will be safe. Not so. Evidence eventually emerges of her torture and death.

Joseph has plenty of motivation to return to Syria. Not only does he want to avenge Owens’s death, he must find and recruit another Syrian to help undermine the shaky Assad regime. Though student rebellions and terrorists’ assassination campaigns are doing their bit to destabilize the political situation, plenty of ruthless bad guys lead Assad’s security forces. Their anxieties and rivalries create a situation as stable as a bowl of nitroglycerine in an earthquake. The Americans need a fearless, highly motivated mole to go up against them.

Joseph finds the kind of person he’s looking for in Mariam Haddad, daughter of a commander in the Syrian Army and niece of a colonel in Assad’s chemical weapons program. Haddad works in Assad’s Palace—effectively Assad’s personal office. She is in a position to learn secrets. For family reasons, she’s vulnerable to Joseph’s outreach. McCloskey creates a nice balance between Mariam’s fear and self-doubt, on one hand, and her determination to bring down the evil men leading the security forces, on the other.

I wish McCloskey hadn’t chosen to raise the stakes by having Joseph and Haddad break one of the iron rules of clandestine work and fall in love, even though that makes the situation more dangerous for them both. Despite the cliché overtones, McCloskey manages to keep their relationship real. The tension keeps building as what he needs Haddad to do becomes increasingly difficult, and as evidence accumulates about an unthinkably deadly plot.

David McCloskey is a former CIA analyst whose writing bears the stamp of authenticity, and the book has received much praise by former Agency personnel. It was a finalist for the International Thriller Writers’ Best First Novel Award in 2022. Narrator Andrew Wehrlen makes Sam Joseph a convincing American character and creates distinctive voices for the many Syrian bad-guys as well. Highly recommended.

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Read Me a Story

You may have seen actor Robin Miles (pictured) on the TV shows Law & Order and Murder by Numbers, but her principal creative outlet is the approximately 500 books she’s narrated—many, many of which have won awards. Journalist Daniel Gross’s recent New Yorker article, “How a Great Audiobook Narrator Finds Her Voices,” centers on voice actor Miles.

When she began narrating books, Miles was shocked to find how pigeonholed narrators were. If you were Black, you read books by Black authors; if you were Jewish, the same. “When a little more diversity came in (to the pool of audio narrators), it was like, well, nobody can do anything outside of their yard. And now, I think we’re also beginning to hopefully, break through that again.” Certainly the talented Adam Lazare-Smith is equally convincing narrating the Black and white characters of SA Cosby’s thrillers, as is Sullivan Jones narrating a whole array of ethnicities in Joe Ide’s I.Q. books, set in East Los Angeles.

Generally, a narrator is chosen who shares some major trait (gender, race) with the story’s main character. So, what about all the other characters? People different in terms of gender, sexual orientation, age, ethnicity, level of education, country of origin? The best audio narrators move between characters easily and make their voices simultaneously distinctive and authentic. As another skilled narrator, Adjoa Andoh, describes this challenge, “You are the entire world.”

Miles says that growing up in a town full of immigrants—Matawan, New Jersey—exposed her to accents from pretty much everywhere. Versatility, combined with creativity, serves voice actors well. In NK Jemisin’s fantasy books, a number of which Miles has narrated, the way characters sound must be created from scratch. They can’t sound like they came from Brooklyn or New Orleans or Maine.

I’ve been an Audible subscriber for more than twenty years. I’ve listened to hundreds of books. In 2004, I listened to all of Dickens, as well as Jane Smiley’s biography, Charles Dickens. Back then, audiobooks were a small part of the literary marketplace, but in 2008, Amazon paid about $300 million to buy Audible. They’ve done nothing but gain listeners in droves ever since. Today, audiobooks “are about as popular, in dollar terms, as e-books, and may soon generate more revenue than Broadway,” reports Gross.

Some authors decide to save the approximately $100 to $400 an hour it costs to hire a narrator/producer and read their book themselves. Having listened to so many terrific narrators, this seems risky and I’d never do it, but John le Carré did a great job reading his Agent Running in the Field. As in so many creative domains these days, AI is rearing its computer-generated head in the field of audio narration. When I think of the subtlety deployed by my favorite narrators, my instinct about this development is pure Luddite. As an example, Gross describes how Miles recognized a line was a bad joke and let her voice trail off as the character realized how unfunny she was. A manufactured voice might be able to read a textbook, but subtlety . . . I don’t know. How about sarcasm? Dawning uncertainty? As Gross says, “When publishers and producers inevitably try to sell us synthetic voices, it’ll be up to us to hear the difference.”

Blue Book by Tom Harley Campbell

In the mid-sized, middle-America town of Dayton, Ohio, retired homicide detective John Burke isn’t wildly happy about the reduced pace of his life, but in this quick-moving new thriller by Tom Harley Campbell, unexpected trouble—and a fascinating mystery—are headed straight toward him. They arrive in the form of 18-year-old Alex Johnson, all the way from Hattiesburg, Mississippi. Alex’s father was a Mississippi cop whose body was found in Dayton’s Mad River four years earlier. Not solving that case has haunted Burke ever since. Now Alex provides a tantalizing clue.

A news story starts another pot simmering. Al-Jazeera reports that Yasser Arafat died from polonium210 poisoning. Deeply interested in this development is Hattiesburg history professor Charles Robinson. He’s haunted by the mysterious 2004 death of his own father, a retired Air Force lieutenant colonel, which Charles believes was also a polonium poisoning. Charles’s father had a secret, post-World War II assignment in Dayton, called Project Blue Book (in real life), to investigate reports of UFOs (now called Unidentified Aerial Phenomena), and determine whether they threaten national security.

In the post-War era, while the older Robinson was sifting evidence, the Air Force, the military, and the Central Intelligence Agency conducted an unrelenting public information campaign to discredit UFO reports and depict the believers as tin-foil-hat-wearing kooks. (Last week, Enigma Labs released a mobile app in which users can report and record an unexplainable event as it happens, potentially turning random anecdotal information into data.)

Whether you believe UFOs exist or not, you will understand that, in dicey situations, it’s always the cover-up that presents the greatest difficulties. The more extreme the effort to hide something, the more important it’s likely to be. Project Blue Book’s work and conclusions have been secret for fifty years. As John Burke probes the death of these two fathers, the campaign to cover up Project Blue Book seems to threaten all of them.

John Burke is an exceedingly likeable character. He may be retired, but don’t sell him short. There’s a complex plot here, as befits a story with so many deep secrets, housed in an inaccessible area of Dayton’s Wright-Patterson Air Force Base.

Author Campbell effectively conveys the intimate feel of Dayton (population less than 140,000), a relatively small dog wagged by the big tail of the defense, aerospace, and aviation industries. A local police department can’t help but feel that a giant hovers over its shoulder. And that giant, Burke learns, isn’t always friendly.

There’s just enough science here to make the story interesting and give it plausibility, without weighing it down. Campbell does an especially good job interleaving actual events with his fictional tale. It’s a wild ride, and a fun one! You can order it here with my affiliate link.

Want more? The multi-episode docuseries, “UFOs: Investigating the Unknown” premieres on the National Geographic TV channel Feb. 13.

It’s News to Me by RG Belsky

The fifth entry in former New York City newsman RG Belsky’s Clare Carlson series includes all the features his fans have come to appreciate—an interesting plot, brisk pacing, and, best of all, the self-deprecating wit and chutzpah of Clare herself.

In this story, Clare’s Manhattan newsroom is abuzz about the murder of Riley Hunt, a beautiful blonde-haired, blue-eyed college co-ed with everything going for her. Just the kind of ratings-bait television news loves to exploit. Clare herself is fully aware of the other tragedies, the other deaths that get shunted to the background in favor of those of “blonde white single female” victims, but ratings are ratings.

Clare began as a newspaper journalist and was probably always a cynical observer of the rush and foibles of New York life. When her newspaper folded, she took a job as news director at a local television station, and she can’t get completely past thinking television news coverage is just a little beneath her. But, hey, a girl’s got to eat.

It all sort of perks along until the station owner throws a spanner in the works. He’s bumping Clare’s long-time boss upstairs to be a consultant, a make-work job if Clare ever heard of one, and hiring a new executive producer. The new gal is known for dramatically increasing station ratings, and she doesn’t care what tricks she has to use to do so. Naturally, Clare loathes her before they’ve even met. Susan makes it clear she’s in charge and won’t put up with Clare’s tendency to go off on her own and make decisions without the approval of Management.

Like Clare, you will be girding yourself for the inevitable confrontations between them. Yet, much as Susan blusters and threatens, she can’t quite rid herself of this annoying staffer, with her Pulitzer Prize and her record of breaking important stories.

The reportage of Riley Hunt’s death is expected to come to an end after a homeless veteran is arrested and charged with the crime. He has Riley’s cell phone, and her blood is on both it and him. We Belsky fans know this tidy conclusion won’t satisfy Clare. She continues to investigate, but the way things are going, she is certain to offend one or more powerful men.

Clare’s doggedness keeps reader interest alive, and a string of new revelations comes quickly. As much as they change the situation, what doesn’t change is Clare’s irreverent humor. She kept me chuckling with her spirited repartee. Belsky has quite deftly developed the voice of Clare, and she may seem like a few people you know—or want to know.

Despite Clare’s terrible track record with her personal relationships, her friend Janet keeps trying to fix her up, and her latest, a Princeton University Spanish professor, seems more than promising.

As a college journalism major myself, I have a soft spot for stories about newsrooms, intrepid reporters, and the tension between the fast pace of new events and the slow and painstaking work of investigation, not to mention the conundrums that face an increasingly embattled profession. I look forward to each new adventure of Clare and her team, and so will you. 

Order from Amazon here with my affiliate link.

Thanks, Ellery Queen!

As always, the Jan-Feb issue of Ellery Queen Mystery Magazine is packed with good reading. Here are some of the standout stories for me:

“The Killing of Henry Davenport” by John Shen Yen Nee and S.J. Rozan – Admittedly, this story, set in London in 1924, was bound to be a hit with me, as it involves both Sherlock Holmes and my favorite detective, Dee Goong An (hearkening back to a real-life personage from the Tang Dynasty). Holmes, Watson, Dee, and the narrator, Lao She (another real-life character), set out to solve an English murder in which a Chinese man stands accused. The story is a foretaste of a new project Rozan is working on that fans (me!) eagerly await.

“The Soiled Dove of Shallow Hollow” by Sean McCluskey – It’s always fun to see a nicely crafted story in the mag’s Department of First Stories. A hint of more good stuff to come. And I’m easily seduced by a con job where the question of who’s being conned is up for grabs. Nice!

“The Bowser Boys Are Back in Town” by Hal Charles – You can expect some humor in a story that begins, “Like a loud rooster, the bomb in Beverly Dezarn Memorial Park awoke the entire town of Woodhole . . .” The bad-luck Bowser duo is on what turns out to be an all-too-brief (for them) return home from jail, but it looks like they’re headed back to the slammer.

“Can the Cat Catch the Rat” by Steve Hockensmith – This is another in his entertaining series about Big Red and Old Red Amlingmeyer, tyro detectives in an Old West where the frequent shenanigans offers steady employment. The surprise in this episode is that Old Red has finally agreed to let Big Red teach him to read. However, identifying the counterfeit coins someone’s producing requires nothing more than a healthy set of teeth.

Read these and more good stories in EQMM. Subscribe here!

The Pain Tourist by Paul Cleave

What I like about the two Paul Cleave thrillers I’ve read is how he ties social behavior into the story of a crime and investigation. In his work, Internet frenzies make bad situations worse, leaving me thinking, “Oh, yeah. I can see that happening.”

In the first book of his I read, The Quiet People, a couple suspected of harming their child is besieged by angry would-be vigilantes camping out in front of their home. Suspicions inflamed by social media are enough to produce a crowd edging toward violence. The Pain Tourist touches on people’s fascination with true-crime stories and their willingness to believe they are competent and informed enough to become investigators themselves. You’ve seen this in action if you watched the discovery+ channel’s 2021 series Citizen P.I. In the official confusion and near-vacuum of information after the recent killings at the University of Idaho, the amateurs stepped in.

Amateurs have provided helpful information in a number of instances. They’re good at code-cracking, occasionally find missing persons, and willing to delve into cold cases. But more ambitious self-assigned tasks, such as identifying pedophiles and targeting presumed perpetrators can get dangerous for both the citizen and the accused, who may, in fact, be innocent. This is particularly so when accusers decide to take action.

Authorities worry they can jam up an investigation, overwhelming police with “tips” that need to be checked out (more than 6,000 in the Idaho case in the first three weeks after the crimes). In Cleave’s writing, these true crime devotees are pain tourists.

Taut. Twisty. Propulsive. You can trot out all the cliches regularly used to describe thriller fiction and use them with abandon for The Pain Tourist.

A home invasion leaves Frank and Avah Garrett dead. Nine years later, their 19-year-old son, James, remains in a coma with a bullet wound to the brain, and their 14-year-old daughter, Hazel, is trying to piece a life together. The three men seen running from the Garrett home have never been identified.

While Christchurch Detective Rebecca Kent investigates a serial murderer case, alternating chapters provide insight into what’s going on inside James’s head. A lot, and it’s fascinating. His mind is constructing an alternative reality – one in which his parents don’t die and he and Hazel carry on their lives as they would have been. Eight years and 10 months after the attack, in the now of the novel, James wakes up.

As he describes his memories during those years, Hazel and his doctor see correlations with real-life events. James calls what’s in his head Coma World. In Coma World, he had adventures that drew from the books Hazel read to him. The dates he believes certain events occurred match reality. Naturally, the police want to talk to him to find out whether this amazing memory contains clues from that fatal night. He agrees to try. It’s an intriguing possibility, with loads of implications.

Detective Inspector Rebecca Kent is assigned to James’s case, and because her old friend, retired Detective Inspector Theodore Tate, worked the original case, she gets in touch. He’s now working as a technical advisor for true crime television shows, and Cleave nicely portrays the rise in true crime ‘entertainments’, the dark side of the audience obsession and the shamelessness of the media.

Cleave has a special talent for misdirection, which you don’t fully appreciate until near the book’s end, when several investigations start to come together most satisfactorily. Kent and Tate share one serious concern, that the men who killed James’s parents will come back to finish the job.

Rebecca Kent and Theodore Tate are solidly written characters. Hazel and James’s relationship is especially close, a cup of kindness in a vat of cruelty. James and his prodigious abilities form a completely believable, highly sympathetic character. And, along the way, numerous minor characters are given enough detail for plausibility. Maybe the bad guys are a bit too irredeemable, though that merely raises the stakes. This is a fast-moving, engaging story that has something to say and is hard to put down.

Read more:
The Skeleton Crew: How Amateur Sleuths Are Solving America’s Coldest Cases, by Deborah Halber – “Part whodunit, part sociological study . . . The result is eminently entertaining.”

Winter Tales

Maybe you think the best books to read in January are set in the South Seas or maybe Australia where it’s high summer.

But if a book which a chilly setting or subject is more your cup of tea, here are a few good ones.

The Haunting of Hill House by Shirley Jackson – I just got around to reading this last month and while it probably has lost a bit of its shock value in the sixty-plus years since it was published, it is still full of chills. A group of would-be paranormal investigators plans to spend a week at the notorious, isolated Hill House. It seems, at least to the psychologically vulnerable among them, that the house has other plans, . Most delightful is the lead investigator’s oblivious wife. The link is to the book. I did not see the TV series.

The Surfacing by Cormac James – In 1850, the ship Impetus sailed north of Greenland to rescue men lost while searching for the Northwest Passage. The dangers of the expedition are apparent to the Impetus’s second-in-command, yet the Captain is determined to push on. This literary fiction tale is an adventure story and one, in which every character is tested to the limit. If your personal heroes include Admiral Richard Byrd and Ernest Shackleton, you’ll love this! And you’ll need a sweater.

Five Decembers by James Kestrel – No surprise that a book with this title leads you into an epic snow-filled journey. This award-winner starts out pleasantly enough, in Hawai`i, but, alas it is 1941. The life of Honolulu police detective Joe McGrady is upended when a murder investigation takes him to Hong Kong right at the time Pearl Harbor is attacked. Captured by the Japanese, he must figure out how to survive in extraordinary circumstances. A 2022 best book of the year.

If you’re looking to warm yourself in front of the electronic fire with a good movie, you might like 2017’s Wind River. It tracks the investigation into the strange death of a young woman from Wyoming’s Wind River Indian Reservation (Eastern Shoshone and Northern Arapaho tribes)—the same part of the country as the Longmire series, another favorite. DVD from Amazon.

So, What’s Santa Reading?

Santa Claus, reading

Santa has eclectic tastes in literature, but confesses to a soft spot for stories about Christmas, especially the ones about himself. Well, who wouldn’t?

Death on a Winter Stroll

Reading Death on a Winter Stroll, the new holiday mystery by Francine Mathews, seventh in a series, would be perfect for S. Claus. In December, Nantucket Island’s popular restaurants and shops are brightly lit and open for business, pine and potpourri scent the air, Santa arrives in a Coast Guard cutter, and residents and tourists alike join in the three-day Christmas Stroll.

Stroll Season is about to start, and this year, two sets of visitors warrant special attention. First, the US Secretary of State, her husband, and his twenty-three-year-old son. The second, much larger group comprises cast and crew of a new streaming television series. Hollywood stars, fawning diplomatic assistants, old friends and new loves—in short, a delicious cast of characters.

You’re very aware of the ocean here, grey and enticing, wind and white caps. At times, it’s as easy to get around by boat as by car. (Santa does.) So, how did a murderer find his way to the cottage of a reclusive woman photographer, and why did he kill her? When a second murder occurs, this one among the Hollywood contingent, the two deaths appear completely unconnected. But are they? Take heart, police chief Meredith Folger is on the job.

The story moves along briskly with plenty of local color and numerous plot twists. It just goes to show that people who spend their lives looking at the world through the lens of a camera—not just the dead woman, but the film people as well—sometimes miss things just out of frame. A fun, quick read, perfect for stuffing Christmas stockings! Order right here with my Amazon affiliate link.

The Santa Klaus Murder

A British Library Crime Classic, The Santa Klaus Murder by Mavis Doriel Hay, was first published in 1936 and has all the comfy hallmarks of a traditional English country-house mystery—rural setting, large cast of slightly uneasy family members, unwelcome holiday visitors, and the dead body of the wealthy patriarch, Sir Osmond Melbury. It’s complicated, and, sorry, Santa, you appear to have committed the deed. Or at least someone dressed like you may have. Motives galore. It’s up to Chief Constable Halstock to figure out where everyone was at the time of the murder and why some of them are lying. Order here with my Amazon affiliate link.

Architect of Courage

Santa also encourages you to read (and give!) one of his favorite books of 2022, Architect of Courage. “It’s perfect for people who like mysteries and thrillers,” he says, “and on those long winter nights up at the North Pole, we need good, solid entertainment!” Amazon affiliate link here.