****All The Light We Cannot See

Anthony DoerrBy Anthony Doerr. (Read by Zach Appelman.) A sweet and satisfying story of Marie-Laure LeBlanc, a French girl blind from childhood, and an orphaned German boy, Werner Pfennig, who is a genius with radios, and how their paths intersect in the desperate, waning days of World War II. Marie-Laure’s father—keeper of the keys at Paris’s Museum of Natural History—builds her a perfect model of their neighborhood, first in Paris, then in the walled city of Saint-Malo, where they flee to live with his uncle when the Nazis invade. By studying these replicas, she learns how to navigate her world.

The Saint-Malo model hides a secret, an invaluable diamond, a diamond with a peculiar light in its center, entrusted to her father for safekeeping, but a Nazi loot-hunter is on the trail. The difficulty of surviving for these two extremely perceptive prodigies, is tensely portrayed, and the light and lack of it in their worlds takes different forms, both literal and symbolic. While the circumstances of war are familiar—especially World War II in Europe—the particular reactions of these main characters are “surprisingly fresh and enveloping,” says Janet Maslin in the New York Times.

I’m not a fan of final chapter postscripts that let you know what happened to characters and their families in later years, feeling that better left to the reader’s devising, based on a book’s-worth of clues and insights. And, while I usually bow down in praise of the skills of audiobook narrators, this one was oddly off-hand, floaty and lacking in necessary heft.

****Mystery Girl

Los Angeles, Hollywood

(photo source: farm9.staticflickr.com)

By David GordonThis book
was a gift, so I knew nothing about it when I opened its pages and fell in love with its surprises. Funny, complicated, well-drawn characters—B-movie cinephiles—living on the tattered fringes of Hollywood. “Some things are inexplicable. The human heart is one. Los Angeles is another,” said the New York Post review. The story involves failed experimental novelist, abandoned husband, and tyro-detective Sam Kornberg’s search for Mona Naught, a woman of elusive identity and tenuous reality.

The first-person narrator’s voice, occasionally uncertain, is consistently insightful and entertaining. Here’s a description of a cemetery in Mexico: “a city of tiny palaces that the good citizens had constructed to house their souls, like elaborate birdcages or the dollhouses of spoiled girls, far more splendid than their own mortal homes. After all, we are alive a short while, dead forever.” That last tiny zinger is what makes it.

Or this unpromising exchange with the Korean housekeeper of his prospective employer, when she answered his knock:

“Warren?” she asked. “No, I’m not Warren. I’m Samuel. Sam really. Sam Kornberg.”

            “You show warrant?”

            “Oh, warrant,” I said. “I thought you said Warren. No, no warrant. I still don’t know what you mean.” . . .

“Norman?”

“No, not Norman either. I’m Sam.”

“No.” She spoke slowly, for my benefit, as if explaining a simple fact. “You are Mormon.”

“A Mormon? No, I’m not a Mormon. Sorry. Jewish, I’m afraid.”

Occasionally, the narration is interrupted by other narrators, with their critical observations about Sam and his shortcomings, which put his actions in a new light. Author Gordon, in a recent New York Times blog, describes writing as a “risky, humiliating endeavor.” No surprise, maybe that about his writing, the fictional Sam is skewering: “I myself could no longer stand to read these sorts of novels, the kind I couldn’t seem to stop writing . . . It seemed I had dedicated my life to a question whose point even I had forgotten along the way.” His detecting assignment from Solar Lonsky helped him find it again.

*** The Director

Robin Hood

“Robin Hood’s Band Made Merry by Killing the King’s Deer” (photo: c1.staticflickr.com)

By David Ignatius (narrated by George Guidall). This thriller is set in the bowels of the nation’s national security apparatus, at the time a new CIA director is appointed who is not a Beltway insider, but plucked from the corporate world. The new director, Graham Weber, is pitted against the puppeteers of competing security agencies and (this is not a spoiler) a computer wizard inside the Agency who has gone rogue, James Morris.

How much readers like the book seems to depend on how excited they were by the electronic shenanigans of Morris, though there didn’t seem to be a lot new there—not for readers of Wired, anyway. Still, while Morris and his network were entertaining, the old-school-tie boys on Weber’s other flank were palpably less convincing. The women in the story fell into their respective stereotypes. A flimsy seduction scene is best ignored.

But the bigger problem—and where this book diverges from the best writing of, say, Neal Stephenson—is that, while it has the geeky stuff down, it has no social science sense. “Rob from the banks of the rich countries and give to the poor ones?” Really? Which poor countries would that be? Zimbabwe? North Korea? Myanmar? Uganda? Many of the world’s poorest countries stay that way because the leadership class steals everything they can get their hands on. Sending them “free” cash makes no sense. I didn’t want to read a lecture on political science and economics, but needed some acknowledgement that such sophisticated technologists thought deeper than a Robin Hood fantasy. Unfortunately, this gap undercuts their whole motivation for the crime.

If you can ignore that problem, and if you, like me, worry about our growing electronic vulnerabilities, you may like this book! And, you’ll notice the similarities in supposed high-mindedness between Morris and real-life cyber-spy Ed Snowden.

***The Cobweb

spider, cobweb

(photo: pixabay.com)

By Neal Stephenson and J. Frederick George (narrated by Marc Vietor)–As a huge Neal Stephenson fan, I was delighted to see this political thriller—co-written with J. Frederick George—in a special Audible 2-for-1 sale. Unfortunately, it lacked the very aspects of Stephenson’s other works that I enjoy most—complexity, humor (ok, there was a bit), challenging ideas, although there was some effective skewering of government bureaucracy.

J. Frederick George is the pen name of historian George Jewsbury, a Russia specialist—whose special expertise is little-used in this tale about the first Gulf War—who is also Stephenson’s uncle. This book was originally published under another pen name for the two of them, Stephen Bury. That’s not quite the most complicated aspect of the plot.

The story takes place in Iowa and Washington, D.C., and the title refers to how people in the nation’s intelligence agencies can protect themselves by keeping anyone who might disturb their world so smothered in procedure and paperwork and investigative committees that they lose their ability to actually accomplish anything. Ample evidence since the book’s publication (1996, reissued in 2005) demonstrates how the different pieces of the nation’s security apparatus have worked at cross-purposes and always to their own presumed advantage and protection. Amazon reviewers familiar with Stephenson’s other work gave it lower ratings (“Neal Stephenson lite,” one said), but overall, four stars.

*****Down by the River

drugs, El Paso, Rio Grande, narcotraficantes, DEA, Border Patrol, Mexico, Texas

U.S. Border Patrol agents on the Rio Grande (photo: c1.staticflickr)

By Charles Bowden. Investigative reporter Bowden has produced a number of excellent nonfiction books, and this 2002 book about the porous U.S.-Mexico border between El Paso and Ciudad Juarez and the heavy traffic in drugs and violence spanning the Rio Grande there–was highly regarded from the start. Since it’s a dozen years old, as I read, I couldn’t help hoping the situation has improved. Ample recent evidence here, here, and here, suggests it has not, and ongoing drug-related violence throughout the Central American region is a principal reason its children are fleeing here.

The rivalry, lack of cooperation, and mutual undermining of DEA, FBI, and CIA agents in their interactions with the corrupt Mexican hierarchy clouded any comprehensive understanding of the problem and precluded any effective action. When one of these government agencies would get the goods on a bad guy, another would put on the brakes, maybe because the man was one of their thousands of snitches–an always shaky investigational strategy, as any TV watcher knows–or maybe for some other reason. The Mexican drug lords outflanked the clueless American agents at every turn, playing one against the other.

Bowden had no idea it would take eight years to sieve the truth from the slurry of lies and to assemble the fragments of this accounting from hints, scattered news reports, reportorial digging, and conversations with people afraid to talk. He doesn’t discuss the risks to himself, but they had to be industrial grade. He frames the whole convoluted, vague, and hopelessly tangled mess with the story of the death of one 26-year-old El Paso man, Bruno Jordan. Jordan’s family lives close to a border bridge, dangerous Ciudad Juarez crowded up to the Rio Grande’s opposite bank. Jordan was shot down in a K-Mart parking lot in what the police claimed was a car-jacking by a 13-year-old boy, and what his family believes was a hit. Bruno had nothing to do with drugs, but his older brother headed the DEA’s El Paso Intelligence Center and, in the course of his career, had rubbed a great many of the vindictive and ultra-violent narcotraficantes the wrong way.

The cupidity and corruption of Mexico’s elected leaders, the federal police, the army, and every “get tough on drugs” task force they set up is old news now, but the extent of it is nonetheless shocking. According to a source Bowden cites, when Vincente Fox became president, one of his cabinet members said, “All of our phones, faxes and e-mails are monitored by the narcos. We are surrounded by enemies. We cannot attack corruption unless Washington ends its indifference to wrongdoing by the Mexican elite.” But Washington ignored it, for political reasons of its own, and instead, for decades, has touted the phony War on Drugs.

confiscated drug money

Confiscated drug money (photo: wikimedia.org)

While the people live in poverty and terror, the drug czars live in multimillion-dollar mansions, protected by gun-toting federales. One provincial governor cracked down on the drug lords who live in luxury and some safety in his prisons (operating their networks unimpeded, of course), by decreeing they could no longer have Jacuzzis in their cells. At the time of Bowden’s writing, Northern Mexico was essentially a lawless region where the amounts of money are so huge that anyone can be bought. According to the DEA, in 1995 Amado Carrillo Fuentes’s Juarez-based cartel alone was generating approximately $200 million every week.) With cash flow like that, the Mexican government couldn’t afford to shut it down if it wanted to. “Unsuspecting” U.S. and European banks launder perhaps $.5 to $1 trillion dollars a year of this dirty money. Have an account at Citibank?

U.S. law enforcement and border officials may not be corrupt individuals, but everyone they must deal with is likely to be, or might be, today, or another day. In a 2013 interview Bowden talked about the continued violence and murder in Mexico, spawned by Americans’ drug habits, and how this violence is routinely ignored by politicians, bankers, and others who wink-wink don’t ask where the money comes from, calling it “the willful ignorance of the US press covering Mexico. The Mexican press is terrorized. The U.S. press does not like to challenge power.”

Author Charles Bowden died August 30, 2014, at his Las Cruces, New Mexico, home.

Mother Jones encomium and other excellent links.

***The Killing Floor

Greyhound bus, Cleveland

(photo: wikimedia.org)

By Lee Child (narrated by Dick Hill) – This is the first Jack Reacher novel (1997), and the first I’ve read. They’re so popular, fans must either get past the flimsy logic behind Reacher’s choice to become a Greyhound-riding drifter or Child at some point strengthens that case. Like Jo Nesbo’s first Harry Hole novel (reviewed here), you know from the get-go that Reacher’s woman will be an endangered species before the plot runs out.

Maybe male writers just have to get that damsel-in-distress-rescue-fantasy-thing out of their system, but I wish they would. It’s too transparent an attempt to give their protagonists some depth via a meaningful, but brief relationship with really good sex. These relationships have to be short, though, so they don’t spill over into sequels and doing the laundry, picking up the kids, and the other minutia that would inevitably follow if the relationship continued.

The plot had a pretty big “huh?” in it, too, though I quite liked the image of homeless Jack Reacher tooling around the Georgia countryside in the borrowed Bentleys. (Spoiler alert: The “huh” was, if the Margrave powers-that-be hired detective Finlay because they mistakenly thought he was slow-witted—because of what Finlay says was the worst job interview in history—wouldn’t their FBI agent confederate, who knows Finlay, have set them straight?) Superb narration by Dick Hill!

****Catherine of Aragon: Henry’s Spanish Queen

English history, Catherine of Aragon, Henry VIII

Book Cover and Matching Lamp (photo: author)

By Giles Tremlett – An excellent, well researched and highly readable biography that breathes life into the woman Henry was married to for 24 years—longer than all his other wives put together. As The Guardian says, “Catherine of Aragon tends to get shuffled into the Prologue, something to be rushed through as quickly as possible. You can’t help feeling, along with Henry himself, that things would be so much pacier if only Spanish Catherine would hurry up and cede her place to that home-grown minx, Anne Boleyn.”

But Catherine stuck it out, refusing to be divorced from Henry and finally dying, abandoned and isolated from court—though still much-loved by the common people. Her death freed Henry of Anne, as well, and only 19 weeks later Anne of the Waspish Tongue was beheaded. Neither woman produced a male heir, a persistent frustration for Henry.

Catherine was well prepared to be a staunch defender of the Catholic principles that underlay her opposition to the divorce, even though she feared she and her daughter Mary might themselves be executed. She had powerful parents, Ferdinand and Isabella of Spain, to serve as role models. Charles V, Holy Roman Emperor, was her nephew to whom she sent pleas for support. Catherine’s ultimate decision not to goad Charles into war was “possibly as important as any other she made,” says Tremlett.

The impact of Catherine and Henry’s marriage still reverberates. She petitioned the Pope for aid, and his support, albeit tardy, led to Henry’s assertion of his authority over the church, the schism with Rome, and formation of the Church of England. In her five-year reign, Catherine’s daughter Mary (“Bloody Mary”) attempted to restore the Church, perpetuating the religious crisis, and it was left to Anne Boleyn’s daughter Elizabeth I to complete the Reformation.

Tremlett’s descriptions of the political to-and-fro, court life for insiders and outsiders, and the place of women in Tudor society create living, breathing—and unforgettable—characters at this massive historical turning point.

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*****Miracle Boy and Other Stories

cock fight, cockfight

(photo: wikimedia)

It’s hard to pass up a book by someone with the irresistible name of Pinckney Benedict, and you shouldn’t. His 14-story collection, Miracle Boy and Other Stories, is something that will stay with you a long time. (“Miracle Boy” was made into an award-winning short film—trailer). I came away with a strong sense of the people, animals, and the not-necessarily-explainable happenings in his narrow, timeless Seneca River valley setting, an oasis where myth, history, modernity, and even the future exist side-by side. Other readers have been similarly entranced.

The following quote, from a boy talking about how he copes with the world, demonstrates the deceptive simplicity of Benedict’s prose: I could usually get along by just looking them straight in the eyes and smiling and nodding and making little noises like I understood [what they said] and I thought what they were saying was just great. (“Bridge of Sighs”)

How many of us have faked it just like that?

Several themes (no doubt many more than my weak skills can identify) pervade many of these stories. The possibility of falling, literally and symbolically, is a strong one. It appears in the eponymous story, in “Joe Messinger is Dreaming,” and in the jet crash of “The World, The Flesh, and the Devil”: The wet soil of the field looked soft as a featherbed. It seemed inviting, as though it wanted him simply to loose his hold on the ladder, to spread his arms, and drop down sprawling onto it. (“Mudman”)

The close melding of humans and their animals weaves throughout. Benedict’s dogs are not the bright, cute fellows cocking their photogenic heads at us in our friends’ Facebook posts. Animals can be victims, when an epizootic plague strikes the valley’s farms, or aggressors in stories of dog and cock fights. They can take on (distressingly) human qualities and tend to look out for #1 (not you). Feel the speed and powerful movement in this passage about a pack of wild dogs chasing a downed aviator: He shoved his way forward in the pack, striving for all he was worth, until there were no dogs in front of him. He flew through the forest, and the frontrunner’s howl broke from his throat, and the dogs behind him took it up adding their voices to the awful wail. (“The World, The Flesh, and the Devil”)

The river valley’s isolation nurtures altered mental states in which interpersonal connection falter and sizzle out: For a brief instant (my father) stood still, motionless as I had never seen him. It was as though a breaker somewhere inside him had popped, and he had been shut off. (“Mercy”)

I ordered this book because of an interesting interview with Benedict in Glimmer Train, and feel quite smug that I ordered it from his independent publisher, Press 53 of Winston-Salem, North Carolina, not Amazon. At the time I ordered, Press 53 was engaged in its “Books for Soldiers” campaign, and because of my purchase, mailed a book to a deployed or recovering U.S. soldier at no additional charge. Nice!

****On Writing

typewriter, writing

(photo: c1.staticflickr.com)

By Stephen King – Too snooty to read Stephen King for a long time, I was finally won over when a friend wouldn’t stop talking about 11-22-63, the audio version of which mesmerized me. Now I’ve taken the advice of a writing buddy and read this volume. It’s less a handbook of “how to” write a book—that is, put words on the page—and more “how to be” a writer, the habits of mind and body that are needed. The first section is a short autobiography, exploring the path King took to becoming a writer and some of the experiences that shaped his particular sensibility.

The second section discusses the writer’s toolbox (more on that another time), and a third section discusses the terrible 1999 accident that nearly killed him, when a van struck him as he took his daily four-mile walk. That section is called “On Living.” At the time of the accident, this book was only about half-finished, and the accident and long healing process naturally caused him to reconsider what he had written and what he meant by it. In the end, he says, the best part of the book, perhaps, “is a permission slip: you can, you should, and if you’re brave enough to start, you will. Writing is magic, as much the water of life as any other creative art. The water is free. So drink.” It’s a good read, and creative people—writers, especially—will, I think, find it engaging and helpful in many ways.

*** The Bat

Jo Nesbo, The Bat

(photo: wikimedia.org)

By Jo Nesbo–Having written about Scandinavia’s crimewave—in fiction—when I needed another book in Ottawa, I picked up Jo Nesbo’s The Bat, the first-written in his series of thrillers featuring Oslo detective Harry Hole (Harry emphasizes his name is pronounced Hoo-ley, not Hole). This book was published (at least in the U.S.) after many others in the series, and Booklist deemed it “an absolute must for devotees of the riveting train wreck that is Harry Hole.”

Oddly, the story takes place in Australia, where Harry has been sent to aid the Sydney police investigating the death of a young Norwegian woman. (The Aussies pronounce his name “Holy.”) Lots of effective humor survived translation.

The characters were nicely developed and Harry has obvious deep issues, one of which is staying on the wagon. My only problem was the plot. If you’re chasing a serial killer of beautiful young women with light hair, would you suggest your new girlfriend as bait? “It’s all right, we’ll be right behind you”? How many ways can that go wrong? And, of course, does. Some heavy-handed foreshadowing, as well. Still, though, Nesbo is so popular, he must have got his feet under him as the series developed. (It was Nesbo who was picked to rewrite Macbeth in an ongoing “Shakespeare reimagined” project.)

Here’s a juicy bit: “Was Evans White as tough as he was trying to make out, or was he suffering from deficient mental faculties? Or an inadequately developed soul, a typically Norwegian concept? Harry wondered. Did courts anywhere else in the world judge the quality of a soul?”