By now you may have heard the reservations about director Peter Farrelly’s movie, despite its winning a Golden Globe for best motion picture (trailer). Based on a true story, the script was written by Nick Vallelonga, Peter Farrelly, and Brian Currie, who won a Golden Globe for best screenplay
There’s no faulting the acting, Mahershala Ali (Golden Globe) portraying sophisticated jazz pianist Don Shirley, and Viggo Mortensen as his rough-around-the-edges and racist chauffeur, (Nick Vallelonga in real life), are both tops.
They embark on a concert tour of the Deep South in the early 1960s, before the Civil Rights movement, and encounter all the expected restrictions, slights, and prejudices. And that was part of the problem. I’d already imagined, known about, and seen these situations in many other films back when this type of content was an eye-opener.
I fear it gives today’s white people a too-easy win, encouraging us to think “I’m sure glad I’m not like those Southern racists.” Racism can’t be just put in a drawer as if a piece of the past that no longer needs attention. Black Americans traveling today still encounter racism.
Perhaps a new generation needs these reminders, and perhaps younger people will take from the film the powerful lesson that connection and friendship and respect can grow between people who are so unlike each other. That’s something to hope for.Rotten Tomatoes critics rating: 81%; audiences 94%.
On the Basis of Sex
Having seen and enjoyed the documentary RBG, I was prepared tro be disappointed in Hollywood’s version of Ruth Bader Ginsburg’s career, directed by Mimi Leder with a script by Daniel Stiepleman (trailer). To my delight, I was not. Felicity Jones as RBG and Armie Hammer as her devoted and amazingly patient husband Marty do a fine job, Mel Wulf (Justin Theroux) of the ACLU is busy being political, and the courts are against her, but Ruth soldiers on to victory (as we know beforehand). I particularly liked the scene where opposing counsel waved a list of the hundreds of U.S. statutes that applied differently to women, thinking to show how “normal” the practice was, and RBG instead used it to show the practice was pervasive and pernicious.
Rotten Tomatoes critics rating: 71%; audiences 72%.
The Ballad of Buster Scruggs
Haven’t heard of this one? Me neither, until I found it in the Academy Award shortlist of nominees for song and music. This Coen Brothers experiment appeared ever-so-briefly in theaters then went straight to Netflix (trailer).
It’s an anthology of six short stories, alike only in the brothers’ trademark dark vision and black humor, and it won the best screenplay award at the Venice International Film Festival. There’s music too, of the cowboy lament variety.
Each of the six tales has its own cast, including Tim Blake Nelson (Buster Scruggs), Liam Neeson, James Franco, Brendan Gleeson, Zoe Kazan, Tyne Daly, Tom Waits, and Bill Heck.
There is violence, of course, but most of it is cartoonish. While there’s humor, there’s wistful sadness as well. Most memorable, I think, is the story “Meal Ticket,” in which a young man with no arms and legs but a wonderful voice for oratory (Harry Melling) performs for a dwindling audience of shantytown residents. In the story, “All Gold Canyon,” featuring Tom Waits, you’ll see the most beautiful valley imaginable.Rotten Tomatoes critics rating: 92%; audiences: 77%