Already reading as fast as I can, I stumbled onto Google’s enticing menu of the 30 Best Books of Spring. The “delightfully unhinged” stories in Helen Ellis’s The American Housewife sound like fun, as does Dexter Palmer’s Version Control about a possible near-future involving a woman who works in customer support for an internet dating site and her scientist husband is trying, it seems, to develop a time machine.
Jo Nesbo is always a winner in the crime/fiction genre (new book: Midnight Sun, whose protagonist is a runaway hitman), though I’m still trying to steel myself to read his reportedly most chilling book, 2012’s The Snowman.
Two more that sound intriguing are: Alexander Chee’s The Queen of the Night (an opera singer combs her colorful past for clues about who has betrayed her) and Jung Yun’s Shelter (a financially struggling couple must take in his parents. Tensions mount.). Finally, I cannot resist a book whose title is The Little Red Chairs (Edna O’Brien), set in Ireland, about a war criminal in hiding.
Frankly, having read so, so, so many book blurbs, they all start to sound cheesy. I tried to get past that in reviewing the Google list. You might pick out others. But wait, there’s more.
Publisher’s Weekly’s list of “Most Anticipated Books of Spring 2016,” plays it safe by emphasizing well-known authors. Its list is “culled from the 14,000+ titles” known to be forthcoming soon [!]. With that tsunami of prose, who can blame the editors for defaulting to the reliable?
In that rundown are a couple of debuts, but also:
- Louise Erdrich’s LaRose (an ill-fated hunting trip, North Dakota, 1999)
- Martin Seay’s Venice trifecta The Mirror Thief (16th c. Venice, Venice Beach in the 50s, and Las Vegas’s Venice casino today)
- Annie Proulx’s Barkskins (late 17th c., New France. “10 years in the writing,” 800 pages) and
- Stephen King’s End of Watch, the conclusion of the crime trilogy begun with the Edgar award-winning but overly formulaic Mercedes.
Finally, if I can get these read, I can be ready for the November publication of Moonglow, by one of my favorite writers, Michael Chabon, which explores a family’s hidden past and, says GoodReads, “the destructive impact—and the creative power—of the keeping of secrets and the telling of lies.”