ICYMI: American Folk Art Museum

American Folk Art MuseumThe free American Folk Art Museum at 2 Lincoln Square, shares its modestly sized space with the Manhattan temple of the Church of Latter Day Saints, across from Lincoln Center on Columbus Avenue at 66th Street. This location is one of the Museum’s two outposts. The other, in Long Island City, displays items from the permanent collection, whereas the Manhattan space has  rotating exhibitions.

When we visited recently, the exhibit was a fascinating display of “self-taught” art, along with the artists’ written commentaries about their work. Twenty-one artists from the United States and numerous other countries are represented, and the exhibition will be on display until May 27.

What the works have in common, over space and time, is the intensity and focus of the artistic vision applied. Many of the artists struggled with mental illness and art may have been a way of coping with and an expression of their challenges. Collectively, the exhibition catalog says, the artists through both their works and what they say about them demonstrate the “idiosyncratic structure of their lifelong, intricate, and nonlinear narratives.”

The first set of pencil drawings we examined, by artist James Edward Deeds, Jr. (1908-1987), was mounted so you could see both sides of the paper on which his drawings of steamboats, horse-drawn carts, and circus wagons were created. The paper on which they were created was unused forms from the state mental institution where he lived for 37 years. A few years after Deeds’s death, a curious teenager rescued the artist’s 283 drawings from the trash.

I was drawn to a display of more than a hundred 8 x 10-inch topographical drawings and paintings fitted together like a map—“Journey to Another Dimension” (photo below)—by Michigan artist Jerry Gretzinger, The full set of almost 3500 of these panels could cover the floor of a basketball court and has been shown in its entirety only once (on the floor of the Massachusetts Museum of Contemporary Art). A fascinating video shows Gretzinger talking about his elaborate, random process for revising individual panels, which allows for organic change in the set.

There’s a group of 80-year-old drawings of children by Henry Darger (one is featured on the Museum website) that at first look playful until you read the captions; Spanish artist Josep Baqué’s fantastical creatures; and a pattern on paper that looks like dots. The museum conveniently offers a powerful magnifying glass to let you see the dots are very, very teensy words.

It’s fair to say that all the works were intriguing, some even startling, but perhaps not as much as the inspired minds behind them. I hope to go back regularly to see what this museum is up to! A fantastic gift shop, BTW.

Gretzinger Map

photo: Nicholas Helmholdt

Sedona Area’s Astonishing Copper Museum

Shell Casing Art, Copper Art Museum

Shell Casing Art, photo: Vicki Weisfeld

The tiny town of Clarkdale, Arizona, midway between Cottonwood and Jerome, in the outskirts of the much-visited Sedona region, hosts the not-to-be-missed Copper Art Museum. One of the first metals humans discovered—it and gold are the only ones that have a “color”—copper has been mined and worked for ten thousand years. Clarkdale was a company town for copper mining in the nearby mountains.

Through imaginative displays in the town’s former high school (built 1928), visitors see much more than art, they get a taste of mineralogy, astronomy, and history, plus the beautiful and varied ways copper has been put to use in architectural decoration, kitchens, winemaking, and war. Who knew?

On display are 525 brass (copper + zinc) artillery shell casings that World War I soldiers scavenged and transformed into one-of-a-kind artworks, startlingly intricate molds inspiring lavish desserts, religious works and paintings on copper, a wall of beer steins.

The extent of the collection suggests a seriousness of purpose, yet the curators have a light touch. They include yearbook pages from the high school, binding the current use of the building to its past. They include amusing and interesting “fast facts,” such as details about various copper-related crimes. They explain why copper is the desired material for certain medical uses, doorknobs, and in jewelry. And they provide a straight-faced set of definitions for carrot, caret, carat, and karat, for the confused. You make your way through the museum following copper footprints embedded in the floor.

There’s something fascinating and beautiful for everyone here!

Crime novels set in and around Arizona:

The Sinister Pig – A disused Mexican copper mine figures in this Tony Hillerman classic
The Blue Hammer – Ross MacDonald’s Lew Archer and a leggy blonde in the desert
Rage Against the Dying – female protagonist takes on a serial killer in Becky Masterman’s exciting debut

Or pick your own mayhem at Scottsdale’s fantastic Poisoned Pen Bookstore, 4014 N. Goldwater Boulevard. Floor-to-ceiling mysteries, thrillers, and crime and 300 author events a year!