The Murder Show by Matt Goldman

Author Matt Goldman is part of that tribe of television writers who have made a successful jump into print. These authors have in common their ability to establish steadily rising action with no lulls and visual imaginations that let them describe scenes so that readers can easily picture them. And they aren’t reluctant to deploy a little authentic humor. Goldman’s first book was nominated for a number of awards, and the new one, The Murder Show, will likely garner equal attention.

In this story, Ethan Harris is the fortyish showrunner for a television series called The Murder Show. He’s abandoned New York and arrived tonight in his home town of Minneapolis, in the hope that a different setting and atmosphere will give him a great idea for the show’s next season. It has to be good, because the show is one bad idea away from being cancelled altogether.

To his surprise, his high school best friend and almost-girlfriend Ro Greeman, still lives in the house behind his. She’s on the Minneapolis police force, as is her high school boyfriend Marty Mathis, which brings Ethan into much too much contact with his high school nemesis.

Ro has an idea for The Murder Show. Of course. Everyone does. Ethan’s heard so many of these he’s initially skeptical, but over time, her idea grows on him. She wants him to recreate the mysterious death of their friend Ricky O’Shea, killed in a hit-and-run on a rural road after his car broke down. Maybe the show would prompt someone who knows something to come forward, even after all this time. And, she eventually reveals, his isn’t the only such fatality in the area. If Ro hadn’t noticed a recent case so similar to Ricky’s, she wouldn’t have recognized the pattern.

Although Ro’s idea could reflect wanting to spend time with Ethan or be a way to get help outside official channels—whichever—Ethan proves himself a resourceful partner. And she needs one!

The quick-witted, teasing banter between Ethan and the women in the story deserves mention, because it rings true. That’s another thing television writers can do (the good ones, that is). They can write believable dialog.

Though much of the story takes place in urban Minneapolis, the trips to the rural areas, past and present, are well described. Fast-paced at both the plot and character development levels, this book is one a great many readers will enjoy. I certainly did.

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***Freefall

cyberspace

photo: openDemocracy, creative commons license

By Brian Lutterman – Pen Wilkinson has appeared in two previous books in this contemporary amateur sleuth series, and author Lutterman gets points for creating a protagonist who uses a wheelchair. Pen has solid contacts in law enforcement and strings she can pull when she needs investigatory assistance, but everyday issues are a challenge. Lutterman acknowledges the practical aspects of her disability, as well as its impact on her relationships with others.

Pen lost her mobility as an adult, the result of an auto accident, so is acutely aware of how people treat her differently than before. Fine, empathetic work. Pen is a get-on-with-it kind of gal and, at least in this novel, has come to terms with her situation.

Pen was driving when the accident occurred, and her sister’s young daughter was killed. Although she was not held responsible, she blames herself. And so, apparently, does the girl’s mother, Pen’s older sister Marsha. The rupture between them has brought to the surface Marsha’s longstanding resentment of Pen, and guilt over this resentment has led to hostility. Now Marsha needs Pen.

About a year before the book begins, Marsha’s son Kenny, a computer prodigy, left Marsha’s Tampa home to live with his father and stepmother. He then convinced them to move to Minneapolis. Why people would leave sunny Florida for the notorious icy winters of Minnesota, Marsha can’t understand and no one has adequately explained. Now Kenny has gone missing.

Given the settings he’s chosen—Minnesota and Tampa—Lutterman had considerable opportunity to explore how such vastly different urban cultures shape people and events, but this story could have played out just about anywhere, only changing the street names.

Pen agrees to help find him, since the police—and his father—seem unconcerned. It appears Kenny was doing some hacking for a mysterious person called Z. Z is well known to Pen’s old friends in the banking industry for a string of ransomware exploits, but has been strangely quiet of late. The book takes advantage of the growing appreciation of the vulnerability of systems and institutions to cybercrime, financial institutions in particular.

This is a multiple point-of-view novel, and you know Z is planning something big. The risks to Kenny are coming from at least two directions, since Z believes Kenny is expendable and a highly trained team of mercenaries is on his trail.

Lutterman’s complex plot is peopled by members of the Russian mafia, the mercenaries, the hackers, banking insiders, the FBI and local law enforcement, plus Kenny’s friends and family. Many of them are not behaving as Pen would expect them to. Yet she repeatedly arrives at conclusions without much indication of how she reached them.

If you like cybercrime plots and don’t think too hard about it, Lutterman’s fast-paced story will carry you forward. However, the book would greatly benefit from more realistic dialog. The heart of the book is Pen, Lutterman’s captivating protagonist, dealing with her significant challenges and urgent desire to reconnect her family.

A longer version of this review appeared in CrimeFictionLover.com.