It’s the season to squeeze in viewings of prospective Academy Award nominees. All four of these films and their cast members are in contention. Nominations to be announced January 22, and the awards ceremony will be February 24.
Word on the street is that this grim yet funny biopic, written and directed by Adam McKay (trailer), is slow. I didn’t find it so, absorbed as I was by McKay’s version of the dark mind and hollow soul of Dick Cheney, long-time Republican operative and George W. Bush’s vice-president.
Since everything is relative, we of short attention span might be tempted to look back on the Bush II Administration with some nostalgia, given . . . This movie is a bracing corrective to that impulse.
As Cheney, Christian Bale gets better and better as the film progresses and Cheney ages, from an irresponsible drunk to master puppeteer—“resilient, back-stabbing, front-stabbing, ruthlessly ambitious,” says Richard Roeper in the Chicago Sun-Times. Early on, we see the 9/11 scene in the White House situation room. (Our President, recall, was reading to a bunch of schoolchildren when that catastrophe unfolded.) While all the other national leaders sequestered in the White House basement are in shock, the narrator says, Cheney “saw an opportunity.”
He saw another one when approached by W (Golden Globe winner Sam Rockwell) to be his vice president. At first he demurs, but he recognizes that Bush is a blank slate. The guy hasn’t a clue. Cheney does. And the power-grab is on. Eventually, tasked with identifying a vice presidential candidate, he identifies himself.
Amy Adams revels in her role as Lynne Cheney/Lady Macbeth, and there’s even an apocryphal pillowtalk scene where she and Dick recite Shakespeare’s lines to each other.
As he did in The Big Short, McKay breaks the fourth wall to demonstrate what he’s suggesting with visuals puns and sly humor. If this film is slow, it’s slow like a steamroller, flattening everything and everyone in its path. Stay for the credits. There’s a bit more movie partway thru.
Rotten Tomatoes critics’ rating: 62%; audiences: 54%.
Director Felix Van Groeningen’s film recreation of the stories of David Sheff and his son Nic Sheff, and their family’s struggle against Nic’s drug addiction is tough to watch (trailer). But only if you’ve ever been the parent of a teenager or been a teenager yourself. There are times and circumstances when parental love becomes unbearable for them all. Although, like the relapses of addiction itself, the action occasionally becomes repetitive, Steve Carell as the frantic father and Timothée Chalamet as Nic are heartbreaking. Maura Tierny as Nic’s stepmom and Amy Ryan as his biological mother provide powerful performances too.
Rotten Tomatoes critics’ rating: 67%; audiences 77%.
An entertaining costume drama about three real-life women, directed by Yorgos Lanthimos and written by Deborah Davis and Tony McNamara (trailer). Poor Queen Anne (Olivia Colman) was truly a sad character in real life, plagued by ill health, and, despite 17 pregnancies, leaving no heir. Her reign was short (1702-1714), and she was a widow for half of it. Several strong women were her dueling confidants (Rachel Weisz and Emma Stone). Beautiful costumes, fantastic acting, especially by Colman. I wish the filmmaker had been drawn less to the rumors of lesbianism, which are discounted by many historians, and more to the politics of the time. It was in Queen Anne’s reign that Great Britain was formed, for example. Plus, the Worst Credits Ever.
Rotten Tomatoes critics’ rating: 94%; audiences: 61%.
Beautiful black and white photography in this highly praised autobiographical movie written and directed by Alfonso Cuarón (trailer). And compelling acting by the nonprofessional cast, particularly Yalitza Aparicio as Cleo, the put-upon maid of a four-child household in domestic turmoil. She keeps them together, literally and spiritually. I thought I’d read that she is unappreciated, but she isn’t or perhaps the filmmaker is atoning for a lapse in his own history. It’s pleasant and pretty but breaks no new ground—“quotidian and extraordinary at the same time,” said Gary M. Kramer in Salon.com. Now this one is slow.Rotten Tomatoes critics’ rating: 96%; audiences: 83%.
I like anything with a good, entertaining story. I couldn’t care less about somebody’s attempt to write revisionist history depicting a political figure he didn’t like, like Vice. Too often these movies play fast and loose with the facts. My personal favorite is Casablanca. When Bogey and Ingrid are on the tarmac and he urges her to get on the plane, even though he knows it means he’s losing her forever, because he knows it’s the right thing to do. “If you don’t, you’ll regret it,” he says. “Maybe not today, maybe not tomorrow, but soon. And for the rest of your life.” Dialogue like that comes along once in a generation. Today’s movies are all CGI effects and weak plot lines. Some of my other favorites are The Adventures of Robin Hood, the original version of The Magnificent Seven, the early Bond films, and any movie that tells a good story.
Classics all. I think my favorite of this past year was The Rider.
I wouldn’t be interested in seeing any of the ones you described, but then again this doesn’t surprise me. I long for the days when movies were entertaining and enjoyable to watch. Where have all the good movies gone? As the old folk song goes, They’ve gone to graveyards, every one.
What are some of your favorites?
Roma was interesting and absorbing but I wondered if the main character was acting or just being herself.