It’s Shorts Season!

No, not the kind that guy’s wearing!

The short films nominated for Oscars are on view via various streaming outlets. We watched the five “live action” nominees over the weekend and while, year after year, all the films aren’t necessarily funny or uplifting, they’re almost always interesting.

Consciously or unconsciously, the creative teams behind this year’s nominees must have been immersed in the George Floyd aftermath, because four of the five deal with a character’s interaction with uniformed authorities–police, border guards, corrections officers, most of whom are frustratingly intransigent. The fifth nominee lacks cops, but deals with building understanding between people with totally different backgrounds.

“The Present” by Farah Nabulsi documents the struggle of Palestinians living under Israeli occupation, where even the simplest act leads to a morass of difficulties. Performances were good, but the story is predictable. (Tastes differ. IndieWire liked this one best.)

In “White Eye,” an Eritrean immigrant buys a used bicycle, which turns out to have been stolen. The bike’s owner wants it back. The police know only one way to react. Nice twist at the end.

“Feeling Through” involves a young, homeless black man who encounters a blind and deaf white man and helps him across the street. Produced by Oscar-winner Marlee Matlin, it’s a feel-good movie that shows the blossoming of an act of kindness.

“Two Distant Strangers” is an urban Groundhog Day with guns. A young black man repeatedly dreams about (foresees?) a dangerous confrontation with an older white cop. In any version of reality, can this ever turn out OK?

In “The Letter Room,” Oscar Isaac plays Richard, a surprisingly genial corrections officer who screens prisoner mail. (The film was written and directed by Isaac’s wife, Elvira Lind.) One of the death-row inmates receives numerous steamy letters from his girlfriend, and another begs Richard to make sure his daughter’s letters haven’t been lost in the system. Two nice reversals at the end.

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