Category Archives: short story

We’ll Be Right Back — After This! Crime Short Stories

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When you’re not in the mood to tackle a whole novel, reading a short story or two, or twelve, can fill the bill. This collection from Murderous Ink Press titled We’ll Be Right Back—After This! is a good one to keep on hand for just those situations. The mostly U.S. tales are geographically wide-ranging and twisty. Several display a good bit of humor, a couple are on the cozy side while some aim for noir, and the range is suggested by the three selected for longer treatment below. We start our underbelly tour on the U.S. west coast.

“Blood on the Stairs” by Jim Guigli features his character, Sacramento, California’s down-at-heels private eye Bart Lasiter. A woman dies on the stairway of his office building, apparently on her way to see him. She was fatally stabbed by one of Bart’s own promotional pencils, bearing the painfully ironic slogan, “I’m ready to help.” The Chicago woman was attending an annual Crime Happens conference. You can tell Guigli has paid his dues at such events by the way he describes the posturing, self-promotion, back-biting—it’s all there. The story moves along steadily toward the deadline the Lasiter and the cops face—solving the case before the conference ends and the participants scatter across the country. Where, if the other stories in this collection are any indication, more crimes await.

“Cruel as the Grave” by Eve Fisher is a story about relationships—bad ones, of course, set in a remote area of South Dakota. The story has so many twists and turns, I didn’t see the end coming at all. Jackie is the pivot around which two other women revolve: one a lawyer, the other a hedonist. They’re uneasy with each other and for good reason. What I really liked about Fisher’s story were the unexpected motivations of the characters that made the ending so believable.

Three of the stories originated outside the United States. In “A Long Dark Road,” by Canadian author Joan Hall Hovey, an elderly widow traveling a lonely road at night meets an unexpected fate. Yorkshire author Madeleine McDonald writes about a spurned woman who frames her errant lover for her own death in “Watching Over You.”

Finally, “Memindip Solves a Problem” by Jay Andrew Connor takes place in an unnamed African country. Memindip is a ghost (?) who avenges wrongful deaths. One evening, he returns to life in a jazz nightclub where a beautiful woman sings. The lights go out. A shot. The lights come on, the singer is dead. The atmosphere of the seedy club, the heat of the crowded city, and especially the tenor of Memindip’s conversations with his taxi driver reinforce the story’s foreign locale. Memindip discovers that the singer wasn’t killed by a bullet, but a good-sized pearl. Such a riveting image! Altogether, a charming tale.

A longer review, covering all this publication’s excellent stories, is available at CrimeFictionLover.com. Order here from Amazon

Thanks, Ellery Queen!

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As always, the Jan-Feb issue of Ellery Queen Mystery Magazine is packed with good reading. Here are some of the standout stories for me:

“The Killing of Henry Davenport” by John Shen Yen Nee and S.J. Rozan – Admittedly, this story, set in London in 1924, was bound to be a hit with me, as it involves both Sherlock Holmes and my favorite detective, Dee Goong An (hearkening back to a real-life personage from the Tang Dynasty). Holmes, Watson, Dee, and the narrator, Lao She (another real-life character), set out to solve an English murder in which a Chinese man stands accused. The story is a foretaste of a new project Rozan is working on that fans (me!) eagerly await.

“The Soiled Dove of Shallow Hollow” by Sean McCluskey – It’s always fun to see a nicely crafted story in the mag’s Department of First Stories. A hint of more good stuff to come. And I’m easily seduced by a con job where the question of who’s being conned is up for grabs. Nice!

“The Bowser Boys Are Back in Town” by Hal Charles – You can expect some humor in a story that begins, “Like a loud rooster, the bomb in Beverly Dezarn Memorial Park awoke the entire town of Woodhole . . .” The bad-luck Bowser duo is on what turns out to be an all-too-brief (for them) return home from jail, but it looks like they’re headed back to the slammer.

“Can the Cat Catch the Rat” by Steve Hockensmith – This is another in his entertaining series about Big Red and Old Red Amlingmeyer, tyro detectives in an Old West where the frequent shenanigans offers steady employment. The surprise in this episode is that Old Red has finally agreed to let Big Red teach him to read. However, identifying the counterfeit coins someone’s producing requires nothing more than a healthy set of teeth.

Read these and more good stories in EQMM. Subscribe here!

Big Easy, Big Stories

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The familiar traveler’s dilemma—what books to pack?—was easily solved for a recent trip to New Orleans. I had already set aside two ideal reads: my friend Tracie Provost’s New Orleans-based Under the Harvest Moon (book two in her under the moon series) and a collection of short stories about the Crescent City published by Akashic. As it turned out, both were entertaining late-evening companions.

Under the Harvest Moon

Tracie Provost’s books are packed with paranormal events, with vampires and werewolves and mages. Not at all the kind of book I usually read, so kind of thrilling as a result. Provost is so skilled at creating a consistent world for her unusual characters, with their unusual talents, that I’m never caught up short, thinking “Wait a minute . . .” Her heroine is Juliette de Grammont, a healer and a magic-using vampire, who had been staked for centuries and only recently revived. Still a young beautiful woman, Juliette’s occasionally dated ideas and struggles with technology amuse her millennial assistant, Jaime.

When the story begins, a New Orleans police detective who understands Juliette’s special powers calls her in to analyze a crime scene where a vampire and his girlfriend are both dead in a ritual killing. What has taken place, who is doing it, and why become more mysterious and more important as the number of killings increase.

There’s intrigue among the various covens in the city. Juliette’s coven has been reduced to her and Jaime, as its other members recently staged an unsuccessful coup against the City’s Grandmaster. A few from her coven were killed, but most are still out there . . . somewhere . . . As the risks mount and the evil motivation behind the killings gradually emerges, Juliette and her lover Josh must look for help from unusual sources—including the pack of werewolves living outside the city—for protection and help.

Provost makes the interactions among the characters quite real, almost ordinary—well, almost. She makes them eminently practical. For example, there’s someone they can call who comes with an after-crime clean-up team (he used to work for Al Capone) in order to hide various crimes. In fact, there’s a whole group of mages whose job it is to keep the paranormal world secret—the Gatekeepers. Even select members of the NOPD are in on it.

When you finish Under the Harvest Moon, you can be sure there’s a Book 3 on the way, and will await it eagerly! (You may want to use one of my affiliate links to find it on Amazon, as several books have this title.)

New Orleans Noir: The Classics

This collection, edited by Julie Smith, is a bit different than the usual Akashic collection, in that the 18 stories are not all contemporary. In fact, the earliest is from 1843. They include entries from revered authors like O.Henry, Eudora Welty, and Tennessee Williams, as well as modern masters like James Lee Burke and Ace Atkins.

Overall, they provide a rich portrait of the city, its contrasts and its corruptions, its amusements and its shenanigans, as seen through these different eyes, with their very different, if precise ways of seeing. Quite a nice collection!

Halloween Countdown: The Story Behind the Story

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tiger, mask

If you asked, I’d say I don’t write horror, but two of my published short stories do include a ghost—maybe. The closest I’ve come to horror is a story Kings River Life published for Halloween 2021. (You can read it here.) “A Question of Identity” is a much-reworked and rethought tale originally written in response to a request for stories about masks. Because our home is full of masks, this was a theme I could resonate with!

In it, two preadolescent girls, neighbors and best friends, each receive a box with a Halloween costume in it—a fox for one and a tiger for the other. Where did they come from? No one knows. Few questions are asked. The moms are just grateful that’s one shopping errand they can cross off their very long lists.

When the girls put on the costumes, the unexpected happens, which is why it evolved into a story that’s much more about identity than Halloween. When they exchange costumes, their parents don’t recognize them, and even after Halloween is over and each girl has her own costume again, their effects linger. You may conclude that those new identities have a dark side.

It isn’t a mystery story leading to a solution, so you never know where the costumes came from, and that uncertainty contributes to the spookiness. As Charles Baxter says in his wonderful book, The Art of Subtext, “the half-visible and the unspoken—all those subtextual matters—are evoked when the action and dialogue of the scene angle downward, when by their multiplicity they imply as much as they show. A slippery surface causes you to skid into the subtext.”

At least, that’s what I was going for!

EQMM/AHMM – Sept-Oct 2022

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Reading

The September/October issues of Alfred Hitchcock Mystery Magazine and Ellery Queen Mystery Magazine are, as always, filled with super collections of crime fiction of across the wide playing field of crime fiction. It’s always hard to pick stories to highlight—I could almost tape up the tables of contents and throw darts—but here are a few, limiting myself to three each. First from AHMM:

  • “My Two-Legs” by Melissa Yi – this charming story is about a clever dog who helps solve the crime when his “two-legs” (a young man named Sunil) goes missing. I found the way Yi translates doggie behavior into the narrative of the story simply brilliant.
  • “When the Dams Break” by James A. Hearn, set in hill country, Texas, shows that even the cleverest Lone Star politician will eventually have to confront his past.
  • “Peril in Pasadena” by Edith Maxwell is a fem-fest, with two women PIs, a female scientist victim, and a demonstration of the perils of treating a cleaning woman like she’s invisible. All in the context of the leadup to the Rose Parade.

Ellery Queen also offers up a nice diversity, including:

  • “The Wraith of Bunker Hill” by Paul D. Marks—probably his last published story before his untimely death, it combines Hollywood lore with an intriguing con game involving present-day murders and the Black Dahlia legend.
  • “The Light on the Lagoon: by Canadian author Elizabeth Elwood—it’s never too soon to start teaching the younger generation about the Hitchcock canon.
  • “The Kindness of Strangers” by Twist Phelan—the author perfectly captures the self-absorption and insecurities of adolescent girls that would allow this calamity to unfold—and lives up to her own name here.

Book Review: Jewish Noir II

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Just in time for the High Holidays, comes Jewish Noir II, edited by Kenneth Wishnia and Chantelle Aimée Osman. In his lively introduction, noted crime writer Lawrence Block says you can sum up every Jewish holiday in three sentences: “They tried to kill us. We survived. Let’s eat!” While great food is an essential part of Jewish holiday celebrations, Block points out that the first two sentence are even more tied to the Jewish experience and, as he says, make the combination of Jews and noir almost inevitable. And timely, I’d add, given current trends.

This collection of twenty-three short stories, many of which were written by prize-winning authors, are clustered in six themes: legacies, scattered and dispersed (stories from the diaspora); you shame us in front of the world (embarrassment and dishonor); the God of mercy; the God of vengeance; and American Splendor (stories that could only happen in the United States). Editors Wishnia and Osman point to a subtext of many of the stories: fear amidst the stresses of modern life. Fear of the past, fear of loss, fear of anti-Semitism, fear of violence. Fear that is another signpost on the road to noir. Even with that common thread, the stories themselves are wildly diverse, and readers will find many that appeal, regardless of stylistic preferences. This review tackles only three of them, from across the themes mentioned.

“Taking Names,” the opening story by Steven Wishnia, sits perfectly in the sweet spot between past and present. It begins with the commemoration of a notorious tragedy, the 1911 fire at New York City’s Triangle Shirtwaist Factory. In that calamity, scores of young women jumped nine stories to their deaths, rather than be burned alive. Because of the business owners’ negligence, 146 people—mainly Italian and Jewish immigrants—died. The issue of worker safety is brought up to the present day by reporter Charlie Purpelburg, who’s covering union efforts to increase worker safety in the construction industry. Once again, risky conditions affect the most vulnerable employees—undocumented workers, this time around. They’re not only caught in the political machinations of Jewish developers skirting safety regulations, their wages are being stolen. Enter the social media trolls. Where does all this racial hostility end? No place good.

Craig Faustus Buck’s “The Shabbes Goy” is another tale of exploitation, this time of an elderly woman by her ultra-religious husband, who fills their apartment with gloom and domination. How three members of the younger generation ally to thwart him is quite satisfying. Funny and horrifying, all at once.

“What was I thinking?” is the first line of “The Nazi in the Basement” by Rita Lakin. An elderly Jewish woman living in California returns to New York for a funeral and decides to do the unfathomable. She visits her old neighborhood in the Bronx for the first time in decades. When she lived there, the residents were mostly Jews, Irish, and Italians, and now, before she can park the rental car, she encounters teenagers from Jamaica, Puerto Rico, Hong Kong, and Bangladesh. They wheedle most of her life story out of her. But she doesn’t tell them the ending, the tragic events that produced in her “the scars masquerading as memories.”

Many of the remaining stories address the issues of younger generations of Jews and people living in other countries. Still, it is today’s elderly, grandchildren of the immigrants from the last century who have witnessed the massive social changes of upward mobility, and who, at this point, may be most caught between past and present.

July/August EQMM and AHMM

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reading, beach

Is it summer and the competition of outdoor activities that cause attention spans to dwindle and make a good collection of short stories extra appealing? Truthfully, Ellery Queen Mystery Magazine and Alfred Hitchcock’s Mystery Magazine are never out of season. Here are some highlights from their summer issues.

In EQMM:
“Serving Process” by Kristine Kathryn Rusch – anyone who’d save a litter of wet, half-starved and mewling kittens is a hero in my book
“The Secret Sharer” by W. Edward Blain – very clever and satisfying tale, and a nice example of how fiction can reflect the realities of covid yet not be about covid
“Powerball” by Jack Bunker – Yes, playing the lottery is a mug’s game, yet some people are just better players than others. In light of last week’s $1.337 billion Mega Millions jackpot IRL, this story should have a big audience!
“Storm Warning” by Dana Haynes is another table-turning tale that makes you feel that, sometimes, bad deeds work out exactly right!

And in AHMM:
“Death Will Take the High Line by Elizabeth Zelvin – Points to her for tackling a story that plunges right into gender identity issues without becoming polemical.
“The Conversation Killer” by Al Tucher – in lushly described Hawa`i, a rookie female police officer makes a big mistake.
“The Man Who Went Down Under” by Alexis Stefanovich-Thomson won the 15th annual Black Orchid Novella Award contest. The search for a missing diamond involves quite a few characters, notably, a young P.I.’s interfering and none-too-impressed mother.

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Reading Lessons: Jacked

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A crime fiction short story has to accomplish a lot in a compressed space. It of course has to describe the crime involved in enough detail that it makes sense to readers; it has to create believable characters whose fates you care about, at least enough to arouse your curiosity, if not your admiration; and the narrative has to move along briskly—skirting the law isn’t an occupation for laggards. The twenty-one crime stories in the new anthology Jacked, edited by Vern Smith, manage to do all this and then some.

A lot of the stories are pretty dark indeed, and I was interested in how some of the authors managed nevertheless to produce a few laughs. A bit of humor is a welcome addition to what can be a rather bleak assessment of human frailty. Here’s how the stories in this collection manage it.

In several, the situation itself is innately funny. An example is Eric Beetner’s “First Timers,” in which a pair of inexperienced teenagers steal the wrong person’s car. The laughs end before the story does, you’ll find. 

A long story that closes the book is Ricky Sprague’s “The Gryfters.” Again, there’s a wacky premise. The humor arises because all the characters (who are a motley group) play the situation straight, except the narrator Chris. He sees all the weirdness for what it is. His roommate, a young guy on the fringes of criminality, hits upon the bright idea of developing a ride-share service for criminals who need a fast getaway. You know you’re in for an entertaining ride, when, early on, the roommates discuss possible names for the service. Gryft is the apparent choice.

Chris’s hesitant, stumbling conversation shows how swamped he is by fear and doubt. Still, he can’t escape a rapidly deteriorating situation. He’s doomed to be a passenger in the slowest imaginable trip across Los Angeles in a car so ridiculously crowded you’ll envision a circus clown car. What makes the humor work is Chris’s miserable awareness and the cinematic clarity of Sprague’s descriptions. (No surprise then that he has two stories in the 2021 anthology of humorous mysteries, Die Laughing.)

In Jacqueline Seewald’s “Worst Enemy,” the sister of a man accused of murder convinces a private investigator to try to prove her brother’s innocence. P.I. Bob Harris doesn’t want to take the case, because it looks like the brother is the killer—the police have DNA evidence—and he was too drunk to remember anything that might provide an alibi. In fact, he even concedes he might have done it. Despite his original misgivings, Bob digs in, and his unease provides a few unexpected light moments.

Reading a collection like Jacked is a good way to sample different authors’ styles. Editor Vern Smith, himself an author, is an Arthur Ellis Award finalist. The three stories mentioned aside, the collection falls on the dark end of the spectrum, gritty and uncompromising, with a sense that the characters are teetering on the edge of something and may fly off at any moment. Strap on your seatbelt before reading.

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“The Ring of Truth”

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My short story protagonist Brianna Yamato—newly minted reporter for The Sweetwater Register, the fictional newspaper of Sweetwater, Texas—is on the story once again. Her latest exploit, “The Ring of Truth” is published in the August 2022 Mystery Magazine. Previously, she solved a four-person homicide and the death by rattlesnake bite of a wind-turbine repairman who had the makings of a potential boyfriend, but . . .

In this story, Brianna is a volunteer with the local community theater group putting on the comedy, A Funny Thing Happened on the Way to the Forum. This is a show my family and I have seen on stage a half-dozen times in various-sized productions—from amateur theater to Broadway (Nathan Lane). And the Zero Mostel movie is a perennial favorite when we need a pick-me-up.

Alas, in the Sweetwater production, the high school senior playing the romantic lead dies one night during rehearsal, and Brianna starts to dig into her story.

Because I’ve written four short stories about Brianna (three published), I have to keep in mind certain details about her world. Since I can’t count on my memory, I created a Word document titled “Facts about the Sweetwater Stories,” which lists the stories in chronological order and when they took place. It has bulleted facts about Brianna, not just her physical description but her way of working (“she tends to let interviewees talk” and “she matches their body language and expressions”), that she lives in a house—not an apartment—with her friend Ruth.

Brianna, being Japanese, tiny (and female) has to hold her own in a sea of big and tall Texas men. They’d love to patronize her, if she’d let them. In several of the stories, she gets comments like “you don’t look like a Brianna” and remarks about immigrants. So I established that her family arrived in California, where she was born and raised, in 1880. Similarly, in the current story, she receives an earful from an interviewee, father of the dead girl who wants her to stop her “medding.” Here’s how she sets him straight.

“You people—” He started to walk away.

“We journalists? Or we twenty-somethings?”

He came back and barked in my face. “You Orientals start your wars, let us settle your hash, then leave your crappy countries and move here, to enjoy everything America offers.”

Oh boy. I said, “My granddad and his brothers served in the US Army in World War II. You’ve heard of the Purple Heart battalion? His youngest brother was killed in Korea. And my dad and uncles fought in Vietnam. What was your unit?” I could hear my editor now.

To break off his death-stare, I said, “Kayla’s friends say nice things about her. I just wondered whether you’d noticed any change, anything unusual, before she died.”

“No. You people saw more of her than we did those last weeks.”

“Oh. We thespians.”

I also keep a list of the businesses she visits—the Triple Joe Café next door to the newspaper, the Southside Grill with its homestyle cooking and the names of its friendly servers, the Egg ‘n’ Oink where Brianna likes to track down police chief Hank Childers while he’s having his Sunday brunch.

When I was a kid, I had family who lived in Sweetwater and visited them every year. The picture in my mind of the community is no doubt vastly different from what the town is today. I read the newspaper online when I’m working on a story to bring myself forward a few decades. But the rattlesnakes are the same.

More Short and Sweet: Tips on Effective Prose in Short Stories

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Last week Sisters in Crime sponsored another of its “Short and Sweet” webinars about short-story writing. Talented author Art Taylor again hosted, along with award-nominated Ed Aymar, to talk about constructing a text. There’s a great satisfaction in doing it well. As Brendan DuBois said in the current issue of The3rdDegree, there’s a “satisfaction in seeing how an author can tell a gripping story in the confines of a relatively small playground.”

The prose—that is, the words on the page—are not just a delivery vehicle for character and plot, Taylor said. How a story is told is its own experience. If it’s told in a style that makes you think of floating down a lazy river on a summer day with the insects buzzing and the green smells rising, that’s a different experience than a style like a machine gun’s rat-a-tat-tat.

Of course, you can have both. If you lull the reader with a warm, sleepy meandering text until unexpected events cut it off with the rat-a-tat-tat of hard consonants and short sentences, that wakes the reader up. In my writing, I default to long sentences, chains of clauses linked by commas and conjunctions. I have to remind myself not to write a fight scene that way! Make it punchy.

I’m sure I was nodding when Taylor said, “Let the reader do some of the work.” Over-explaining is annoying. Trust that your reader is following along and understands some things without explanation. “She started making dinner, so they would have something to eat that night.” Clearly, everything after the comma should go. If you can envision your readers saying, “I get it, I get it!” then cut.

Short stories, especially, benefit from pruning everything unnecessary. Taylor called this “economy, efficiency, and an unrelenting focus.” Nothing should be in the story that doesn’t serve its purposes. Taking this a step further, he suggested that each line of a story ideally should accomplish several things.

A recent short story described a journalist and his investigations of hazardous jobsites. He takes a woman to dinner and, in the middle of their evening, a terrorist appears and shoots a dozen people. It was like walking into another story. Perhaps the author used the crusading journalist trope to make readers sympathetic to the murdered man, but weren’t there more integrated ways to accomplish this? It’s as if the story wore a plaid skirt, a striped blouse and a polka-dot vest, when what it needed was a dress. Fancy, sure, but One Thing.

I was relieved to hear from Ed Aymar that he writes lots of drafts. Me, too. And he endorsed the idea of reading work out loud, especially dialog. It’s one of the quickest ways to spot where the text isn’t working. Another of his good ideas is to rewrite your text a bit when using it for a reading. The pacing and emphases may need to be adjusted.

Sisters in Crime has archived the video of Taylor and Aymar’s presentation for its members. “Crafting Prose in a Short Story” is full of additional writing tips, too. Join?

Photo: the 3D printed dress at Selfridges Department Store, London, was photographed by Bradley Harper.