Nordic Noir – Scandinavian Crime Fiction

clouds, sky

(photo: wikimedia.org)

Readers and fans of modern crime novels have been aware of the Scandinavian writers’ mafia for some time—long before The Girl Who/With . . . trilogy commandeered airport book stalls. Stieg Larsson was, in fact, only one of the hundred or so crime authors from Norway, Sweden, and Denmark whose books have been translated into English. “The crime tale has become to Scandinavia what the sonnet was to Elizabethan England: its trademark literary form,” says Lee Siegel in “Pure Evil,” a recent New Yorker essay on the rise of Scandinavian crime fiction.

An early signal of the impending invasion may have been the unexpected success of Smilla’s Sense of Snow, by Danish author Peter Hoeg (1992), a book I enjoyed greatly. As did a friend of mine’s mother, luckily only slightly injured when a tractor-trailer jackknifed in front of her on the New Jersey Turnpike and her car slid underneath. As the EMT’s loaded her into the ambulance, she yelled, “My book! Get my book! It’s on the front seat of the car.” Smilla’s Sense of Snow.

A line from Swedish crimewriter Henning Mankell—“every good story has a mystery in it” titles the home page of this website. He’s familiar to American readers and PBS Mystery! watchers for his Inspector Kurt Wallander mysteries. Several of these novels have been dramatized starring Kenneth Branaugh of the tiny mouth and co-starring the unutterably grey-and-gloomy Swedish skies.

From what source did all this high Nordic gloom arise? Siegel’s essay, which features Norway’s popular author Jo Nesbø cites several causes, perhaps most significantly the unsolved 1986 assassination of Swedish Prime Minister Olof Palme, shot in the back while walking home from a movie theater. “The paranoia engendered by Palme’s killing,” Siegel says, “endowed the Scandinavian crime novel with a horrifying vitality.”

Also, in Norway—the territory of Nesbø’s Inspector Harry Hole novels—the discovery of oil led to a newly privileged class, and the social fears and resentments that ensued became fodder for the crime novelist, Siegel says. You will recall how in 2011, those class differences erupted in real life, when Anders Behring Breivik with bombs and guns killed 77 people, “most of them the young sons and daughters of the country’s liberal political élite” murdered at an island-based Workers’ Youth League camp.

Harry Hole of the Oslo Police Department is the protagonist in ten of Nesbø’s books—works that “stand out for their blackness.” Nesbø himself, on the interesting author-interview website Five Books (which also has interviews about Swedish and Nordic crime fiction), talks about how the mentality of the criminal is “actually very similar to the mentality of the police. And that is true for the main character in my books, Harry Hole. He experiences the same. The people he feels he can most relate to are the criminals that he is hunting.”

Nesbø’s books have sold 23 million copies in 40 languages, and several are on their way to being made into movies, suggesting that social fears and resentments are not themes confined to a single geographic locale, even if they can be presented in bleaker aspect against a lowering sky.

Read more:

Scandinavian Crime Fiction – billed as “your literary portal into Northern deviance,” featuring numerous authors, downloadable books (audio and e), and other resources

A Cold Night’s Death: The Allure of Scandinavian Crime Fiction – a guide from the New York Public Library

No. 1 With an Umlaut – Boris Kachka in New York magazine includes Iceland and Finland in his guide to this “massive iceberg of a genre.”

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***Ellery Queen Mystery Magazine

Just finished the May, June, and July 2014 (how do they assign the date to this publication?) issues of EQMM. As always, a real mix of styles, eras, and plotting in the 28 stories therein, by both new and established mystery writers. Among the stories I liked best were those by:

homeless, dog

(photo: shiftfrequency.com)

  • Frankie Y. Bailey really got my curiosity going. She has a new book out, The Red Queen Dies
  • Alex Grecian – in whose story, a woman’s wireless pacemaker is threatened by a mysterious caller. Grecian, author of the NYT bestselling historical mystery The Yard, might have read the April 30 story on this website!
  • Brian Tobin’s “Teddy,” about a homeless man’s love for his dog, was powerful writing. Tobin’s two novels, The Ransom and A Victimless Crime, have been well-received.
  • I’ve grown to like the EQMM stories by Dave Zeltserman—two of whose mystery tales, A Killer’s Essence and Outsourced, are being optioned for film—which put a 21st century twist on the Archie-Nero Wolfe relationship. In Zeltserman’s version, “archie” is a “two-inch rectangular piece of advanced computer technology” that his owner, Julius, wears as a tie-pin. While Julius talks, Archie researches. Cute.
  • Liza Cody has created an engaging, not-so-sure of herself police constable Shareen Manasseh to good effect, and another story with Manasseh appears in the British Crime Writers’ Association’s new collection, Deadly Pleasures, and many novels, most recently, the Dickensian Lady Bag.

Best Mysteries and Thrillers

book cover

(photo: catalog.lambertvillelibrary.org)

How many of the “best” in mysteries and thrillers have you read? I’ve read about 30 of the Amazon 100 best list, though if I could count the movie versions the number would rise to about 42. No double-counting for both reading From Russia with Love and falling for Sean Connery. Especially note how the cover for Mary Roberts Rinehart’s The Circular Staircase could be mistaken for a “Carolyn Keene,” represented in the Amazon list by The Secret of the Old Clock, my very first Nancy Drew.

The compilers seemed to go for the first in a series, like the first Jason Bourne or the first Inspector Gamache, perhaps thinking that a strong beginning will lead people to subsequent books in the series.

We’ve read the statistics about how Americans are reading fewer books. But they still love mysteries and thrillers. Some people are drawn to reading because they can identify with the characters and others because of “that excitement of trying to discover that unknown world,” said author Azar Nafisi. That might be a foreign country, a foreign planet, a foreign psyche. Mystery and thriller readers get both. A protagonist they can identify with and a journey through that foreign world (of crime, of spies).

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**** The Reversal

Michael Connelly, Mickey Haller, Lincoln Lawyer

If you’ve read the Lincoln Lawyer series, you know Mickey Haller does most of his legal work from the back seat of his Lincoln Town Car, which has the vanity plate NT GLTY

Got my Michael Connelly fix for the year—The Reversal—a 2010 crime thriller that alternates chapters between brash lawyer Mickey Haller and his half-brother (or did you miss that one?) cynical LAPD detective Harry Bosch. Both men have teen daughters so are especially anxiety-prone when a man convicted of abducting and murdering a young girl is released from San Quentin as a result of DNA evidence and must face trial again after 24 years.

It’s interesting how Haller—working for the prosecution this time—must introduce old evidence without revealing to the jury the prejudicial information that the accused has already been convicted once. Nor can he say why some witnesses are unable to appear (dead or demented) and interviews with them, actually their previous trial testimony, must be read aloud.

While this isn’t Connelly’s best, he never disappoints and received four Amazon stars from readers. If you like every plot angle tied up with a bow, in this one, that doesn’t happen, and the author leaves Harry still pursuing leads as to the convict’s possible involvement in other crimes. It’s as if Connelly was leaving the door open for a never-written sequel.

Matthew McConaughey, Lincoln Lawyer

Matthew McConaughey stars in the movie version – note vanity plate!

For a fun Netflix pick, Matthew McConaghey in The Lincoln Lawyer. Rotten Tomatoes Critics rating: 83%. I thought it was better than that, and I’d read the book! Also notice how the movie poster changed the license plate to “NT GUILTY,” thinking viewers were too dim to figure it out, I suppose.

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The Bletchley Circle

Bletchley Park, Bletchley CircleFans of the PBS program The Bletchley Circle—I’m one!—who have been waiting for the return of the series, mark your calendars! The second season (which will consist of two, two-episode stories) begins Sunday night, April 13, after Masterpiece Theater. This smart series, harnesses the brain power of a group of women who worked as codebreakers at fabled Bletchley Park during World War II.

In Season 1, the patronizing attitude of the males (husbands, police, etc.) toward these women who were thinking rings around them was delightful. Their skills in pattern recognition, especially, to analyze massive amounts of seemingly random data stood them in good stead. And, the show apparently, despite minor quibbles, reaches standards of factual correctness about Bletchley Park itself. (One can only imagine how Hollywood’s funhouse mirrors would have distorted reality.) Can’t wait.

 

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**** The Cold, Cold Ground

By Adrian McKinty (narrated by Gerard Doyle) – In the bleak Belfast spring of 1981, hunger strikers in HM Prison Maze are starting to die. Paramilitaries are setting off bombs and gunfire rakes the streets at night. Police detective Sean Duffy–a rare Catholic in the Royal Ulster Constabulary–is presented with what looks like a “normal” murder case that soon blossoms into the possibility of a serial killer at work, targeting homosexuals. At that time, homosexuality was still illegal in Northern Ireland and not tolerated. In the mix is the apparent suicide of the beautiful ex-wife of one of the hunger strikers. Mysterious mail begins to arrive. The backdrop of violence is persuasively portrayed and hearkens back to real events and people. First of a trilogy (actually, now probably a quartet).

Name Your Poison

 

“Cleopatra Testing Poisons on Condemned Prisoners” – by Alexandre Cabanel

“The Poisoner’s Handbook”—a perfect TV show for mystery writers–initially seemed an odd choice for one of PBS’s fine American Experience documentaries a few weeks back. It was based on the book by Deborah Blum, who appears among the show’s interviewees. About the book, Kirkus said, “Caviar for true crime fans and science buffs alike.” And so was the documentary, which you can watch here and which begins:

In 1922, 101 New Yorkers hanged themselves, 444 died in car accidents, 20 were crushed in elevators. There were 237 fatal shootings, and 34 stabbings. And that year, 997 New Yorkers died of poisoning.

Not all those deaths were intentional, it turns out. Ninety years ago, life was full of poisoning hazards at work and at home. You may remember the below-stairs tour of cleaning products, rat poisons, polishes, and “remedies” in the great home in the movie Gosford Park, all of which looked mighty suspicious when the master was murdered.

A major cause of death was carbon monoxide, an odorless, tasteless gas that got into the air thanks to leaky stoves and the piping for gaslights. Even today, when houses are shut up tight for winter, we still hear about deaths from malfunctioning space heaters or, difficult to believe though it is, charcoal grills people roll in to heat up the house. (In 2011, five members of a Long Island family were hospitalized when the 43-year-old mom actually did this.)

Poisonings are so much rarer today, the PBS program explained, because in 1917 New York City hired Dr. Charles Norris to be the city’s (and the nation’s) first chief medical examiner. Norris, born into a wealthy family, was one of those larger-than-life characters who create their own weather. Norris, in turn, hired Alexander Gettler to head the City’s first toxicology laboratory. Gettler and his staff built the field of toxicology from scratch, and he and Norris created modern forensic science. CSI fans are grateful.

Gettler soon realized that he and his staff had to conduct definitive studies of the way different poisons killed, their symptoms in various concentrations, and how they could be detected. Murder by poison, which had been difficult to diagnose in many cases, especially if it wasn’t suspected, became less and less feasible.

In 2011, I read The Poison King: The Life and Legend of Mithradates, Rome’s Deadliest Enemy by Adrienne Mayor, a finalist for the nonfiction National Book Award in 2009. During his lifetime (120-63 BCE), Mithradates Eupator fought some of the most famous Roman generals, mostly successfully. At the height of his career, he governed 22 nations around the Black Sea and could speak all of their languages. He was an infamous poisoner. He believed his mother murdered his father by poison, and, to protect himself, he learned as much as he could about them.

One protection he engaged in was to take small doses of certain poisons every day to build up his tolerance. (Anyone familiar with Dorothy L. Sayers’s Lord Peter Wimsey mystery Strong Poison is familiar with this strategy.) As a result, when Mithradates’ enemies at one point gave him a lethal dose of something, it had no effect, which didn’t hurt his reputation for invincibility. In the region where Mithradates ruled, there was a body of water made poisonous by a deadly plant. Many ducks lived there and fed on the plant, unharmed. Mithradates prepared a great banquet for his enemies, featuring—you guessed it—those self-same ducks, and, by morning, his guests were all dead. He also developed a “universal antidote” to poison, still of scholarly interest. When the Romans finally captured Mithradates, he tried to commit suicide by poison, but his protection worked too well, and he was ultimately stabbed to death.

Gardeners may have noticed the King’s name is familiar: Eupatorium is a genus of flowering plant with several hundred species, including (and in my garden) Joe-Pye Weed. One of its species is, of course, poisonous to humans.

Circling back to American Experience, the underlying message might be that, much as Americans complain about “government regulations,” in the 1920’s before the Food and Drug Administration took dangerous patent medicines off the drug store shelves, before there was a Consumer Product Safety Commission, and before the workplace safety rules that protect people like the poor young women who worked as radium dial-painters and died horribly of jaw and bone cancer, everyday life was full of deadly hazards, and mystery writers had one more handy tool in their store of potential mayhem-makers.

Want more? 12 Toxic Tales from National Geographic.

apothecary bottles, poison

*** The Dordogne Deception

By Sherry Joyce – Very interesting to read the first romantic suspense novel from a new author and see her struggle with the same kinds of issues that I do. How to plant clues, how to keep the plot moving logically and organically, creating 3-dimensional characters. She picked an interesting setting, and creates a believable sense of place. Some first-timer rough patches, but congratulations to her for finishing (how many novels languish, half-written, in the bottom drawers of people’s desks?) and getting into print! (1/5)

A Writer’s Ear

Just finished Reading Elizabeth George’s A Traitor to Memory, one of her Inspector Lynley mysteries. (722 pages, by the way, which makes it practically a saga by today’s standards.) What struck me most in the writing was the dialog, which moved front-and-center upon introduction of a secondary character, a young California woman. Until she spoke, I had fallen unawares into George’s U.K. speech rhythms and word choices—except for the odd “boot,” “nappy,” and the like. The contrast started me noticing how “British” everyone else’s speech was.

It isn’t just how Libby Neale speaks, it’s what she chooses to speak about that makes her so distinctively American. If something is on her mind, she says it. By contrast, the British characters are painfully reserved, which serves them well, because many of them are lying, anyway. Here are Libby and the main character, violin virtuoso Gideon Davies:

“What’s up then? You don’t look so great. Aren’t you cold? What’re you doing out here without a sweater?

Looking for answers, I thought.

She said, “Hey! Anyone home? I’m, like, talking to you here.”

I said, “I needed a walk.”

She said, “You saw the shrink today, didn’t you?”

And here’s how the Gideon’s violin teacher asks about the psychiatric visit, starting with a comment from Gideon:

“You were told to get me out of the house today.”

He didn’t deny it. “[Your father] thinks you’re dwelling too much on the past and avoiding the present.”

“What do you think?”

“I trust Dr. Rose. At least I trust Dr. Rose the father. As to Dr. Rose the daughter, I assume she’s discussing the case with him . . . He’s had decades of experience with the sort of thing you’re going through, and that’s going to count for something with her.”

“What sort of thing do you think I’m going through?”

“I know what she’s called it. The amnesia bit.”

“Dad told you?”

“He would do, wouldn’t he? I’m as much involved with your career as anyone.”

At the pace these two waltz around the subject, no wonder it took 722 pages to complete the story!

After the breath of fresh Pacific Coast air that Libby brought to the conversation, I began noticing what a great job George does with dialog for all her characters, and not just the familiar contrast between Inspector Lynley (8th Earl of Asherton) and his working-class partner, Constable Barbara Havers. This story contains an East German refugee who has perfected her English accent, but not quite mastered word order, lower-class accents of two young toughs from the council flats, and a younger woman who speaks differently and more directly than her older lover of the same social class. None of them devolves into caricature.

Going further, the characters’ actions often reflect the same turn of mind that their words do. Libby goes off half-cocked, intuition leads her astray, and her last impulsive act detonates the book’s conclusion. Careful language is appropriate to the characters taking time to get their stories straight. The precise German is putting her romantic ducks in a row.

The slang in this book, published in 2001, will become dated as the years pass, but remains fresh twelve years on. Meanwhile, it feels like we’re reading about real-live, unique individuals, with their own unique energy behind them, energy that leads to the actions only they would take. For a writer, inspirational, really.

Mysteries Continue to Thrill


The mystery genre has retained its popularity over the years. Whether a classic “whodunit,” a cozy, a police procedural, or some new hybrid of mystery/suspense plus fantasy, sci-fi or horror, crime fiction still draws a strong audience of readers.

Surveyed for Library Journal’s annual round-up of trends in the mystery genre, more than half of the 232 librarians polled say mysteries are the most popular book genre they offer, as measured by circulation, shelf-space—accounting for almost a quarter of their print fiction materials—and e-collections, making up more than 20% of libraries’ ebooks.

While e-collections are growing (and most publishers have finally agreed to sell ebooks to libraries now), which e-mysteries they buy depends heavily on patron demand and costs. Ebook purchases are now about 6% of libraries’ acquisitions budgets, up from 1% three years ago.

“E-books aren’t the future of mystery, they’re the present,” said Soho Press publisher Bronwen Hruska. They accounted for two-thirds of the sales of the Soho Crime imprint in 2012 and half or more of sales by another mystery publisher, Minotaur. Sisters in Crime’s recent interviews with publishers revealed that while e-books are “the fastest growth sector for publishing revenues,” the effect on income—publishers’ or authors’—is not yet clear.

Amazon’s heavy promotion of low price-point books for the Kindle through various deals and free offerings has helped even a few new writers achieve electronic sales that outsell print. An example is when Leonard Rosen’s debut thriller, All Cry Chaos, was picked as a Kindle Book of the Day and sold 7,000 electronic copies and 4,000 print.

Presumably, it helps to write a good book, too. But quality—good or bad—isn’t a guarantee of sales numbers when so many books are free or $.99.