Reading Pathways

path, forest, jungle

(photo: wikimedia)

After listening to Stephen King’s mind-bending 11/22/63: A Novel, and reading his book of advice for writers (reviewed here), I’m willing—eager, actually—to read more. But my tolerance for the horror genre is limited, and he’s written, a gazillion books, so where do I start?

You may feel the same way about Margaret Atwood, Nick Hornby, James Baldwin, China Miéville, or other notables. The folks at Book Riot see our confusion and want to help. They’ve created “Reading Pathways” for 34 notable authors that introduce the works of great authors in a thoughtful, non-random way.

Their three-book selections are geared to encourage affection for the writers’ best and most accessible works, so that new readers will want to keep going. I tested their method with the Reading Pathway for Charles Dickens, since I have read or listened to every one of his novels at least once. And their advice was pretty good.

But Book Riot doesn’t just cover authors you’ve heard of forever and the musty fusty classics. David Foster Wallace is here, as is Zadie Smith. A little sci-fi and fantasy, too.

A New Year is coming up. Maybe it’s time to follow a new Reading Pathway! Me, I’ll be reading King’s Under the Dome. Does that sound  like the right first step to you?

Life of Crime

John Hawkes & Jennifer Anniston, Life of Crime

John Hawkes & Jennifer Anniston, Life of Crime

Netflixed this 2014 comedy (trailer), which slipped into and out of theaters this fall faster than a rumor. It’s based on Elmore Leonard’s novel, The Switch. Directed by Daniel Schechter, it features Jennifer Aniston (Mickey), Mos Def (Ordell), John Hawkes (Louis), and a strong supporting cast. (Several characters, including the two male leads were revisited in Quentin Tarantino’s considerably more violent Jackie Brown, based on another Elmore Leonard novel, Rum Punch.)

Much more The Ransom of Red Chief than Fargo, Life of Crime is about a kidnapping gone wrong. Louis and Ordell snatch trophy-wife Mickey only to find out her husband (Tim Robbins) is on the verge of divorcing her anyway. If they carry out their threats to kill her, they’ll save him millions in settlement costs.

Much of the humor comes from the bumbling characters who muddy the kidnappers’ scheme. They’ve sought the help of a Nazi-loving nut case (Mark Boone Junior) who has a spare room where they can stash Mickey, and she is pursued by a hapless and creepily smitten tennis club dad (Will Forte). The only sharp knife in the drawer is the husband’s new girlfriend (Isla Fisher), who’s just too smart for her own good. Rotten Tomatoes gave the movie a 65 percent rating, with critics mostly objecting to low energy, lack of real menace, and perhaps the false expectation of Jackie Brown/Tarantino-style violence. Instead, the film is an “amiable diversion” with “ambling charm.”

(Trivia note: The title may have been changed from Leonard’s original because Aniston starred in a totally different comedy titled The Switch in 2010, and in an eruption of self-referential promotion, the DVD for Life of Crime included previews for both The Switch and Jackie Brown.)

The Book Behind The Imitation Game

Benedict Cumberbatch, Enigma, The Imitation GameIn wide release this Christmas will be the new film The Imitation Game (trailer), eagerly awaited by all serious fans of cryptography, World War II history-Bletchley Park division, spy stories, the invention of computers, and Benedict Cumberbatch. (My review of the movie.)Last week the author of the book on which the movie is based, Andrew Hodges, spoke here in Princeton. Hodges’s book—“one of the finest biographies of a scientific genius ever written,” said the Los Angeles Times reviewer—is Alan Turing: The Enigma: The Book That Inspired the Film “The Imitation Game” published in 1983 by Princeton University Press, which is congratulating itself heartily over its three-decades’-ago decision.

As you may recall, Alan Turing was the young British scientist (incorrect to label him a mathematical genius, because part of his brilliance was in blending fields—logic, engineering, biology, and mathematics) who led the successful efforts to break the Nazi naval codes in World War II. The machine created to do this was an early computer, and a paper Turing wrote in 1936 laid the foundation for the theory of computer science, by imagining a field that previously did not exist.

In Princeton in 1936-38, he worked on speech-scrambling technology. His interest in these diverse topics led him to an interest in ciphers and artificial intelligence, and these interests led not just to the Turing Test (“the imitation game”), but to Bletchley Park and the team of scientists there. Turing’s pivotal role in the Allied accomplishment, like most information about the unraveling of the Germans’ Enigma machine, was not revealed until the 1970s. Hodges said some of his theories about the connection between mathematics and biology were so advanced they are only now receiving attention in science.

Turing’s homosexuality caused few problems in the tolerant environment of King’s College, Oxford, but after the war, that changed. He held vast amounts of wartime secrets in his head, and it was a period of intense anti-Soviet paranoia. The authorities worried about his vulnerability. He died at age 42 of cyanide poisoning, and Hodges believes the coroner’s conclusion that his death was suicide, although the pressure that may have been brought to bear on him is unknown. He left just enough mystery about his death that his mother could console herself it was one of his science experiments gone wrong and conspiracy speculators could ever since consider it part of the enigma.

Skylight

Bill Nighy, Carey Mulligan, David Hare, Skylight

Bill Nighy & Carey Mulligan in Skylight

If Britain’s National Theatre Live version of David Hare’s remounted play Skylight, comes to a movie theatre in your area, don’t miss it! It’s a live performance filmed last summer, and, unlike the live opera shown in movie theaters, it isn’t “live, live.” But it isn’t just a camera set up in the back of the theatre, either. There are wonderful closeups of the three actors, and given who the actors are, you want to catch every nuanced facial muscle.

Carey Mulligan plays a 30ish woman (her first stage role), Kyra Hollis, who teaches in what is apparently a rather desperate London school and lives in rather minimalist circumstances in a British public housing flat, of a type familiar from U.K. crime shows. She’s visited by a young man—played briefly and brilliantly by Matthew Beard—who is the son in a family she once lived with. The young man urges her to return to try to help his father, who he says is lost in grief and rage over his wife’s death a year before. The son departs, and the father arrives.

Played flawlessly by Bill Nighy, the father is a successful restaurateur for whom Kyra once worked, and the sparring between the two over why she left his home and her work, the new life she’s constructed, and what was and is between them carries the rest of the play. When it was first produced in 1995, Skylight won the Olivier Award for Best New Play. Many funny moments. Tears, too.

Le Chef

Le Chef, Michael Youn, Jean Reno

Jean Reno & Michael Youn in Le Chef

OK, so the critics didn’t much like this frothy French comedy (trailer) directed by Daniel Cohen, but the French can serve up a blundering wunderkind better than anyone else. Aspiring chef Jacky (Michaël Youn) is called in to save the day for the three-star wonder Alexandre Lagarde (Jean Reno), who may be on the verge of losing a coveted rating star and his restaurant in the bargain. There’s never a moment’s doubt how any of the plot lines of Le Chef will resolve, but it’s the whole meal that makes this movie fun.

It was released last summer in the United States around the same time as the American comedy Chef, which created some box office confusion. Sweet and light as a perfect dessert soufflé, this French offering is a good antidote to, say, the Nightly News. Curmudgeonly Rotten Tomatoes critics gave it a mere 48% rating, but audiences liked it more (59%). Said Moira MacDonald in the Seattle Times: Le Chef may not be a masterpiece, but it’s nonetheless a treat. Some days, that’s just right.

Map Out Your Holiday Gifts

map, Paris

(photo: author)

OK, Santas’ helpers, if someone on your list loves New York, loves maps, loves travel, or just loves to get down with the details, that person might enjoy this wildly popular book of personal maps: Mapping Manhattan: A Love (and Sometimes Hate) Story in Maps by 75 New Yorkers, by Becky Cooper, illustrated by Bonnie Briant, with an introduction by Adam Gopnik. Pointing to this book as a bellwether, The Guardian says hand-drawn maps are in. So much so, their creators even have their own association. “All maps tell stories,” Cooper says, and proves it with the creative contributions in this very book.

Alternatively, The Guardian story says Wellingtons Travel spent three years creating a map of modern London full of hand-drawn charm, using the 1800s style that shows individual trees and buildings. The photograph accompanying this article is similar to the Wellingtons approach, but it’s a portion of a map of Paris from a favorite poster of mine that’s so realistic, I’m sure I can pick out that little hotel I stayed at near L’Etoile.

Many people have participated in Cooper’s Mapping Manhattan project, contributing their own unique memory portraits, like the map of “My Lost Gloves.” (That one is available as a print from Uncommon Goods, which has an array of intriguing map gift ideas, including the “Single Malts of Scotland” or “Great Wines of France” tasting maps—bases for a couple of good tours, there.) Contribute to the collective mental map of the city by downloading a blank map of Manhattan on which to show the places where you took your own favorite bites out of the Big Apple. Download another and stick it in your love’s Christmas stocking.

Begin Again

Mark Ruffalo & Keira Knightley, Begin Again

Mark Ruffalo & Keira Knightley

Writer-director John Carney’s Begin Again (trailer) is a music business movie that pushes the questionable idea that Talent Will Out—here, the talent-spotting talent of Mark Ruffalo as an out-of-luck music producer and the singer-songwriter talent of, unexpectedly, Keira Knightley. Knightley is less believable than the scruffy Ruffalo, but this is her least self-conscious performance I’ve seen.

The music-making partnership between them could easily devolve into cliché, but I’m glad to say it escapes that trap, as they set up shop in various outdoor Manhattan locations to record the tracks of her possible breakout album. Meanwhile, he defends her potential to his former recording-company partner, enjoyably played by Mos Def.

Both lead characters are separated from their significant others—Knightley from her success-obsessed boyfriend, played by real-life music star Adam Levine, and Ruffalo from his wife, played by Catherine Keener in too small a role. Everyone learns who they are. Rotten Tomatoes critics’ and audience ratings:  83%.

Will Men Read My Book?

reading

(photo: Nico Cavallotto, Creative Commons)

Something else to worry about on the rocky road to publication: The Goodreads analysts have crunched the site’s numbers to explore the reading habits of their male versus female members. You can see the results in this nifty Infographic. My home page includes a button indicating I’m a member of Sisters in Crime, started by women crime and suspense writers who thought 20 years ago (and still do) that women crime writers get the short end of the stick in book reviews and other ways. The text of the Goodreads post says that’s still true for book reviews generally.

Key messages from the Infographic: women are twice as likely as men to read a recent book, and men are twice as likely to write (is that a typo?) a 500+-page book. In the first year after a book is published, a male writer’s audience will split 50-50 along gender lines, whereas a woman writer’s audience will be 80 percent female.

This new finding tracks with a 2005 study that found four out of five men (academics, critics, and writers) said the last novel they’d read had a man as author, whereas women in the study were equally likely to have most recently read a novel written by a man or a woman. Whatever they read in 2014, according to Goodreads, men and women both rated the books by women a bit higher.

A 2012 Wall Street Journal article quoted a Penguin editor as saying: “For a new author, we want to avoid anything that might cause a reader to put a book down and decide, ‘not for me.’ When we think a book will appeal to male readers, we want everything about the book to say that—the cover, the copy and, yes, the author’s name.” Which is why we had J.K., not Joanne Rowling. And why women still write under men’s—or at least ambiguous—names. [For a survey of this and other types of literary masquerade, try Carmela Ciuraru’s Nom de Plume: A (Secret) History of Pseudonyms.]

Finally, Goodreads looked at the 50 books published in 2014 that men most often read, and found that only five were by women. Three of these fall into the fantasy-science-fiction-dystopia world of teen lit, one is young adult, and the last—The Storied Life of A.J. Fikry is a feel-good tale about a bookstore owner for whom everything looks grim, but then “magically” becomes more than OK (judging by the blurb). Go ahead, call me a snob, but I laughed out loud when I read the tagline for one of the fantasy books: Erchomai, Sebastian had said. I am coming.”

Similarly, of the 50 books published in 2014 most often read by women, only five were by men (that is, if you count J.K. Rowling’s Robert Galbraith persona). The books by men that women mostly read were young adult fantasy, adventure fantasy, Galbraith’s The Silkworm, Stephen King’s Mr. Mercedes, and a book I read and liked, Anthony Doerr’s All the Light We Cannot See.

If you’re wondering, out of the 41 books I’ve read so far this year, 29 (71 percent) are by men—partly reflecting my genre reading choices (mystery, thriller). So, what about your reading, and do you (know you) care whether the author is a man or woman?

Elena Kagan

Elena Kagan

Supreme Court Associate Justice Elena Kagan with President Barack Obama and Vice-President Joe Biden (photo: wikimedia.org)

Associate Justice of the U.S. Supreme Court Elena Kagan, a graduate of Princeton University’s Class of ʼ81, spoke informally yesterday with University President Christopher L. Eisgruber. Unlike the other Ivy schools, Princeton doesn’t have a school of law (or medicine), and Kagan obtained her legal training at Harvard Law, where she was later the school’s first female dean. Nevertheless, she told the crowd filling Richardson Auditorium that “whatever I learned about writing, I learned here.”

Eisgruber, also a lawyer (University of Chicago), asked Kagan about rumors she goes hunting with Associate Justice Antonin Scalia. It dates back, she says, to her pre-confirmation interviews with Senators in 2010. Since they couldn’t ask her directly what she believes about specific cases and laws, they resorted to indirect stratagems to feel her out. A western Senator asked, “Do you hunt?” She explained she was from New York City. “Do you know anyone who does hunt?” Not that, either. But she promised that, if confirmed, she’d have “Nino” take her. In 82 interviews, “It was the only promise I made,” she said.

In her judicial decision-making, she said she often returns to the intent of the framers, but that can lead to untenable results in the modern world. She also looks at judicial history over time, “thinking hard” about the precedents for a case. The part of the work she enjoys most is when there is an opportunity for influencing opinion, and the Justices are arrayed around their conference table, trying to sway one another by making strong arguments.

As to the 5-4 split decisions for which the current Court is known, she said 60% of the Court’s decisions are unanimous. Most of the disagreements have to do with how people read some of the law’s and Constitution’s most abstract provisions, and they come about, not because the Court has blind spots in certain areas—gender politics being suggested as one possibility by an audience questioner—but because there are strong arguments on both sides of a question that represent a real clash of values.

Eisgruber asked how she likes being an Associate Justice, and she said “Great gig!”

Johnny Worricker

Bill Nighy, Worricker

Bill Nighy as Worricker (photo: ichef.bbci.co.uk)

If you saw the two Masterpiece Contemporary thrillers starring Bill Nighy (perfect, as ever), chances are we agree they were terrific. If you missed them, Nighy plays MI5 agent Johnny Worricker, on the outs with his bosses and trying to bring attention to the shady dealings of Prime Minister Alec Beasley (Ralph Fiennes without much hair).

Needless to say, the Powers That Be don’t approve of Worricker’s activities and are seriously looking for him. In the first of the two dramas shown this month, “Turks and Caicos,” he’s chilling out on the islands when he’s spotted by a CIA agent played by Christopher Walken, with his typical opaque style, and you’re never quite sure who’s who and what’s what. Except that Worricker’s former girlfriend, Margo Tyrell (Helena Bonham Carter), wastes no time realigning her priorities and jetting down to the Caribbean when he needs her. In the second, “Salting the Battlefield,” Worricker and Tyrell are on the run, and doing a pretty good job of it, too, until family ties threaten to flush them out into the open.

These two productions are followups to 2011’s film with the same characters, “Page Eight,” which lacked only Bonham Carter’s Margo Tyrell. Somehow I missed that program when it was broadcast three years ago. Thanks, Neflix! What makes these dramas so good are the scripts. The screenplays and the direction are by British playwright, theater and film director, and two-time Academy Award nominee David Hare. Says Grantland reviewer Chris Ryan, “If it’s adult contemporary, it’s as good as adult contemporary gets.”