In the documentary film Still Dreaming, a dozen residents of an assisted living residence take on a very challenging six-week task—to learn and perform Shakespeare’s A Midsummer Night’s Dream. Most are Broadway stage veterans—actors, dancers and musicians—who reside at the Lillian Booth Actors Home in Englewood, New Jersey. Despite frailties such as decreased vision, dementia, and depression, they eagerly take on demanding roles.
Filmmakers Hank Rogerson and Jilann Spitzmiller say they “discovered a group of people who have spent their whole lives following their dreams, some wildly successful, and some hardly at all. And here they are, retired, supposedly having given it all up. What we witnessed was an awakening, and it was truly profound and most certainly inspiring.”
Several of the performers are particularly engaging. Charlotte Fairchild, who plays Puck, had leading roles in Damn Yankees and 42nd Street and was the understudy to Angela Lansbury in Mame. She has Alzheimer’s disease and cannot retain much, but she still has a strong, clear soprano voice and finds joy in her portrayal. Dimo Condos, who plays Theseus/Oberon, is an eccentric, solitary man who studied with Uta Hagen, Elia Kazan, and Harold Klurman at the renowned Actors Studio. He is a bully, impatient with cast members who don’t remember their lines or lose their place. But he retains the ability to immerse himself in character and involve the audience.
Joan Stein, the production’s pianist, is literally bent over the piano stool, but adds punch and panache to the show. She was a pianist on Sid Caesar’s Your Show of Shows, among other credits. Her playing becomes more vigorous and emphatic as the rehearsals progress. Aideen O’Kelly bows out of the production because she cannot see the script well enough to learn her lines. During her Broadway career, she appeared in Othello with James Earl Jones and Christopher Plummer (a production your website host Vicki Weisfeld saw in Washington, D.C.). Now she must watch from the sidelines.
In Midsummer, as in real life, “people live in colliding worlds of reality, illusion, and delusion” and they also may “age into some degree of dementia in which memories blur and the present becomes a slippery slope,” suggested Eric Minton in a review of the film on Shakespeareances.com. This turn of mind is why the setting for Still Dreaming, which at first seems so odd, turns out to be so right.
The full-length feature film is currently doing well on the festival circuit, most recently screening at the Sedona Independent Film Festival. The filmmakers hope that this exposure brings opportunity for wider distribution. Learn more at the Still Dreaming website. Reportedly, it will become available on DVD in April.
This review is by Tucson-based guest reviewer Jodi Goalstone, who writes the highly entertaining blog Going Yard, Offbeat Baseball Musings and is gearing up for a new baseball season!