Ellery Queen Mystery Magazine – Nov/Dec 2020

Santa Claus, reading

What fun to review this issue of “the world’s leading mystery magazine” and have the chance to reexamine its amazingly diverse stories, in numerous sub- and maybe even sub- sub- genres. In this issue there’s a nice mix of brand new and newish authors, as well as some of today’s best writers of crime and mystery fiction.

Picking favorites is hard, but these stories particularly struck me.

“Killer Instinct” by Doug Allyn—a perennial reader favorite. Not only is his story set in my home town, Detroit, his first sentence made me laugh out loud. It’s perfect for EQMM: “The traffic was murder.”

“My People” by Liza Cody – Her protagonist, an undercover London cop, is participating in a huge protest about climate change, sussing out the demonstrators’ intentions. They welcome her; her fellow police are dismissive. As a result, she engages in an entertaining mental back-and-forth about which group is “her people.”

“The Man from Scotland Yard Dances Salsa” by John Lantigua. His Miami-based Cuban private eye is always interesting. Once again, he cleverly negotiates that tropical world of people with lots of dough and the bad guys who want to grab some of it.

“The Cards You’re Dealt” by Michael Z. Lewin – satisfying comeuppance of a full-of-himself police lieutenant, aided by some smart detective work and a sharp boy and his bike.

“The Man at the Window” by Pat Black—an intriguing police procedural about a dead mom, suspiciously swinging neighbors, and a tidy three-year-old.

Photo: Creative Commons License

Foreign Intrigue

If domestic intrigues are giving you fits, you might try some stories set in other countries. What you’ll find, of course, is that there’s no end to the shenanigans people get up to. But you knew that, right? Here are three award-winners from France, Germany, and Japan. In general, crime novels by non-American, non-British authors have a different style. They often have subplots that leave you to draw your own conclusions. Personally, I like that extra dose of mystery. These three happen to have wonderful cover art too!

Summer of Reckoning

Summer of Reckoning, Marion Brunet

Some teenage summers are just too awkward and painful to revisit. Marion Brunet’s novel expertly describes a summer exactly like that. When I say it’s set in the south of France, you’re thinking Provence. Lavender and cabernet. The bleak, poverty-stricken village where sixteen-year-old Céline and her fifteen-year-old sister, Johanna, live with their brutish father, Manuel, is not that. Céline is pregnant, and Manuel insists she reveal who the father is. From his drunken determination, much tragedy ensues. Winner of the French Mystery Prize (the Grand Prix de Littérature Policière), it was translated by Katherine Gregor. Read my full review here.

Mexico Street

Simone Buchholz, Mexico Street

Simone Buchholz’s street-smart Hamburg public prosecutor Chastity Riley works closely—in some cases intimately—with the local police. Her cast of well characterized lovers, former lovers, and police colleagues is investigating the latest in a rash of car fires. This one is different, there’s a dying man inside, a member of a notorious Bremen gangster family.

That connection leads Riley and her crew to some dark and lawless places, to a world and family life that operate under their own unforgiving rules. Winner of the German Crime Fiction Prize in 2019, translated by Rachel Ward. Read my full review here.

The Aosawa Murders

Aosawa Murders, Riku Onda

In the 1970s, an Aosawa family birthday party ends with 17 people poisoned to death. The only survivor is teenage daughter, Hisako, who is blind. The evocative, layered story by Riku Onda is created retrospectively from interviews with the principals, starting with Hisako’s memories, the ruminations of the police detective who is convinced Hisako somehow must have been involved, and the author of a best-selling book about the murders.

Was this the perfect crime? As the book blurb says, “Part Kurosawa’s Rashomon, Part Capote’s In Cold Blood.” Winner of the Mystery Writers of Japan Best Novel Award, and translated by Alison Watts.

Thrills and Chills, Delivered Right to Your Ears

These are “OK-I’ll-take just-another-walk-around-the-block” audiobook listens. Award-nominated stories, great narrations! Click on the titles for my Amazon affiliate links. Enthralled by every one of these!

The End of October

Lawrence Wright, End of October

Lawrence Wright must have really polished up his crystal ball before writing this medical/political thriller about a brutal pandemic. A Pulitzer Prize-winning journalist, he has a knack for describing scientific complexities and capturing both the big political picture and the significant details. The hero of the book is Henry Parsons, an American physician from the Centers for Disease Control trying to control the uncontrollable as world leaders behave in all-too-familiar, self-serving, short-sighted ways. Near the end, the book strays into conventional thriller territory, but the rest is terrific.

Mark Bramhall read the audio version, and I could hear Dr. Anthony Fauci every time he delivered Parsons’s words. Read my full review here.

American Spy

In Lauren Wilkinson’s highly regarded debut novel, it’s 1986 and Marie Mitchell is an FBI intelligence officer. As a young Black woman, she feels passed over, and her boss is hostile. She’s approached by CIA operatives running a campaign to discredit Thomas Sankara, the charismatic, pro-Communist president of Burkina Faso, and Marie agrees to help. What Marie  doesn’t expect is to fall under Sankara’s magnetic spell. Long after leaving Africa, the long tail of retribution is still chasing her, with deadly intent. Marie’s strong relationships with her family give the book tremendous resonance. Narrated by Bahni Turpin, beautifully

Stranger Diaries, Elly Griffiths

The Stranger Diaries Elly Griffiths’ award-nominated story describes Clare Cassidy, a high school English teacher with an affinity for the long-dead gothic horror writer R.M. Holland and his most famous work, “The Stranger,” a short story about a macabre murderer. When colleagues at the school where she teaches—where Holland himself lived and worked—start being murdered, there are mysterious links to Holland and every reason to think Clare may be next. Narrated by Esther Wane, Sarah Feathers, Anjana Vasan and Andrew Wincott, who reads “The Stranger,” bit by bit.

Autumn Thrills

Three exciting reads from 2020. The only thing they have in common is how good they are! Click on the title for my Amazon affiliate link.

The Wicked Sister

In this all-new story and cast of characters, Karen Dionne reprises elements of her first quite fabulous book, The Marsh King’s Daughter. Again, the setting is the sparsely populated, heavily wooded Upper Peninsula of Michigan, and, again, the natural world plays an important role, underlining themes and supporting the action.

The main character, 26-year-old Rachel, even talks to animals. Dionne’s light touch makes these interactions more revealing of Rachel than weird. Rachel is fragile. She’s just spent 15 years in a mental institution believing she murdered her parents. With chapters narrated by both her mother (“then”) and Rachel (“now”), you learn what really happened and pray for Rachel’s escape. My full review here.

How to Be Nowhere

Fasten your seatbelt for a breakneck, bumpy ride. Tim MacGabhann’s new thriller takes place in the murky regions of Central America

Investigative reporter Andrew and his friend Maya have connected with some pretty dangerous characters over the years, and that past comes roaring back.

The bad guys want the reporters’ help finding their leader’s daughter, a much more difficult and dangerous task than you might imagine. Plenty of dark humor. If Hollywood ever makes a movie of this story, they’ll need a hefty budget line-item for expendable vehicles.

My full review here.

Seven Lies

Elizabeth Kay’s new domestic thriller is an immersive journey into a twenty-year friendship. Jane and Marnie have been inseparable since age eleven, though narrator Jane doesn’t hesitate to explain the many ways they differ.

They work in London post-college, and Marnie meets successful, wealthy, charming Charles. Jane loathes him. When Marnie asks Jane, “You think we’re right for each other, don’t you?” Jane swallows hard and tells lie number one: “Yes, I do.”

Kay strings you along, inviting your complicity, as the box Jane has constructed for herself becomes smaller and smaller and her lies increasingly consequential. My full review here.

Tune Out the Politics: Listen to a Great Book Instead!

earphones

Since I listen to audio versions of books nominated for various crime-writing awards (and there’s a lot of them!), they are almost always excellent listens. Clicking the title gets you to my Amazon affiliate link.

Your House Will Pay

Steph Cha has created a timely and unforgettable story about crime, injustice, and the collision of two Los Angeles cultures, not written in abstract terms, but in the painful impact the conflict has on multiple generations of two families—one Black, one Korean. Listening to this will give you more insight and compassion about American social conflict than in a hundred presidential debates!

Although most of Cha’s story takes place in 2019, it’s rooted in the real-life conflicts that ravaged the City of Angels in the early 1990s. Alternate chapters are told by Grace Park, a young Korean American woman whose parents harbor a terrible secret, and Shawn Matthews, a Black man a decade or so older than Grace. Greta Jung and Glenn Davis narrate. They nailed the multi-ethnic intonations and cadences, even to Grace’s stiffness and Shawn’s barely masked pain. My full review here.

The Magpie Murders

Magpie Murders, Anthony Horowitz

Fans of Golden Age mysteries will recognize the heritage of Anthony Horowitz’s story-within-a-story. Popular mystery author Alan Conway has written a new book. His editor, Susan Ryeland, is reading it, anxious that it be a best-seller and keep the publishing house she works for afloat. You hear Conway read the entire novel, which involves some grisly manor-house deaths and plenty of suspects, and as his story’s climax approaches, the manuscript abruptly stops, three chapters short of an ending. What happens next? Where are those essential chapters? Susan can’t ask Conway; he’s committed suicide. And there seems to be a larger plot afoot. Expertly narrated by Samatha Bond and Allan Corduner.

The Lost Man

Jane Harper’s award-winning family story delves into what binds and separates three brothers working on remote cattle ranges in the Australian outback. It’s a  powerful read. The story begins with the discovery of the most  successful brother’s body in the broiling sun. The outback almost becomes a character itself, with it’s implacable demands and brutal dangers. As the eldest brother sorts out what happened, secrets and missed opportunities are exposed. They may be brothers, but there’s a lot they don’t know about each other. Loved this, and the narration by Australian Stephen Shanahan, whose accent will carry you all the way across the Pacific.

Dust Off Your Library Card

chalk outline, body

You see so many reviews of brand new crime novels on this website because, as you may know, I read and review them for the fantastic UK website CrimeFictionLover.com. Occasionally, I dig into my book pile and find something not suitable for CFL. Possibly it’s a book that’s been out a while, a new book already reviewed by CFL or in one case below, great non-fiction. A post for another day is a list of not-crime books. There is such a thing!

***Identical
By Scott Turow (2013) – if you want a novel full of twists and turns, this one has it. If you want a novel that stretches the bonds of plausibility, you have that too. Twin brothers Cass and Paul (Castor and Pollux, get it?) couldn’t be more different. One is running for city mayor, the other about to be released from jail after 25 years. He pled guilty to the murder of his girlfriend Aphrodite Kronon. Confusions worthy of the ancient Greeks and arising from twinhood are here, fairly predictably.

****Statute of Limitations
By Steven F. Havill (2006) – This is one of Havill’s meticulous police procedurals set in small-town New Mexico. I’ve read three of them, and I love them! A retired police chief abandoned after collapsing from a heart attack, a body in an arroyo, a late-night attack—this Christmas season is certainly not filled with goodwill toward mankind. Under-sheriff Estelle Reyes-Guzman doesn’t miss a beat.

****The Aosawa Murders
By Riku Onda (2005), translated from the Japanese by Alison Watts – Newly published in English, the scenes in this prize-winning book are like a set of still lifes. Different points of view describe a crime in which 17 members of a single family were murdered, with only one survivor, a young blind woman. Gradually, the crime is pieced together. Lovely writing, stellar cover.

***False Light
By Claudia Riess (2019) – This is the second outing for amateur sleuths, art experts, and randy spouses Erika Shawn and Harrison Wheatley. Their challenge this time is to decipher a coded message from a famous art forger, now dead. Supposedly, it will identify some of his works masquerading in prestigious collections as the real thing. It’s a great set-up, and if you’re a fan of art world skullduggery, you may enjoy this, but I found the denouement implausible.

*****Breaking and Entering
By Jeremy N. Smith (2019) – Subtitled “the extraordinary story of a hacker called ‘alien,’” this is the nonfiction story of a woman’s career from her exploits as an MIT undergraduate through to her current role consulting with banks, government agencies, and others on security issues. Cybersecurity is their big concern, and she and her team are cyber experts, but they also routinely prove to clients that good old humanware can be their weakest link. Fascinating.

Stories of Suspense: Romantic and Otherwise

Reading

Fiction River: Summer Sizzles

In her introduction to Fiction River‘s issue of romantic suspense stories, editor and romance writer Kristine Grayson (pen name of series editor Kristine Kathryn Rusch) says, “I love romantic suspense when it’s done right. When it’s done wrong, it’s seriously mind-numbing.” That must be the type I’d read previously. This issue has made a bit of a convert out of me—I just have to keep finding the good stuff, like these examples:

In Katie Pressa’s story “Night Moves,” a man hospitalized for a head injury that robbed him of his memory kicks into high gear when he’s attacked again. Where did those skills come from? He doesn’t know, but the detective sent to sort out the second attack and prevent another one believes she has a hero on her hands and wants to find out more.

The sparks of romance might be flying between a female helicopter pilot and a laconic Delta Force operator, but their mission in Afghanistan is too dangerous for distractions, in “Flying above the Hindu Kush” by ML Buchman. Super-exciting!

Sabrina Chase’s lighthearted “Need to Know” made me smile. If only real life served up such delicious surprises!

“Totality” by Kristine Kathryn Rusch takes place on the Oregon coast during 2018’s total eclipse and turns it into a tale about a woman whose mentally ill sister is trying to kill herself and the man who may save them both. Nice portrayal of coping with irrationality.

And many more . . .

Ellery Queen Mystery Magazine

Much to like in the March-April 2020 issue! Especially to my taste were:  

The clever police procedural “The Eleventh Commandment” by Paul Charles. So nice to have villains who puts a little thought into their crimes.

Peter Lovesey’s “Lady Luck” is just downright malicious, staring with the ironic first line. Ha!

I’m a fan of John Lantigua’s stories set in Miami’s Little Havana. Like previous ones, “In the War Zone of the Heart” is not only a good story, he spices it up with local culture.

You can read Karr and Wehner’s Passport to Crime story “Here in Tremonia a Crime Fiction Slam . . .” as a long poem, one with a few murders along the way and a happy ending.

In John F. Dobbyn’s entertaining “A Little Help from my Friend,” finally, at last, a story protagonist comes to the aid of his author!

Dave Zeltzerman’s entertaining stories about his modern-day Nero Wolfe/Archie stand-ins Julius Katz and a rectangular bit of hi-grade AI are always fun, especially in “Like a Lightning Bolt,” written from a would-be con-man’s pov. He doesn’t stand a chance.

The polyglot protagonist of Edith Maxwell’s tale, “One Too Many,” discovers she’s just too clever for her own good!

Photo: Carlos Martinez, creative commons license

Crime Short Fiction: EQMM and Rock and a Hard Place

magazines, reading

In the rambunctious arena from which mystery and crime short stories emerge, some publishers have played a long game, MVPs of that literary scene, some leave the game after a short run, and, though their retirement from the field is lamented, new players keep the game going. Here’s a take on one of those new pubs and recent offerings from a true stalwart.

***Rock and a Hard Place

The debut of another outlet for short crime fiction is something to celebrate. Editors Jay Butkowski, Jonathan Elliott, and Roger Nokes say they aim to capture the sense of desperation in our current moment. Though the 18 stories in their inaugural issue are about characters in desperate situations, at the bottom of the social heap, the editors believe these stories are compassionate and real. In going dark, they’re following the path of a good many other current crime magazine editors.

Stories I especially enjoyed included SJ Rozan’s funny “Sister of Mercy,” about a nun with an unusual and peculiarly useful side-job. Kathleen Kilpatrick’s “Ghost Tribe” about albino children in Tanzania raised interesting questions about identity and fitting in. For a clever jibe at Donald Trump’s Mexican wall, read Alex Skopic’s “Los Renacidos.”

In “Chlorine,” Al Tucher’s recurring character, the prostitute Diana, (wisely) decides against a replay of her teen years, and several memorable characters in SA Cosby’s “The Anchors That Tie Us Down” encounter a bit of the editors’ sought-after compassion. You’ll chuckle over the reversal of fortune faced by a pair of young grifters in Allan Leverone’s “A Town Full of Losers.” Finally, Jacqueline Seewald’s “Against the Odds” pits a gambler against his compulsions.

Not all of the stories appealed to me, and I abandoned one or two partway through. But that’s OK. The appetite for darkness isn’t the same for everyone or the same on every day. Independently published, Rock and a Hard Place is a notable first effort for a publication worth watching.

****Ellery Queen Mystery Magazine

I see I’m falling behind in my reading, as this refers to the January/February 2020 issue of EQMM, and March/April beckons from the bookshelf beside me. This long-standing publication of crime and mystery tales (almost 80 years!) may be thriving in part because of the diversity of story types it includes—something good for every reader. Among this issue’s many fine stories are the following:

>“The Wretched Strangers” by Matthew Wilson employs a novel protagonist, a woman who interviews asylum-seekers and must untangle their complex relationships with the truth.
>Satisfying (and deadly) comeuppance tales in “Now Hiring Nasty Girlz” by Toni LP Kelner, “Crow’s Nest” by John M Floyd, and “Stroke of Luck” by Bill Pronzini. Floyd talks about how he created “Crow’s Nest” in a 15 Feb SleuthSayers post (scroll down for it).
>“The Concrete Pillow” by Pat Black–a gritty police procedural set in Glasgow.
>Excellent depiction of a child’s flawed recollections in “The Summer Uncle Cat Came to Stay” by Leslie Elman.

You can subscribe to EQMM or its sister publication Alfred Hitchcock Mystery Magazine or find single copies in the magazine section of your big box book store.

Photo: cegoh for Pixabay, creative commons license

*****The Murder of Harriet Monckton

poison, bottle Arek Socha for Pixabay

By Elizabeth Haynes – If you have people on your holiday gift list who are fans of historical mysteries, this might be just the book for them! Author Elizabeth Haynes stumbled across a trove of documents in the UK’s National Archives relating to an obscure mid-1840s murder in the (then) small town of Bromley, a few miles southeast of London. The coroner’s jury verdict was delayed several years because of the case’s numerous uncertainties and the plethora of suspects.

Haynes uses those uncertainties to create a fictional story that begins from the certain knowledge that on 6 November 1843, Harriet Monckton took or was administered poison, died, and her body stowed in the privy behind the Congregational Chapel. When the next day she’s noted as missing, a search ensues. Even before her body is found, multiple efforts are under way to mislead, mischaracterize, and otherwise frustrate any inquiries.

The story is imagined from the points of view of several real-life people, chief among them: Harriet’s friend, the schoolteacher Frances Williams; Reverend George Verrall, her confidant; Thomas Churcher, a shoemaker in love with her; and Richard Field, Harriet’s former mentor and lover, now married and living in London. Verrall and Churcher are the more obvious suspects, though if a wider net were cast, Williams and Field or even Field’s wife and Churcher’s ex-fiancée might be suspected.

Each of these characters provides an account of their association with Harriet—both in response to the coroner’s questioning and in their private thoughts. It’s a Rashomon-like treatment, with each not only seeing the sketchy facts in different ways, but recounting them to their best advantage. Haynes gives each a distinct voice and point of view, not all admirable. Her slightly old-fashioned writing style helps transport you to the era. All of their views, however revelatory, are one step removed from Harriet herself, but you finally do hear from her directly when Frances reads her diary.

Haynes’s Bromley is completely convincing, as are the reactions of the residents as one secret after another is revealed and as some secrets manage to remain hidden. As the author says, “The impact on my life has been profound, to the extent that I feel as if I have inhabited Bromley in 1843 myself.” I felt it too. Even though the book’s events took place a long time ago, the tension was fresh.

Harriet is a character who isn’t so much described as assembled. Like the build-up of daubs of paint that produce a portrait, Haynes’s text-clues allow you, eventually, to see the dead woman, with all her flaws and vibrancy, as she was in life.

Photo: Arek Socha for Pixabay

Last Books Read in 2019

magician, assistant

***Cairo Modern

Written by Nobel Prize winner Naguib Mahfouz, translated from the Egyptian by William M. Hutchins. This story of how an unscrupulous college graduate gets his comeuppance captures a bygone time in the city and culture. Originally published in 1945, it’s more interesting than entertaining.

*****The Magician’s Assistant

I hadn’t heard of this 1997 book by Ann Patchett, but thankfully another tourist left it behind. It was captivating, start to finish and not the first book I’ve read lately about people involved in creating illusions. Sabine’s magician-husband, a gay man named Parsifal, has died, and soon she learns he’d made up his backstory. Grief-stricken, she tries to connect with his real history. Amazon link.

*****Inland

Téa Obreht’s new book is just great, and she vividly captures the essence and rhythms of America’s Old West. In a lawless, drought-stricken Arizona, a family struggles with the politics of water. Meanwhile, several states east, some bright individual in the US Army decides to import camels to use as pack animals—an experiment with unexpected consequences. Amazon link.

****The Oxford Murders

Billed as “a scholarly whodunit,” this novel by Guillermo Martínez, set in England, provides numerous puzzles for its mathematician protagonists to decipher in order to stop a serial killer. A lot of fun. Amazon link.

***Sharp Objects

Gillian Flynn’s 2006 debut novel is a page-turner, though you may guess early on who’s killing children in the tiny Missouri home town of the protagonist, Chicago reporter Camille Preaker. Camille has spent time in psychiatric care because she carves words into her body, and I found her experience with that even more engrossing than the mystery!

Photo: Enrique Meseguer for Pixabay