****Fishermen of Kérity

fishing nets

By Peter James Quirk – In 1959, when Peter James Quirk’s protagonist Tommy Kiernan goes in search of his past, he finds a more complicated and thrilling story than he’d ever imagined. Only 19 and an American college student from upstate New York, he was born in the English fishing village of Brixham to an elegant French mother and Irish father, now separated.

Two events start his quest. One night recently, a deliberately set fire destroyed Tommy and his mother’s home, and not long afterward, his mother is killed when her car plunges from the mountain highway into a ravine. Suspicion arises that these two events are not unrelated, and Tommy decides he must find out who murdered her. As she is not the type to develop enemies, he believes the killer is someone from her mysterious past.

Clues to her life in Brittany might lie in her beautiful artwork. Tommy finds her journal, sketchbook, and a bit of shocking information. When Breton fishermen helped her escape the Nazis in 1940, she was already pregnant, which means the big Irishman, Francis Thomas Kiernan, isn’t his father after all.

His mother’s painting, Fishermen of Kérity, suggests where to start in trying to fill in the details of her life. Tommy travels to Kérity on the Breton coast, hoping to meet some of Jackie’s long-ago friends. Did any of them survived the war, do they know who his birth father was, and will they talk to him about any of this? Author Quirk does an excellent job evoking the Breton community as the threat of war materializes into invasion, occupation, and retribution. It is a sad, dangerous time.

Quirk, born and educated in England, now lives in the United States. The knowledge of the sea he gained as a fisherman and with the British Merchant Marine gives the book’s scenes on the Breton docks and sailing the French coastline a nice realism. While I enjoyed the historical content that makes up most of the book, the scenes set in 1959 Vermont—Tommy’s romance and his clumsy methods for finding his mother’s killer—are less convincing.

This is a short novel (169 pages), quickly read, and while I had the aforementioned quibble with the 1959 story, on the whole Quirk’s writing style is clear and enjoyable. He has created a memorable tale in a colorful, high-stakes setting.

Photo of fishermen’s nets: Lisa Redfern for Pixabay

****Because You’re Mine

mountain path, woods, forest

By Rea Frey – In Rea Frey’s compassionate new psychological thriller, Lee is a single mom living near Nashville with a seven-year-old son who’s on the spectrum, and her life isn’t easy. She has a couple of things going for her. She has a circle of three good friends, especially her closest friend Grace who’s one of the few people her son Mason is fond of. Mason’s handsome, dedicated occupational therapist Noah is helping him with his small and large motor skills as well as channeling and challenging his amazing intellectual capacity. And, Lee works from home, with a hair styling studio in her garage, which means she’s always close at hand, just in case.

In the book’s prologue, you learn a woman took a nighttime mountain hike and that it ends tragically. No spoiler here: the first words of the book are “She is going to die.” But you aren’t sure which “she” took that fatal tumble. The first chapter rewinds the story to a week before the mountain outing and fills in the missing pieces.

One of the women friends suggests a getaway for the four of them in the North Carolina mountains, and Grace thinks the mountain mini-vacation will be the perfect time to tell Lee some important news, which she does. There’s considerable fallout from this revelation, and an even deeper exploration of how Lee and Grace became the adults they are. While Grace has been preoccupied with her secrets, those that Lee hides are much deeper and more dangerous. Maybe.

In the mountains, the secrets start tumbling out and she—the ambiguous she from the prologue—dies. But that’s not the end of the story, there are layers and layers yet to come, a past to be excavated.

Just when you think you understand this story and the roles of the players on the board, Frey produces another surprise from her characters’ pasts that suggest a totally different dynamic at play. Nor does she tie the ending up with a too-neat bow. An excellent read.

Photo: Cortez13 for Pixabay, creative commons license.

Four for the Road

****A Rising Man

India, dawn, village

Abir Mukherjee’s 2017 debut novel is an easy-to-read police procedural that shares many of the charms of his subsequent novel, A Necessary Evil, which I reviewed some time ago. Set in India around 1920, it provides a probably too-rosy view of the Raj, though many of the social problems, the racism, the unrest are certainly there. Nevertheless, within the frame of Mukherjee’s clever plot, in the end, you come away feeling you know more about the culture and the country than when you opened the book.

****If She Wakes

Michael Koryta’s thriller possesses what might be one plot thread too many, though the inciting event—a murder in which the only witness is injured and suffering from locked-in syndrome—starts the plot moving with a bang. If only she’d come out of it, she might have useful information about the murder. The principal protagonist, an insurance investigator, knows this. The FBI knows it. Her sister knows it. And so do the assassins who want to ensure her silence lasts forever. Medical websites consider locked-in syndrome a “rare neurological disorder,” but it’s not rare in thrillers! Here’s another good one.

*****The Siege of Troy

Yes, that Troy. Theodor Kallifatides uses a Greek classroom in WWII as the setting for a teacher’s inspired retelling of the tale of the Achaeans’ quest to recapture Helen, the frightful battles, the death of Hector, the loss of Achilles, and the cunning horse. Beautifully done, and a pleasure to read!

****The Chain

Adrian McKinty has received considerable publicity with this book, in part because it almost didn’t get written. Author of several excellent police procedurals featuring Catholic Sean Duffy, a detective with the heavily Protestant Belfast police, with all the conflicts that set-up suggests, McKinty had just about abandoned writing. Then comes The Chain, and, while I loved the Belfast books, the premise here is a stretch. On audio, the narrator, January LaVoy, beautifully conveys the fear experienced by frantic parents whose children have been ensnared by The Chain. They cannot get them back without paying a ransom and kidnapping someone else’s child. It’s diabolical, but is it even a bit believable? Hoping he’s back on a roll.

Photos: India (Mario Lapid), Trojan Horse (Ian Scott), creative commons license.

****A Fool’s Journey

By Judy Penz Sheluk – A Fool’s Journey is the third cozy mystery in Canadian author Judy Penz Sheluk’s entertaining Marketville Mystery series. Protagonist Callie Barnstable has assembled an interesting team that works for Past and Present Investigations, to find missing persons.

Genealogical research is the domain of her friend Chantelle Marchand. Former librarian Shirley Harrington conducts online and archival research—if something was ever published, Shirley will track it down. Antique shop owner Arabella Carpenter is occasionally called upon to evaluate a client’s physical evidence, such as old letters, jewelry, and, in this story, tattoo art. Oddest member of the team is Misty Rivers, a tarot reader, who posts surprisingly popular insights drawn from tarot cards on the Past & Present website.

The team’s current case comes to Callie via what a gentle bribe. In her will, Callie’s great-grandmother has asked her to investigate the disappearance of Brandon Colbeck, grandson of great-grandma’s best friend in the nursing home. In 2000, 20-year-old Colbeck left home “to find himself,” taking very little with him and, significantly, leaving behind his identification. If Callie gives her search a good effort, regardless of whether she actually finds Colbeck, she’ll receive her great-grandmother’s legacy.

Over the years, Colbeck’s family has made numerous fruitless attempts to locate him. Nevertheless, they have agreed to cooperate with Callie as she gives it one last try. Their willingness arises in part from a recent telephone call Colbeck’s grandmother received from someone claiming to be the long-lost grandson. Was it Colbeck? Or a scam?

Brandon had a tattoo, which tarot expert Misty recognizes as a portion of the tarot card “The Fool.” Sheluk artfully weaves interesting information about tattooing, tattoo art, and tarot into her story, telling you what you need to know without hindering the action.

In her initial interviews, Callie is convinced each family member is holding out on her. With the help of her team, she determinedly goes about discovering these secrets with determination and considerable savvy and skill. In Callie, author Sheluk has created a competent, conscientious protagonist—the kind of super-responsible person her clients can entrust their secrets to. You learn her likes and dislikes, her strengths and weaknesses, how she spends her day. Sheluk’s clear writing style helps the plot and the discoveries move along briskly, and it’s fun to see how every team member makes her unique and valuable contribution to the investigation.

****Gretchen

By Shannon Kirk – The crime—the first one that is—is kidnapping. Shannon Kirk’s gripping new psychological thriller Gretchen begins with a mother determined to prevent her daughter’s father from kidnapping her. Susan explains to Lucy that he’s from a country where women have no rights and live practically like slaves, and he will do anything—send anyone—to get her back. They’ve been on the run since Lucy was a toddler, never really settling down, and now they are fleeing Indiana, their tenth state.

What will a mother do to protect her child? Live on the fringes of society and be prepared to pack up and leave at any moment. Never engage with anyone or reveal anything about themselves. Never even make eye contact. Susan and Lucy have fake identities, she pays cash for everything, and accesses a hidden stash when they run short.

Now that she’s fifteen, Lucy is tired of the secrets, tired of the hiding, tired of not having friends, exhausted by Susan’s paranoia. Homeschooled until recently, she barely has acquaintances, since she can’t really share personal information with anyone she meets in school. As the book opens, a chance encounter in a park with a man who acts as if he recognizes her forces them to pick up sticks and flee once again.

Susan finds them a rental home in the small New Hampshire town of Milberg. Although the landlord gives off a creepy vibe, Lucy wants to stay, to settle. He lives up the hill in a big brick house and has a daughter her age, Gretchen. Though the girl seems a bit odd, too, maybe she can be a friend. Kirk’s depiction of Lucy, in the chapters she narrates, is a persuasive picture of adolescent psychology. She’s hoping for a friend despite the negative signals, severe and over-confident in her judgments of Susan, silently second-guessing all her own actions.

Kirk expertly handles the ramp-up of tension between Lucy and Gretchen, and it’s a relief when Lucy gets a summer job at the local gourmet grocery store—a rare bit of mom-authorized independence. She won’t go inside Gretchen’s house again, but out-of-doors. Lucy paints while Gretchen works puzzles.

At work one day, Lucy encounters the man who recognized her back in Indiana. Apparently, in an awkward coincidence, he and his son live in Milberg. He recognizes her again. And contrary to every paranoid impulse Susan has drilled into her, Lucy doesn’t tell, even though it could turn out to be the riskiest decision possible. Of  course she’s not the only one with secrets. Susan has a big one, and the landlord, well . . .

Kirk’s flair for description brings his and his daughter’s bizarre lives (and dwelling) vividly to life. They are a stark contrast to the middle-class normality of the Milberg residents Lucy observes from behind her cash register, a normality she’s struggling to become part of. Quite a compelling read!

Puzzle photo: Sephelonor for Pixabay

****No Way to Die

ancient China

By PA De Voe – If you want a total escape from Brexit or US or European politics, PA De Voe’s second-in-series Ming Dynasty Mystery, No Way to Die, will take you back to late 1300s China. As a devoted fan of the Judge Dee mysteries of Robert van Gulik, set six hundred years earlier in the Tang Dynasty, I was delighted to find De Voe’s well-crafted series.

The prose is deceptively simple. No lengthy descriptions, just enough information to let you picture the scene—a style in keeping with both the era in which the stories are set and the heavily verb-dependent Chinese language.

Women’s doctor (and woman doctor) Xiang-hua is asked to serve as coroner to determine whether the mangled body of a stranger found in the village herbalist’s pig pen got there through foul play. Alas, the pig had made a bit of a meal of the man before his body was removed. Numerous males of the community are concerned the sight of the mangled corpse may be too much for the young Xiang-hua. But she does not shrink from the task. Trained as a healer by her grandmother, Xiang-hua is determined to fulfill her obligations (striking a feminist note that resonates in the 21st century). It’s tough, but she’s in possession of herself well enough to discover the dead man, muddy and bloody, had been stabbed in the back.

The local officials want to know the victim’s identity and, if possible, who stabbed him, before they have to report the crime to higher authorities. If they fail to find out, it will likely to bring down the wrath of the bureaucracy, never a pleasant outcome in ancient China, as punishments were plentiful and harsh. This is a prime example of how De Voe uses 700-year-old realities to create situations that adhere to one of the basic memes of modern crime stories: the ticking clock.

The investigation enables a fascinating trip back to a colorful and simpler time, and though the culture was so different, human emotions and motivations are the same across eons. De Voe’s training as an anthropologist and her advanced degree in Asian studies mean that what she writes carries an authority based on deep knowledge of that long-ago culture and society. I’ll be looking forward to more of her excellent tales!

Deathtrap

A good many regular theater goers at some point will have seen Deathtrap, Ira Levin’s supremely popular comedy thriller, which premiered on Broadway in 1978, ran for almost 1800 performances, and was nominated for four Tony awards, including best play. Princeton Summer Theater’s production, directed by Annika Bennett, premiered July 4 (perfect choice for making a bang) and will be on stage at Princeton University’s Hamilton Murray Theater Thursdays through Sundays until July 21.

It’s been so long since I last saw Deathtrap, I’d forgotten the story’s twists and turns and appreciated anew its delicious surprises. This isn’t a play where you want to reveal overmuch about plot except to say Sidney Bruhl (played by C. Luke Soucy) is a formerly successful playwright specializing in murder mysteries. His wife Myra (Kathryn Anne Marie) is increasingly worried about the lack of money coming in and the diminishing prospects for more.

When a cleverly conceived play titled “Deathtrap” arrives unexpectedly from one of Bruhl’s former students, Clifford Anderson, it’s almost too tempting. It would be Bruhl’s perfect comeback vehicle, if only he’d written it! Levin’s dialog is full of jibes at the theater world and its vicissitudes, such as when Myra asks Bruhl “Is [Anderson’s play] really that good?” and he says, “I’ll tell you how good it is. Even a gifted director couldn’t hurt it.”

“Deathtrap’s” author Anderson appears (Dylan Blau Edelstein), a babe who’s wandered into some rather devious woods, as does a famous Dutch psychic (Abby Melick) living nearby, and Bruhl’s attorney (Justin Ramos). The Deathtrap you’re watching, just like Anderson’s “Deathtrap,” conforms to Bruhl’s favorite formula: two acts and a cast of five. All are fine in their parts, with special mention of Marie and Melick.

The play takes to heart Chekhov’s famous admonition that “if in the first act you have hung a pistol on the wall, then in the following one it should be fired.” Guns, maces, swords, a crossbow, knives—Bruhl’s study décor is a catalog of mayhem, with even a pair of trick handcuffs devised by Houdini. The set design is particularly strong, though the costumes were puzzling. (What era?)

When viewing a play forty years on, it’s fair to ask, does it hold up? In this case, the answer is a definite yes. Consider Deathtrap a solid choice for your summer entertainment!

Princeton Summer Theater productions are staged in Hamilton Murray Theater on the university campus, easily reached from New York by car or train. Take New Jersey Transit to the Princeton Junction station, then the shuttle train into Princeton. The shuttle ends a short walk from the theater, which is also walking distance from numerous restaurants.

For tickets, call the box office at 732-997-0205 or visit the ticket office online.

New In Print

Release day! Today’s the day for the print version of the anthology, The Best Laid Plans, edited by Canadian mystery writer Judy Penz Sheluk. She’s collected 21 stories from popular short story writers, and if you like your crime and chills in small bites, you’ll enjoy this! Here’s a quick rundown of these entertaining tales.

About my story, “Who They Are Now”: When an aging sportscaster is murdered in his bed under cover of a vicious Florida hurricane, is someone after his priceless collection of baseball memorabilia? The Delray Beach police are on the case, aided by his neighbor, a feisty but no-longer-young Hollywood star.

Order here from Amazon.

****Below the Fold

Written by RG Belsky – This is former newsman Dick Belsky’s second crime story featuring Pulitzer-Prize winning print journalist Clare Carlson, now significantly reduced in career status by working as the news director for Channel 10 television.

Clare has a wittily cynical, self-deprecating take on her job and the events and people around her, and the novel begins with her musing on why some deaths—those of blonde white females—matter more than others, at least in the news business. Most of the time.

Clare runs a lively morning news meeting, in which the reporters and staff hammer out which stories to feature that day, absent any even bigger story breaking. On this particular day, Clare’s assignment editor Maggie challenges the team to look a little deeper and discover what was important about the life and death of a person they wouldn’t ordinarily spend time on, a fifty-four-year-old homeless woman stabbed to death in an ATM vestibule. Because Clare rises to the challenge, they discover, over time, just how significant the story of Dora Gayle turns out to be.

The first glimmer there may be more to the homeless woman’s story than they anticipated comes when Grace Mancuso, a woman Gayle’s polar opposite—young, beautiful, wealthy, a stockbroker—is brutally murdered. Beside her body is a list of five names, five people who appear to have nothing in common, who in fact believe they have never even met. The last name on the list is Dora Gayle.

Through Clare’s investigative journalism, Belsky expertly rolls out the stories of all these people, living and dead, and their possible intersections. Except for Gayle, of course, are they suspects in either murder? Potential victims? In the process, Belsky lays down enough red herrings to feed lower Manhattan.

Belsky, who lives and worked in Manhattan for years, knows his setting well, not just its geography, but its culture down to the neighborhood level. You may look up from his pages and be surprised to find yourself somewhere other than Washington Square or the East Village, so thoroughly is this story imbued with the spirit of New York.

It isn’t a spoiler to say that, in the end, the death of Dora Gayle, a death that ordinarily would have been passed over without journalistic notice, started the novel’s engine, bearing out Clare’s advice to her news team that “there’s a story to every murder.”

Image by Michal Kryński from Pixabay

*****Conviction

By Denise Mina – In her new deftly plotted crime thriller, Denise Mina uses a compelling story-within-a-story to draw you in. First-person narrator Anna McDonald lives in Glasgow with husband Hamish and two young daughters. Early one morning, she’s listening to a true-crime podcast about the sinking of the Dana, a private yacht moored in France’s Île de Ré. The boat suffered an explosion below decks and sank, drowning a father and his two grown children.

Anna is a dispassionate listener to this story until it mentions the yacht-owner’s name, Leon Parker. She knows him. Years before, when she worked as a maid at an exclusive Scottish holiday resort, Parker was a guest, and she remembers him fondly. “Oh, God, Leon’s laugh. So dark and wild you could drown a bag of kittens in it.”

Anna can’t reminisce forever, though, she has to awaken the children and her husband and start their day. In a frenzy of morning preparations, Anna finally answers the knock at the door. Her best friend Estelle is there with a roller bag, and Hamish is at the top of the stairs, his own roller bag beside him.

Hamish is leaving her for Estelle. He’s keeping the house and the girls. Anna will get money. Throughout this roller-coaster of a story, Mina effectively conveys Anna’s erratic state of mind, and while her character doesn’t always make the best decisions, you can believe in her. She’s prickly and charming.

And she has secrets. She wasn’t always Anna McDonald. She was Sophie Bukaran until she was raped by four footballers. The case attracted unwanted notoriety, the fans never forgave her, and team owner Gretchen Tiegler tried to get her killed.

Soon Estelle’s husband Fin Cohen arrives. He’s an instantly recognizable member of a popular band who is as well known for being anorexic as for his music. Without thought of logistics or consequences, Anna and Fin launch into a road trip to flee the reminders of their abandonment. As they listen to the podcast episodes in the car, Fin also becomes intrigued with the Dana’s sinking and its reputation of being haunted.

Eventually, the two begin their own series of podcasts, asking new questions about the crime. Thanks to Fin’s celebrity and the almost immediate outing of Anna as Sophie, their forays into pseudo-journalism attract an improbably large audience. Sophie is afraid the attention will spark renewed risk from Tiegler and her minions—not only to her. Her daughters are vulnerable too. Fin tells her she’s being paranoid, until he has a fright of his own. “Now that Fin was scared too, my paranoia never came up again.” Love Sophie’s sly humor!

You’re in for quite an adventure, at times a deadly one, with Mina’s intriguing tale.

For a quirkier side of Glasgow crime, I’d also recommend the entertaining adventure of book store clerk, inadvertent murderer, and fugitive crime-fighter Jen Carter in Russell D. McLean’s Ed’s Dead.

Photo: Jan Alexander from Pixabay.