New Orleans-based author Michael H. Rubin attended the Deadly Ink! Conference around the time his historical, The Cottoncrest Curse, was published, and I met him there, then read and reviewed his book. His academic publisher, LSU Press, insisted on historical accuracy of the book’s two time periods, 1893 and the 1960s Civil Rights era. To make sure, they had “a bevy of historians” vet the manuscript. That sounded like a nail-biter to me, because historical events don’t have a single interpretation, and we’re always learning more. Think how, after 3400 years, we’re still making new archaeological discoveries in Egypt!
In the current issue of Mystery Readers Journal, Paul Vidich’s essay, “A Personal Historical Murder Mystery,” struck a chord with me. His novel, The Coldest Warrior, was inspired by the death of his scientist uncle who “jumped or fell” from his 13th floor hotel room in New York City. Only years later did the family learn he’d been given LSD in one of the CIA’s ill-considered experiments. He had several false starts in trying to fictionalize this story, mostly because he was too close to it.
It wasn’t until he took a step back and examined the events not from his family’s point of view, but from that of the CIA officers engaged in—“murder, cover-up, and a power struggle over the repercussions of the case”—could he make headway. Ultimately, the story showed the psychological burdens on them, and Vidich makes the broader point that “Honorable men who work in covert operations inevitably bring some of the darkness into themselves.”
This resonated with me after a failed attempt to write a short story that would bring in highlights from the fascinating (to me) genealogy of my great-great grandmother. Like Vidich, I was much too close to the subject, so I sent an early draft to my editor, Barb Goffman, more than a little embarrassed because I knew it was awful! All the elements that engaged me came out, and a completely different story resulted. It’s “The Unbroken Circle,” published last summer in Pulp Modern. Despite the magazine title, this story is a historical, set in the late 1800s. The editors must have found its evergreen themes of family loyalty and connecting to the past “modern” enough.