Island Adventures

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Retribution by Robert McCaw

Retribution is the fifth in Robert McCaw’s series of police procedurals set on the Big Island of Hawai`i featuring Chief Detective Koa Kāne. Hawai`i of course has been on everyone’s mind lately, and McCaw creates an atmosphere thick, not with wildfire smoke, but with tropical sights, smells, and sounds. McCaw’s writing style is straightforward, yet he musical Hawaiian language and incidental descriptions of the environment create a rich portrayal of “place as character.”

Even a tropical paradise has its ne’er-do-wells. Late one night, as the book opens, a Philippine freighter heads toward the Big Island’s port of Hilo. Before it arrives, a mysterious passenger, with a single suitcase and a long flat gun case, disembarks on a powerboat—the first of a small company of mysterious characters whose presence presages a succession of violent attacks that rock the island.

Koa Kāne is called to investigate the vicious stabbing death of a local thief and drug user, in which his brother is soon implicated. Kāne must withdraw from this case, no matter how convinced he is his brother is being framed. The chief replaces him with Deputy Chief Detective Moreau, but Moreau has little investigatory experience and is trailed by accusations of excessive use of force. His only asset appears to be the unflinching support of Hilo’s ambitious new mayor.

The author conveys the kind of stand-up guy Kāne is, not in so many words, but by showing how those around him act toward him. Attacks on these people circle closer and closer to Kāne himself. What triggered this eruption of violence? The possible suspects operate on separate political and historical planes, and you don’t put the pieces of the story together until the last chapters.

McCaw never sacrifices character development to the maintenance of the story’s fast pace. While it’s hardly a tropical vacation, you nevertheless feel like the author has taken you someplace distinctive, and given you an engaging story there.

Incident at San Miguel by AJ Sidransky

Murder, lies, and corruption are the crimes at the center of this riveting piece of historical fiction, Incident at San Miguel, by AJ Sidransky. Like me, you may not have known or remember that, in the 1930s, with war clouds massing, many European Jews immigrated to Cuba, which welcomed them, gave them safe haven, and encouraged their businesses to thrive.

They did very well until 1959 and Fidel Castro’s communist revolution, when the Jews’ situation, like that of all wealthy Cubans, quickly deteriorated. The novels main characters are two brothers—Aarón and Moises Cohan—on opposite sides of the new political divide. Aarón is a lawyer, about to be married, and Moises is his younger brother, in love with a political firebrand and leader of the Havana-based rebels. Despite their differences, they share one core value: an abhorrence for corruption.

Sidransky does a remarkable job describing the island, the Old Havana, the colorful streets, the foods, the music drifting from every radio, rum and cigars—all the minutia of daily life. What I particularly admire is how he conveys the substance of the brothers’ lives: Aarón trying to figure out which staff members to trust, Moises traveling the broken highways to remote manufacturers, both of them trying to relate to old friends without putting either themselves or the friends at risk. And the risks can be deadly. The spies of the Revolution are everywhere. You can be on the inside one day and on the outside the next. Jail or worse awaits people deemed traitors to the Revolution.

Sidransky gives an especially thoughtful portrayal of Moises. Despite his hardline views and occasional bursts of feverish political orthodoxy, he never becomes a two-dimensional character. He believes absolutely in his work, and his biggest blind spot is his wife.

Their livelihoods and even their lives threatened, many Jews (and others) try to flee the island—a dangerous undertaking demanding much planning and absolute secrecy. When Aarón realizes he cannot stay, and indeed, at other times over the years, the brothers desperately need each other.

In the last section of the book, the brothers reunite after decades of infrequent communication, and we learn much more about their lives’ key events. At the end, I expect you’ll be satisfied that the big questions have been answered and understand how each man has found his own way. You’ll want to read the introductory material that explains how the novel is based on a true story and where it diverges from that history to become exemplary historical fiction.

Conspiracy Theory Season

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A new presidential election season is fast-approaching, and it would be timely to take a look at the American Electorate. The publication Military Times recently reminded me of a survey reported a decade ago that found 12.6 million Americans believed that “Lizard People” run the country. Reptilians are popular characters in science fiction and fantasy, going back decades. Time enough for people to distinguish fact from fiction, you’d think.

Also at that time, as reported in The Atlantic, 37 percent of Americans believed global warming was a hoax. (Time to re-ask that one.)

Conspiracy theories explain this confusing world in simplistic and sometimes bizarre ways. Some of them boost their appeal by pretending to secret knowledge, playing on alienated individuals’ desire to be “on the inside.” Think QAnon. In fact, one social psychologist has suggested that the smaller the group believing a specific theory, the more attractive it becomes. “You’re special,” the belief conveys.

Perhaps the difficulty is not what conspiracy theorists believe, but what they don’t believe. They don’t believe government and other leaders work in their best interests. This can morph into disbelieving any information from official channels—for example, that 20 children and six adults were killed at Sandy Hook, that COVID vaccines work. Loss of trust in social, political, and economic institutions has many causes, some quite compelling, which is why effective accountability efforts are so important. They are more than a response to a single incident; they preserve the integrity of the entire institution.

With the election looming, conspiracy theories are likely to blossom in classic and new forms. Sometimes these theories focus on supposed external enemies, and sometimes the enemies are within, like the lizard people. Americans who feel alienated and powerless are more likely to believe them, as a way of explaining why their lives feel out of their control (and it’s not their fault). Ironically, the result may be that they are less likely to take action to improve their situation, consigning themselves to lives of dissatisfaction.

Picture: SarahRichterArt for Pixabay

Top-Notch Espionage Movies? Ask A Spy

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Former CIA operations officer Mark Davidson is writing the new column, “Chalk Marks,” for the national security news outlet, The Cipher Brief. The column will explore his interest in the intersection of intelligence and espionage with literature, film and popular culture, and it promises to be quite entertaining.

His first posting responds to a frequent question he receives: “What is the best spy movie?” Of course, he acknowledges up front that the quality of the film has nothing to do with how realistic it is. He says, “I love the Mission Impossible films, but they are about as reflective of life in the clandestine service as Hogwarts is to boarding school.”

When it comes to realism, though, he has a solid recommendation from the Cold War era, which he believes strongly was the golden age of espionage—the John Le Carré/George Smiley era—a time when he says tradecraft and counterintelligence mattered most. He suggests:

The Good Shepherd (2006), directed by Robert De Niro and starring Matt Damon and a bunch of stars (trailer). While the film may be a little history-heavy (it ends in the early 1960s), it portrays “tradecraft, mindset and minutiae at a level that few films have ever attempted.” As a writer of stories, I find “mindset” vitally important. How would a character act in this particular situation? When a story gets it right, we barely notice; when it gets it wrong, we say, “they’d never do that!”

Hallmarks of this film are tradecraft, atmosphere, and how little things contribute to success or disaster. If you’ve watched Mick Herron’s Slow Horses, about disgraced MI5 agents, you’ve seen the importance of minutia again. Sometimes the complexity of the agent’s task is revealed by its going wrong. Davidson says, “The Good Shepherd is among the best at revealing the fine line between adrenaline and stress and the precipice between success and compromise that CIA officers experience every day, and how difficult it can be to know if you are winning or losing.”

In multiple scenes, Damon’s character works with CIA experts to tease information out of the unfathomable: analyzing a murky photo or sharpening a muffled recording. Davidson considers these scenes a rare and penetrating look at this vital aspect of the work. Of course 2020 technology has 1960s methods beat, but how analysts can patiently decode a less-than-optimal image or sound file “is breathtaking and the value, immeasurable.”

Davidson also appreciates the subtlety of some of the tradecraft. Signals are a good example. “An effective signal is seen only by the person it’s intended for; anyone beyond that is a problem.” He predicts that viewers will miss some of the ops acts in The Good Shepherd, at least the first time they see the film. “I missed several, and I did this stuff for a lot of years,” he says. All part of the fun!

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Writing Tips: 38 Ways to Improve

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Click-bait headlines like “The Six Grammar Mistakes Almost Everyone Makes” or “Ten Rules for Writing Mysteries” lure me in every time, so I shouldn’t have been surprised when a savvy friend forwarded me a blurb for The 38 Most Common Fiction Writing Mistakes by Jack Bickham. It was originally published in 1992 and reprinted in 1997. Anyone familiar with this book or him?

Amazon lets me take a look at the table of contents, and it’s charmingly aggressive: Chapter 10, “Don’t Have Things Happen for No Reason,” (so unlike real life, then); Chapter 16, “Don’t Let (Characters) Be Windbags,” (no BOGSAT* here); Chapter 28, “Don’t Worry What Mother Will Think”!; and, something every writer needs, Chapter 37, “Don’t Give Up.”

I have a shelf full of writing-advice books and some are really excellent. And some are more excellent at some times than others. A lot of this advice kind of passes over my head, but when I’m faced with a particular story problem, even one I can’t quite define, the same advice I’ve read many times before finally hits the bulls-eye. A book organized like Bickham’s would at least help me focus on what I think is the problem, though I may be wrong!

While a lot of story constraints and possibilities have changed since 1997—social media, cell phone ubiquity, as examples—the fundamentals of character development, plot clarity, and scene construction stay pretty much the same, unless you’re writing experimental fiction (which I find generally unreadable).

Bickham, who wrote and published more than 90 novels in various genres—crime, espionage, westerns—and under various names, died in 1997. He’s was a University of Oklahoma professor and was awarded the university’s highest honor for teaching excellence. I think that comes through in the down-to-earth approach he takes in this book. If you find you like The 38, he’s written five other books on such craft specifics as scene and structure, short stories, and the like.

If you know this book, tell us whether you found it useful.

*BOGSAT: Bunch Of Guys Sitting Around Talking

Image by Markus Winkler for Pixabay.

Travel Tips: Saratoga Springs

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Saratoga always brings to mind two things: horse racing and poor Adelaide in Guys and Dolls. She’s desperate for gambler Nathan Detroit to take her to Niagara Falls and tie the knot, but he never makes it that far. “And they get off at Saratoga for the fourteenth time . . .” See it here!

Our recent upstate New York trip included a stop-off in Saratoga, less than two hours north of New York City, where we watched an afternoon of graded stakes races. Our betting system has a perfect record: we lose every time! But not this time. We won enough on one race to come out ahead. That’s if you don’t count parking, what we paid for the program, and a bag of chips. But a very pleasant way to spend an afternoon.

If you do go, note that you don’t need to go through the complicated reservation system for the Turf Club and other sit-down restaurants. There are plenty of food vendors. And I’ll bet (this one I won’t lose), you can get a beer or cocktail, too. You can find an online map of parking (including free parking), but parking is not a problem.

The pair of trumpeters who play the iconic call to the post wandered through the reserved seats and entertained a bit—“When the Saints Go Marching In” and the like. There are about forty minutes between races for walking around, finding a snack, and seeing the paddock area.

But the big attraction not to miss is Saratoga’s National Museum of Racing and Hall of Fame “where the history of thoroughbred racing comes to life!” Fascinating permanent exhibits about horse racing in America (which started in the Colonial era with some of my ancestors) up to today. Artworks, replays.

And, at present, a special exhibit commemorating the 50th anniversary of Secretariat and his jockey, Ron Turcotte’s, astonishing 31-lengths Belmont victory (see it here). We have a friend who was at that race! It was an amazing performance.

My husband rides every week, and we couldn’t feel more respect for these wonderful animals. I know there are plenty of questions about the ethics of horse-racing, and I won’t convince any anti-racing advocates. Certainly, everything should be done to protect the animals, like adopting some of the European practices that make the sport safer there, and, possibly, my friend Eileen’s idea that major races like the Kentucky Derby shouldn’t be for three-year-olds. Giving them another year might let them gain strength. Various sources say equine skeletal development and bone growth is complete by age two, though the supporting muscles and soft tissue may continue to increase. When you look at that 1500-pound animal and those immensely slender ankles, it’s no wonder the sport is risky.

Still, a well-run horse race is a thing of beauty.

Related Reading: Hyperion’s Fracture by Thomas Kelso about the effort to safe an injured race-horse. The veterinary aspect was fascinating, though the pharmaceutical exec bad-guy a little over-the-top for my taste. You learn a lot while rooting for Hyperion.

Fort Ticonderoga: Key to the Continent

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A short trip to Upstate New York last week involved a smorgasbord of activities, including getting my thumb stung by a hornet, which I do not recommend as a vacation enhancement.

We used Glens Falls as our base and drove along the west shore of Lake George up to Fort Ticonderoga, site of so many battles in Colonial times. We didn’t visit Fort William Henry at the southern end of Lake George, because it is already so fixed in my mind by my favorite movie, the 1992 Daniel Day-Lewis Last of the Mohicans.

Instead, we headed to Fort Ticonderoga at the narrow southern end of Lake Champlain. The northern tip of Lake George and the southern portion of Lake Champlain, both north-flowing lakes, are connect via the difficult La Chute River. Although the river is only 3.5 miles long, it drops about 230 feet (more height than Niagara Falls), which made it a key portage point for the military, if not an easily traversable waterway. Fabulous views on this drive!

Fort Ticonderoga was a pivotal point in numerous battles; between French explorer Samuel de Champlain and the Iroquois (1609); during the French and Indian War, when the Colonials fought alongside the British (1758-59); and in the American Revolution when the Patriots fought the British (1775-1777). As you can imagine, it’s easy to get tangled up in this history as the flags flying over the fort were changing with great regularity.

To combat confusion, each year the nonprofit (non-governmental) organization that maintains the Fort and runs its extensive history education program, adopts a particular year and focuses some of its programming on the experiences of a particular set of combatants at that time. When we visited, the program was focused on 1760 and the final British campaign to conquer New France (i.e., Canada).

Another notable year in the Fort’s history was 1775. News traveled slowly in those days, and the fort’s small contingent of British occupiers hadn’t heard about the battles of Lexington and Concord—the start of the American Revolution. In the middle of the night, they were overwhelmed by a small group of Green Mountain Boys, led by Ethan Allen, and Massachusetts militia, led by Benedict Arnold (still on the American side at that point).

Their purpose in capturing the fort was to seize its cannon and transport them three hundred miles over the snow-covered Berkshire mountains to Boston. The cannon were desperately needed there, in order to end a nearly year-long British siege. Several famous artworks depict the struggle over rough terrain by men and oxen, but it is apocryphal that oxen were used in this way. The cannon were pulled on sleds by horses, no easy feat, either, though the myth persists.

Don’t miss the boat trip out into the lake which provides helpful views of the Patriots’ various military positions on both sides of the lake, including Mount Defiance and Mount Independence. Ticonderoga was uniquely situated to control any forces seeking to travel south from French Canada and thereby, it could protect the entire Hudson Valley, Albany, and New York. Although New York itself was in British hands, it could not be resupplied by this route.

Aside from the costumed tour guides and staff who put on a wide variety of programming, the property includes a really beautiful “king’s garden,” corn maze, hiking trail, colonial crafts demonstrations (tailoring, shoemaking, musket maintenance, and the like), and spectacular scenery. Kids and grownups were having a great time! We did too. Except for the, you know, hornet thing.

Photos: of the fort by Mwanner and of the soldiers by Gin; each used under this Creative Commons license, no changes made.

A Pair of Timely Thrillers

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Let’s hope the political shenanigans James McCrone uncovers in Bastard Verdict stay squarely in the fictional realm, but, really . . . And Polly Stewart’s The Good Ones shows the warping power of true-crime obsessions.

Bastard Verdict by James McCrone
Thriller author James McCrone must have had his crystal ball turned up high back in 2014 when he wrote the first in his four-part series of political thrillers, Faithless Elector. The fourth, Bastard Verdict, is just out and paints another frightening picture of the way electoral politics might devolve in the current ruthless climate.

This time, he focuses his story around the doubts about the 2014 Scottish Referendum on independence. Voters who said ‘Yes’ wanted to leave the United Kingdom ; those who said ‘no’ wanted to stay. Strong arguments and opinions on both sides. Powerful forces in London wanted Scotland to stay, and a few well-positioned men were not above some pretty dirty tricks to make sure the vote went in their favor. In this novel, a a second referendum on this same question is looming, and the behind-the-scenes cabal fears its past maneuverings are getting a too-close examination.

Into this political minefield strolls McCrone’s protagonist, Imogen Trager, an FBI agent on leave in Scotland for a year to do some research on referenda politics. You’d think that exposing the Faithless Elector case would have put her in the Bureau’s good graces. Quite the contrary. She’s been shunted to a backwater post in the election integrity unit and her bosses are only too glad to ship her across the Atlantic.

McCrone expertly establishes the story’s setting in several Scottish locales, betraying an intimate knowledge of the terrain and the culture, the pubs, Glasgow’s gangster vibe. He uses Scottish dialect is just enough to make you feel right there with Imogen as the deadly cat-and-mouse game begins.

As we’ve learned in so many political fiascos, the cover-up is more disastrous than the crime itself. As her opponents gear up for Round Two, she and her colleagues will lucky to stay one step—even one half-step—ahead of danger. Democracies require a lot of faith in the process, and McCrone consistently identifies ways that process can go off the rails. The trend line of electoral trickery, obfuscation, and, even violence makes this novel fair warning.

The Good Ones by Polly Stewart
One takeaway from Polly Stewart’s mystery/thriller The Good Ones is: “Everyone’s a hero of their own story.” Narrator Nicola Bennett is fixated on what she sees as her own role in instigating the mysterious disappearance—and possible murder—of her best friend Lauren Ballard nearly twenty years earlier.

Nicola has newly returned to rural Virginia’s (fictional) Tyndall County to be with her dying mother, and now she’s fixing up her their dishevelled house for sale. This suggests a second theme, one from Southern writer Thomas Wolfe: “You can’t go home again,” or at least in Nicola’s case, perhaps you oughtn’t to. Along the way, Stewart also provides food for thought regarding how people’s private pain is being turned into public entertainment via social media.

Nicola dwells on her and Lauren’s experiences on the high school soccer team, the drunken teenage parties and female rivalries, Lauren’s mean streak, and memories of her and Lauren’s relationships with two wealthy brothers. Then one night when the brothers were out of town, Lauren disappeared.

The wealth of detail about their teen years contrasts with surprisingly sparse filling out of Nicola’s present life, except for the lusty affair that develops between her and Lauren’s former husband. When she starts receiving harassing messages, Nicola seems only intermittently troubled by any threat they may represent. This dampens the story’s tension.

I’ve recently read several richly imagined books about rural Virginia, and Tyndall County lacks the rural noir vibe. Generally, Stewart’s characters live on the right side of the tracks. They have middle and upper-middle class preoccupations. Yet, in Nicola’s many flashbacks, she certainly captures the high school atmosphere and all its behavior-warping glory. With luck, if Nicola finds the answers she’s seeking, she can finally move on.

Fiction as “the Humanizing Act”

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Author KL Cook began his writing career as an actor, unlike so many of us who always knew we wanted to be writers. When he finally began to write, he immediately recognized that his theater training was perfect for fiction writing. Perhaps it’s the practice in taking on different characters’ personas in a deep way, figuring out how each one relates and reacts to the others, learning to put oneself inside the story—being not an observer, but an “experiencer.” He’s said, “I think of writing as performance—something that ideally enchants, haunts, and persuades through the senses.” This is a strategy all writers can practice. If you were your character on stage, how would you be? relate?

From his theater background, which included studying and performing the works of Shakespeare, he found the kind of complex characters authors strive to achieve. “You can never reach the bottom of them,” he says. Hamlet, Iago—they contain mysterious contradictions. It would seem that the struggle to try to understand them is what prepares writers for creating their own story characters.

Cook’s principal character in the award-winning novel, The Girl from Charnelle, is a sixteen-year-old girl. He says that while writing the book, he sometimes felt as if he were such a girl. But he had some false starts. He wrote the whole 400- page novel in the third person, then rewrote it in first person and wasn’t satisfied with the result. The narrator had to look back at her sixteen-year-old self make some judgments and interpretations that took some of the tension out of the story. So he switched it back to third person, in what must have been a tear-your-hair-out decision! Revisions, revisions, all along the way. The message here is that even changes that require some massive amount of work like these, help you get inside your characters and understand their stories better. Whatever, it worked, and gained great acclaim.

Having made that switch myself in one novel (which has multiple point-of-view characters, only one of which changed) and one short story, I can attest that it involves much more than switching pronouns.

Writing a character very different from yourself requires seeing the world in a different way—part of the challenge and the fun of it! “The only limitation is imagination,” Cook has said. This sound like a more controversial point of view than it once was, now that we’re in the era of sensitivity readers. At the same time, I believe, as Cook has said, that “Access to other lives is why fiction is such a great humanizing art.” People different from us.

Inhabiting characters different from oneself requires giving them their due—making them neither cardboard cutout villains nor perfect specimens. You find out in my novel, Architect of Courage, that the main character has been having an affair. Worse, when he finds his lover dead, he panics and does a very human thing—he panics and runs. But how to make that situation real, not cliché? I tried to make his situation believable in the first chapters by clearly describing his wife and his lover, who were totally different in personality, appearance, and behavior. Neither was a bad person. No bitchy wife or scheming younger woman. It had to be plausible that he could, as he eventually realizes, love them both, independently.

KL Cook’s award-winning books span genres. His first book Last Call, is a collection of linked stories and a novel about the lives of a Texas panhandle family (and I should read them, because that’s where my grandparents lived!). He’s published other short story volumes, a book of poetry, and essays on fiction-writing titled The Art of Disobedience. Sounds like another worthy read. He’s an English professor and co-director of an MFA program at Iowa State University.

Crime Stories That Take the Heat

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Heavy-duty noir seems not quite right for sunny, summery August. So here are two recent books light and bright enough to compete with surf and sand: The Tumbling Girl by Bridget Walsh and the comic novel Clonk! by JP Rieger.

The new Victorian-era mystery The Tumbling Girl blends murderous deeds with a healthy dose of romance between an unlikely pair of investigators. It evokes the sights, smells, and sounds of 1870s London, while believably capturing the social class distinctions of the day.

Minnie Ward is a retired music hall performer who writes songs and skits, and day-to-day oversees the Variety Theatre’s mix of tumblers, tightrope walkers, singers, not-so-funny comedians, Shakespearean actors, plate-spinners, and more, including a troublesome monkey. With this crew, something is always going on—cast-member drama, audience eruptions, the monkey in the rafters peeing on the customers below. Author Walsh has created a world that is intriguing, full of story possibilities, and rife with unexpected developments.

Albert Easterbrook is a public school-educated private detective. His friends in the police force are tracking a serial killer who has targeted the city’s women for a decade. Footsteps in the dark and chance encounters can be more than a little anxiety-provoking for Minnie and her friends.

When one of the acrobats is found hanged below the pest-ridden Adelphi Arches, the police dismiss her death as a suicide. But Minnie and the girl’s mother don’t believe it; they want Albert to find out what really happened. Minnie volunteers to help him, despite his objections that it’s too dangerous, as it proves to be. You also have a chance to see a bit of Victorian high-life, as members of the most exclusive gentlemen’s club in London seem to be involved.

If I had to sum up this story in a single word, it might be “romp,” because it moves fast, there’s plenty of entertainment along the way, and, even if you’re pretty sure where Minnie and Albert’s relationship will end up, getting there is half the fun.

In Clonk! you follow eight guys, friends from high school, who’ve managed to stay in touch and call on each other’s help for all kinds of matters, great and small. You might term the book a police procedural, because the main character, Kev Dixit, is a Baltimore, Maryland, police officer, but his procedures are hardly textbook. He has a brilliant way of subverting the system and solving problems outside—sometimes far outside—any approved method. His way of outfoxing the detective exam is LOL.

Two of these longtime friends are not nearly as bright as they think they are and become embroiled in a fraudulent real estate scheme. Arson is involved. In their worst possible moment, their old pal Kev helps them out, along with Chris, an ever-optimistic actor and terrible singer who believes his big theatrical break is always just around the corner, and Brian (the Troll), an undertaker. Yes, a dead body is involved.

Three more alumni of their Catholic high school who play smaller, but plot-vital parts are a disgraced doctor, an agoraphobic FBI agent, and an over-the-top attorney called in to save the doctor’s bacon.

You’ll find some uniquely Baltomorean touches and topics here, yet you can get the sense that these guys are essentially well-meaning, occasional screw-ups whom you could find almost anywhere. Occasionally they reminisce about their high school days as (no surprise!) the weirdos no one else wanted to spend time with. These backward glances lay the groundwork for how they react in a crisis as adults. And the crises keep coming.

A lot happens in this book’s 217 pages, as the world of policing the Dixit way hurtles forward. The novel is a testament to the value of loyalty and friendship, with Dixit, as author Rieger says, “a fortress in the storm of life’s absurdities.” Loved it!

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The Epilogue of August

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The Epilogue of August, the captivating debut crime mystery by Jennifer Milder, unwraps the title character’s secrets like a succession of nesting boxes. It demonstrates the truth William Faulkner captured when he said, “The past is never dead. It’s not even past.”

Janus is a middle-aged woman living in Brooklyn when she receives a phone call she’s awaited for years. Her mother, August, is dying in the oceanfront town of Seaville, North Carolina. Bad timing, of course. The Thanksgiving holiday looms. Janus has no desire or, initially, no intention to go to her prickly mother’s bedside, but there’s no one else. She goes. The competing pulls of duty and self-preservation are palpable here. In a way, it’s curiosity that wins out.

The name Janus (mostly called Jan in the book) is a perfect choice for the main character. Looking backward and gradually revealing the layers of her mother’s and her own lives—eventually, even her grandmother’s—and looking ahead to her mother’s death is exactly what occupies Jan in this novel.

Jan has indelible, unhappy memories of her chaotic early years living with her single mom in camps and communes. August has painful memories too, especially of the murder of a pair of sisters that took place in the town one long-ago summer. Nelson McCready, a young Black man, was tried and acquitted of one of the killings and never brought to trial for the other. Because technically the case is still open, he can’t leave, sentenced to live in a community where everyone believes him guilty.

As August’s fragile health declines, Jan seeks out friends from her own past and that of her mother and grandmother. You may anticipate a few of her discoveries, but author Milder has significant twists in store. To Jan, the journey she’s on is personal, but as her mother’s story is gradually revealed, she comes closer and closer to uncovering the secrets behind the long-ago murders.

All told, this is a complex, layered portrait of mother and daughter, and even though family dramas are not usually my cup of tea, here the characters are completely, heart-breakingly believable. Coupled with an accomplished writing style, that realism makes the story immersive and deeply engaging. The story packs in so much, it’s hard to believe that the present-day action takes place over the course of only about a week.

The book appears to be self-published, and a commercial publisher might have suggested different formatting choices. Some readers may be put off by the book’s 579 pages, but that number is misleading. The way the pages are laid out there are fewer words per page than in a conventional book and, trust me, it moves along rapidly. This is a truly remarkable debut, and I look forward to more from this author.