By Paolo Bacigalupi, narrated by Almarie Guerra – Recent news about the drought in the American Southwest reminds me to revisit this excellent 2015 thriller that pits governments against each other and new technology (interesting in itself) benefits some people more than others (go figure). Set in the not-too-distant future, Bacigalupi’s story uses real-life issues as a springboard, adds in toxic intergovernmental rivalries and a healthy dose of greed. It’s an exciting and thought-provoking tale.
In Bacigalupi’s Southwest, Nevada (specifically Las Vegas), Arizona, and California are battling over a dwindling water supply caused by climate change, population pressure, and brazen political brokering. The situation has escalated, with states declaring their sovereignty, closing their borders, and enforcing interstate transit rules with armed militias that shoot to kill. Zoners (Arizonans) have few ways to make a living, and those with weapons prey on the desperate poor. To have water is to be rich or, as the saying goes, “water flows toward money.” The wealthy have bought their way into “arcologies”—high-rise buildings with complex plant and aquatic ecosystems for recycling and recirculating virtually every drop.
In Las Vegas, the Cypress arcologies were built by Catherine Case, nicknamed the Queen of the Colorado River, and head of the Southern Nevada Water Authority. Las Vegas is to some extent thriving, because of her cunning and cutthroat tactics. But Phoenix is dying.
Angel Velasquez, one of the book’s three protagonists, is an ex-prison inmate—smart, ruthless, a “water knife” who works for Case, cutting other people’s water supplies. Lucy Monroe is a Phoenix-based Pulitzer-Prize winning journalist and social media star (#PhoenixDowntheTubes) who just might have a lead on some serious water rights, and Maria Villarosa is a highly disposable Texas refugee barely surviving in Phoenix and at the constant mercy of a brutal gang headed by “the Vet,” who throws enemies to his pack of hyenas.
Angel must visit Phoenix to investigate the mutilation death of one of Catherine Case’s undercover operatives, and the plot really starts to flow. He finds Phoenix swimming with Calis—Californians also working undercover to assure that state’s gluttonous water requirements are met, regardless what happens to everyone upriver. Before long, all the players are after the same thing—original water rights documents that would supersede everything on the books—and no one is sure who has them.
While the story is a critique of a policy environment in which local interests are allowed to supersede regional and federal goals, it never reads like a political tract. And, while quite a bit is imparted about the issue of water rights and reclamation strategies, it isn’t a legal or scientific tome, either. It’s a thriller about a compelling trio of people with different motivations, different places in the water aristocracy, and different strategies for coping. The drought, dust, and poverty that envelop Angel, Lucy, and Maria and their cities affect everyone who lives there. “Somehow they hadn’t been able to see something that was plain as day, coming straight at them.”
A lot of powerful straight journalism has been written recently about water rights, droughts, agricultural demand, and intergovernmental bickering about rights. This important novel makes the stakes eminently—and memorably—clear.
Almarie Guerra does a solid narration, putting just the right Latino topspin on the Mexican voices.