You might with justification believe that John le Carré’s death marked the end of sophisticated spy fiction. Three reasons to take heart.
First up, le Carré may be gone, but his work isn’t quite finished. While I enjoyed what at the time was termed his “last” espionage novel—Agent Running in the Field—the posthumously published, rather slender, novel Silverview is also worth a read. Both are expert at focusing your attention in one direction, while all along, the protagonist is engaged in a much bigger, much more complicated game. It’s that combination of spywork and grifter that I find so intriguing.
Over his career, le Carré had done such a convincing job of peopling the various sides in the Cold War and setting their minions against one another, that I for one wondered what he would write about after the breakup. I shouldn’t have worried. Not only were there many more books, but the Russian menace was apparently just on pause. Too bad he’s not still here to probe its current-day secrets. (You’ll recall that in The Russia House, set in the Gorbachev years, le Carré’s premise was that the Soviet military menace was not all it was cracked up to be. Fast-forward to 2022.)
Second, let me introduce you to a 21st century spy novelist who I believe is a potential heir to le Carré’s mantle as chronicler of the cynical, conflicted, mistake-prone and sometimes baffling and baffled espionage agent: author James Wolff. A member of the UK government for fifteen years, he writes under a pseudonym. His two books—2018’s Beside the Syrian Sea, and 2021’s How to Betray Your Country—are a different breed than the usual spy story, more complex, like the people he portrays.
In Wolff’s work, you have a strong sense that the context and actions of the characters are grounded in reality, as the agents are, too, flaws and all. As Wolff said in an interview with the Harrogate Festivals, “I don’t think that a book can be thrilling if the reader doesn’t believe that the characters are real.” No need to amp up the energy with over-the-top, implausible situations and confrontations. I’ve lost patience with authors struggling to pack in yet another far-fetched idea or action scene.
And third, finally, Apple TV has finally started showing its original production of Mick Herron’s Slow Horses, witty and quick-witted. As Apple describes it, the spy drama “follows a dysfunctional team of MI5 agents—and their obnoxious boss, the notorious Jackson Lamb (Gary Oldman)—as they navigate the espionage world’s smoke and mirrors to defend England from sinister forces.” And Mick Jagger singing the theme song! What more can you ask? There are eight novels and three novellas in Herron’s series, so, fingers crossed, there will be lots of good watching ahead.