Category Archives: Non-fiction

***Between You and Me

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Mary Norris, punctuationBy Mary Norris – This book—part history of language, part grammarians’ bible, part punctilious punctuation-snob puncturer—by a veteran New Yorker copy editor attempts to explain why writers in English, particularly those whose work appears in The New Yorker, make the choices they do. Form, not content, is her subject. While that publication is notoriously picky about copy matters, Norris’s anecdote-rich text suggests how much elasticity actually exists within its seemingly constricting rules.

Particularly entertaining are the early sections that include a review of her checkered, pre-New Yorker work experience. (You can’t really call a stint as a milk-truck driver and costume shop clerk a career for a person who did graduate work in English.)

Norris took her title from the common grammar mistake people make in using “I” when “me” is required. I yell at the radio when I hear the awful “between you and I” or “He invited Tom and I . . .” I suspect Norris does too.

Several chapters cover the ongoing punctuation wars. No surprise, as the subtitle of the book is Confessions of a Comma Queen. In the comma skirmish, I find I fight on the side of “playing by ear,” dropping in a comma where I sense a pause. And in hyphen disputes, her emphasis on clarity of meaning seems a useful approach. Thus the hyphen in milk-truck driver above.

Some of the text on verbs got away from me and her suggestion for how to tell whether a sentence needs “who” or “whom” (for the straggling soldiers in that lost battle), her system was overly complex or not explained clearly. I’ll stick with mine.

pencils

photo: Vladimer Shioshvili, creative commons license

The very best chapter was devoted to Norris’s love of pencils. Extra-soft No.1 pencils, in fact. The kind of pencil that has also kindled a love of pencil sharpeners. (I’ve served time in innumerable meeting rooms over the years and can tell you that The Ford Foundation’s black pencils, embossed with its name, and the round ones of the L’Enfant Plaza Hotel in Washington, D.C., which come in easter egg pastels, are the best. Whenever I attended meetings there, I stocked up.)

Reading anyone’s description of something they are both passionate and deeply knowledgeable about—making wine, say, or 1950s automobiles—is always interesting, and you learn as much about the person as about their particular interest. I don’t ever have to read about pencils again, but I’m glad I did.

*****Pumpkinflowers: A Soldier’s Story

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war damage, bomb

photo: Feyrouz at English Wikipedia, creative commons license

During the Israeli occupation of South Lebanon in the late 1980s and 1990s, the army gave its outposts botanical names, which led to an otherwise undistinguished hill’s being called “Pumpkin.” In military radio traffic, a dead soldier was an “oleander” and an injured soldier merely a “flower,” species undefined.

Pumpkinflowers, then, refers not to a bucolic late-summer farm field, but rather to the soldiers physically and sometimes mentally wounded by service in a hostile land, where their presence became increasingly indefensible. Matti Friedman tells the stories of these young men and their challenges feelingly and at close hand, as he was one of them.

Friedman is a journalist born in Canada, who lamented the lack of writing about that occupation and its impact on the young Israeli men who served there, most of them fresh out of high school. So he set about telling their story himself, believing today’s Middle East situation had some of its seeds in this unnamed and largely ignored security zone conflict.

Initially, as so often happens in military history, the generals were fighting the last war. They thought the enemy comprised somewhat ragtag Palestinian guerrillas, but before long, the occupiers faced local Shiites, who called themselves the Party of God, Hezbollah. This group was generously funded by Iran and Syria and able to call on a seemingly endless supply of would-be suicide bombers. Hezbollah also soon seized the lead in the propaganda war.

That the TV images were the real weapons, that the Hezbollah fighters and Israeli soldiers had been turned into actors in an attack staged for the camera—these weren’t things anyone understood yet. . . . Within a few years elements of the security zone war would, in turn, appear elsewhere and become familiar . . . : Muslim guerrillas operating in a failed and chaotic state; small clashes in which the key actor is not the general but the lieutenant or private; the use of a democracy’s sensitivities, public opinion, and free press as weapons against it.

(The Body of an American, a prize-winning play reviewed here, makes a similar point.)

Hezbollah was not interested in a negotiated withdrawal of Israeli troops or achievement of some limited goal: “It is a vision and an approach, not only a military reaction,” one of its leaders has written. Subsequent actions continue to demonstrate this larger view, which suggests limits on a strictly military response.

Through discussion of the Four Mothers movement, which supported withdrawal from Lebanon, Friedman explores the political conflict between the leftists of the dwindling kibbutz movement who in the 1990s believed in compromise and thought peace was possible and the rightists who believed peace was a dangerous illusion and who currently dominate Israeli politics.

The last section of the book describes Friedman’s return to Lebanon (using his Canadian passport) and his rediscovery of the remains of the Pumpkin, a place as tangible to him today, in its continued importance, as it ever was when he served there.

Not a long book at 225 pages, it’s insightful and well written, condensing both human interest and political analysis into the story of a single lost outpost. Author Lucette Lagnado says Friedman’s prose “manages to be lyrical, graceful, and deeply evocative even when tackling the harshest subjects imaginable,” and I certainly found it so.

 

The Winner’s Circle

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horse racing

At Belmont, 2013 (photo: Vicki Weisfeld)

Horses, horse people, jockeys, trainers, and touts. Watching the Kentucky Derby—“the most exciting two minutes in sports”—last Saturday made me think of some of the great books about horses and the quirky, obsessive people who surround them.

The horses are huge, but run on the most fragile of ankles. The jockeys are small, but mostly heart. Racing is a quick way to burn money. No wonder storytellers have capitalized on its dramatic potential.

Horse Heaven – by Jane Smiley. Smiley won the Pulitzer Prize in 1992 for A Thousand Acres, yet I found this novel way more satisfying. She’s developed a stableful of engaging characters as you follow the fates of several horses bred for racing, a risky proposition in the best of times. As much about people and their passions and predilections as about horses, of course.

Lords of Misrule – by Jaimy Gordon. Winner of the 2010 National Book Award, this novel is set in the lower echelons of horse-racing, among people for whom the twin spires of Churchill Downs are a distant dream. She has an almost miraculous way of capturing the way horse people think and talk.

The Horse God Built – by Lawrence Scanlan. This one I haven’t read, but it was too tempting to include a book about Secretariat—“the horse God built.” Secretariat won racing’s Triple Crown (the Kentucky Derby, the Preakness, and the Belmont Stakes) in 1973, with track-blistering performances. This nonfiction book is Secretariat as seen through the eyes of his groom and a story of friendship. This is one of six great nonfiction books about racing compiled by Amy Sachs for BookBub.

Seabiscuit, by Laura Hillenbrand, was made into an Academy Award-nominated film starring Toby Maguire, Jeff Bridges, Chris Cooper, and real-life jockey Gary Stevens. A heartwarming story, this production includes footage shot from the midst of a race—an unforgettable view of why this sport is so dangerous. Rotten Tomatoes critics rating 77%, audiences 76%.

Luck – HBO. For the full immersion experience, try this nine-episode series, developed by David Milch. It’s all-star cast includes Dustin Hoffman, Dennis Farina, John Ortiz, Richard Kind, Nick Nolte, Michael Gambon and, again, jockey Gary Stevens (who raced in the 2016 Kentucky Derby at age 53). The three touts, convinced they’re on track for riches, are priceless. Rotten Tomatoes critics rating 87%; audiences 78%

****American Nations

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American Nations, mapBy Colin Woodard – This 2011 book—a pick of my book club—is a thought-provoking analysis of the different cultural strains, mostly organized along geographic lines, that make up what author Sarah Vowell calls “the (somewhat) United States.” Woodard’s subtitle is “a history of the eleven rival regional cultures of North America.” Many of those rivalries, which date to our earliest history, well before the Revolutionary War, have been amplified, not erased, by subsequent events, and help to explain some of the political schisms we see today.

The answer to a frustrated electorate’s “Why can’t our politicians (and voters) ever agree on anything?” is partly that they never did. Of course, aggregate data hide a lot of individual differences, and none of the characterizations Woodard has developed for his eleven regions describe every individual living there, just the region’s general cultural tendencies. Some of his regions cross over into Canada and Mexico too.

The regions, which he says “have been hiding in plain sight throughout our history,” are:

  • Yankeedom began as a “religious utopia in the New England wilderness.” Those early colonies emphasized education, local political control, and efforts aimed at the greater good of the community.
  • New Netherland laid down the cultural underpinnings of greater New York City; a trading society that was multi-ethnic, multi-religious, and committed to freedom of inquiry. Its precepts were memorialized in the Bill of Rights.
  • The Midlands, founded by English Quakers and organized around the middle class people predominantly of German background and moderate political opinions who don’t welcome government intrusion.
  • Tidewater catered to conservative aristocratic elites who were gentleman farmers, strong on respect for authority and dependent on slave labor. It was dominant during the colonial period, but lost its standing by dint of its culture’s inability to expand beyond coastal areas.
  • Greater Appalachia was founded by “wave upon wave of rough, bellicose settlers from the war-ravaged borderlands of Northern Ireland, northern England, and the Scottish lowlands” who in their native lands formed a strong independent spirit, suspicious of aristocratic overlords and social reformers alike (think Mel Gibson in Braveheart).
  • The Deep South, founded by Barbados slave lords, became the bastion of white supremacy and aristocratic privilege. It is the least democratic of the 11 regions while being “the wellspring of African American culture.”
  • New France is an amalgam of the Canadian Province of Québec and some other areas of far eastern Canada as well as the Acadian (“Cajun”) territories of southern Louisiana.
  • El Norte dates to the late 16th century, when the Spanish empire founded missions north into California. It includes Arizona, New Mexico, and parts of Colorado and Texas, as well as northern Mexican states that, Woodard says, are more oriented toward the United States than Mexico City.
  • The Left Coast is a narrow strip from Monterey, California, to Juneau, Alaska, and includes San Francisco, Portland, Seattle, and Vancouver. The cities were originally developed by Yankee traders who came by ship and the countryside by overland arrivals from the Appalachian region and the culture today is an amalgam of Yankee idealism and Appalachian independence.
  • The Far West is the only area “where environmental factors truly trumped ethnic ones.” The region is unsuited for traditional farming, but its resources have been exploited by companies headquartered in distant cities and they and the federal government own vast tracts of land. Locals largely oppose federal interference (just in the news again lately), even as they depend on federal dollars.
  • First Nation he defines as a large region in the far north, where the indigenous population has never given up its lands and still employs traditional cultural practices.

Like any analysis intended to look at history through a single lens, Woodard may tailor his arguments to support his approach. Nevertheless, he presents an intriguing hypothesis that carries the ring of truth. In this political season, many of the old antagonisms and patterns he describes are newly visible and, frankly, any cogent explanation of why Americans do some of the things we do is welcome!

Asian Immigrants’ Tales

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suitcase, Asian

adapted from Roger Wagner, creative commons license

The recent success of the movie Brooklyn has reminds us of the universality of immigrant stories in American history (even as anti-immigrant, anti-refugee positions characterize the political discourse). While the immigrant experience is a common thread running through our national character, and the experiences of Irish and Italian immigrants relatively well known, each country’s immigrant story is in many ways as unique as the person and family who dons this new cultural garment.

Shawna Yang Ryan, writing for LitHub (“From There to Here: Five Essential Tales of Immigration”) says “Immigration is anything but pedestrian. To displace one’s self in adulthood, to uproot, to leave behind ways of speaking, moving, being that are second nature is a feat of true grit.” She tells of her own mother’s move to the United States from Taiwan after marrying an American GI, which helped inspire her novel Green Island. Among the tales from other immigrants that she recommends are:

  • Carlos Bulosan’s autobiographical America Is in the Heart, about the struggles and prejudices faced by Filipino farm workers. They worked in America legally (and, by the way, served in the U.S. military), but, says Ryan, were barred from citizenship. His book has been called a brown-skinned Grapes of Wrath.
  • The Namesake, a novel by Jhumpa Lahiri, about the Ganguli family’s move from Kolkata (Calcutta) to Massachusetts and the inter-generational rifts that creates. Pulitzer Prize-winner Lahiri has now taken displacement one step further, living part-time in Italy and writing in that language
  • The “graceful essays” by Andrew Lam, collected in Perfume Dreams: Reflections on the Vietnamese Diaspora, not only examine what it’s like to come to American, but also the experience of a return visit to Vietnam

On this  theme, I would add these classic award-winners from my bookshelf:

  • Anne Fadiman’s non-fiction The Spirit Catches You and You Fall Down, the tragic consequences for a Hmong family, whose child is afflicted with epilepsy, when their traditional beliefs collide with modern medicine. (National Book Critics Circle Award, 1997)
  • The unforgettable memoir, The Woman Warrior, by Maxine Hong Kingston, relates her “girlhood among ghosts”—both her female relatives’ ghosts from China and the New World ghosts she encounters: Policeman Ghosts, Social Worker Ghosts, Garbage Ghosts, and Wino Ghosts. (National Book Critics Circle Award, 1976)
  • Chang-Rae Lee’s Native Speaker—one of the early books selected for community-wide reading—about Korean American Henry Park, the “perpetual outsider.” (PEN/Hemingway award for best first novel, 1996)
  • Asian American Dreams, by award-winning journalist Helen Zia describes the transformation of Asian Americans from a small and largely invisible minority to a presence in virtually every facet of American life.
  • In the 1992 Los Angeles riots, Korean American businesses were especially targeted for destruction, with some 1500 looted and destroyed. Blue Dreams, by Nancy Abelmann and John Lie, explores the reasons Koreans were singled out and what happened in the aftermath.
  • The classic Strangers from a Different Shore, by historian Ronald Takaki, lays out the successive waves of Asian immigration in American history, with each nationality’s experience taking place in a different context.

Reader Question:

What favorite books would you recommend that tell the immigrant story?

The Witches are Back

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Puritans, Salem witch trials, The Crucible

(photo: Len “Doc” Radin, Creative Commons license)

Right on time for Halloween is a new book about the tragedy of the Salem witch trials. The Witches: Salem, 1692, by Stacy Schiff describes how—at the behest mostly of hysterical young girls—19 men and women in the Massachusetts colony were tried, convicted, and hanged for witchcraft. The punishment for a 75-year-old man was being crushed to death with stones: “More weight,” he legendarily cried. Two guilty dogs also were executed. In other words, plenty of wrongheadedness was going around that has never been satisfactorily explained or completely understood. According to Pulitzer Prize-winning historian Joseph J. Ellis, “The Witches is the fullest and finest story ever told about Salem in 1692.”

Schiff’s September 7 New Yorker article about how the Puritans got so far off track focused much attention on the educated members of the colony, who were as caught up in the events as anyone, and especially the role of prominent ministers and intellectuals Cotton Mather and his father Increase, president of Harvard. The two had some different reactions to the hysteria, though Cotton Mather believed “he had made a case for prosecuting the guilty, his father for protecting the innocent. Were they not saying the same thing?”

It will be interesting to read Schiff’s book to find out to what extent she subscribes—if at all—to various alternative theories about the phenomenon, one of which is that a covetous desire for wealthier Salemites property was at its root. Many years ago, I read Joe Klein’s biography of Woody Guthrie, who suffered from Huntington’s disease, a genetic disorder that can cause an afflicted person to writhe uncontrollably and to appear wild and violent in speech and movement. In an afterword, the author reported genealogical research on Guthrie’s family, which he said revealed his ancestors included several of the condemned witches.

Of course, the practice and perils of the witchhunt haven’t died. Arthur Miller’s play, The Crucible, in the guise of looking back to the late 1600’s, was written to demonstrate how it can reappear wearing modern-day political garb. A thoughtful reconsideration of 1692, such as Schiff’s book provides, is timely anew.

***The Autobiography of Black Hawk

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Black Hawk, American Indian

Black Hawk (wikimedia from: History of the Indian Tribes of North America)

By Black Hawk, narrated by Brett Barry — This short book—the full title of which is Autobiography of Ma-Ka-Tai-Me-She-Kia-Kiak, or Black Hawk, Embracing the Traditions of his Nation, Various Wars In Which He Has Been Engaged, and His Account of the Cause and General History of the Black Hawk War of 1832, His Surrender, and Travels Through the United States. Also Life, Death and Burial of the Old Chief, Together with a History of the Black Hawk War—was the first autobiography of an American Indian leader published in the United States and therefore something of a phenomenon when it appeared in 1833.

Black Hawk was born in 1767 on the Rock River in Illinois, as a member of the Sauk (Sac) tribe, which at that time populated lands east of the Mississippi River, in Illinois and Wisconsin. His reminiscences were edited by a local newspaper reporter, J. B. Patterson, and recount Black Hawk’s experiences with the French, the British, the American settlers, and other tribes.

What turned him against the Americans was an 1804 treaty, which an unauthorized group of Sauks signed, that unilaterally gave away their lands, providing American settlers the legal right (as if such niceties mattered) to appropriate them, and forcing the Indians to resettle to the west.

I found by that treaty, that all of the country east of the Mississippi, and south of Jeffreon [the Salt River in northern Missouri, a tributary of the Mississippi] was ceded to the United States for one thousand dollars a year. I will leave it to the people of the United States to say whether our nation was properly represented in this treaty? Or whether we received a fair compensation for the extent of country ceded by these four individuals?

Because of this opposition, Black Hawk fought with the British during the War of 1812. Twenty years later, when he was 65 years old and after a trail of broken promises, he led a band of Sauk warriors against settlers in Illinois and Wisconsin in the 1832 Black Hawk War.

Eventually, he was captured and gave up the warrior life. He traveled extensively in the United States on a government-sponsored tour, marveling at the size of the major cities, the railroads, the roads. In his attempts to negotiate with military leaders, provincial governors, and even the Great Father in Washington, he interacted personally with many of the leading politicians and military men of the day. President Andrew Jackson (a major character in NPR reporter Steve Inskeep’s recent book about another betrayal of the Indians) desired that Black Hawk and other chiefs see these sights, in order to convince them of the might of the United States.

Black Hawk provides his point of view quite clearly and compellingly. To no avail, of course. According to the University of Illinois Press, “Perhaps no Indian ever saw so much of American expansion or fought harder to prevent that expansion from driving his people to exile and death.” His prowess as a warrior chief is now honored by the U.S. military, which has named several ships after him, as well as the Black Hawk helicopter.

8 Exciting Summer Reads

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reading

(photo: Pedro Ribeiro Simōes, Creative Commons license)

With publishers so intent on finding the next blockbuster, it’s easy for good books, make that Very Good Books, to slip by unnoticed. I’d like to suggest that my writing coach Lauren Davis’s new book, Against a Darkening Sky, which is on top of my “to read” pile, is a book I hope escapes that fate. I also trust that the flow of good will and good media coming its way will continue.

Set in 7th century Northumbria, as Christianity sweeps the countryside, it considers issues that are universal and timeless. Says Pulitzer Prize-winning author Robert Olen Butler, it “brilliantly achieves the ideal for a historical novel: period and milieu seem utterly inextricable from characters and theme.” I’m looking forward to reading—and savoring!—it this summer.

More Recommendations

In case you missed Nancy Pearl’s “under the radar reads” segment on NPR’s Morning Edition late last week, here are her recommendations for intriguing and beautifully written works of fiction beyond the B&N front table that are well worth seeking out.

  • The Revolutions by Felix Gilman – A little steam punk, a little sci fi, a little magic and the occult—and the perils of dabbling in them. Says Pearl, “I’ve always believed that people learn from every book they read, . . . I think reading about the past in the context of the present is just fascinating.”
  • The Swimmer by Joakim Zander – in this fast-paced thriller a former spy tries to help a young woman with whom he has a strange connection. She’s seen something she shouldn’t have . . . and she’s on the run.
  • Etta and Otto and Russell and James by Emma Hooper – Says Pearl, this is another page-turner, not because of the speed of the plot, but because the characters from two time periods (around World War I and late 20th century) are so interesting. The story is set in motion when 83-year-old Etta decides she must see the ocean before she dies and sets out to walk there—from Saskatchewan.
  • Unbecoming by Rebecca Scherm – which is, Pearl says, “a novel about lying.” Not only is lying “unbecoming” in the old-fashioned sense, but the main character gradually “unbecomes” who she is. In a Paris antiquities shop she waits for her crimes to catch up with her.
  • The Half Brother by Holly LeCraw – We’ve all had strange coincidences in our lives, situations about which one says “if that were in a novel, no one would believe it!” Well, this novel takes on the issue of coincidence versus fate. How one choice would have created a totally different self—in other words, the spiraling kind of speculation that can drive you crazy.
  • The Strangler Vine by M.J. Carter – Carter is a historian, who can provide the convincing details of the exotic setting this novel uses. In 1837 India, its two British protagonists journey all over the subcontinent to find a missing writer. The first of a series, about which Pearl says, “I personally cannot wait for the second one.” (Awesome cover!)

A Sad History Tale

Morning Edition host Steve Inskeep himself has a new book out, Jacksonland: President Andrew Jackson, Cherokee Chief John Ross, and a Great American Land Grab. It’s the true story of an Indian leader who used the tools of American democracy to try to make the case for his people and their land rights. His futile legal battle continued for two decades and ended in the Trail of Tears.

Any of these books would make for memorable summer reading. Looking forward to hearing your thoughts on them and to reading at least some myself!

“Accidents” of Research

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dinosaur, dig, paleontology

(photo: wikimedia)

In the May issue of The Big Thrill, writer Gary Grossman discussed how he dug deep for the themes and jigsaw pieces of his new “geological thriller,” Old Earth. There are two kinds of research that I do. One is akin to fact-checking: Exactly how should a flash-bang be described, and how does it work? On what street corner in Rome is the Anglican church? What variation of baklava do Turks eat? This kind of research is essential, in order to keep readers convinced that their books’ narrators know what they are talking about. More about my research process is here.

Although that kind of research can be a springboard for ideas, the other type of research, which Grossman describes, is more wide-ranging, more generative. Old Earth begins some 400 years ago in Galileo’s time, thought the principal story concerns characters who are present-day paleontologists involved in an excavation. As Grossman wrote, he began to feel the need for a powerful inciting incident, one that would be “profound, believable, and grounded in truth.” So he expanded his research on Galileo and discovered some of the astronomer’s less famous inventions, which turned out to be authorial gold.

These facts provided a plausible jumping-off place for plot development, an opportunity to link the historical and modern-day portions of the novel, and an imaginative yet believable motivation. They were, he says, “A wonderful accident of research.” Such interconnections in a novel create a natural resonance for the reader and make the work more meaningful. Good storytellers who use such links–in fiction and non-fiction alike–make their work both more interesting and more universal.

He terms his discovery an accident, but it’s really a case of “chance favoring the prepared mind.” It’s the kind of thing that can happen when a writer stays open to possibilities and connections. In the process, the discovery became an adventure for Grossman, as well as for his subsequent readers.

Writers frequently talk usefully about the need for balance between research and writing, since many writers so love to do research they can get lost in the byways of investigation and neglect to even open up the most recently saved file of their novel-to-be. It’s a matter of figuring out how much detail—and in Grossman’s case, how much depth—is needed to craft a story that is both believable and memorable.

****Go Like Hell

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Ford, Le Mans, auto racing

Legendary Ford GT40 (photo: SamH for English language Wikipedia, Creative Commons license)

By A. J. Baime, read by Jones Allen. Perhaps an overcorrection to the glacial pace of the last book I listened to, Go Like Hell: Ford, Ferrari, and Their Battle for Speed and Glory at Le Mans, as they waged classic duels of machine and driver in the French countryside.

There’s just enough biography of Henry Ford II (the Deuce) and Enzo Ferrari to understand the motivations of these two rivals, willing to stake their fortunes, their companies’ futures, and (all too often) their drivers’ lives on this grueling competition. The Deuce believed—correctly—that supremacy in the racing circuit would lead to sales of Ford cars. The components that had to be developed to survive the 24-hour race at Le Mans were testaments to product reliability as well as power, and many advances originally developed for racing vehicles—such as independent suspensions, high-performance tires, disc brakes, and push-button starters—have found their way into passenger cars.

For Enzo Ferrari, whose interest in consumer cars was always secondary to racing, the point was being the world’s best and proving it in the world’s most prestigious and dangerous sports car race, Le Mans. If you’re at all familiar with auto racing’s “golden age,” the big names are all here: Carroll Shelby, A. J. Foyt, Dan Gurney, Phil Hill, John Surtees, Ken Miles, Bruce McLaren, and an upstart kid from Nazareth, Pennsylvania, who took the pole position in the Indianapolis 500 the year I saw the race, Mario Andretti. To get an idea of the speeds they achieve, Baime noted that at top speed they complete the 100-yard distance of a football field in one second.

This was a fast, fun read that shifts between Dearborn, Shelby’s racing car development team working for Ford in Southern California, and Ferrari’s workshop in Maranello, Italy. For a Detroit girl like me, whose grandfather, father, and many uncles worked for the Ford Motor Company, it was a thrill a minute! But even for people who don’t get goosebumps when they hear those Formula One engines roar, Baime’s cinematic recreation of the classic Le Mans races of 1965, 66, and 67, with all their frustrations, excitement, and tragedy is a spectacular true story.

Times have changed, and these past battles have faded. But, hope is on the horizon. According to a 5/22/15 Jordan Golson story in Wired, new rules under consideration “could make Formula One exciting again.” Yea to that!

A movie of Go Like Hell, starring Brad Pitt and Tom Cruise, has been “in development” for some time. Meanwhile, there are two classics below.