The Shape of Water
The acting alone is a good reason to see writer-director Guillermo del Toro’s romantic fantasy (trailer), written with Vanessa Taylor, although the origins of the story are now in dispute. The film received 13 Academy Award nominations, the most for any 2017 movie, including best picture, writing, directing, best actress, best supporting actor and actress (Jenkins and Spencer), cinematography, and costumes.
Elisa Esposito (played by Sally Hawkins, who was terrific last year in Maudie) plays a mute young woman who, with her friend Zelda (Octavia Spencer), is a cleaner at a sketchy 1960s military research facility. The researchers bring in a merman-like creature (the unrecognizable Doug Jones) found in the Amazon, whom they mistreat, believing him violent, but whom Elisa befriends. If you’ve seen the previews, you get the idea.
Playing the heavy is a furious Michael Shannon, Elisa’s neighbor and friend is Richard Jenkins, and a scientist more interested in saving the “monster” than killing him is Michael Stuhlbarg. All three are super!
Even if you aren’t a fantasy fan, there’s lots of drama and a warm core to this film you may enjoy. I did. As “an enchanting reimagining of ‘Beauty and the Beast,’ it is an unforgettably romantic, utterly sublime, dazzling phantasmagoria,” said Colin Covert, reviewer for the Minneapolis Star Tribune.
Rotten Tomatoes critics’ rating: 92%; audiences, 78%.
The Greatest Showman
By contrast, this movie musical of the P.T. Barnum story (trailer) directed by Michael Gracey disappointed, especially because the songs were by Benj Pasek and Justin Paul (fellow U-Mich grads!) who wrote lyrics for La La Land and music and lyrics for the Tony-winning Broadway hit, Dear Evan Hansen.
Talented Hugh Jackman (as Barnum) sells it, but there’s little “it” there. He apparently wanted to do Barnum’s story for some time, but couldn’t get backing. Although the film received three Golden Globe nominations (best musical or comedy, best actor in a musical or comedy for Jackman) and won for best song (Pasek and Paul), Oscar took a pass.
You may enjoy the movie’s spectacle aspects, but it will require you to pause your brain. Plot holes make it hard to stay interested in the story, which is in part Barnum’s highly fictionalized career and in part the love story between him and his wife (nicely played by Michelle Williams).
OK, it’s a musical, so it’s the musical numbers that should shine. The pop-music songs were just bearable until Barnum met The Swedish Nightingale, Jenny Lind (Rebecca Ferguson). She has an eye-roller of a pop number (lip-synced, by the way; the real singer is Loren Allred), so contrary to how an internationally famous singer in 1850 would have sounded that the artifice of the whole production collapses under its own absurdity. As San Francisco Chronicle reviewer Mick LaSalle wrote, “It’s an awful mess, but it’s flashy,” calling it “The perfect realization of a really bad idea.”
Rotten Tomatoes critics rating: 55%; audiences: 89%.