Category Archives: Reading . . .

***Three Ellery Queens

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Green Door, Arizona

(photo: Vicki Weisfeld)

The three latest Ellery Queen Mystery Magazines contain 31 short stories—historical, locked room, humorous, and many other splinter categories from U.S. and international authors. Reaching into this Santa’s bag of offerings, I’ll pull out some of my favorites:

  • “The Lure of the Green Door” by Norizuki Rintarō is a locked room mystery featuring a Japanese sleuth named, yes, Norizuki Rintarō and his humorously prickly girlfriend Sawada Honami. Says EQMM, he’s part of the “new traditionalist” movement in Japanese mystery writing, emphasizing puzzles, and he’s put together a good one here! (11/14)
  • Suzanne Arruda’s “Deep Shaft” effectively conjures Prohibition-era Kansas and the trouble city slicker outsiders can get themselves into. She’s the author of the mystery series featuring adventuresome, world-traveling photojournalist Jade Del Cameron Mysteries set in WWI and the 1920s. (11/14)
  • “Getaway Girl,” by Zoë Z. Dean, her first published story and one with a great last line: “there was something terrifying about a girl that good at living.” (11/14)
  • Joyce Carol Oates’s equivocal “Equatorial” is an accomplished cat-and-mouse game, but who is which? (12/14)
  • “Concrete Town” by Michael Wiley is set mostly in a bar, perhaps inspired by work on his irresistibly titled detective novel, The Bad Kitty Lounge. (12/14)
  • Another first story, “Chung Ling Soo’s Greatest Trick,” by Russell W. Johnson, was most entertaining, but then, I like mysteries featuring magicians! (1/15)
  • Accomplished novelist Kristine Kathryn Rusch wrote the tension-filled “Christmas Eve at the Exit” about a woman’s attempted escape from an abusive husband. (1/15)

Always something to admire in these EQMM collections! Available in many bookstores and digitally.

*****The Cowboy and the Cossack

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Cowboy and the Cossack, Clair HuffakerBy Clair Huffaker, narrated by Phil Gigante. I loved this!! It’s one of Nancy Pearl’s Book Lust Rediscovery novels—books she believes are out of print and shouldn’t be. If this one is an indication, the whole list deserves to be checked out.

The Cowboy and the Cossack (Nancy Pearl’s Book Lust Rediscoveries) is the story of 15 Montana cowboys and a herd of 500 longhorn cattle who travel by ship to Vladivostok and embark on a journey across the Siberian wilderness en route to the small town of Bakaskaya where the people are desperate to have them. Unexpectedly, when they arrive in Russia, they’re met for the trip by a troop of elite Cossack horsemen. The cowboys, under the leadership of laconic Shad Northshield, don’t want or need their help. Or so they think.

But what they think doesn’t matter, because the Cossack leader, Captain Rostov, is every bit the stubborn leader Northshield is. Told through the eyes of a young cowboy named Levi Dougherty–and Gigante’s perfect narration–the novel is a coming-of-age story, a “when men were men” Western, and a thrilling adventure. It’s told in the appropriately colorful language of a young man of the 1880’s, which adds to the realism. Levi struggles to see the multiple points of view of the two cultures—and the men in them—thrown together in extreme and life-threatening circumstances.

Clair Huffaker, who died in 1990, wrote more than a dozen Western and other novels, as well as screenplays (including The Comancheros and Rio Conchos) and for the television series, Lawman. Huffaker’s daughter has written about the significance of having this book dedicated to her, and among her thoughtful comments is this: “It is a profound honor for me to (invite) new readers into an epic adventure tale which at its core illuminates the essential traits that my father believed a true man should steadfastly possess: honor, courage, integrity, and quiet strength.”


Comment from reader Nancy Kaminsky: “I am half way through reading The Cowboy and the Cossack per your recommendation. I love this book. The writer’s descriptions are so vivid. Thanks for your review. It may be the best book that I have ever read.”

****As Texas Goes . . .

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Texas, farm, road

(photo by Carol Von Canon, creative commons license)

By Gail Collins – This funny-but-serious political analysis is a good, quick read. The book came about when Collins realized that “Without anyone much noting it,” Texas has “taken a starring role in the twenty-first-century national political discussion.” Certainly, it has produced a goodly number of memorable politicians in the last quarter-century: Phil Gramm, Tom DeLay, Dick Armey, up-and-comer John Cornyn, Ron Paul, Karl Rove, Rick Perry, ex-President Bush II, and the inimitable H. Ross Perot.

The state has had outsized influence in many spheres, says Collins in As Texas Goes…, subtitling her book “How the Lone Star State Hijacked the American Agenda.” On prosperity: the 2008 economic meltdown was largely the result of financial deregulation inspired by Phil Gramm. On education: although its influence on school textbook content across the nation may be waning, the Texas State Board of Education’s past actions promoted its conservative, anti-scientific, and ahistorical views on a generation of Americans. (At one point, the Board included a member “who believed public schools are the tool of the devil,” Collins reports.) On national energy policy: the state’s representatives, attuned to the needs of the local oil and gas industry, shape national energy policy and denigrate global warming. And, as the New York Times review picked out, Texas leaders have been “entangling us in an occasional war.”

Collins’s theory about the source of Texans’ attitudes are illuminating. “You have to start with the great, historic American division between the people who live in crowded places and the people who live in empty places.” In crowded places, you need rules to protect you from other people’s intrusive behavior; in empty places, you do not. In fact, you don’t want government rules and programs. Tom DeLay was once asked whether there were any government regulations worth keeping, he said, “None that I can think of.” That’s empty-space thinking. And, she says, “The current Tea Party strain in the Republican party is all about the empty-place ethos.”

Ironically, Texans holds fast to their empty-place perspective, even though eight out of 10 of them live in a major population area. Six of the nation’s 20 largest cities are in Texas. Most Americans probably consider Fort Worth no more than an upstart cousin of Dallas, but its population is larger than that of Seattle, Boston, or Denver.

If you want to read about outsize personalities who sometimes need to lasso it in, and how the country got to where it is in important policy areas, you might enjoy this entertaining and well-researched book. “Don’t mess with Texas” began as an anti-littering campaign slogan, but it’s taken on a larger life and now may need a coda: “but Texas is messing with you.”

***Blood, Bones & Butter

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Gabrielle Hamilton, Blood Bones & Butter

(photo: author)

By Gabrielle Hamilton – An engaging memoir that chronicles the author’s intense relationship with food, from her upbringing with a French mother and artist/set designer father, her falsifying her age to work in New Jersey kitchens starting at age 14, her drug-riddled stints as a bar waitress and catering kitchen dynamo, to the opening of her own restaurant in the East Village. That restaurant became the mini-phenomenon known as Prune, helped bring home-style cooking into vogue. In 2011, Hamilton received the James Beard award as New York City’s best chef.

The book describes Hamilton’s difficult relations with her mother and husband, but it’s never clear what the source of these difficulties is, why the relationships deteriorated as they did, or, rather, why she let them drift. Her essential alone-ness appears to be the strongest strain in her character.

I enjoyed this book’s lack of typical foodie descriptions, though it is over-the-top in its own way, determined not to, ahem, sugar-coat kitchen proceedings. She’s a compelling writer, with an MFA in creative writing from the University of Michigan, and winner of the James Beard book award for writing and literature in 2012. Power on the page gets you past some of the unsavory spots, and it was well received. Legendary chef Anthony Bourdain calls the book “simply the best memoir by a chef ever.”

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***The Orphan Train

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Orphan Train

Orphan train flyer, 1910 (photo: wikimedia)

By Christina Baker Kline – This book tells an interesting story, two of them, in fact. The modern-day story is about foster child Molly, goth makeup and hair, piercings, who has trouble fitting in with the multiple families she’s rotated through. Not an orphan, her mother’s persistent drug abuse has made Molly a ward of the state of Maine. When she steals a copy of Jane Eyre from the library, she receives the surprisingly harsh punishment (reading ought to be encouraged, one would think, the classics especially!), of 50 hours of community service.

The job she finds is helping 91-year-old Vivian clean her attic, but it turns out Vivian doesn’t really want to discard anything; the tidying up is an excuse for her to revisit the boxes of memories hidden away up there, some of which she hasn’t touched literally or emotionally in decades. Vivian, it turns out, was one of the 200,000 abandoned, homeless, or orphaned children transported on the “orphan trains” from the East Coast to the Midwest during a 75-year period between 1854 and 1929. Many found loving homes, many others found conditions of neglect and near-slavery. It was a confusing, uncertain, and frightening time for them. (The orphan trains were the subject of an American Experience documentary, also, if you’d like to learn more about this topic.)

For both Molly and Vivian, growing up had its perils, though the advantages they had in sheer intelligence may have set them apart from other children in similar difficult situations. They both have secrets and have to learn to trust each other, if they are ever to be able to share them. A quick read.

*****The Fragrant Harbor

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Hong Kong, city at night

(photo: c2.staticflickr.com)

By Vida Chu – I don’t usually review poetry, it being strictly a case of “I know what I like,” but my friend Vida Chu has published a lovely, evocative collection of 43 poems, The Fragrant Harbor (Hong Kong), and I like it a great deal.

Her poems recall the legends of ancient China and the terrors of the Cultural Revolution, the dislocation of being far from one’s roots and finding home, and the attenuation of family relationships across generations. In beautifully quiet images, she indelibly describes Hong Kong, writing (“Fragrant Harbor”):

The city’s colored lights and stars
Embroider the velvet water.

I especially liked the poems that recall the days of scholars and monks, Emperors and concubines (from “Things I Never Told You About Chinese Painting”):

That Wu Daozi once brushed a huge landscape
onto the palace wall. When he pointed to the grotto
and clapped his hands, the entrance opened.

He stepped inside the painting
and disappeared
in front of the Emperor’s eyes.

The family dynamics Chu describes in many of the poems are universal. What people leave unsaid, the haunting family ghosts, moments of joy (from “Wedding Rain”):

With rings on their fingers
The couple sobbed in each other’s arms
The heavens applauded with a downpour

Like all émigrés, always a bit out of time and place, and in a way that for her has sharpened her perceptions, Chu also describes her roots in America (from “Foreign Students”):

Our lives no longer can be packed in suitcases.
We return to visit as tourists.

We have grown complacent in the rich feeding ground.
We have lost the passion to swim upstream.

This is a collection to read time and again. A special gift for a special person. Yourself? Enjoy!

*** New Jersey Noir

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New Jersey NoirEdited by Joyce Carol Oates. It isn’t a coincidence that I’m reviewing this 2011 book of noir short stories in the middle of two weeks of Sunday blog posts about a celebration of JCO’s teaching. When I knew I was going to the event, I grabbed this book from the “to read” pile.

Noir is distinguished from other types of mystery and suspense fiction by having a protagonist who’s a suspect, a perpetrator, or even a victim—an insider to the situation. Pretty much anyone but a detective/investigator. Often the main characters have a boatload of problems, usually of their own making. My favorite definition of these protagonists is crime writer Dennis Lehane’s: “In Greek tragedy, they fall from great heights. In noir, they fall from the curb.”

I’ve been an “in principle” admirer of Akashic Books’ now lengthy series of place-based noir anthologies, and picked up New Jersey Noir at a local bookstore event, where Oates spoke about it and introduced (I think) one or two of the contributors. Now I’ve finally read it and am disappointed to say many of the 19 stories and poems felt as if they could have happened anywhere.

Sheila Kohler’s creepy “Wunderlich,” for example, is about the bleak territory of aging, not the peculiar dynamic of New Jersey. Various other tales have no more than a whiff of Garden State verisimilitude, which violates the underlying rationale of the series, I’d think. Collectively, these stories hardly scratch the surface of the state’s noir potential, as a glance at any of our daily newspapers would reveal. People in New Jersey fall from curbs like lemmings.

Too many of the stories (for my taste) lean heavily on substance abuse problems, which it won’t surprise the reader to learn cause all kinds of heartache. I rather liked the Bradford Morrow story set in Grover’s Mill, perhaps because I’d just spent considerable creative time there, myself. “Glass Eels” by Jeffrey Ford captures the loneliness of New Jersey’s Pine Barrens, but is too similar in action to Robert Arellano’s “Kettle Run.” A story by Oates, “Run Kiss Daddy,” delivers a sufficiently oppressive atmosphere and dark underbelly to be the setup for a longer piece of writing. To me, the most interesting story is Jonathan Safran Foer’s “Too Near Real,” in which the protagonist follows the Google street view vehicle around Princeton, then watches himself “on the map.” Fresh and entertaining.

***How the Light Gets In

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Dionne quints, Louise Penny

The Dionne Quintuplets (photo: wikimedia)

By Louise Penny. Narrated by Ralph Cosham. Louise Penny’s Quebec-based Chief Inspector Gamache novels are wildly popular—this one was nominated for several awards, and it’s the second I’ve listened to. The story’s multilayered plot (no spoilers here) is a mix of the intriguing and barely plausible, but Penny’s characters and setting are nicely developed, not the cardboard cutouts that populate many mysteries. Penny’s first novels initially were called “The Three Pines Mysteries,” and this one brings in the remote village of Three Pines and its clutch of eccentrics quite believably.

In this book, ninth in the series, two investigations are under way. One involves the death of the last of the Ouellet (WEE-lay) quintuplets, modeled on Ontario’s exploited Dionne quintuplets from the same pre-fertility drug era. Penny might have been inspired by the photo of the real Dionne quintuplets, above, in devising a theme for her fictional quints of one being always a bit apart, separate, beginning even before birth.

The other, much shakier plot, is political. It suffers from the stakes-raising trend among mystery writers, who have decided an interesting death or two isn’t enough to capture readers’ attention.

Penny has a habit in this book of withholding from the reader. “He made two telephone calls before leaving the office.” Only later will we find out what those calls were. Use this device once or twice, OK, but it occurs so often, it starts to feel manipulative—I hear the author behind the scenes hammering together cliffhangers.

Apparently Ralph Cosham, who narrates the series, is well regarded for bringing Gamache to life, and he did grow on me a little, but generally I find him plodding. The book’s title comes from fellow Canadian Leonard Cohen’s song Anthem: “There is a crack in everything. That’s how the light gets in.” I didn’t tumble to the Cohen connection, though I understood the title and the cracks, even without the author’s explanation near the end. Ironically, in a post-story conversation between Penny and Cosham, she talks about the kinds of things that should be left unsaid because “the reader has to do some of the work.” I totally agree, and thought the title, which captured the book’s entire theme, was work I could have done and had done.

****Glimmer Train – Fall 2014

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Jewish man, Miami beach

(photo: by Sagie, Creative Commons license)

Glimmer Train doesn’t usually announce theme issues, except for the “Family Matters” issue, but a clear current in the 11 short stories in this issue is the desires and dislocations of immigrants and the desperation of those who want to immigrate. This is also the issue that includes the wonderful interview with Junot Diaz, covered in part by the First Draft blog.

The frustrations of would-be immigrants are explored in the story “Stowaways,” by Joseph Chavez, in which a man falls from the sky; in the poignant story “Hialeah” by Kim Brooks, about a gathering of Jewish men in Miami, strategizing how to convince the Roosevelt Administration to let a boatload of Jewish refugees land (you’ll remember this real-life episode of the SS Exodus 1947), and “Maghreb and the Sea,” by Robert Powers, which takes on the voice of a would-be African immigrant facing impossible hurdles trying to get to Europe, America—away. Told without dialog, it has the genuine feel of writing from that part of the world.

Other stories tell the trials and uncertainties of people newly in America and the pull of “home.” As author Mehdi Tavana Okasi says in his biosketch, his mother is convinced that, in Iran, he would have become a doctor. “Perhaps she is right. But there is no way to know the other scars I would bear. These are questions that can never be answered, and as immigrants, our lives are filled with them, the what ifs and if only I hads. It’s fantastical and dangerous.” And, thus, the stuff of fiction.

The wide-ranging interview with Junot Diaz also touches on immigration, in his case between the Dominican Republic and the United States. Of the two countries, he says “their shadows fall on each other.” He finds it a useful metaphor because, “all of us are haunted by the other world we call our past.” The immigrant can double down on that haunting.

10-28-14 ****Bastard Out of Carolina

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Bastard Out of Carolina, Dorothy Allison, Southern gothicBy Dorothy Allison – The West Windsor Library’s annual book sale is where I stock up on books I should have read a long time ago. Set in Greenville, South Carolina, this debut novel, published in 1992, was probably somewhat more shocking as a tale of parental oversight and abuse at the time, and so beautifully written it’s no surprise it was a National Book Award finalist. It remains a powerful and empathetic portrayal of class and gender differences in the 1950’s.

Prior to this book, Allison had published two volumes of poetry sharing the same main title, The Women Who Hate Me, and it’s interesting how she’s able to tamp that back and stay in the voice of the pre-teen first-person narrator, Ruth Anne Boatwright, whom everyone calls Bone, even as she reveals great depth and precision of language. Bone both lovingly and mercilessly describes the hard-drinking, violence-prone Boatwright men and the frustrated and hard-working Boatwright women. They may be poor—“trash” people call them and they call themselves—but they are tender toward Bone and her only thin protection against her mother’s new husband.

You may be familiar with the 1996 movie version of the novel, but I haven’t seen it. Anjelica Huston directed, and it starred Jennifer Jason Leigh, Ron Eldard, Christina Ricci, and Dermot Mulroney. Jena Malone played Bone. A 100% critics rating from Rotten Tomatoes!