Category Archives: The Morgue

Igniting the American Revolution

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Washington_Crossing_the_Delaware_by_Emanuel_Leutze

Washington Crossing the Delaware by Emanuel Leutze

The David Library of the American Revolution is a history gem, just up the road from Washington Crossing (yes, THAT Washington Crossing) Historic Park in Bucks County, Pennsylvania. As a preamble to July 4, last Saturday historian Derek W. Beck gave a lively talk about “the war before the war”—the goings-on in Massachusetts before the Declaration of Independence, before the formation of the Continental Army, and in the earliest days of George Washington’s command.

Paul Revere

photo: Kathy, creative commons license

Beck tries to present both sides of the conflict and in his efforts exposes certain myths that arise when historians wear partisan blinders. Would Paul Revere have ridden through the countryside hollering, “The British are coming, the British are coming!”? Not likely, Beck says. If he did, he’d be greeted by puzzled looks and scratching heads, because practically everyone considered themselves to be British. They didn’t necessarily want independence from England (yet); they just wanted to be treated like any other British citizen. But in our mythologized history, with the clarity of hindsight, we know who the enemy was, and we name him.

Another example is “the shot heard round the world”—the first gunshot of the Revolution, traditionally fired at Lexington, Massachusetts. Who fired it? In the verse by Ralph Waldo Emerson,

By the rude bridge that arched the flood,
Their flag to April’s breeze unfurled,
Here once the embattled farmers stood,
And fired the shot heard round the world.

It was to the Americans’ advantage to be the aggrieved parties, the victims, so preferred the view that the British fired first. However, Beck says, forensic evidence suggests that the very first shot wasn’t fired by either an American militia member or a British soldier, but a bystander outside a pub. (Figures.)

Beck considers it a plus that his two books (Igniting the American Revolution and The War Before Independence) are said to “read like action novels,” and he consigns the documentation that ordinarily fills history books to a thorough set of notes at the end. Such details are of vital interest to historians but make books much less interesting to those of us who merely want to gain a better understanding of our country’s past and establish a stronger connection to it.

Noble train, Henry Knox, Ft. Ticonderoga

The Noble Train of Artillery

Another myth he debunked was the one in which poor General Henry Knox struggled through heavy snows with the cannon from Fort Ticonderoga (“the noble train of artillery”). Histories (and many artworks) commemorating this episode depict them being pulled by oxen. Indeed, that was Knox’s plan. However, the farmer who owned the oxen so inflated their price, that at the last minute, he used horses instead, and he wrote about the change in his diary at the time.

Beck’s insights were informative, entertaining, and memorable, just as history ought to be!

Genius

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Jude Law, GeniusDirector Michael Grandage’s movie Genius (trailer) about the relationship between legendary Scribners & Sons editor Maxwell Perkins and flamboyant author Thomas Wolfe had received generally tepid reviews. (while I’m delighted an editor is finally receiving screen time!).

Wolfe was an author whose moods, enthusiasms, and output were not easily corralled, even by someone with Perkins’s experience. After all, he had already brought works to the public from other writers with outsized personalities and personal difficulties–notably Ernest Hemingway and F. Scott Fitzgerald.

It’s easy to imagine the slammed doors that would greet an author today who showed up with a 5000-page manuscript as Wolfe did with his second book, Of Time and the River. The challenging task of turning this behemoth into a publishable manuscript epitomizes the editor’s dilemma: “Are we really making books better,” Perkins says, “or just making them different?” Getting 5000 pages down to a still-hefty 900 made Wolfe’s work different, for sure. And better, at least in the sense of more likely to be read.

Colin Firth, as Perkins, keeps his hat on during almost the entirety of the movie, symbolic perhaps of how his character tries to keep a lid on his difficult author. Jude Law as Wolfe is by turns outrageous, contrite, drunk, hostile, and sentimental. Pretty much like the novels, actually. His performance is consistently inconsistent and always interesting. He shows Wolfe as a man with a lot of words bottled up inside him who can’t always control the way they pour out.

It’s odd to see a mostly British and Australian cast playing so many titans of American literary history, including Perkins and Wolfe, Guy Pearce as Fitzgerald, and Dominic West as Hemingway. (The Hemingway scene required an ending credit for “marlin fabricator.”) The women in the lives of the protagonists are Laura Linney as Mrs Perkins, perfect as always, and Nicole Kidman, who believably portrays the obsessed Mrs. Bernstein. She’s left her husband to cultivate and promote the much younger Wolfe and has her own flair for the dramatic. The performances make the movie worth seeing.

The National Book Award-winning Perkins biography by A. Scott Berg was transformed into a screenplay by John Logan. New Yorker critic Richard Brody dings the script for its departures from the detailed and more richly peopled original, including the book’s fuller explanation for the rupture between Wolfe and Scribners. Brody says a lawsuit and Wolfe’s unsavory political views played a part, and leaving them out does seem a mistake.

Portraying in cinema an intrinsically intellectual and abstract enterprise is difficult (The Man Who Knew Infinity struggles with the same challenge). Like me, reviewer Glenn Kenny at Roger Ebert.com apparently had not read the book, so did not have Brody’s reservations. Kenny found “the exchanges between editor and author exhilarating. Logan’s script . . . is invested in the craft of words like few other movies nowadays, even those ostensibly about writers.”

Wolfe blasted onto the American literary scene like a runaway train and departed before he could accomplish a judicious application of the brakes. Yet, he eventually realized who’d kept him on course, as his moving deathbed letter attests.

Rotten Tomatoes critics rating: 48%; audiences: 56%.

Crime Prevention: Burglary

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Burglar Alarm

photo: vistavision, creative commons license

Yesterday’s local “newspaper” used most of the front page to list the 25 New Jersey towns with the most burglaries, an overall number that’s been dropping. Whatever the community-wide data reveal, having your own home burglarized is 100%. So, how to prevent it? Can you? Geoff Manaugh, author of the new book, A Burglar’s Guide to the City (promoted as “you’ll never see the city the same way again”), presents a frustratingly balanced article on this topic in the May issue of Metropolis.

Criminologists and beat cops agree that certain home features may affect the likelihood it will be burglarized, yet it seems there’s always an “on the other hand. . . .” Decreasing the likelihood of a break-in involves a series of trade-offs that we mostly don’t think about much.

Something we probably ignored when selecting our house (and can’t fix, anyway), is its position on the street. Manaugh says a house on a corner is more likely to be broken into. Conversely, a house on a cul-de-sac or in a neighborhood with curving streets and dead ends is less attractive to would-be thieves. Ease of escape is the issue here. On the other hand, such neighborhoods tend to have fewer police patrols.

If your house is set back from the street or ringed with tall shrubbery, it may be harder to notice. On the other hand, it gives a burglar “the same privacy it gives you.” Clear visibility into and out of your home discourages thieves. For the same reason, a rainy night is burglars’ most-favored time for a break-in; people aren’t out on the streets, and it’s hard for the neighbors to notice that ladder up to your second-floor (unalarmed) window. You know, the ladder you told the painters or the arborists or the . . . , “Sure, just leave it out there for the night. You’ll be back tomorrow.”

Pedestrian-friendly neighborhoods are safer, unless the pedestrians are there because a house is close to a subway station or train depot. Neighborhoods near schools receive more patrols and a closer watch from parents. Those near woodlands provide an opportunity for escape.

A burglar sees your house as a set of entry and exit points–back doors, side windows, porch roofs, and sliders. Are they protected? Is your alarm system a preventive, or does it suggest you have something worth stealing? A friend lives on a block where every house has been broken into except hers. The other difference between her and her neighbors? She has a dog.

Finally, Manaugh asks one simple question applying to all of us: “Do you really know where all your extra sets of house keys have gone?”

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The Man Who Knew Infinity

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Dev Patel, Jeremy Irons, The Man Who Knew InfinityEven if you’re familiar with the broad outlines of Srinivasa Ramanujan’s amazing history, this movie (trailer), written and directed by Matt Brown, is intriguing and moving on many levels.

A mathematical genius, mostly self-taught and with no university degree, Ramanujan’s insights are still being applied and their significance explored today.

“Almost a century on, his work remains a fertile field of study, an object of astonishment, and a source of pride to his native land,” says Anthony Lane in The New Yorker.

Ramanujan grew up poor in early 20th century Madras (now Chennai), India. When his talents are finally taken seriously, he is encouraged to contact G.H. Hardy, a leading mathematician at Trinity College, Cambridge.

Hardy (played superbly by Jeremy Irons) is a bit of a misanthrope. He brings Ramanujan (Dev Patel) to Cambridge and becomes his mentor, not especially to do the young man any good, but for the intellectual challenge. He insists Ramanujan develop the proofs of the theorems he derives, it seems, by intuition. But Ramanujan is “a genius who can only explain that his propensity for solving problems and equations comes from God!” says Mimansa Shekhar in India Times.

Ramanujan struggled with the proofs, resenting that they keep him from developing new ideas. The tug-of-intellectual-war between the him and Hardy forms much of the movie’s conflict. Both of them confront a calcified British academic hierarchy, reluctant to admit an Indian could match—much less surpass—English intellectual prowess.

Hardy is interested in math. Full stop. While he recognizes Ramanujan’s mathematical powers, he’s little interested in the other aspects of life that animate his protégé—his culture, religion, and love of his wife (Devika Bhise) whom he’s left back home under the hostile supervision of his mother (Arundathi Nag).

Ramanujan does have advocates at Cambridge—Hardy’s mathematics colleague John Edensor Littlewood (Toby Jones) and Bertrand Russell (Jeremy Northam). But it’s the start of World War I, and people’s attention is mostly elsewhere.

Jeremy Irons is perfect, and I liked Dev Patel’s performance, too. Jones and Northam are always good. As with any biopic, the plot is constrained by the actual events of Ramanujan’s life, and in his case, those events—significant and earthshaking though they were and continue to be—take place mostly inside his head. Even if we moviegoers could see them, we wouldn’t understand them! Nevertheless, I found the story moving along rather perkily, aided by excellent scenes of India and his wife’s coping with her obsessive mother-in-law.

Definitely worth seeing, and a worthy subject for a film. In India, Ramanujan’s birthday, December 22, is celebrated as National Mathematics Day.

Rotten Tomatoes critics rating: 62%; audiences, 80%. (Why the gap? My guess is audiences are less bothered by the conventional story.)

Maggie’s Plan

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Ethan Hawke, Greta Gerwig, Maggie's Plan

Ethan Hawke & Greta Gerwig in Maggie’s Plan

Tons of history and your mom tell you falling for a married man is a chancy way to find happiness and a father for your baby. In this romantic comedy by writer-director Rebecca Miller (trailer), the unlikely happens and aspiring novelist John Harding (played by Ethan Hawke) actually divorces his self-absorbed, chilly wife Georgette (Julianne Moore) and marries the girl. They have a lovely baby. A couple of years on, though, the marriage is just not working.

That’s when Maggie (Greta Gerwig) develops her plan. She’ll try to get John and Georgette back together.

There are some nice moments and some funny moments, though the comedy is never quite as screwball as it might have been. As a tale of female manipulation, Maggie’s efforts don’t reach the delicious complexity of Lady Susan Vernon  in Love & Friendship, also in theaters now.  Lady Susan plows ahead like an ocean liner, let the devil take the hindmost, and that creates a more comic effect than the rather more realistic angsty New Yorkers in Maggie’s web.

Bill Hader and Maya Rudolph are a prickly married couple, long-time friends of Maggie, stuck to each other like burrs. Mina Sundwall is John And Georgette’s teenage daughter, a perfect adolescent cynic.

Gerwig gives an engaging performance, Hawke is always interesting, and Julianne Moore shines as the ambitious academic—with a Danish accent, no less. There’s a real New York feel to the film, too. Says Christy Lemire in RogerEbert.com, director Miller “truly gets the city’s rhythms and idiosyncracies, and her dialogue frequently sparkles.”

Rotten Tomatoes critics’ rating: 84%; audiences 59%.

A Zoo at Night!

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owl, zooWhile it may be hard to tear the kids away from the amusement park rides and midway attractions at Hershey Park, near Harrisburg, Penna., don’t overlook ZooAmerica’s adjacent North American Wildlife Park. Originally the zoo had larger acreage and a comprehensive collection of world animals, but styles of zookeeping have changed a lot since Milton Hershey first thought of a zoo to house animals presented to him as gifts.

With the amusement park expanding and the animals needing more space, more tailored care, and more programs suited to keep them both physically and mentally healthy, a more focused program made sense. The downsizing of the zoo has let the staff concentrate on much more completely on comprehensive animal welfare. And North America has a lot!

You can visit the zoo during the day directly from within Hersey Park or do just the zoo (separate entrance). You can also participate in by-reservation-only early morning or evening behind-the scenes tours. There are also special tours for photographers. Because we were traveling with three children, the likelihood of mobilizing everyone early enough for the morning program seemed unlikely—and kind of anti-vacation—so we chose the after-dark tour. Good choice!

The After-Hours Tour

Two zookeepers accompanied our group of six and one other couple and showed us much the regular visitor does not see. The wolves were howling as we followed the zoo’s paths guided only by flashlights. The zookeepers knew, of course, which species and individuals were likely to be active at night. They showed us where the animals’ food is prepared, explained what goes into each different diet, and we saw where they are cared for if they are sick—if they need surgery, they go to the Milton S. Hershey Medical Center (just like you or me), to be operated on by a team of veterinarians (not).

Hershey bearWe fed river otters, a sloe-eyed alligator, and a huge tortoise. In the education center, we “petted” a baby alligator and held a young owl. That was quite a thrill! The highlight was the opportunity to hand-feed bears (grapes on a skewer held through the bars), which the bears delicately removed. These real-life Hershey bears—outdoors in daytime—come into their cages to sleep at night, so kids and bears had bars between them, plus, of course, seven hovering adults to make sure little fingers stayed well away. These were black bears so he isn’t terribly visible in the photo.

The zoo staff was terrific about explaining animal behavior. They obviously delighted in the children’s—and adults’—fascination with their work. These days, would-be zookeepers generally follow one of two main educational pathways: zoology, as you would expect, and psychology. Modern zookeeping emphasizes creating interesting environments and novel challenges for captive animals.

An unforgettable experience!

Your Travel Circles

I provide this information to help you make the most of your trips to “destination cities” by also seeing attractions in a reasonable driving distance. I’ve had too many business trips when I never got out of the meeting hotel!

  • If you’re visiting Harrisburg, Hershey is less than a half-hour (14.5 miles) away.

If you’re visiting Philadelphia, Hershey is less than two hours (95 miles) away.

Love & Friendship

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Lady Susan, Kate BeckinsaleIn this brilliantly funny movie (trailer), writer-director Whit Stillman takes on a lesser-known early Jane Austen novella, Lady Susan. It’s a a gem of female manipulation cut and polished on male cluelessness, and Lady Susan Vernon is the lapidarist in chief.

In this early epistolary novel (probably written when Austen was only 23), the author’s disdain for the treatment of women is evident, and her character gets her revenge, deliciously. Though it’s still the cake underneath  her better-known novels, there it’s masked by a thicker romantic frosting (see this recent post about the dark subtext of Austen’s novels).

Near-penniless, Lady Susan must find a husband for herself and her daughter, and Kate Beckinsale is a powerful Susan, “the most accomplished flirt in all England.” The cast is strong, with Chloë Sevigny as the American Alicia Johnson, Susan’s co-conspirator, eager to avoid being returned to Connecticut, Susan’s perceptive sister-in-law Catherine (played by Emma Greenwell), and long-suffering daughter Frederica (Morfydd Clark). Jemma Redgrave, playing Catherine’s mother, immediately reveals herself as an heir to the British acting family through her strong physical resemblance to auntie Vanessa.

The men are cheerfully dim-witted, none more so than Sir James Martin (Tom Bennett). With £10,000 a year, he’s as rich as Darcy. But he’s also “a bit of a rattle”—“Regency slang for blithering idiot,” A.O. Scott reminds us in The New York Times. “How jolly! Tiny green balls. What are they called?” Sir James asks, pushing them around his dinner plate. “Peas.” Catherine’s brother Reginald (Xavier Samuel) is not dim, but even he is no match for Susan’s calculated charm offensive and her “uncanny understanding of men’s natures.”

Quite apropos of the current political season, friends Susan and Alicia blithely justify their most outrageous behavior, putting themselves always on the high ground. At one point, when confronted with her own irrefutable error, Susan snaps, “Facts are horrid things.” Clearly, a woman for this season.

Above and beyond the satisfying plot, delicious characters, and irresistible pull toward respectable matrimony, the charming countryside (filmed in Ireland) and gorgeous costumes are worth the price of admission. Over the story, widow Susan’s costumes go from all-black deep mourning, to light mourning (grey and lavender), to none at all. When she dons that scarlet dress, look out! “It all ends up pretty much as expected,” Scott says, “and yet also manages to take you by surprise.”

Rotten Tomatoes critics rating: 99%; audiences 74% (I’m betting audiences find it “talky.” But in the talk, there’s wit.)

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The Pennsylvania Dutch Experience

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Landis Valley tinshop

Landis Valley tinshop (photo: Vicki Weisfeld)

How often have I passed the signs for Landis Valley Village and paid them no mind? Recently, with kids in tow, a group of us finally made a visit. The Village was a little gem, perfect for a two-hour stopover in Lancaster County, Pennsylvania. We had cheese, nuts, and fruit with us, and with water from the LVV gift shop, we put one of their picnic tables to good use too.

In the heart of Amish country, the Village (and Museum, which we did not visit) focuses instead on the Pennsylvania Dutch heritage of the region and began. It started with a farm owned by two brothers and their collection of Pennsylvania Dutch artifacts, gradually adding other historical buildings. These include a schoolhouse, blacksmith’s forge, tin shop, tavern (natch!), among others, many of which are arranged around a shady central square. It was perfect for strolling and letting the kids run off some energy, even on the 90-degree day we were there. Horse-drawn wagons are another option for touring the acreage. Snow-white horses are in the field, chickens in their coops.

Depending on the day, costumed interpreters are available to describe how a particular building was used. The day we were there, we talked to a tavern-keeper, a blacksmith who was full of stories and working at his forge in front of us, a tinsmith who had a terrific backstory, and a young man supervising a private home. The kids loved it!

One of the activities of the Village and farm museum is a Heirloom Seed Project, which has been under way for three decades. Find out more about the seeds available, the many special events and exhibits at LVV, and other details at www.LandisValleyMuseum.org.

Landis Valley, horse-drawn wagon

photo: Vicki Weisfeld

Your Travel Circles

I provide this information to help you make the most of your trips to “destination cities” by also seeing attractions in a reasonable driving distance. I’ve had too many business trips when I never got out of the meeting hotel!

  • If you’re visiting Harrisburg, Lancaster County is less than an hour (45 miles) away.
  • If you’re visiting Philadelphia, Lancaster County is only 90 minutes (64 miles) away.

JFK’s Birthplace

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JFK, bassinet

The Kennedy family bassinet in the boys’ room (photo: Vicki Weisfeld)

In the middle of the block in a dense Brookline neighborhood of sturdy clapboard houses from 130 years ago—big porches, leaded windows, occasional turrets—is the home where John F. Kennedy, 35th U.S. President, was born.

The house at 83 Beals Street was built in 1909, and Joseph and Rose Kennedy moved there in 1914. Three years later, John was born in the master bedroom, their third child. But the house had only three bedrooms, and in 1920 the growing family moved to a larger home nearby (still privately owned). The new house had a huge wraparound porch, which Rose wanted, because she firmly believed children should play outside every day.

After the President’s assassination, the Kennedy family repurchased the house, and Rose restored it to how she remembered it to be in 1917, the year of Jack’s birth. She then donated the house to the National Park Service. Rangers are on hand for tours, and there’s a small gift shop in the basement. The tour is enhanced by recordings of Rose describing the family’s life.

The house was close to many neighborhood features important to the family. There were good schools, Saint Aidan’s Catholic Church (now converted to condominiums), playgrounds, and the trolley line to Boston, where, at age 25, the elder Kennedy was president of the Columbia Trust Bank. The Park Service brochure offers a walking tour of the neighborhood that includes the Kennedy family church, school, and other sites. Click here for more information and event schedules.

You may recall that Jack was a sickly child, suffering numerous childhood illnesses, including scarlet fever. Rose read to him for hours as he recuperated, and among his favorite books was the story of King Arthur and Camelot.

SFMOMA Redo a Hit!

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SFMOMA

SFMOMA main stair (photo: Tom Ervin, used with permission)

After visiting the magnificent new San Francisco Museum of Modern Art (SFMoMA), you may be tempted to hum “I Found My Art in San Francisco.” According to an article in Marin, SFMoMA was the first museum in the West dedicated to displaying 20th century art. Jackson Pollock’s inaugural exhibition was held here, for example.

The 10-story museum addition, which reopened May 14 after a three-year, $305 million makeover, is across from the Yerba Buena Gardens in SOMA (the downtown area south of Market Street) near the Embarcadero.

“In many ways, the unveiling of the new SFMOMA caps a period of transformation that speaks to forces at play in many U.S. cities — the rehabilitation of what had once been dilapidated urban cores. But the museum is also indicative of the role that high culture can play in that process. With its very presence, a museum can help shift the dynamics of a neighborhood,” says Carolina A. Miranda in the LA Times.
The 145,000-sq.ft. added exhibit space displays some 32,000 works—including large installations by Carl Andre and Donald Judd. Most of the inaugural exhibition works have not been seen before, including the impressive 1,000-piece Doris and Donald Fisher Collection, and numerous donated works by contemporary artists, including a gallery of works by color field painter Ellsworth Kelly, who died in 2015. The museum also includes a permanent center of photography and a temporary exhibit on the history of typography in graphic design.

Experience it Online

The eye-popping exterior redesign by Norwegian architecture firm Snohetta includes an oculus—an eye-like opening—and what the New York Times described as a “crinkly” façade of fiberglass-reinforced polymer skin that mimics the bobbing waves of San Francisco Bay. Other critics say the exterior resembles a beached cruise ship or a glacial form. An interactive article by Rene Chun in Wired highlights the museum’s many innovative architectural features.

The first floor is open to the public and includes exhibition space, a well-curated museum store and, soon, a public restaurant featuring culinary contributions from Bay Area chef luminaries such as Alice Waters. You scale a grand staircase flooded with natural light from the oculus to access the gallery floors. Once inside the galleries, a variety of well-executed architectural and artistic elements reveal themselves.

The higher floors have expansive windows running alongside the galleries, and wraparound terraces from which glimpses of the cityscape engage the eye and bring natural light in. A third floor gallery of huge Alexander Calder mobiles opens onto a larger terrace flanked by a three-story wall of native plants from nearby Mount Tamalpais that enhance the green building theme.

SFMOMA art

Author Jodi Goalstone at SFMOMA (photo: Tom Ervin, used with permission)

To minimize crowding and noise, hidden, one-way only stairs take visitors up or down along with easily accessible elevators. Another clever design element is found, oddly enough, in gallery restrooms. Higher floors’ facilities have a different, bold color scheme. The one I visited had deep purple walls and magenta stalls with soft, subtle lighting.

Because this is a modern art museum, new media is imbedded in the experience. Visitors can explore the museum with an audio tour that provides a personal docent—with a twist. One example: see the museum guided by Hall of Fame baseball broadcaster Jon Miller and San Francisco Giants pitching coach Dave Righetti.

More to Come

Coming soon is an app for virtual visits at https://www.sfmoma.org/app/. “SFMOMA’s chief content officer, Chad Coerver, calls the app ‘a cross between This American Life and the movie Her,’” according to another Chun article.

For more information on tickets, hours and directions, visit https://www.sfmoma.org/.

This guest post is by Tucson-based Jodi Goalstone, who writes the highly entertaining blog Going Yard, Offbeat Baseball Musings.