Category Archives: Amateur Detective

The Final Episode by Lori Roy

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I’ve missed a few posts lately because I’ve been creating an index for my family history. How detailed? What’s most helpful? These are questions I don’t have the answers to. Having studied family histories other people have assembled, I know an index is invaluable, and the best I can do may be to strike a middle ground between obsession and gloss. Future users will have to rate my success, though I probably won’t hear about it.

But I do want to tell you about a book I really enjoyed, Lori Roy’s The Final Episode. It’s one of a string of books that enter meta-territory, in a way, in that they’re about television, its coverage of true-crime and the impact of that on people involved in the original tragedy. Others in this string that I’ve reviewed are The Murder Show by Matt Goldman, Kill Show by Daniel Sweren-Becker, and one of the best, The Pain Tourist by Paul Cleave. Each interesting in its own way and each highlighting significant downsides to the genre.

I can’t always pinpoint why one story totally captures my attention and another doesn’t. It’s some ineffable yet powerful characteristic that goes beyond plot, character, and setting. For whatever reason (reasons?), The Final Episode, kept me spellbound.

Roy provides a great set-up—a true crime television series is reinvestigating the mysterious disappearance of Francie Farrow, taken from her Florida bedroom some twenty years earlier. It happened during a sleepover with twelve-year-old Nora Banks. Feigning sleep, Nora saw and heard the man who took Francie and threaten to take her to the nearby Florida swamp.

Three families’ futures and fates are entangled in this devastating crime. For Francie’s parents, the slow-moving investigation and not knowing what happened to their daughter, where she is, whether she’s alive is, in the long run, more corrosive than the worst possible news.

The neighborhood becomes a pressure-cooker, and Nora and her parents escape to her mother’s childhood home on the fringe of the Big Cypress Swamp, with its venomous snakes, alligators, crocodiles, bears, bobcats, and cougars.

There, Nora’s family find the protagonist of the story, almost-eleven-year-old Jennifer Jones. Jenny and her two best friends are simultaneously lured by the swamp and obsessed by its terrors. Every girl in South Florida knows about Francie Farrow—the posters and news coverage are unavoidable—and learning that Nora has an intimate knowledge of the event makes her friendship all the more alluring and destabilizing. The disastrous season trudges on—hot, humid, reeking of swamp smells, and plagued by insects. Worse is the maelstrom of accusations, revelations, and manipulations that the families endure. At the end of the summer, another kidnapping occurs, and everything is changed for them all.

The story of the girls’ explorations and their evolving relationships is backdrop to the story of the grown-up Jenny, trying to make a living, out of touch with her childhood friends. But now that the television series is airing, the heartbreaks of that summer are uppermost in the minds of everyone, including Francie Farrow’s poor mother Beverley, increasingly unhinged. With the television series lurching toward a conclusion, no one knows how it will end. Will it reveal what really happened to Francie, and who will be blamed for it?

Author Roy keeps the girls well plugged into the plot. As they go about conditioning their hair and painting their nails, their actions are not only realistic, but to a purpose that isn’t immediately obvious. The male characters are well developed too, including the police officers and FBI agents, the fathers of Francie, Jenny, and Nora, and the adult Jenny’s sometime-boyfriend, Arlen (who has his secrets too). I particularly enjoyed Jenny’s aging grandmother, Dehlia, who never loses faith in her family, her history, and her portents. A real page-turner!

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Big Bad Wool by Leonie Swann

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A murder mystery in which the detective-work is done by a flock of sheep? YMBK. And, if you’ve noticed my preference for realistic crime stories and political thrillers, you’ll probably be surprised that Big Bad Wool and its predecessor Three Bags Full were two of my favorite books of the last year—sheepy detectives notwithstanding. As testaments to the books’ appeal, Three Bags Full has been translated into more than thirty languages and is currently being made into a movie starring Hugh Jackman, Emma Thompson, Bryan Cranston, and others. Big Bad Wool was translated from the original German by Amy Bojang.

Dark doings occur in these books, including murder. The sheep don’t perfectly understand the human world, of course, but they are observant, patient, and one of them—Miss Maple—is quite clever at putting two and two together. Part of their understanding of humankind has developed through their shepherds’ habit of reading to them each night: mysteries, romances, and, in one disturbing interlude, a text on sheep diseases.

In this story, Rebecca, their shepherdess, has taken the sheep on a long-promised trip to Europe. She lives in her caravan along with her Mum, a devotee of the Tarot, though sheep keep eating a card here or there, diminishing the deck and people’s possible fortunes. Shepherdess, Mum, and sheep are overwintering alongside a French chateau. Snow is on the meadow and ominous tracks are everywhere. Animals are being found in the forest, brutally murdered. Is a werewolf on the prowl? Rebecca worries about the safety of her sheep, and they worry about hers. The plot becomes complicated, making the story perhaps somewhat overlong, but it’s refreshing seeing the world through the eyes of the animals, and I didn’t mind.

The sheep bring distinct personalities and skills to this adventure. Aside from Miss Maple’s acknowledged cleverness, Mopple has the best memory, Othello is a born leader and learned a lot in his early days living in a zoo, Lane is the fastest runner, and the fearless winter lamb, born out of sync with the sheep calendar, hasn’t acquired a name yet and longs for one.

The sheep meadow is next to a fenced-in herd of goats. The temperamental and attitudinal differences between the species—as well as what you could call their different “skill sets”—prove most entertaining and useful. Swann (a pen name) must be exceptionally observant to render animal behavior so vividly and convincingly. Some things the sheep get wrong, and others they understand quite differently than the humans do—the value of veterinarians, for example—though they have an enviable ability to tell when a human is lying. They go about their sheepy business (mainly focused on eating) in a charming, sheepy way. I hated for this oddly comforting book to end!

P.S. When the Public Safety Writers Association decided to have a detective-themed costume event at its annual meeting last summer, you can guess mine!

The Murder Show by Matt Goldman

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Author Matt Goldman is part of that tribe of television writers who have made a successful jump into print. These authors have in common their ability to establish steadily rising action with no lulls and visual imaginations that let them describe scenes so that readers can easily picture them. And they aren’t reluctant to deploy a little authentic humor. Goldman’s first book was nominated for a number of awards, and the new one, The Murder Show, will likely garner equal attention.

In this story, Ethan Harris is the fortyish showrunner for a television series called The Murder Show. He’s abandoned New York and arrived tonight in his home town of Minneapolis, in the hope that a different setting and atmosphere will give him a great idea for the show’s next season. It has to be good, because the show is one bad idea away from being cancelled altogether.

To his surprise, his high school best friend and almost-girlfriend Ro Greeman, still lives in the house behind his. She’s on the Minneapolis police force, as is her high school boyfriend Marty Mathis, which brings Ethan into much too much contact with his high school nemesis.

Ro has an idea for The Murder Show. Of course. Everyone does. Ethan’s heard so many of these he’s initially skeptical, but over time, her idea grows on him. She wants him to recreate the mysterious death of their friend Ricky O’Shea, killed in a hit-and-run on a rural road after his car broke down. Maybe the show would prompt someone who knows something to come forward, even after all this time. And, she eventually reveals, his isn’t the only such fatality in the area. If Ro hadn’t noticed a recent case so similar to Ricky’s, she wouldn’t have recognized the pattern.

Although Ro’s idea could reflect wanting to spend time with Ethan or be a way to get help outside official channels—whichever—Ethan proves himself a resourceful partner. And she needs one!

The quick-witted, teasing banter between Ethan and the women in the story deserves mention, because it rings true. That’s another thing television writers can do (the good ones, that is). They can write believable dialog.

Though much of the story takes place in urban Minneapolis, the trips to the rural areas, past and present, are well described. Fast-paced at both the plot and character development levels, this book is one a great many readers will enjoy. I certainly did.

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A Murderous Reading Vacation–Right in Your Own Back Yard

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So your friends are off to the Jersey Shore or Thailand or the Maritime Provinces. You can have your own exciting vacation right from the ol’ lounge chair. Here are five recent crime stories that will give you a taste of sea, sand, and foreign climes.

Pele’s Prerogative by Albert Tucher
If a Hawai`i vacation is just what you need, you’ll find plenty of local color to make you think you’ve vacationed in that island paradise. Pele, you’ll recall, is the goddess of volcanoes and fire who created the Hawaiian Islands. The flowing lava creates lava tubes, akin to cave systems. Seventy-three-year-old Langston Otsaka, is found dead at the bottom of a lava tube in his back yard, and the wound on the back of his head suggests it wasn’t an accidental. Read my full review here.

Runaway Horses by the Italian literary duo Carlo Fruttero and Franco Lucentini
Lawyer Enzo Maggioni and his wife Valeria, traveling to Siena, encounter a violent hailstorm, take a wrong turn, and end up at an enormous villa, where they remain guests for several days. They’ve arrived shortly before Siena’s August Palio, a centuries-old event in which horses race three laps around the town’s Piazza del Campo. The competition is vigorous and not always fair. Then there’s the dead jockey in the library. My full review is here.

Killer Potential by Hannah Deitch
This story sneaks up on you and before long has its claws in you good and solid. From the moment Evie Gordon walks up to her clients’ quirky Southern California mansion and finds the front door wide open, you know she’s about to uncover something better avoided. A young woman is tied up inside, and Evie’s employers are dead. When suspicion falls on the two women, they go on the run across the US—a 2025 Thelma and Louise. Here’s the full review.

Sayulita Sucker by Craig Terlson
In this story, set in Puerto Vallarta, Mexico, you’ll visit back alleys and dicey neighborhoods not featured in any guidebook. Luke Fischer barrels through the pages as unstoppable as a locomotive. He’s not always polite, prefers beer to wine, and raises a dust storm wherever he goes. Yet, he has an uncanny knack for finding missing people. This time, his client is a man whose teenager daughter has disappeared. Full review here.

Murder Takes a Vacation by Laura Lippman
The acclaimed author’s first cozy mystery is a delight. Muriel Blossom, widowed and newly wealthy, has planned her first trip to Europe—Paris and a splurgy river cruise. You might suspect that Lippman has an older auntie or family friend who inspired her to so perfectly create open-hearted, naïve Mrs. Blossom. From the first page, you’ll peg her as the inevitable victim of an assortment of solicitous character. Read the full review.

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A (Fictional) Trip to Japan

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The art, architecture, and traditions of the Land of the Rising Sun have always fascinated me, which gives the backdrops of these stories added pleasure.

The Puzzle Box by Danielle Trussoni

How you feel about puzzles will likely color your reaction to Danielle Trussoni’s new thriller, a follow-on to her well-received 2023 book, The Puzzle Master. I love puzzles, included a puzzle box in my mystery-thriller, Architect of Courage, and thought I’d found the perfect read.

Mike Brink is a New York City puzzle creator who suffered a brain injury that left him with the extremely rare “acquired savant” syndrome. Savants have extraordinary cognitive abilities in a single field. For Mike Brink, it’s solving puzzles, along with the supporting mathematics. Life and relationships aren’t easy for him and, interestingly, Mike would prefer to be less “special.”

The Imperial family has asked a US-raised young Japanese woman, Sakura Nakamoto, to convince Mike to try to open the Dragon Puzzle Box, a feat attempted in secret only every twelve years. Renowned puzzle experts have tried and failed, and failure is fatal.

In Japan, a woman named Ume is training a small cadre of young women to be warriors as ruthless as herself, female samurai. They believe whatever is hidden in the Dragon Puzzle Box can restore the samurai to power. Meanwhile, another powerful antagonist also wants the Box’s contents, in order to pursue one of those “fate of the world hangs in the balance” missions that strain my credulity. Even if Mike can open the Box without dying in the process, the dangers will be only just beginning.

I like the elements of Japanese culture that Trussoni includes in this tale. She lived several years in Japan and the story environment certainly carries the feel of authenticity. A “foreign” setting is almost always extra exciting, simply because the rules are different there, and they are very different indeed in the Imperial court setting!

The Labyrinth House Murders by Yukito Ayatsuji

No doubt Christie, Chandler, Sayers, Hammett, and their brethren would be quite comfortable reading this story, inspired by Golden Age traditions, the fourth of the author’s Bizarre House Mysteries.

The house of prominent Japanese mystery writer Miyagaki Yōtarō was constructed as a giant labyrinth (maps are helpfully provided to the guests—and readers). For his sixtieth birthday, he plans a celebration involving talented young writers he has mentored, his editor/critic Utayama Hideyuki, and mystery fan Shimada Kiyoshi.

The arriving guests meet Miyagaki’s secretary who makes the astonishing revelation that their host, dying of cancer, has committed suicide. Miyagaki’s posthumous instructions ask them not to call the police for five days and not to try to leave. He also asks the four authors to use the days to write the best detective story they can, which Utayama and Shimada will judge. The winner will receive half of Miyagaki’s considerable estate. Initially nonplussed, the writers quickly rally and commit to the project. Thus, you have a classic locked-room mystery. It doesn’t tax your imagination to guess the partygoers will begin dropping like flies.

Utayama and Shimada take the lead in investigating, but neither can be sure the other isn’t the mysterious killer. Most puzzling is that the positioning of each body and the cause of death mimics the newly deceased’s draft story.

I learned less about Japanese culture than I might have expected and quite a bit more about the personalities of ambitious authors than I might have wanted. Miyagaki well understood what he was dealing with when he set up this unusual challenge. Each murder necessitates a lengthy deconstruction of the surrounding events, the location of other guests at the probable time of the crime, and its relation to the story begun on their word processors. It begins to feel like an overlong unravelling, but all points to a classic fair-play conclusion. Will you figure it out before Utayama and Shimada do?

The March of Television

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This spring promises several new television seasons and series that should be worth watching. But first, let me praise the extremely quirky Interior Chinatown, which we’ve watched over the last few months. It’s based on a 2020 novel by Charles Yu, which won the 2020 National Book Award for Fiction. A couple of episodes in, I realized I’d actually read this book. I did not get it at all. My reaction: “Huh?”

But someone must have, and the transition to the small screen is terrific. Jimmy O. Yang plays Willis Wu, a background character in a police drama set in a fictional city. His parents, especially his mom, have some hilarious moments, as does his fellow waiter, Fatty Choi, who thrives on insulting the restaurant’s customers. The plot is essentially indescribable, but Wu is on a quest to find out what happened to his older brother, whom the TV show calls “Kung Fu Guy.” Many hilarious and heartfelt moments. Watch it on Hulu.

On TV this spring, I’m looking forward to the televised version of Liz Moore’s Long Bright River, a book I enjoyed immensely. In it, a cop who works in Philadelphia’s rough Kensington neighborhood, scene of a series of prostitute murders, never escapes the fear that one day what she’ll find is the body of her renegade sister. Amanda Seyfried plays the police officer, Mickey Fitzpatrick. Excellent family interactions in the novel; I hope they’re preserved. Coming on Peacock March 13.

Damian Lewis will reprise his role as Henry VIII in Wolf Hall: The Mirror and the Light, the third book in the late Hilary Mantel’s riveting series about Tudor political shenanigans involving the King, Thomas Cromwell (Mark Rylance), and Cardinal Wolsey (Jonathan Pryce). The books were great, and the acting in this series, first aired in 2015 as Wolf Hall, is exceptional. Wolf Hall was the ancestral home of Henry’s third wife, Jane Seymour, the one (out of eight) he presumably most loved. It’s premiering March 23 on PBS.

Another season of Dark Winds arrives March 9 on AMC. This crime series, set on Arizona’s Navajo reservation, is based on Tony Hillerman’s popular books featuring Sheriff Joe Leaphorn and his deputy Jim Chee. Leaphorn is played by Zahn McClarnon, an actor I came to admire in the Longmire series, and Chee by Kiowa Gordon. The rest of the mostly Native American cast is also strong. And you can’t beat the beautifully stark Southwestern landscape.

I’ll also give a try to the British detective drama Ludwig, which aired on the BBC in 2024, but will be available on BritBox starting March 20. The title character (played by actor-comedian David Mitchell) is a puzzle-maker, and Ludwig is his pen name. His identical twin brother (I know, I know, beware of twins) is a Cambridge police DCI who’s gone missing. Ludwig poses as his brother to get access to police information about the disappearance. He is, of course, taken for the detective, and becomes caught up in the department’s investigations. Puzzle-solving should come in handy.

Imaginations on Fire

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As news of the Southern California Line Fire explodes, another in a long line of catastrophes, authors have taken note. Fire’s destructiveness reveals heroism, and can equally well hide dastardly deeds. These thrillers have some strong points, and I also recommend the nonfiction Fire Weather by John Vaillant. You’ll discover real-life heroes (and villains) and understand fire’s dangers much better.

What Fire Brings
From the first pages of Rachel Howzell Hall’s new psychological thriller, What Fire Brings, Bailey Meadows’s situation is fraught with deception. This young Black woman has finagled a writing internship with noted thriller author Jack Beckham, but she isn’t a writer. She’s secretly working toward obtaining her private investigator’s license, and wants to use this opportunity to find out what happened to a woman who disappeared near Beckham’s Topanga Canyon property.

Topanga is a famously bohemian community west of Los Angeles whose hilly terrain and dense tree cover make it seem remote and wild. Thanks to Hall’s deft descriptions, the Canyon, with its one road in and one road out, becomes another potentially dangerous character here.

The story is told entirely from Bailey’s point of view. If you’ve read other works by Howzell, notably her debut, Land of Shadows, you won’t be surprised her narrative reads as if she is in an existential crisis. Living in two worlds makes her easily distracted—not the best headspace for conducting an investigation.

On a hike in the canyon, she sees a fire in the distance—too far away to pose any risk to the Beckham property, or is it? I read an advance reader copy of this book, which was labelled an ‘uncorrected proof.’ Typos will (presumably) be caught, and other changes may be made. However, when Bailey asks the fire chief about the maximum temperature a human body can tolerate, and he says 250 to 300 degrees Fahrenheit, that’s so wrong, I thought it was another intentional deception. The human body is about 60 percent water, which boils at 212 degrees F. Then he says higher temperatures are survivable “if there’s water around.” Water (humidity) actually worsens heat’s effects of heat on the body. This apparent slip-up is much more than a cosmetic problem, it affected my understanding of the plot.

That stumble aside, when you finally understand the whole of Bailey’s predicament, you may, like me, be struck by Hall’s accomplishment here. She turns the tables on some issues I didn’t realize were actually on the table. Despite Bailey’s annoying dithering, and the unanswered story questions (like, who was that old lady?), What Fire Brings is an exciting and memorable read.

Into the Flames
James Delargy’s incendiary new crime thriller, Into the Flames, like his previous two, is set in wildfire-prone rural southeastern Australia. Former Sydney police Detective Alex Kennard is making a heroic effort to reach the hilltop home of a missing artist—Tracy Hilmeyer—on one of the most threatened blocks in the rapidly burning fictional town of Rislake.

The superheated road surface pulls away as the tires of his commandeered Personnel Carrier labor up to the Hilmeyer house. Kennard doesn’t expect to find much at the house, certainly not what he does find—Tracy’s dead body, lying in a pool of blood. It takes superhuman cajoling to persuade the firefighters to concentrate on saving this one structure—now a crime scene—and to get the necessary investigating officers up the hill to the endangered dwelling. All the usual trappings of a murder investigation are here—coroner’s reports, paper trails, motor vehicle searches, warrants, interviews, development of suspects—all of which takes place amid an utter catastrophe.

Author Delargy is good at developing a complicated plot, red herrings and all. And, if you like a flat-out adventure, the story moves quickly from one event to the next. His writing style doesn’t lend itself to much character development, and he tends to tell you what his characters are feeling, rather than convey their motivations through more subtler means. As a result, I didn’t become really attached to any of them and to outright dislike a few.

What I did like was the dramatic set-up. The increasing number of devastating real-life wildfires around the world are a growing menace, and a story like this one vividly brings home the kinds of perils that such tragedies pose.

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The Serpent Dance

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With Sofia Slater’s latest crime mystery, you have not only an intriguing whodunnit, but, although it’s set in contemporary times, The Serpent Dance feels like a trip back in time to the era when Cornish midsummer revelries first involved bonfires, iconic music, river offerings, and the creation of wicker animals, later consumed by the ritual fire. Slater draws on the persistence of these ancient practices, mixing the traditional and the modern in ways that occasionally baffle her protagonist.

London graphic designer Audrey Delaney’s boyfriend of ten months, Noah, has planned a surprise getaway for them. She’s convinced herself (and prematurely told all her friends) that he’s taking her to Paris. When it turns out they’re headed to the fictional Cornish village of Trevennick, she tries not to show her disappointment, but Noah realizes he’s missed the mark.

From there, their situation goes from bad to much, much worse. Their B&B is a modern, glass-walled home overlooking the river. Inside, it’s open-plan carried to an extreme. Their landlady will be staying in the master bedroom, with just a wisp of separation between her and the guest bedroom.

Their hostess is a renowned television personality, and Noah takes to her with unexpected enthusiasm. Something isn’t right. Why this place? What’s Noah’s real agenda? Why his interest in this older woman? The twisting lines of the eponymous serpent dance itself can’t compare to the secrets Audrey is about to discover.

No need to worry be jealous of their hostess, though, because before morning she lies dead in a pool of blood, a knife to her throat. The police initially consider it a suicide, but elements of the crime scene simply don’t add up. Since Audrey and Noah are the only other people in the house, and since anyone else padding about could not do so without risking being seen (all those glass walls), police attention is on them. On Noah, particularly.

The town is preparing for the midsummer Golowan festivities, masks and wicker obby orses everywhere. It’s a deeply local tradition and outsiders aren’t especially welcome, especially when the shadow of murder has fallen on them.

Though Noah is tucked away in jail, their hostess’s isn’t the only body to turn up. Audrey tackles her predicament in the way she tries to work through any difficult circumstance, by drawing, and the realism of her depiction of Stella’s corpse, among other local characters is inevitably misunderstood. It’s a classic case of being out of one’s own element. This profoundly unsettling atmosphere makes Audrey anxious about the wrong things, so that she doesn’t recognize the danger to herself.

I found the mix of past and present, culture and calamity quite captivating. Nice job, Sofia Slater! Order your copy here.

The Dog That Didn’t Bark

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Earlier this month marked the 94th anniversary of the death of Arthur Conan Doyle. If you read this blog regularly, you may recall that I wrote a series of posts based on themes and stories in an excellent anthology, edited by Richard T. Ryan, Sherlock Holmes: A Year of Mystery 1885. It came out late last year, and my story “A Brick Through the Window” was in it.

I’m pleased to say that story won first place in the Public Safety Writers Association’s annual awards program in the short story category. It tells how in July 1885, Holmes and Watson took part in investigating the impact of laws (only and outrageously punishing women) aimed at reducing sexually transmitted diseases in the military, as well as how extreme poverty had led many families to sell their young daughters into sexual slavery. It’s noteworthy that the laws governing these matters were revised in a good direction shortly thereafter.

The Great Detective became embroiled in these unsavory matters by a request for help from William T. Stead, a real-life character who was a well-known periodical publisher and regarded as the first investigative reporter. Not surprising he’d call on Holmes (if only fictionally). With his facility for disguise, Holmes was able to penetrate some exceedingly seedy places! Stead’s death in 1912 was also notable: he perished aboard the RMS Titanic.

Writing my four published Sherlock Holmes pastiches and doing the posts about the SH:1885 collection inspired me to pick up the stories again. I have a two-volume Collected Works, and I’m nearly through Volume I. It’s been years since I read them, and I’m struck by how almost every story contains a sentence we now think of as iconic Holmes. I just finished “Silver Blaze” about the missing race horse and dead horse trainer, and it’s the one that includes the observation about the dog that didn’t bark. Full of satisfying surprises!

Alfred Hitchcock’s Mystery Magazine – July/Aug 2024

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Sister publication to the Ellery Queen Mystery Magazine, AHMM also has a reputation for bringing fine short mystery and crime stories to its avid readers. This particular issue is full of notable ones and leads off with one of my own. Here are my favorites.

This issue includes the winner of the 17th Annual Black Orchid Novella Award, and this year’s winner is Libby Cudmore’s story, “Alibi on Ice.” Girl-of-all-work Valerie holds down the desk at a low-budget private detective’s office. While running an errand, Valerie discovers a semi-conscious young woman, half-buried in snow. Valerie digs her out and calls the authorities, who whisk her away in an ambulance. Her boss Martin is out sick, and when Valerie tells him about her discovery, she also relays her conviction that the woman was purposefully left there. Abandoned. Thus her first investigation begins, and, between her own doggedness, some clever analysis, and encouragement from Martin’s sick-bed, Valerie solves a challenging case. He’s proud of her. You will be too. Nice one!

In “Time Lies” by Ken Linn, a seven-year-old girl, found asleep in a phone booth, says she’s a time-traveler from 1963. Who and why? It’s up to a part-time investigator and high school math teacher to help the sheriff discover the answers.

“Delivering the Egg MacGuffin” by Joslyn Chase is a masterful exercise in misdirection, appropriate to the plot device Alfred Hitchcock himself made famous. I laughed out loud!

“Home Game” by Craig Faustus Buck is another story moving along smoothly in one direction that takes a sudden tum and ends up somewhere else altogether. Very clever.

I really loved John M. Floyd’s romantic “Moonshine and Roses” about—well, about a lot of things. Lost fortunes, lost loves, and how they may be found again, along with justice for some notorious bad guys in the wilds of Kentucky.

“Among the Long Shadows” by Vicki Weisfeld (me!) is my fourth published story featuring young Sweetwater, Texas, reporter Brianna Yamato, fighting the good fight against crime in her community and the prejudices of the good ol’ boys. The story takes place at Avenger Field outside Sweetwater, the place where, during World War II, women pilots were trained to take on aircraft support missions, freeing up the men for combat. It’s now home to the Woman Airforce Service Pilots (WASP) World War II Museum. When I’m writing a story, I like to include an element that gives me the excuse to do some research, which always stimulates new ideas for plot and character—in this case, a murdered woman flying instructor and former stunt-pilot with the Aero-Belles. Read an excerpt here.