By M J Arlidge – This contemporary crime thriller set in Southampton, England, pits the local police force against a pair of serial killers. It’s a multiple point-of-view novel, told mostly from the perspective of DI Helen Grace, newly returned to her job, but also from the perspective of numerous other characters, including DS Charlene (Charlie) Brooks, various witnesses, and sleazy and irritating journalist Emilia Garanita.
Although many of the principal characters are women, they seem no more than superficially female. Grace rushes into situations on her Kawasaki without analyzing them or indicating the police department has any procedural requirements. Well along in the story, the author writes that she is now being propelled by instinct, whereas it seems that instinct is what has driven her all along. And, though the author refers to Grace’s feelings about her work, her emotions tend to be expressed in clichéd, rather than insightful, ways. There’s an unsatisfying pop psychology analysis of the killers’ motivations that does not evolve as new information is gained.
Perhaps police and school administrators’ paranoia about shooting incidents is markedly less in the U.K. than in the States, but when the serial killer invades a middle school, you have to wonder whether there should be more of a protocol or official response than having Grace calmly saying to a bunch of bemused teachers and students, “You should leave.”
Authors are constantly told “show, don’t tell,” especially when it comes to emotions. A worse pitfall is showing then telling, which suggests the author doesn’t trust the reader to understand what has taken place and needs him to explain it. Arlidge does this repeatedly. One example: A man is numb with shock about his wife’s murder until his dogs bound into the room and affectionately greet him. As he pets them, he comes near to tears. The author can’t resist explaining that the dogs’ love and devotion has penetrated the husband’s shock, revealing how devastated he is, which of course takes all the wind out of the emotional moment.
The action of the novel occurs over the course of a single jam-packed day, with flashbacks as necessary. Surprisingly, the police determine the identity of one of the killers less than a third of the way into the novel and the other, less than half-way in. This means the entire last half the book is an extended chase scenario as the police struggle to get one step ahead of the perpetrators.
This last half is fast-paced, of course, and readers attracted to entertainment rich with car chases may find it just the ticket. According to Amazon, this is Arlidge’s seventh novel featuring DI Grace, and he has been producing two of them a year since 2014, plus a pair of short stories. That’s a pretty fast pace too!