Tag Archives: New York

***Blood, Bones & Butter

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Gabrielle Hamilton, Blood Bones & Butter

(photo: author)

By Gabrielle Hamilton – An engaging memoir that chronicles the author’s intense relationship with food, from her upbringing with a French mother and artist/set designer father, her falsifying her age to work in New Jersey kitchens starting at age 14, her drug-riddled stints as a bar waitress and catering kitchen dynamo, to the opening of her own restaurant in the East Village. That restaurant became the mini-phenomenon known as Prune, helped bring home-style cooking into vogue. In 2011, Hamilton received the James Beard award as New York City’s best chef.

The book describes Hamilton’s difficult relations with her mother and husband, but it’s never clear what the source of these difficulties is, why the relationships deteriorated as they did, or, rather, why she let them drift. Her essential alone-ness appears to be the strongest strain in her character.

I enjoyed this book’s lack of typical foodie descriptions, though it is over-the-top in its own way, determined not to, ahem, sugar-coat kitchen proceedings. She’s a compelling writer, with an MFA in creative writing from the University of Michigan, and winner of the James Beard book award for writing and literature in 2012. Power on the page gets you past some of the unsavory spots, and it was well received. Legendary chef Anthony Bourdain calls the book “simply the best memoir by a chef ever.”

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**** The New York Nobody Knows

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Chinatown, New York

(photo: wikimedia.org)

By William B. Helmreich, a CUNY sociologist, who writes about his 6,000-mile walk along almost every block of New York’s five boroughs. He spends a lot of real estate talking about how that’s the only “real” way to see the city—no need to convince me! It’s a fascinating exploration of various themes, including gentrification, ethnicity, and community activity. The result is a kind of compendium of urban diversity, rather than the more usual portrait of individual neighborhoods. Absolutely fascinating.

The author is a genial-looking sort who is apparently game to talk to just about anyone about just about anything, especially their local community. He is perpetually impressed with the gumption of the people he meets, and his genuine curiosity prompts responses worthy of pondering.

Buying a bottle of water on a hot day from a young Hispanic street vendor, Helmreich asks, “How do you keep these bottles cold out here?” “Well, first I freeze them at home. That way they stay cold a long time.” “Where are you in school?” “I just graduated high school.” “What are you gonna do next?” “I’m going to Monroe College.” “For what?” “I’m going to be a rich businessman. It’s a great college.” New York spirit. Helmreich loves it, and so will you.

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AMC’s “Turn”

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George Washington

General George Washington at Trenton by John Trumbull

AMC’s espionage series Turn (review) is based on the exploits of the Culper Ring, a loose network of Revolutionary War spies–including one woman–from whom George Washington learned of the movements and plans of the British in and around New York, then in the redcoats’ hands. It was the era of the martyr Nathan Hale,  the dashing British spy, Major Andre, and the dastardly Benedict Arnold. And this quiet group of brave patriots. Episodes will air  numerous times over the next month, and if the series succeeds, may continue next season. It’s based on the book Washington’s Spies by historian Alexander Rose. A book on the same topic, George Washington’s Secret Six was  recently reviewed here.

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*****The Goldfinch

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By Donna Tartt – The 1654 painting, The Goldfinch, animates the action of Donna Tartt’s third novel, which is receiving much-deserved attention (and the Pulitzer Prize). The story begins when twelve-year-old Theo is injured in a terrorist explosion at the Metropolitan Museum, and an elderly dying man orders him to pick the painting—which happens to be one of Theo’s mother’s favorites—out of the rubble. Stunned, confused, and pretty much ignored in the aftermath of the explosion, he stumbles home to show it to her. Yes, there is an over-long interlude in Las Vegas when Theo lives a feral existence with his father and delightfully reprobate Russian friend Boris, and yes, it ends with a rambling 20-page essay. Still, it’s a wonderful adventure story that at its heart is about how we decide what’s important in life, what’s real to us and worth saving, and what is simulacrum and worth saving anyway. In that essay was one of my favorite lines of the book, about how different people are strongly, inevitably drawn to certain things—“a city, a color, a time of day. The nail where your fate is liable to catch and snag.” Don’t let the length put you off–it’s a page-turner.  (2/10)

2-9-14 Readers, Writers, Booklovers Unite!

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Reading, book, Budi SukmanaHugh Howey’s Rants

Everyone who buys, sells, reads, borrows, downloads, and LOVES books has a stake in moving the publishing industry into the 21st century. It won’t happen easily. Best-selling indie novelist Hugh Howey (Wool) launched a well-aimed missile of advice at the industry in his notorious 1/8 blog post, “Don’t Anyone Put Me in Charge,” in which he explains what he would do if he ran one of the big publishing houses. He followed it up with a new barrage on 1/12, “My Second Month on the Hypothetical Job.” Even if thoughts about publication are not your daily preoccupation, his ideas are lively and thought-provoking.

For Publishing: A Radical Makeover

They would radically change the culture and the economics of the book business, making it better for readers and writers in the process. Among his memorable suggestions: get out of New York to cut overhead and get some work done. From home, mostly. (He suggests Houston. Not in August.)  He wants them to invest in Print on Demand, which would keep authors’ backlists alive. And he’d devote greater attention to the midlist bulge of authors. As publishers whittle down their emphasis to manuscripts that are “sure-fire” best-sellers, reader choice withers. And these are not people you’d want standing at the rail next to you at Santa Anita or Churchill Downs.

These next three were picked up by Business Insider writer Dylan Love:

  • “Every format, as soon as the book is available.” The day a book is released, you could buy it in hardback or paper, or Kindle, Nook, or other e-reader formats. No more stringing people along with a hardcover release, and letting them lose interest while they wait for the Kindle edition.
  • “Hardbacks come with free ebooks.” This “would change my perception of e-books overnight,” Love says. At present, e-book Digital Rights Management systems restrict readers’ flexibility. Bundling a hardback with a digital file would increase it.
  • “No more advertising.” In Howey’s publishing house, the firm’s money would “go into editors [remember when books weren’t full of mistakes?] and into acquiring new authors,” not into bookstore promotions and pricy advertisements that he says “don’t sell books.”

How Publishers Shouldn’t React

Howey admirer Baldur Bjarnason has drafted a list of tips for publishing insiders to use in their inevitable responses to Howey’s assault. The last of these is to make the argument that traditional publishers are “somehow responsible for keeping the general quality of books high.” I’ll let you explore for yourself Bjarnason’s links that stick the needle in that bit of puffery. LOL.

(Thanks to Beth Wasson at Sisters in Crime’s SinC Links for pointing out Howey’s and Bjarnason’s great posts!)