The Coup Against Public Opinion

constitutional_conventionBet you think this will be about politics. It is, but not how you think. The Framer’s Coup: The Making of the US Constitution is Michael J. Klarman’s book about the formation and adoption of the U.S. Constitution. Politicians who wave the Constitution about should perhaps read his book first. As he described in a recent lecture at the David Library of the American Revolution, the Founding Fathers tore up what they were supposed to do in Philadelphia and rewrote our founding document quite differently than what the people expected.

Klarman, a Harvard Law School professor, believes the Constitution was a conservative response to the egalitarian impulses that produced the Revolutionary War. In the War, the founding fathers were frustrated at how slow the states were to provide support, deeming them “as obstructionist as the British.” And, they wanted government in the hands of “the right sort” of people—what today we would call “the elites.”

Contrary to what was expected, the framers of the Constitution produced a document that is more nationalizing, with certain explicit and implied powers reserved to the federal government, unlimited taxing and military authority, and the ability to regulate foreign and interstate commerce. It also has the ability to create laws “necessary and proper” to implement these provisions.

The federal government has a mechanism to enforce its supremacy, too, including the federal court system and rules that limit the powers of the states, forbidding them, for example, to print their own paper currency as they did in colonial times.

The Constitution’s anti-populist provisions include relatively long terms in office (for which we can be grateful; constant political campaigning sounds totally unbearable at the moment). Essentially, the men who framed the Constitution did not trust the people’s choice—“you might as well ask a blind man to pick a color,” they believed—and favored a system of indirect elections. Although members of the House of Representatives were to be elected directly, the number of these legislators was at first small, and they were elected from a state at large, not from specific districts, as now. This diluted an individual’s vote. Another of these anti-populist provisions was, of course, the Electoral College.

These friction points of more than 200 years ago are not irrelevant today. Texas governor Greg Abbott has agitated for a new Constitutional Convention aimed at restricting federal power. Article V of the Constitution allows for a new Constitutional Convention if two-thirds of state legislatures request it.

Klarman says, “there’s a reason there hasn’t been another one.” There are no rules in the Constitution about how such a body should proceed, making Article V “the black hole of constitutional law,” according to one legal scholar. Nor are their limits on what such a body can do, which means it could tear the whole thing up and start over, exactly as the Founding Fathers did.

****Foundation

bayeux-tapestryBy Peter Ackroyd, narrated by Clive Chafer – Is it anxiety about the future that’s propelling me to spend much time lately thinking about the past? I’ve pulled out the family genealogy to work on a new (updated and improved!) version. And I read award-winning British biographer and novelist Peter Ackroyd’s 2013 Foundation: The History of England from Its Earliest Beginnings to the Tudors: The History of England Book 1. Several subsequent volumes are planned, four of which have been published..

Foundation takes you from England’s earliest pre-history and the building of Stonehenge, through its occupation by the Romans, the Norman Conquest, the revolt of the barons, and up to the reign of Henry VIII. That’s a lot of history to cover, and to cover it takes more than 18 hours (or almost 500 pages in the print edition).

If one thing is clear from those often difficult and violent early centuries, history doesn’t move forward in a straight line. It’s full of contingencies. There are setbacks, and unexpected jogs in the path. Yet, the habits and customs of the English people, the rights they accumulated, their preoccupations, and, especially, the development of the common law and a vigorous language are part of the patrimony of Americans today. In that sense, this volume is well-named.

Starting with William the Conqueror (1066), I already knew a bit about English monarchy (enough anyway to recite the succession of  kings and queens over the past millennium, an especially lively rendition after a g&t). What fascinated me about Ackroyd’s approach is not so much the parade of often-bloody regime changes, but his parallel descriptions of the lives of everyday people. What was life actually like for those masses we don’t see much of in a BBC costume drama? Makes you glad to live in the 21st century, I can tell you.

Scholars have quibbled with bits of Ackroyd’s research and speculations and lament the lack of footnotes, maps, and documentation—a problem irrelevant in the audio version—but can’t fault him for readability. Foundation isn’t written for them.

Chafer is a fine narrator, a little stiff, but his presentation matches well with his subject matter. This is another one of those books that I wish I’d read in paper and had a physical copy to flag and refer back to. Much in it is worth rereading and remembering. In an interview with Euan Ferguson in The Guardian, Ackroyd said, “what underlines that random happenstance (of history) are the deep continuities of national life that survive, uninfluenced by surface events.” One can hope.

Richard III – at STNJ

richard-iii, Gretchen Hall, Derek Wilson

Gretchen Hall & Derek Wilson; photo: Jerry Dalia

Shakespeare’s quintessential villain erupts into being in this Shakespeare Theatre of New Jersey production directed by Paul Mullins (on view through November 6). The cast is huge—16 actors playing 22 parts—but all depends on the sly malice and believability of the title character, a role Derek Wilson fulfills admirably.

Shakespeare’s Richard is more duplicitous than history supports, since in the Elizabethan era, theater was required to explain and justify the monarchy, but the play’s machinations seem perfectly plausible in Wilson’s hands. Fawning here, back-stabbing there, and slyly engaging the audience in his treachery.

The story describes the culmination of the War of the Roses, and it’s a familiar one, as most theater goers have seen one or more productions of this classic. In (very) short, Richard murders his way to the throne of England, but getting the crown isn’t keeping it. The play’s most famous lines come at the beginning  and end, but like all Shakespeare’s plays, it is filled with juicy bits. Here’s one for this political season: “And thus I clothe my naked villainy with old odd ends stolen out of holy writ; and seem a saint, when most I play the devil.”

STNJ has provided a helpful Plantagenet family tree in the program, which, abbreviated though it is, is at first glance a stumper. I studied it before the show and had a few relationships sorted out, and at the intermission I gave it another go, putting everyone in place.

In addition to Wilson’s Richard, the many fine performances include those of the three principal women: Gretchen Hall (Queen Elizabeth, wife of Richard’s brother, King Edward IV), Carol Halstead (Margaret of Anjou, Henry VI’s “warrior queen,” who lives up to her sobriquet), and Amaia Arana (Lady Anne, widow of Margaret and Henry’s son, Edward, and later wife of Richard). In Shakespeare’s story, Richard instigated the murder of both Henry VI and Edward. For these crimes, Margaret and Anne hate him. The widowed Queen Elizabeth has reasons to both hate and fear him when her two sons “the little princes in the tower” are believed murdered at Richard’s behest.

Though lots of murder is talked about, most of it occurs off-stage. In keeping with the production’s modern dress, there is gunfire as well as swordplay. Richard III is a long play, but the energy of the cast and the direction (as well as some judicious trimming) make the story move apace.

Shakespeare Theatre of New Jersey productions are hosted at Drew University in Madison, N.J. (easily reachable from NYC by train), and until October 30 you can also see there an exhibit of Shakespeare’s First Folio, on tour from the Folger Shakespeare Library in Washington, D.C.

STNJ has prepared an excellent “Know the Show Guide.” For tickets, call the box office at 973-408-5600 or visit http://www.shakespearenj.org.

***Médicis Daughter

The young Margaret of Valois, by François Clouet

The young Margaret of Valois, by François Clouet

By Sophie Perinot – This romantic adventure covers the strife-riven period of French history from 1564 to 1572, near the end of the Valois lineage and the rise of the Bourbons. The central character is Princess Marguerite (Margot), whose father is dead and whose brother Charles is now king of France. Only three years older than she, Charles, like everyone else in the household, is guided and ruled by their mother, Queen Catherine de Médicis (yes, those infamous Médicis of Florence).

Ignored by her mother through most of her childhood, Margot is anxious to join her court and gain her favor. When she finally does arrive at court, around age eleven, she finds it a dangerous stew of plots and jealousies, revenge and murder. An uneasy peace between the country’s Catholic majority, to which the aristocracy belongs, and the Protestant Huguenots threatens to dissolve.

Margot falls in love with the handsome young Duc de Guise, but her family is determined she have a royal marriage. She is little more than a pawn on the political chessboard of Europe, but if she refuses to play, it could cost her her life and that of the Duc. The outbreak of war with the Huguenots tosses the fate of her family and her love into the air, and it lands in a most unexpected place. By the time her family finally finds her a suitable and willing marriage partner, it’s clear that political considerations, not love, are uppermost. Age nineteen, and with a reviled husband, she displays considerable (and rather suddenly acquired) political acumen.

Marguerite de Valois is a historical character well known in France for an eventful, sometimes scandalous life, much of which takes place after this book’s conclusion. Margot matures during novel, but none of the other characters much change, despite additional years, challenges, and demands on them. They remain rather two-dimensional in Perinot’s treatment, and I would especially like to have seen more probing of the character of Queen Catherine, for example.

Authors of historical fiction often must go beyond surface events and motives to explore their characters’ actions. Hilary Mantel’s award-winning novels—turned into memorable theatricals—about Thomas Cromwell are a perfect example, as is this treatment of Catherine of Aragon. Occasionally Perinot’s dialog seems too modern, but despite these quibbles (and a few startling grammatical errors—where was the editor?), it is an exciting read about a period I knew too little of. Margot was the subject of a famous novel by Alexandre Dumas, pere, on which a 1994 French movie (La Reine Margot) was based.

The reader would have been well served if the book included a family tree of the Valois clan and their cousins who appear in this story, a list of the principal characters (having three main characters named Henri didn’t make it easy to follow, though Perinot handled this reasonably well), and perhaps a map.

Summer in the City

MCNY

photo: Beyond My Ken, creative commons license

On what seemed like the hottest day of the year, I took the train into Manhattan to celebrate the birthday of my long-time friend Nancy. We plan these excursions for each other instead of another present. We give “the gift of time,” as another friend also named Nancy calls it.

We’ve done all kinds of things and had many delicious lunches in restaurants I’ve returned to gladly. Yesterday we visited two smaller museums 20 blocks up Fifth Avenue from The Met and still across the street from Central Park.

The Museum of the City of New York has three exhibition floors, with rotating exhibits. The new gallery of the Tiffany Foundation, “Gilded New York,” contained a few large portraits, gorgeous jewelry, and ornaments from the 19th and early 20th centuries. Small, but a gem. At the temporary portrait exhibit (through September 18), “Picturing Prestige: New York Portraits, 1700-1860,” we could get in close to see the incredible detail without worrying (or being told!) we were blocking someone else’s view.

“Roz Chast: Cartoon Memoirs,” is a large exhibit of the artist’s original drawings, New Yorker covers, and the like. It includes panels from her book, Can’t We Talk about Something More Pleasant, about the decline and deaths of her parents, showing how she processed that experience through her art. Indeed, much of the humor in her work results because we recognize our own vulnerabilities and absurdities. “We’re not laughing at you, we’re laughing with you.”

There also are galleries devoted to the Yiddish theater (through August 14) and activism in New York, from suffragettes to civil rights, from Stonewall to immigration.

After we were finished there, crossed 104th street to El Museo del Barrio (free entry, because we’d been to the MCNY), which has a major exhibit on the fashion illustrations of Antonio Lopez. I’d read the nice review by Holland Carter in the New York Times and wanted to see it, but wasn’t sure where the museum is. Now I know. Easy to get to. The museum bills itself as “New York’s leading Latino cultural institution.” Only the ground floor of its big building is the gallery space. El Museo also sponsors a wide range of performing arts events, cultural celebrations, and educational programs.

Both museums have small cafés, but they are not up to birthday requirements, so we walked down Madison fifteen blocks or so (in the shade as much as possible) for lunch.

Thank you, Nancy, for being my friend for 43 years!

Museum of the City of New York – 1220 Fifth Avenue @ 103rd Street; small café, nice gift shop/book store

El Museo del Barrio – 1230 Fifth Avenue @104th Street; small café; gift shop

****Mayflower: A Story of Courage, Community, and War

Mayflower

“Mayflower in Plymouth Harbor,” by William Halsall, 1882. Pilgrim Hall Museum, Plymouth, Mass.

By Nathaniel Philbrick, narrated by George Guidall. Some 35 million Americans today are to some degree descendants of the Pilgrims who came to America aboard the Mayflower in 1620. Although the November sea voyage entailed hardships enough for the approximately 102 passengers and 30 crew members, these difficulties were nothing compared to what they encountered when they decided to go ashore in the relatively unpromising ground that became Plymouth Colony. This is their compelling story.

The Pilgrims’ greatest fear was the Natives, but their biggest foes turned out to be harsh climate and lack of food, which contributed to high rates of death from disease. Despite their early anxieties, the Mayflower Pilgrims developed a good and mutually beneficial relationship with the powerful Pokanoket chief Massasoit and some other tribes. Philbrick provides keen insight into what each leader was thinking when they made the choices they did.

Before long, other, less devout settlers arrived and mingled with the Pilgrims. In 1630, seventeen ships delivered approximately a thousand English men, women, and children to the vicinity of Boston, and soon the Massachusetts colony grew to include modern New Hampshire, Maine, Connecticut, and the more religiously tolerant Rhode Island. Several of my ancestors arrived with prominent Puritans in 1634, settling in Boston, Salem, and New Haven. I wanted to read this book to find out more about what their lives were like.

This rapid influx created an almost unquenchable demand for Indian lands, and the settlers made the lives of Natives increasingly difficult. The children and grandchildren of the Pilgrims cared little for the aid their forefathers had received from the Natives. You can feel the rising tension and frustrations. In 1675, Massasoit’s grandson Philip had enough. He launched what became known as King Philip’s war—a bloody, three-year conflict, in which Colonial towns and Native camps were burned, and the area economy devastated.

In the sixty or so years covered by this book, a number of remarkable personalities emerge—among them Miles Standish, Josiah Winslow, Massasoit, William Bradford, Roger Williams, and America’s first Indian fighter, Benjamin Church. Philbrick’s descriptions of these men and their personalities makes them come alive on the page and lets you understand their motivations. The military leader Benjamin Church is a good example. Unlike some of his colleagues, Church’s first thought was not wholesale slaughter of the Native population, but rather he tried “to bring him around” to the Colonists’ way of thinking. This approach, Philbrick believes, became a precursor for the Founding Fathers a century later, as Church “shows us how the nightmare of wilderness warfare might one day give rise to a society that promises liberty and justice for all.”

If you are one of the 35 million noted above, you may find this book especially fascinating, as Philbrick recounts surprisingly detailed personal histories of a great many Mayflower passengers.

Guidall is a frequent narrator of thrillers and many other types of books. He does a fine, job here with a straight narration.

My Bit for Genealogy

typewriter, writing

photo: Steve Depolo, creative commons license

What makes a set of records helpful to people researching their families? Having it digitized for search. And, how does that happen? Not easily. We forget that up until about the 1960s many public records were hand-written.  Before the typewriter was invented (1860), all records were written completely by hand. As a mystery writer, I find these historic documents—and their tantalizing glimpses of the-story-behind-the-story—fascinating!

Believe it or not, early county clerks were not selected based on the legibility of their handwriting. Add to that possible errors and idiosyncrasies in spelling, particularly of names, where parental creativity sometimes trumps convention (note the sly RNC reference; Freud at work). These make deciphering documents a challenge requiring Sherlock Holmes’s extra-large magnifier.

A 72-hour Challenge

To get some help with the massive task of digitizing, FamilySearch.com sponsored a three-day event last weekend, in which volunteers from around the world examined original records and entered data into pre-designed forms. In fact, some 116,475 people indexed over 10 million records in those three days!

I entered data extracted from hundreds of handwritten Kentucky marriage records from the 1930s and 1940s, as well as some from the 1880s—before the clerks used forms. Also English probate records for loads of people, last name Cox. Also 1920 census pages for Montreal.

Here’s what I learned:

  • Mothers of couples married in the 1930s and 40s in Kentucky were very likely to be named Eula, Lula, Effie, Bessie, or Elsie. There were many Hatties and Hesters, Mabels, Myrtles, and a Flossie (not married to a Freddie, which will disappoint you if you grew up reading The Bobbsey Twins series). Great ideas for naming characters born in that period.
  • I liked the sense of humor of the parents who named their son Pearley Bates. There was a second man named Pearl, too. And a woman.
  • This data entry volunteer was left to wonder why some marriage records had written at the top “Please Do Not Publish.”
  • On one day, Ray O. Schomberg divested himself of two daughters, ages 17 and 19, to men of the U.S. Air Force from exciting California and not-so-exciting Ohio.
  • Many couples came from Ohio to be married in the border counties of Kentucky. If memory serves, there was no waiting period from license to ceremony in Kentucky. Some of these were church marriages nevertheless, some by Justices of the Peace, and some in “police court.” Eyebrows raised.
  • Most couples were of legal age to marry without parental consent (established how?) —21 in those days.
  • A few brides were only 16 and one was 15—the groom another Air Force man, age 24—and the clerk of court noted that the witnesses were “John Smith (the bride’s father) and James Smith” (holding the shotgun, probably). Without question her father would be there, and the shotgun too, if not in fact, in the groom’s imagination.
  • In the 1880 records, many men signed their marriage licenses with an x (“his mark”); by 1950, I saw only one record where the groom could not write his name.
  • The English probate records documented the other end of the continuum of family relationships. One told how Arnold Cox, dentist, left his estate of £54 to Maude Cox, spinster (his sister?). To spend your life as a village dentist and die with only £54 to show for it seems more than a little sad.
  • I was intrigued by the number of Coxes from northern England who left bequests to Archie Cox, chemist. In England a chemist is a pharmacist, and I just wondered whether our Archie might have helped some of his ancient and ailing relatives along, just a bit.

This project provided the chance to indulge in speculation about the lives of previous generations, as revealed through their documentary trail. And I was glad to know that if any of the descendants of the perhaps a thousand people whose stories I helped record are interested in those lives, I’ve made their job a little easier.

Family Search.com is a free alternative to Ancestry.com. Both are maintained by the Church of Jesus Christ of Latter Day Saints, and each has strengths and weaknesses. I’ve found considerable information about family members using both.

P.S. — See that photo by Steve Depolo? If he has family from Kentucky, their marriage records may be online now. I happen to know!

Igniting the American Revolution

Washington_Crossing_the_Delaware_by_Emanuel_Leutze

Washington Crossing the Delaware by Emanuel Leutze

The David Library of the American Revolution is a history gem, just up the road from Washington Crossing (yes, THAT Washington Crossing) Historic Park in Bucks County, Pennsylvania. As a preamble to July 4, last Saturday historian Derek W. Beck gave a lively talk about “the war before the war”—the goings-on in Massachusetts before the Declaration of Independence, before the formation of the Continental Army, and in the earliest days of George Washington’s command.

Paul Revere

photo: Kathy, creative commons license

Beck tries to present both sides of the conflict and in his efforts exposes certain myths that arise when historians wear partisan blinders. Would Paul Revere have ridden through the countryside hollering, “The British are coming, the British are coming!”? Not likely, Beck says. If he did, he’d be greeted by puzzled looks and scratching heads, because practically everyone considered themselves to be British. They didn’t necessarily want independence from England (yet); they just wanted to be treated like any other British citizen. But in our mythologized history, with the clarity of hindsight, we know who the enemy was, and we name him.

Another example is “the shot heard round the world”—the first gunshot of the Revolution, traditionally fired at Lexington, Massachusetts. Who fired it? In the verse by Ralph Waldo Emerson,

By the rude bridge that arched the flood,
Their flag to April’s breeze unfurled,
Here once the embattled farmers stood,
And fired the shot heard round the world.

It was to the Americans’ advantage to be the aggrieved parties, the victims, so preferred the view that the British fired first. However, Beck says, forensic evidence suggests that the very first shot wasn’t fired by either an American militia member or a British soldier, but a bystander outside a pub. (Figures.)

Beck considers it a plus that his two books (Igniting the American Revolution and The War Before Independence) are said to “read like action novels,” and he consigns the documentation that ordinarily fills history books to a thorough set of notes at the end. Such details are of vital interest to historians but make books much less interesting to those of us who merely want to gain a better understanding of our country’s past and establish a stronger connection to it.

Noble train, Henry Knox, Ft. Ticonderoga

The Noble Train of Artillery

Another myth he debunked was the one in which poor General Henry Knox struggled through heavy snows with the cannon from Fort Ticonderoga (“the noble train of artillery”). Histories (and many artworks) commemorating this episode depict them being pulled by oxen. Indeed, that was Knox’s plan. However, the farmer who owned the oxen so inflated their price, that at the last minute, he used horses instead, and he wrote about the change in his diary at the time.

Beck’s insights were informative, entertaining, and memorable, just as history ought to be!

The Pennsylvania Dutch Experience

Landis Valley tinshop

Landis Valley tinshop (photo: Vicki Weisfeld)

How often have I passed the signs for Landis Valley Village and paid them no mind? Recently, with kids in tow, a group of us finally made a visit. The Village was a little gem, perfect for a two-hour stopover in Lancaster County, Pennsylvania. We had cheese, nuts, and fruit with us, and with water from the LVV gift shop, we put one of their picnic tables to good use too.

In the heart of Amish country, the Village (and Museum, which we did not visit) focuses instead on the Pennsylvania Dutch heritage of the region and began. It started with a farm owned by two brothers and their collection of Pennsylvania Dutch artifacts, gradually adding other historical buildings. These include a schoolhouse, blacksmith’s forge, tin shop, tavern (natch!), among others, many of which are arranged around a shady central square. It was perfect for strolling and letting the kids run off some energy, even on the 90-degree day we were there. Horse-drawn wagons are another option for touring the acreage. Snow-white horses are in the field, chickens in their coops.

Depending on the day, costumed interpreters are available to describe how a particular building was used. The day we were there, we talked to a tavern-keeper, a blacksmith who was full of stories and working at his forge in front of us, a tinsmith who had a terrific backstory, and a young man supervising a private home. The kids loved it!

One of the activities of the Village and farm museum is a Heirloom Seed Project, which has been under way for three decades. Find out more about the seeds available, the many special events and exhibits at LVV, and other details at www.LandisValleyMuseum.org.

Landis Valley, horse-drawn wagon

photo: Vicki Weisfeld

Your Travel Circles

I provide this information to help you make the most of your trips to “destination cities” by also seeing attractions in a reasonable driving distance. I’ve had too many business trips when I never got out of the meeting hotel!

  • If you’re visiting Harrisburg, Lancaster County is less than an hour (45 miles) away.
  • If you’re visiting Philadelphia, Lancaster County is only 90 minutes (64 miles) away.

JFK’s Birthplace

JFK, bassinet

The Kennedy family bassinet in the boys’ room (photo: Vicki Weisfeld)

In the middle of the block in a dense Brookline neighborhood of sturdy clapboard houses from 130 years ago—big porches, leaded windows, occasional turrets—is the home where John F. Kennedy, 35th U.S. President, was born.

The house at 83 Beals Street was built in 1909, and Joseph and Rose Kennedy moved there in 1914. Three years later, John was born in the master bedroom, their third child. But the house had only three bedrooms, and in 1920 the growing family moved to a larger home nearby (still privately owned). The new house had a huge wraparound porch, which Rose wanted, because she firmly believed children should play outside every day.

After the President’s assassination, the Kennedy family repurchased the house, and Rose restored it to how she remembered it to be in 1917, the year of Jack’s birth. She then donated the house to the National Park Service. Rangers are on hand for tours, and there’s a small gift shop in the basement. The tour is enhanced by recordings of Rose describing the family’s life.

The house was close to many neighborhood features important to the family. There were good schools, Saint Aidan’s Catholic Church (now converted to condominiums), playgrounds, and the trolley line to Boston, where, at age 25, the elder Kennedy was president of the Columbia Trust Bank. The Park Service brochure offers a walking tour of the neighborhood that includes the Kennedy family church, school, and other sites. Click here for more information and event schedules.

You may recall that Jack was a sickly child, suffering numerous childhood illnesses, including scarlet fever. Rose read to him for hours as he recuperated, and among his favorite books was the story of King Arthur and Camelot.