The Understudy

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JD Taylor, Adam Green, The Understudy, Theresa Rebeck, Adam Immerwahr, McCarter Theatre

JD Taylor & Adam Green in The Understudy (photo: McCarter Theatre)

An exciting opening night at McCarter Theatre on Friday, with the audience anticipating Theresa Rebeck’s knowing backstage comedy, The Understudy, and area fans awaiting the directorial debut of up-and-coming Adam Immerwahr, McCarter’s Associate Artistic Director. Adam’s fine work has been on stage at Trenton’s Passage Theatre, but this was the Big Time, on the big McCarter main stage. He pulled it off beautifully, in a production whose complexity, pre-show gossip said, required three tech rehearsals.

The conceit of the play is that a new Franz Kafka play has been discovered and is being produced on Broadway with two Hollywood action stars in lead roles (shades of the first season of Slings and Arrows, the hilarious Canadian series). The play opens with a literal bang, when unemployed but high-minded actor Harry (Adam Green) rushes on stage for a rehearsal, as he’s been cast as the understudy to the lesser of the Hollywood lights. Harry’s opening monologue—interspersed with bits from the Kafka play—shows all his disdain (“OK, I’m bitter”) for the star, his acting ability, and the film vehicle he just appeared in, for which he was paid more than $2 million. Harry fixates on this impossibly large sum with a shimmering mix of envy and pop-culture loathing.

The stage manager Roxanne (Danielle Skraastad) is a woman Harry was once engaged to but ran out on two weeks before the wedding—the wedding dress “still hangs in my closet. Like a wound.” The third character, the pretty-boy and somewhat dim star, Jake (JD Taylor), valiantly tries to explain Kafka and the deep significance of this new play. The cast is strong, with Green (who played Figaro last year) having a genius comic touch. The humor in Skraastad’s lines is limited to sarcasm, which she wields expertly. Taylor, too, plays his deceptively complex role so that the audience goes from laughing at his selfies and sense of entitlement to appreciating his vulnerabilities. We never see the stoner manning the light, sound, and set cues, who gets every one of them wrong, creating constant onstage turmoil (and requiring those three rehearsals).

The name of the fake Kafka is “The Man Who Disappeared.” It applies to both of the male characters, and is the one fact about Harry that is never out of Roxanne’s main line of sight. Harry describes a casting call experience where an assistant tells him, “No one will see you, you don’t exist.” Very Kafka, and very apt for all of them at one point or another. What the play shows is how they can exist for each other, at least for a few moments. Rebeck’s intimate knowledge of the theatre and its dilemmas is absolutely convincing, but the problem of “being seen” and heard applies to creative artists in general, to people in general, to all of us who’ve had the dream of going to an important meeting and . . . you . . . just . . . can’t . . . get . . . there.

****Alice

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Alice Roosevelt Longworth, Stacy CorderyBy Stacy A. Cordery – Drawing on diaries and personal papers previously unavailable to biographers and scholars, this detailed portrait of Alice Roosevelt Longworth reveals a woman passionate in her opinions who kept herself in the middle of Washington’s political scene for eight decades. Although she’s known as a wit and for her legendary skewering of political figures, especially her disdain for the Hyde Park Roosevelts—Franklin for his politics and Eleanor for, well, being Eleanor—it was her ability to converse on any subject, her vivacious style, and her political acumen that made her parties the refuge of Washingtonians in and out of office. When the Kennedys invited Pablo Casals to the White House, they seated Alice next to him, and the two talked about his previous visit there, in 1904, when Teddy Roosevelt was President.

Alice was 16 when her family moved into the White House in 1901, following the assassination of William McKinley. The media and the public fell in love with this high-spirited teenager and soon dubbed her Princess Alice. When Teddy Roosevelt received complaints about her behavior, he said, “I can be President of the United States—or—I can attend to Alice. I cannot possibly do both.” Nevertheless, when she was only twenty-one he sent her as a goodwill ambassador on a four-month East Asia trip where she impressed the 75-person U.S. delegation as well as the leaders of the countries visited. It was a remarkable transition from teenage party girl to trusted political adviser, a shift made in large part to gain the elusive attention of her adored father.

Ultimately she was just too smart to for him to ignore. And from Teddy Roosevelt to Jimmy Carter, few Presidents did, even when they disagreed with her strongly held views. For Republicans, as Cordery says, she was “part court jester, part Machiavelli.” Not surprisingly, Richard Nixon found her “the most fascinating conversationalist of our time.” An autodidact, she read incessantly, could recite poetry by the yard, and could converse easily about history, science, philosophy, and first, last, and always, politics. She opposed the League of Nations and entry into World War II, yet socially she was liberal. The famous needlepoint pillow that read, “If you can’t say something good about someone, sit right here by me” shows she was good-humored about her jibes, and she did rip off some good one-liners. When told the nomination of Wendell Willkie as the Republican presidential candidate in 1940 came from the grassroots, she melded her quick wit and political savvy, saying, “Yes, from the grassroots of 10,000 country clubs.”

Unfortunately, the men in her life never achieved the high ambitions she had for them. Her father lost his 1912 presidential bid and died before he could make a comeback. Her brother Ted lost a close race for New York State governor, was appointed Governor of Puerto Rico and Governor-General of the Philippines, and died in France in World War II after heroic action on Utah Beach. Alice’s husband Nick was Speaker of the House, but further career advancement suffered from the combination of alcoholism and womanizing. And long-time lover Idaho Senator William Borah (father of Alice’s only child) repeatedly missed opportunities for national leadership through a stubbornness of personality. As Janet Maslin in her New York Times review put it, “However fraught her relationships with men may have been, politics remained her first love.”

Alice Roosevelt Longworth died in 1980 at age 96.

Cordery chairs the history department at Monmouth College in Illinois and obtained access to the remarkable cache of personal documents that informed this biography through Alice’s granddaughter, with whom Alice had an unusually close relationship. This biography would appeal to anyone interested in 20th century U.S. political history or feisty women!

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**** The Golden Hour

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Todd Moss, diplomacy, thriller,The Golden HourBy Todd Moss (sounds like a nom de plume, doesn’t it?). Read by Peter Marek. This was the best, most realistic (to me!) political thriller I’ve read in recent months. For a first-time novel, impressive. I bought it after reading this Washington Post profile of Washington insider Moss. The book tells the story of an Amherst academic, Judd Ryker, who develops a theory that the period for action after a military coup is limited—just a few days—otherwise the usurpers will be too entrenched and it will be impossible to easily get rid of them and reestablish the (presumably) more legitimate government. He calls this period “the golden hour,” taking the name from emergency medicine and the limited period after a massive traumatic injury in which medical treatment is most likely to avoid death. Ryker is recruited by the State Department to test his theory in real life and promptly ignored.

The book is not only about a newbie in the shark tank of seasoned diplomats, a coup in Mali, the kidnapping of a powerful Senator’s daughter, and U.S. security imperatives, but also about finding out whom you can trust. I liked that the main character isn’t an armed-to-the-teeth master of 20 forms of martial arts. He’s just a guy, a very smart guy, using his wits. He doesn’t meet up with a woman character as a flimsy excuse for the author to write a couple of steamy sex scenes. He doesn’t make decisions that had me silently screaming, “Why are you DOING that?” He doesn’t fall predictably off the wagon–a dead giveaway that things are going to go very wrong. Instead, he goes quietly about his business, calls his wife, checks on his kids at the beach, and learns who his friends really are. When he makes one most fateful decision, you understand he makes it based on his principles, not the external exigencies of the author’s plot.

Thriller writer John Sandford called it “A tough, realistic, well-written tale of American diplomats scrambling to reverse an African coup amidst intense turf battles – State, Defense, White House, Congress, and CIA – and ever-shifting facts on the ground. Moss is an insider who knows how these things are really done – and how thin the line is between triumph and disaster.”

The narration may make Judd sound a drop more tentative than necessary, but Marek’s portrayal of the African characters and military were beautiful. Awesome first book by Todd Moss. First of a series.

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* The Highway

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By C.J. Box – I met this popular and award-winning thriller author at a conference two years ago, and he was so highly praised there, I figured I was missing something by CJ Box, The Highwaynot having read any of his books. I still am. Box, a Wyoming native, sets his books in the West, with his series character, Joe Pickett, a Wyoming game warden. This book (a gift) isn’t part of that series, and it was a real disappointment. The book is told through the eyes of several of the characters, including long-haul trucker Ronald Pergram, who calls himself the Lizard King, for his well developed schemes for trapping, torturing, and murdering “lot lizards,” the prostitutes who prowl the parking areas of the big Interstate truck stops—and any other women he comes across when the need to “go hunting” overtakes him.

Being inside the head of this character and privy to his disturbed (and not very original) thoughts is some especially sordid category of TMI. It’s a relief when Box switches to the point of view of the women in the story. We follow Cassie Dewell, a new Investigator for the Lewis and Clark County (Montana) Sheriff’s Department. Inexperienced and unsure of herself, she ends up alone on the trail of disappeared teen sisters—disappeared, as the reader knows, by Pergram. And parts of the story are told from the perspective of the younger of the sisters, sixteen-year-old Gracie Sullivan. Box handles girl teen-speak rather well, and the girls seem plausible enough, as is Cassie.

The book doesn’t lack for tension. During the early scenes in which Pergram is chasing down the girls’ little red car in his 80,000-pound Peterbilt (teach your daughters to pay attention to the “check engine” light!), I wasn’t sure I could keep reading. A number of Amazon readers’ comments show mine was a common reaction: “I almost took an early exit from ‘The Highway.’” “I hope that ‘The Highway’ was just the result of [Box] taking a wrong turn on a bad day.” “I love the Pickett series, but I just couldn’t stomach this one.” I may have to try again.

The West is a great place to live in, but Ronald Pergram’s head is not.

The Economist Parses Publishing

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Papyrus

(photo: wikimedia.org)

So much has been written about the various pieces of the book publishing dilemma lately it was delightful to be pointed to this article from The Economist that assembles the whole juicy pie. If this is all you read about this topic, you’ll understand more than most people.

The title of the essay—“From Papyrus to Pixels”—suggests the editors stance. The conveyance of written information has evolved from the earliest days of this form of communication and continues to do so. Still, “the digital transition may well change the way books are written, sold and read more than any (other) development in their history, and that will not be to everyone’s advantage,” the authors say.

Industry players caught in the last paradigm, notably independent booksellers, have been seen the changes reduce their financial viability, as did the papyrus manufacturers of Ancient Egypt. Meanwhile the large publishing houses still mostly see increasing profit margins, despite Amazon’s fierce competition. About this massive e-tailer, The Economist quotes English novelist, Anthony Horowitz: “They really are evil bastards. I loathe them. I fear them. And I use them all the time because they’re wonderful.”

Moreover, despite all hand-wringing to the contrary, books themselves, as a technology “developed and used for the refinement and advancement of thought,” continue to thrive.

Naturally, this being a story about the economics of the industry, with many nifty charts (be sure to view the projected timeline of the rise of ebooks internationally), it gives only passing attention to the plight of individual authors, caught between downward pressure on ebook prices and conventional publishers’ obsession with blockbusters. The Economist quotes one industry analyst who suggests that while consumers may have more books available to them, fewer people may be able to make a living as full-time writers or publishers.

In addition to lots of juicy databites and useful, even-handed perspective, the article gives you a chance to test Spritz—a new small-screen application that smoothly displays one word at a time, at the pace you set. It’s way faster than regular reading because your eyes stay in one place, not having to wander across and down the page. And, potentially, glancing off the page entirely and out the window or over to the refrigerator. Spritz’s “most immediate application is to allow longish text to be read on smallish screens,” The Economist says, “such as those of watches.” Just as you bonded so completely with your iPad.

Talk about an Income Gap!

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Hudson News, airport news stand

(photo: wikimedia.org)

Let’s call a temporary moratorium on grousing about how little money most aspiring book authors make—90 percent make absolutely $0—and peep through the keyhole at how the rich fare. Forbes last month published a list of the world’s top-earning authors and it includes some newcomers who demonstrate the appeal of “young adult” lit for people of all ages. Maybe this shouldn’t be a surprise since American adults, on average, read at the 8th grade level.

We all know that royalty checks arrive by the cartload to James Patterson—presumably shared generously with the humming hive of workerbees who help him produce 14 books a year—and brought in the top figure, around $90 million last year, June to June. In a laggardly second place is Dan Brown, with $28 million.

Three women writers complete the top-earning five: Nora Roberts ($23 million), Danielle Steel ($22 million) and Janet Evanovich ($20 million). Suzanne Collins, who hit it big with The Hunger Games, had to be satisfied with a measly $16 million. Speaking of falls-from-financial-grace, I’ll be a snob and confess my delight that E.L. James’s Fifty Shades of Grey scam netted her only $10 million last year, precipitously down from the $95 million of the previous year.

She was beaten out by young adult author Veronica Roth, a recently young adult herself at age 26, who earned around $17 million from print and ebook sales of the Divergent series over the past year—not counting income from the film adaptation. John Green, author of The Fault in Our Stars, received some $9 million from U.S. book sales, plus more from last summer’s movie. He ties for 12th place with Gillian Flynn, author of Gone Girl (a review of that movie posted here Oct 6).

J.K. Rowling had $14 million in earnings, putting her in 8th place. Others in the double-digit list are John Grisham, tied with Stephen King at $17 million, George R. R. Martin ($12 million), David Baldacci ($11 million), and Rick Riordan ($10 million).

OK, enough wallowing in piles of filthy lucre. Back to reality.

****Standing in Another Man’s Grave

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Ian Rankin, Standing in Another Man's Grave, mystery novel, John RebusBy Ian Rankin (read By James Macpherson) – Working my way through the mystery and thriller-writers’ “best of” lists for 2013, I found myself once again in the thrall of Edinburgh detective John Rebus. In this book he is retired and languishing as a civilian in the soon-to-be-dismantled Cold Cases unit but emerges into the light of day when the disappearances of two young women suggest a connection with one of his dusty files. Then we’re hurtle pell-mell into fine-honed police procedural territory. Rebus is one of those complex, cynical characters you never tire of, and Rankin’s story is a good one.

I was tempted to pair this review with that of C.J. Box’s The Highway (reviewed 9/29), partly because of superficial plot similarities, but mostly because of the profoundly different reader experiences they evoke. Both are about a serial killer of women, hiding in a small town where he’s known and the frantic effort to find him just in case his most recent victim is still alive. The similarity stops there. Now I know why agents and publishers tell authors not to send them manuscripts written from the evil protagonist’s point of view. The Highway put me off entirely.

Rebus scolds himself (ineffectually) for his bad behavior, and his long-time partner Siobhan Clarke despairs. “He’s not a team player—never was, never will be,” said New York Times reviewer Marilyn Stasio, and naturally that puts him perpetually on very thin ice in the police department and is an endless source of reader enjoyment as he skates circles around the plodding conformists. It will be interesting to see how Rankin triple Axels his way into cases henceforth. Also, Macpherson’s reading is super!

A number of Rebus novels have been turned into UK television programs. The ones featuring Ken Stott as Rebus are considered the best and the only ones I’ve seen. Also entertaining.

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Gone Girl: The Movie

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Gone Girl, Gillian Flynn, Ben Affleck, Rosamund Pike(No spoilers!) I was so up for the Gone Girl movie (trailer) because the book was one of my “Best Reads of 2013.” The movie could have disappointed in so many ways, and it did not. According to the credits book author Gillian Flynn wrote the screenplay–here’s what she says about that–and in the few places the movie departed from the printed page, it didn’t make a big difference.

The acting throughout is terrific. Ben Affleck, is a natural playing everyman Nick Dunne caught in snares of lies. Rosamund Pike (An Education), amazing as Amazing Amy. In a radio interview director David Fincher said that after watching clips of so many actresses over the years, he can get a read on them and their acting tricks pretty quickly, but when he saw Pike’s clips, he couldn’t “read” her. It made him think she’d be perfect for the Gone Girl, and he was right.

Also liked Tyler Perry as defense lawyer Tanner Bolt and Kim Dickens (Treme’s chef Janette Desautel) as Detective Rhonda Boney. (By the way, do you know your spouse’s blood type?) Everybody’s manipulating someone, except maybe Nick’s sister Margo (Carrie Coon). The omnipresent TV talk show hosts commenting in the background are too realistically sleazy to be all that entertaining. The movie website is as Fox News might have produced it.

If you like a suspenseful story, you’ll like the twists and turns of this one. If you haven’t read the book, there’ll be more surprises, but even if you have, it’s an exciting tale. There remains a weak spot at the very end, but there’s so much else that’s laudatory, it’s easy to forgive. Rotten Tomatoes critics rating: 87%; audience score 92%. A lot of the reviewers, while giving it a pat on the back with one hand seem to want to stab it in the back with the other. They give, but then they take away. Puzzling.

Human Trafficking: An Everywhere Story

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10/23 UPDATE: Hidden in Plain Sight, a new study released 10/21 by the Urban Institute and Northeastern University evaluates for the first time the comprehensive state of labor trafficking in the United States. Just one fact from the study shows how little most people understand about this problem. How do these trafficked people come to the United States? Most of us might guess they walk through the desert bordering Arizona and New Mexico. That’s wrong. Some 71 percent of them arrive by airplane. The study’s grim conclusion: “There’s a long way to go when it comes to thinking about how to prevent 21st-century slavery within American borders.”

Original Post:

city street, night, noir

(photo: farm3.staticflickr.com)

Once Governor Rick Snyder signs a series of new bills sent him last week by the Michigan legislature, minors involved in prostitution will be treated as victims instead of criminals, and children will be able to clear their records of crimes their traffickers forced them to commit. Amazingly, such laws are not universal in the United States, according to Rachel Lloyd, who created the New York-based Girls Educational and Mentoring Services (GEMS) to help girls and young women experiencing commercial sexual exploitation or domestic trafficking.

The message of a current exhibit at Mount Mercy University in Cedar Rapids, Iowa, uses quotes and photos to tell the story of four people, three from the local area, to show that “human trafficking is a local problem, and there are things people can do in Eastern Iowa to fight it,” says exhibit organizer Mindy Pfab. She wants people to realize that even if they don’t know someone who is being trafficked, they may well know someone who is vulnerable—runaways and other children with unstable home lives, minority and low-income children, those with a history of sexual abuse, and young women involved with gang members—bearing in mind that the average age when a person is trafficked is 12.

A forum last Thursday in Lima, Ohio, focused on human trafficking in its annual Take Back the Night event at the Ohio State University-Lima campus. As the keynote speaker from the state Attorney General’s Office said, we will not “arrest our way out of” this problem. Reasons other simplistic solutions don’t work, including “why don’t they just leave?” arguments, are explored in Rachel Lloyd’s TEDxUChicago talk. Escape isn’t so easy. A little more than 12 years ago, Elizabeth Smart was kidnapped at knifepoint from her bedroom and found nine months later in a Utah town only 18 miles from her Salt Lake City home. As an articulate advocate for abused children, Smart provides compelling testimony (here in a New Yorker article by Margaret Talbot) about why the determination to survive sometimes means staying put.

It Happens Here

night walk

(photo: freeaussiestock.com)

I focused on these current stories from the American heartland to emphasize that no part of our country is immune from this problem. In the United States, several hundred thousand people—many of them children and teens—are sexually exploited and engaged in forced labor. This number includes both boys and girls, pre-teens, teens, and adults, native-born Americans, people smuggled in from other countries, and foreigners here legally. Journalist Faricour Hemani explores the range of countries and types of trafficking in a TEDx SugarLand talk that includes excerpts from situations uncovered in a 6-part BBC series.

Readers who work in the health care industry may be interested in a 10-minute Catholic Health Initiatives educational video introducing the topic of human trafficking (definitely safe for work). My friend Colleen Scanlon opens the video, which recognizes that many trafficked or sexually exploited individuals come into contact with the health care system, making it a potential point of intervention. Because these young people are living on the margins, solutions also must include economic empowerment, not just for current victims, but for preventing future victimization.

It Happens to Individuals

Prompted by Colleen’s video, I collected resources for this post, and they represent a sea of powerful individual stories, each one unique—stories of cruelty and resilience, tragedy and escape. These are real-life stories in numbers we don’t like to think about. Not just somewhere else. Here. And they are stories that need to be told until laws, such as Michigan’s change and society refocuses on prevention. Swedish crime writer Henning Mankell, shocked by the reality of human trafficking in his own country, took up the challenge in The Shadow Girls, reviewed here in 2013. There’s no bottom line to this, except for the greater need to be aware and beware. In Michigan, in Cedar Rapids, in Lima, Ohio, where you are.

Resources

Huffington Post’s “10 Things You Didn’t Know about Slavery and Human Trafficking and What You Can Do about It” – pleased to see New Jersey has some of country’s best anti-trafficking laws!

The Polaris Project – named after the North Star that guided slaves to freedom in the U.S.

GEMS – Girls Educational and Mentoring Services

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A Reading Future: 5 Under 35

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5 under 35, National Book Awards, Redeployment, Panic in a SuitcaseHere’s another item to add to the long list of not-happening life events—after riding in a helicopter and becoming a triathlete—being a National Book Foundation’s 5 under 35 honoree. The books of this year’s selection of five distinguished young writers are an exciting foretaste of our reading futures. The honorees, selected by past National Book Award winners and finalists, are:

  • Yelena Akhtioskaya, Panic in a Suitcase, two decades in the life of a Russian immigrant family in Brighton Beach, Brooklyn
  • Alex Gilvarry, From the Memoirs of a Non-Enemy Combatant, a young Filipino immigrant steeped in New York’s fashion world finds himself accused of participation in a terrorist plot
  • Phil Klay, Redeployment, a novel of the wars of Afghanistan and Iraq still being waged in the minds of our returning soldiers
  • Valeria Luiselli, Faces in the Crowd, three narrators’ overlapping stories of love and loss
  • Kirsetn Valdez Quade, Night at the Fiestas, intense and darkly humorous stories that cover the range of human desires “to escape the past and to plumb its depths”

Reading them can definitely go on my list of happening things.