Writing with Friends

Room at the Table, Writing, WritersFor some time I’ve felt the many rewards of having a close group of friends in our writing group, which after almost a decade we’ve finally given a name: Room at the Table. The irony is, there isn’t any more room at my dining table, where we meet, because we’ve gradually grown to about 13, though only 10 or 11 of us make each monthly meeting. The group is about equally divided between men and women, all of us “over 35,” many of us also participants in Lauren B. Davis’s estimable “Sharpening the Quill” writing workshops.

Some members say they come for the snacks, but they all come with carefully reviewed submissions by others, and we spend the next two hours discussing each others’ work. We provide enthusiasm, help people get unstuck, ask the occasional big question (Where Is This Going?) and generously share our ideas and grammatical obsessions. Occasionally, we do an exercise from John Gardner’s The Art of Fiction, and one such, which involved imagining the characters of a ghost story, created such enthusiasm among the three of us (at the time) that we all wrote the story, and were all published.

I’ve heard of critique groups that like to eviscerate the author. That isn’t us. This week we tried something new. Five of us did a reading of our fiction at the local library and, unbelievably, 35 people came. They applauded the stories they heard, which were quite good. They had snacks, another area of expertise. They stayed to chat. Big success. Very proud.

We Need a Word for That!

owl, wordbirds, Liesl SchillingerCharming description of Liesl Schillinger’s book Wordbirds: An Irreverent Lexicon for the 21st Century in the New York Times this week, illustrated by Elizabeth Zechel. When confronted by some mind-freezing dilemma, did you ever say, “there oughtta be a word for that?” Well, maybe there is, in her collection of 200. Her tumblr blog is updated weekly, too.Some of her favorites are collected in the book.

Here are a couple of gems with Schillinger’s definitions:

  • Icyclist: a person who bikes in the dead of winter
  • Occuplaytion: the fanciful jobs invented for heroines of Hollywood romantic comedies
  • Nagivator: a person constantly giving directions to the car’s driver
  • Cancellelation: the joy you feel when you cancel something you didn’t want to do in the first place

 

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29 Ways to Boost Your Creativity

coffee, creativity

(photo: farm3.staticflickr.com)

My blog readers liked the infographic on becoming more productive. Well, before you get all Type A on us, kick back and enjoy this short video on increasing creativity. No problem for me with #8 – COFFEE!  And #11 is easy, too: Surround yourself with creative people.  That’s why you’re reading this, right? You’re one of them for me. This is a great reminder to nurture your creative spirit, wherever it appears—in art, writing, photography, social change—whatever!  You CAN do it.

The key to creativity, I think, is not to try to do all 29 at once—that’s a recipe for disappointment. Watch the video and do one or two. Get some good habits going. Then in a month or two, watch again, and do one or two more. It will get easier. Me? I plan to start by straightening up my office, the floor of which is only rumored to exist.

 

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Tim’s Vermeer

The Music Lesson, Johannes Vermeer, camera obscura, optics, Tim's Vermeer, Tim Jenison

Watching the meticulous recreation of Vermeer’s painting, “The Music Lesson,” by inventor Tim Jenison practically gave me hand-cramps. And the result? I urge you to watch this documentary (trailer) produced  by Penn Gillette, Tim’s friend, and see for yourself. The saga started when Tim read how optics technology—lenses and the camera obscura—may have been used in producing some of the great works of 17th century art.

As an inventor, not an artist, Tim attempts to replicate such a method and comes up with, or rediscovers, inventions of his own. In the film, he interviews British artist David Hockney and architect Philip Steadman who believe optics help explain Vermeer’s genius, but warn Jenison the art historians and critics don’t want to hear it. Tim even persuades Buckingham Palace officials to let him see the original painting.

Fascinating character, process, and insights. You’ll go away appreciating the “fathomable genius” of Vermeer more than ever, guaranteed. Great links here.

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