Tag Archives: reading

*****Miracle Boy and Other Stories

Posted on by
cock fight, cockfight

(photo: wikimedia)

It’s hard to pass up a book by someone with the irresistible name of Pinckney Benedict, and you shouldn’t. His 14-story collection, Miracle Boy and Other Stories, is something that will stay with you a long time. (“Miracle Boy” was made into an award-winning short film—trailer). I came away with a strong sense of the people, animals, and the not-necessarily-explainable happenings in his narrow, timeless Seneca River valley setting, an oasis where myth, history, modernity, and even the future exist side-by side. Other readers have been similarly entranced.

The following quote, from a boy talking about how he copes with the world, demonstrates the deceptive simplicity of Benedict’s prose: I could usually get along by just looking them straight in the eyes and smiling and nodding and making little noises like I understood [what they said] and I thought what they were saying was just great. (“Bridge of Sighs”)

How many of us have faked it just like that?

Several themes (no doubt many more than my weak skills can identify) pervade many of these stories. The possibility of falling, literally and symbolically, is a strong one. It appears in the eponymous story, in “Joe Messinger is Dreaming,” and in the jet crash of “The World, The Flesh, and the Devil”: The wet soil of the field looked soft as a featherbed. It seemed inviting, as though it wanted him simply to loose his hold on the ladder, to spread his arms, and drop down sprawling onto it. (“Mudman”)

The close melding of humans and their animals weaves throughout. Benedict’s dogs are not the bright, cute fellows cocking their photogenic heads at us in our friends’ Facebook posts. Animals can be victims, when an epizootic plague strikes the valley’s farms, or aggressors in stories of dog and cock fights. They can take on (distressingly) human qualities and tend to look out for #1 (not you). Feel the speed and powerful movement in this passage about a pack of wild dogs chasing a downed aviator: He shoved his way forward in the pack, striving for all he was worth, until there were no dogs in front of him. He flew through the forest, and the frontrunner’s howl broke from his throat, and the dogs behind him took it up adding their voices to the awful wail. (“The World, The Flesh, and the Devil”)

The river valley’s isolation nurtures altered mental states in which interpersonal connection falter and sizzle out: For a brief instant (my father) stood still, motionless as I had never seen him. It was as though a breaker somewhere inside him had popped, and he had been shut off. (“Mercy”)

I ordered this book because of an interesting interview with Benedict in Glimmer Train, and feel quite smug that I ordered it from his independent publisher, Press 53 of Winston-Salem, North Carolina, not Amazon. At the time I ordered, Press 53 was engaged in its “Books for Soldiers” campaign, and because of my purchase, mailed a book to a deployed or recovering U.S. soldier at no additional charge. Nice!

Related articles

****Ordinary Grace

Posted on by
William Kent Krueger, Ordinary Grace, Edgar Award

farm3.staticflickr.com

By William Kent Krueger (narrated by Rich Orlow) – Ordinary Grace: A Novel
(2013) was on many prize-giving organizations’ 2013 “best of” lists and won the 2014 Edgar Award for Best Novel from Mystery Writers of America. Krueger, known for his Cork O’Connor series, wrote this stand-alone, because he wanted to explore Aeschylus’s seemingly paradoxical notion of God’s “awful grace”—awful in the overworked sense of “awesome,” and started thinking about the characters that would let him do that and the situations they would be in that required the wisdom from that awful grace. The ordinary grace of the title also figures in the story at a key moment.

Because this is not in the tradition of his crime novels and is a coming-of-age story with a crime in it, the novel focuses on a thirteen-year-old boy and his stuttering kid brother. The interactions with the townspeople all seem true, and they are vivid, rounded characters, not necessarily fully admirable. But it’s small-town Minnesota (lots of literary crime in that state in recent years), and nothing about life seems dark or dangerous to these two preacher’s boys until the bodies start showing up, down by the railroad trestle. I felt the rumble of that plot coming a long way down the track, but if the book didn’t offer big surprises, it had a few smaller ones, and was delivered with evident heart. It was refreshing to see boys the reader knows will grow into good men, not deranged serial killers. Narration excellent, especially the characters of Gus and the Sioux, Warren Redstone.

Krueger says he’s a writer “in part because of the scary stories I used to hear around campfires when I was a boy scout.” Readers can thank those dancing flames.

Related articles

****Glimmer Train

Posted on by

Recently finished the Winter 2013 issue of Glimmer Train, one of the most competitive literary magazines on the U.S. scene, with 32,000 submissions a year. Its almost 200 pages included nine short stories and an interview with author Pinckney Benedict (after reading this interview and reveling in his awe-inspiring name, I bought his most recent book, Miracle Boy and Other Stories; apparently, he’s inspired other readers, too). $19.95 from Benedict’s hard-working small publisher, Press 53; $17.96 from amazon. Hoping my extra $1.99 is nurturing the dream of small publishers.

wrecked boat, ribs, sea

(photo: pixabay.com)

Among the stories, I especially liked “Angstschweiss” by Susan Messer, and anyone who’s had to make a trepidatious visit to a nursing home, rehab hospital, or other institution caring for the wreck of a loved one remembered in full-sail, will identify. The title of her novel, Grand River and Joy, Detroiters will recognize as an intersection, and far from being an uplifting statement, the book explores the city’s racial tensions that exploded with the 1967 riots—“complex, challenging, and bitterly funny.” On the “to read” list.

Two stories—“Wilderness of Ghosts” by Janis Hubschman and “Patient History” by Baird Harper—focused on young women troubled at leaping the chasm from late adolescence to “what’s next.” “Gladstone,” a charming story by Marjorie Celona, nicely capture the skewed neighborhood observations and preoccupations of a group of 10-year-old boys. Her novel Y—about the fractured life of a newborn baby left at the YMCA with a great many questions—one Goodreads reader said, “I don’t think I have ever been so sad to see a book end.”

Related articles

****Spycraft

Posted on by
Desmond Llewelyn, Q, James Bond, Spycraft

Desmond Llewelyn as “Q” (photo: wikimedia.org)

By Robert Wallace, H. Keith Melton, and Henry Robert Schlesinger. Foreword by George Tenet, narration by David Drummond. The digitization and miniaturization everywhere in our daily lives has affected tradecraft in the espionage world, too—and sometimes began there before entering the consumer market. Initially, the CIA tried to heavily censor Spycraft: The Secret History of the CIA’s Spytechs, from Communism to Al-Qaeda, but eventually ended up making almost no changes. The book details the history of the Agency’s Office of Technical Services—the department that, since World War II, has come up with all the dead drops, audio surveillance techniques, secret inks, espionage gear, and so on needed by field agents. Q, in other words.

Co-authored by a former OTS director, Spycraft begins with a review of cases involving some of the most notorious and significant, mostly Soviet, spies run by the CIA, then turns to a detailed review of various spycraft essentials and what makes them work—or not—in the field. The history of the Soviet spies, most of whom were discovered and executed, provides an appreciation for the steady improvements in technology, though it’s pretty much a mug’s game, because improvements in detection soon follow. The challenge is to remain one step ahead. I didn’t come away with a satisfactory answer to the key question: with all this amazing technology, how come the CIA has missed the big plays? 9/11, Iraq’s true WMD situation, the Arab Spring?

For anyone writing spy and espionage fiction, Spycraft summarizes innumerable backstory issues and technical details that must be right! But beyond these specifics, the choice of what OTS worked on and how the technical officers solved problems reveals the dilemmas faced by field agents. Other readers may simply be amazed at the scope and persistence of this clandestine effort. (Amazon reader rating: 4.5 stars.)

Related articles

*****Pictures at an Exhibition

Posted on by

Sara Houghteling, Nazi art, Monuments Men, Pictures at an ExhibitionBy Sara Houghteling – “A thriller, a travelogue, and a mystery,” said the Minneapolis Star-Tribune about this 2009 novel, the story of Max Berenzon, son of a successful Parisian art dealer who, in the 1930s, falls in love with a woman, Rose Clément (the real-life Rose Valland), assisting in his father’s gallery. The three share an encyclopedic knowledge of the artists and artworks then in museums and galleries and private hands.

As Jews, the Berenzons must hide in the countryside during the war, returning to a ravaged city, their hidden artworks looted, the gallery burned, and little chance of recovery. Those familiar with The Monuments Men will appreciate this perspective on the story. (In the movie, Rose is played by Cate Blanchett and called Claire Simone). Houghteling weaves a good story that keeps the pages flying, and writes with vivid style: “That same winter, I was in Le Puy, where the stark, bare tree branches were like Chinese calligraphy against the sky.” Lovely.

Berenzon’s father advises him to give up searching for the family’s lost artworks, advising they will not be recovered for subsequent generations. And, indeed, regular news reports tell of the “discovery” and return of looted works, where that is possible, is the ongoing purpose of The Monuments Men Foundation. Says Houghteling in a postscript: “The locations of some 40,000 art objects remain unknown. They are in public and private collections and, many believe, in the former Soviet Union, plundered a second time by Stalin’s Trophy Brigades.”

Getting There Is Half the Fun

Posted on by

If travel is in your summer plans—whether by plane, boat, foot, auto, imagination, or whatever—NPR has worked up a booklist for you (and your kids)! Only a rather diabolical sense of humor would team up Anna Karenina and The Little Engine that Could. But NPR has faith you’ll get it. Hmmm. Sorry to say I forgot to check that particular list for Murder on the Orient Express. But you get the idea. As NPR says, “This summer, we’re focusing on the journey.”

On our recent trip to Ottawa, I could stay up as late as I wanted and read four books, even had an excuse to go to the bookstore to pick another. It was heaven! I’ve written about the joys of destination reading before, and NPR’s mode-of-transport approach provides an entertaining new wrinkle—“a surprising, serendipitous book discovery experience for the summer months.” Already listeners and NPR online followers are enriching the network’s dozen lists with their own suggestions, and you’re invited to do the same at the NPR website (link above) or to tweet them with the hashtag #bookyourtrip.

Enjoy!

****Ordinary Heroes

Posted on by

Scott Turow, Ordinary HeroesBy Scott Turow, this World War II tale (2005) started off slowly for me, but by the time the main protagonist (the narrator’s now-dead father) is in the European war zone, I was hooked. The narrator discovers that his father, a Captain in the U.S. Army’s Judge Advocate General’s office, was court-martialed near the end of the war and could have faced a firing squad for his actions in pursuit of an OSS rogue spy.

The framing story that introduces the narrator’s quest to excavate his father’s past wasn’t quite compelling enough and the big reveal not that much of a surprise, but the book’s middle was terrific. Characters were well developed, and various hellish aspects and moral conundrums of war convincingly frustrated the captain’s search for the spy at every turn. Coming to terms with the damage of war was a life-long project for the father, carried on silently throughout the narrator’s life. New York Times reviewer Joseph Kanon liked it, too.

Related articles

Nordic Noir – Scandinavian Crime Fiction

Posted on by
clouds, sky

(photo: wikimedia.org)

Readers and fans of modern crime novels have been aware of the Scandinavian writers’ mafia for some time—long before The Girl Who/With . . . trilogy commandeered airport book stalls. Stieg Larsson was, in fact, only one of the hundred or so crime authors from Norway, Sweden, and Denmark whose books have been translated into English. “The crime tale has become to Scandinavia what the sonnet was to Elizabethan England: its trademark literary form,” says Lee Siegel in “Pure Evil,” a recent New Yorker essay on the rise of Scandinavian crime fiction.

An early signal of the impending invasion may have been the unexpected success of Smilla’s Sense of Snow, by Danish author Peter Hoeg (1992), a book I enjoyed greatly. As did a friend of mine’s mother, luckily only slightly injured when a tractor-trailer jackknifed in front of her on the New Jersey Turnpike and her car slid underneath. As the EMT’s loaded her into the ambulance, she yelled, “My book! Get my book! It’s on the front seat of the car.” Smilla’s Sense of Snow.

A line from Swedish crimewriter Henning Mankell—“every good story has a mystery in it” titles the home page of this website. He’s familiar to American readers and PBS Mystery! watchers for his Inspector Kurt Wallander mysteries. Several of these novels have been dramatized starring Kenneth Branaugh of the tiny mouth and co-starring the unutterably grey-and-gloomy Swedish skies.

From what source did all this high Nordic gloom arise? Siegel’s essay, which features Norway’s popular author Jo Nesbø cites several causes, perhaps most significantly the unsolved 1986 assassination of Swedish Prime Minister Olof Palme, shot in the back while walking home from a movie theater. “The paranoia engendered by Palme’s killing,” Siegel says, “endowed the Scandinavian crime novel with a horrifying vitality.”

Also, in Norway—the territory of Nesbø’s Inspector Harry Hole novels—the discovery of oil led to a newly privileged class, and the social fears and resentments that ensued became fodder for the crime novelist, Siegel says. You will recall how in 2011, those class differences erupted in real life, when Anders Behring Breivik with bombs and guns killed 77 people, “most of them the young sons and daughters of the country’s liberal political élite” murdered at an island-based Workers’ Youth League camp.

Harry Hole of the Oslo Police Department is the protagonist in ten of Nesbø’s books—works that “stand out for their blackness.” Nesbø himself, on the interesting author-interview website Five Books (which also has interviews about Swedish and Nordic crime fiction), talks about how the mentality of the criminal is “actually very similar to the mentality of the police. And that is true for the main character in my books, Harry Hole. He experiences the same. The people he feels he can most relate to are the criminals that he is hunting.”

Nesbø’s books have sold 23 million copies in 40 languages, and several are on their way to being made into movies, suggesting that social fears and resentments are not themes confined to a single geographic locale, even if they can be presented in bleaker aspect against a lowering sky.

Read more:

Scandinavian Crime Fiction – billed as “your literary portal into Northern deviance,” featuring numerous authors, downloadable books (audio and e), and other resources

A Cold Night’s Death: The Allure of Scandinavian Crime Fiction – a guide from the New York Public Library

No. 1 With an Umlaut – Boris Kachka in New York magazine includes Iceland and Finland in his guide to this “massive iceberg of a genre.”

Enhanced by Zemanta

***Ellery Queen Mystery Magazine

Posted on by

Just finished the May, June, and July 2014 (how do they assign the date to this publication?) issues of EQMM. As always, a real mix of styles, eras, and plotting in the 28 stories therein, by both new and established mystery writers. Among the stories I liked best were those by:

homeless, dog

(photo: shiftfrequency.com)

  • Frankie Y. Bailey really got my curiosity going. She has a new book out, The Red Queen Dies
  • Alex Grecian – in whose story, a woman’s wireless pacemaker is threatened by a mysterious caller. Grecian, author of the NYT bestselling historical mystery The Yard, might have read the April 30 story on this website!
  • Brian Tobin’s “Teddy,” about a homeless man’s love for his dog, was powerful writing. Tobin’s two novels, The Ransom and A Victimless Crime, have been well-received.
  • I’ve grown to like the EQMM stories by Dave Zeltserman—two of whose mystery tales, A Killer’s Essence and Outsourced, are being optioned for film—which put a 21st century twist on the Archie-Nero Wolfe relationship. In Zeltserman’s version, “archie” is a “two-inch rectangular piece of advanced computer technology” that his owner, Julius, wears as a tie-pin. While Julius talks, Archie researches. Cute.
  • Liza Cody has created an engaging, not-so-sure of herself police constable Shareen Manasseh to good effect, and another story with Manasseh appears in the British Crime Writers’ Association’s new collection, Deadly Pleasures, and many novels, most recently, the Dickensian Lady Bag.
Related articles

Travel Websites for Readers

Posted on by
travel diary

(photo: c2.staticflickr.com)

The Literary Traveler website links travel experiences and opportunities with the books, movies, and other artistic output originating from that place. Articles often feature out-of-the-ordinary places and themes, as well as locations with a literary past or some other relevant hook. For example, a recent article on Dubai described a Festival of Literature held there. This fall, the site organizers are planning a group trip to New Orleans, complete with reading list. You’ll find descriptions of hotels that have artistic connections and gear recommendations. There’s a fun blog, too, of readers’ travel adventures.

BootsnAll is a website for independent travelers that, inspiringly, features RTW (Around the World) travel. I chuckled seeing a recent article entitled “The Importance of Optimism”—no doubt a necessary bit of mental gear for dealing with the adversities ambitious travel agendas are likely to present. The site covers a full range of information for travelers, including a section on literature and a nifty travel planner to launch those wanderlust dreams.

Travelforkids.com includes book suggestions for just about wherever travel may take you and your children. Pleased to see a book of favorite Japanese children’s stories I’ve given as a gift is currently featured on the home page!

Related “First Draft” blog post: Backpack Books.

Related articles