If you’re a frequent reader, sometimes the parallel threads from several books get all tangled up. Characters with the same/similar names in books by different authors. Intersecting plot lines. Or you read one book that gives you interesting background about something (Daughters of Yalta), and soon you read another dealing with the same events (Gods of Deception). You feel like you turned a corner and ran into a mirror.
Two books I’ve read recently were set in Venice—thankfully at totally different time periods (1612 on one hand and 1928, 1938, and 2002 on the other)—but identical geography and modes of transport, and—OK, this is a stretch—the third, a contemporary mystery about life on a canal in England.
The Gallery of Beauties by Nina Wachsman is a new historical mystery featuring an unlikely pair of protagonists—Belladonna, a famous and wealthy courtesan, and Diana, a rabbi’s daughter who lives in the Jewish ghetto. These beautiful women come to the attention of an artist creating portraits for a “Gallery of Beauties.” Intrigue is high in the city’s Council of Ten, whose mistrustful leaders vie with each other for power and prestige, and leading citizens’ fear of poisoning is so great they employ official tasters. Diana must slip out of the ghetto to pose for the artist, but the chance to wear beautiful clothing and mix with the city’s elite, including her new friend Belladonna, convinces her to ignore the curfew imposed on ghetto residents. Out in the city, she could be challenged at any time. When the subjects of the Gallery of Beauties begin to be murdered, the two women must unravel the mystery for their own survival. An indelible portrait of Venice in the 17th century.
The Venice Sketchbook by Rhys Bowen, narrated by Barrie Kreinik, is mostly set during the days leading up to World War II, when English schoolteacher and artist Juliet Browning begins a romance with the wealthy and devastatingly handsome son of a leading Venetian family. As the Nazis close in, Juliet delays her return home until it’s no longer possible to leave. Without papers and out in a city patrolled by fascists, she could be challenged at any time. (!) Sixty years later, when Juliet dies, her niece Caroline inherits her Venice sketchbook and keys to she doesn’t know what. It will be up to her to discover Aunt Lettie’s mysterious past. This book was too formulaic for me, in terms of the plot and the relationships. But again, Venice.
Idiot Wind by Michael Broihier is set on the Oxford Canal, which runs some 70 miles between Oxford and Hawkesbury in central England. The protagonist, Mac McGuire, with his 60-foot narrowboat, Idiot Wind, delivers food and fuel to boat owners up and down a central portion of this canal. The countryside is beautiful, the boat dwellers are quirky devotees to an idiosyncratic way of life, and it’s a peaceful one—that is, until dead bodies turn up in the canal waters. There’s a lot of mechanics involved in opening and closing the canal’s many locks, repetitive actions I actually found quite soothing. It gave a certain controlled rhythm to the story. No wild car chases, just going with the flow. For me, Broihier’s portrayal of life on the canal was a memorable one. But then, any story with boats is OK with me, and this was a dandy.