Wild Tales

Erica Rivas, Wild Tales

Érica Rivas in Wild Tales

This 2015 Argentinian film (trailer), directed by Damián Szifron, is a collection of six unconnected short stories, with both comic and catastrophic elements and carrying the tagline “we can all lose control.” The six very different stories describe “how I would extract my revenge if only I had the nerve.”

The excellent ensemble cast keeps the unexpected happening . . . as people go to the surreal brink of absurdity and tragedy—and keep going. They carry out the vengeful urges we all feel in moments of betrayal, in flashes of road rage, facing overwhelming temptation, or confronting mindless bureaucracy.

The first very short tale involves a casual conversation between two airplane passengers, strangers to each other, who happen to discover they both know a would-be musician named G– Pasternak. One is a woman who once broke up with him and the other, a classical music critic who savaged Pasternak’s early work. A passenger sitting in front of them turns around, saying, “Pasternak?” She was his elementary school teacher, and says he certainly had problems. After a few more people who’ve wronged poor Pasternak pipe up, the music critic stands and asks, “Is there anybody on this plane who does not know Pasternak? And who paid for their own ticket?” There is not. I leave the rest to your imagination. And his.

The funniest story involves an explosives expert trying to reason with the local parking authority, and one of the most satisfying has a bride take her revenge on the groom who cheated on her. It’s a wedding no one will ever forget! Said Eric Kohn in indieWIRE, “While adhering to an internal logic that makes each punchline land with a satisfying burst of glee, the movie nevertheless stems from genuine fury aimed a broken world.”

Be sure to catch the opening credits, where the names of key cast and production crew members are shown with photos of wild animals reflecting on their personas. The director, I noted, was a fox.

An Academy Award nominee for best foreign language film last year, this is one of those rare movies where Rotten Tomatoes critics and audiences are in perfect agreement: 93%.

***400 Things Cops Know

police, neighborhood

(photo: en.wikipedia)

By Adam Plantinga – If you write (or read or watch) crime stories, you’ll be fascinated by the detailed insights from a veteran Milwaukee and San Francisco patrolman (now police sergeant). The Wall Street Journal called the book “the new Bible for crime writers.” And, if you  wonder about how crimes are managed in the community, you’ll definitely gain some insights.

Plantinga, who is a Phi Beta Kappa magna cum laude graduate of Marquette University, divided his 400 lessons into 19 chapters on “Things Cops Know About . . .” shots fired, juveniles, booze and drugs, domestic violence, and so on. Each chapter is not only a dive into specifics, but as important, together—with candor and humor—they provide an unfiltered view into the thought processes of the cops called out to deal with some of society’s worst and most intractable problems, deaths in circumstances that most of us never have to contemplate, much less confront, and the possibility of violence at every traffic stop. The endemic cynicism he reports arises from constant exposure to people behaving badly, as well as the internal machinations of many police departments.

In the chapter on shots fired, I was surprised to learn how hard it is to find bullets after they’re fired (unless they’re in somebody), in part because “most handguns have ranges exceeding a mile.” Of course, before a bullet can go that far, it generally hits a tree or a house or something. And most criminals aren’t very good shots, Plantinga says. But, as a responding officer, you can’t count on that.

I saw a movie about a hit-and-run accident over the weekend, and thanks to reading this book, I tried to telepathically help the on-screen investigator: “Look for prints on the rearview mirror!” Thanks, Sergeant Plantinga.

**** 1 Dead in Attic: After Katrina

New Orleans, Katrina

The New Orleans “bathtub ring” (photo: Vicki Weisfeld)

By Chris Rose – This collection of newspaper columns from the New Orleans Times-Picayune in the days and months following Hurricane Katrina is, as the cover says, “a roller-coaster ride of observation, commentary, emotion, tragedy, and even humor”—whose shaky pilings are sunk into the physical, economic, and emotional debris of a devastated city.

Rose reports unflinchingly about the horrors and about the small personal triumphs the city’s residents experienced as they tried, not always successfully, to scrabble back to some kind of normalcy. Collectively, his writings probably better than anything else I’ve read answer the question people asked at the time, “Is New Orleans worth it?” His love of the city—its music, food, culture, and traditions, but mostly its people—soaks every page like floodwater.

The ongoing calamity didn’t stop when the wind and rain ceased, but went on and on in the form of poor government decision-making, ill-conceived emergency and reconstruction plans, rapacious utility companies and developers, loophole-seeking insurance schemes, lost possessions and people. To report on it, Rose got out and about, bicycling through the devastated areas, recording the citizenry’s stories. And some stories they were!

Rose’s close attention to these trials was not without its costs. A little more than two months after the disaster, he began one of his essays by quoting the people who said to him, “Everyone here is mentally ill now.” It took a while for him to recognize it—almost seven months—though his wife, his editor, his friends, and his readers tried to convince him much earlier, but he, too, was breaking under the strain. “I feel as if I have become the New Orleans poster boy for posttraumatic stress, chronicling my descent into madness for everyone to read,” he wrote in late March 2006. A few months later, he wrote about his yearlong battle with depression and what he was, finally, doing about it.

He’d been the city’s cheerleader, encouraging people to be strong and stand tall and celebrate what they still had, and his admission of needing serious help loosed a response from thousands. “It boggles the mind to think of how many among us are holding on by frayed threads, just barely, and trying to hide it as I was for so many months.” Even acknowledging that, he ended an essay about his depression with words of encouragement and purpose: “Find some way to shine a light. Together, maybe we’ll find our way out of this.”

New Orleans, Katrina

House destroyed, chandelier intact (photo: Vicki Weisfeld)

This collection of essays is one of those compilations where the whole is so much more than the sum of the parts. Yes, there’s repetition among them; yes, his messages are often the same. But the reader cannot help but think that if only the people’s situation were improving faster, he wouldn’t have had to hammer his message home so hard and so often. I pictured him in many ways like the John Goodman character in the first season of Treme—outraged and caring and providing his testimony. The difference is that the real Chris Rose stuck it out.

Boyhood

Boyhood, Ethan Hawke

Ellar Coltrane & Ethan Hawke in Boyhood

Probably every American interested in film saw Boyhood (trailer) long before I did last week, but somehow I missed it in theaters and, as Boyhood emphasizes, time passes . . . ! From the beginning, the idea of a film following the same actors over a protracted period was both interesting and risk-laden. What if some calamity or professional conflict overrode the cast’s ability to continue? I wonder whether director Richard Linklater cast his daughter Lorelei in the film as a partial insurance policy against that eventuality? She plays as the main character’s annoying older sister Samantha. Quite nicely, too.

Cast intact, filming proceeded off and on for a dozen years, following Mason Evans, Jr. (played by Ellar Coltrane), from ages six to eighteen, and the continuity of characters across situations, levels of maturity, and the ups and downs of life makes for a compelling narrative concept. All the main parts are well acted, including the kids, the parents (Ethan Hawke and Academy Award-winner Patricia Arquette), and the mother’s problematic husbands. The script grew organically, evolving based on what went before (like life), as well as on experiences in the real lives of the actors.

Ethan Hawke, who plays Mason’s biological father, is a person of local interest, having grown up about a mile from where I live. (A few local junior high girls helped answer his fan mail in the early years.) The stage was set for this feat of filmic time travel in Linklater’s Before Sunrise, Before Sunset, and Before Midnight trilogy, in which Hawke also starred, and he calls this latest film “human time-lapse photography.”

While many wonderful things can be said about the slow unfolding of personality that the movie conveys, to me it was about a half-hour too long (at 2 hours, 45 minutes), perhaps because I felt insufficiently engaged with the characters at any age. Having shot footage at all these different ages and stages, it’s as if the filmmakers felt obliged to use more of it than they absolutely had to.

Rotten Tomatoes critics rating: 98%; audience rating: 83%.

NSA Chief Speaks in Princeton

Mike Rogers, NSA, military

Adm. Mike Rogers (photo: wikipedia)

Admiral Mike Rogers—Director, National Security Agency, and Commander, U.S. Cyber Command (the military’s centralized operational command for cyberspace operations)—spoke at Princeton University yesterday, part of an ongoing effort to establish greater understanding of the NSA mission and encourage private sector partnerships .

He kept his own remarks short, describing the missions of the two agencies he heads, in order to maximize time for audience questions. A key challenge he noted is assuring that efforts to manage the nation’s cyber-threats and foreign intelligence-gathering are appropriately balanced against “the inherent right to privacy” of the American people. In the late 1960s and early 1970s (the Watergate era), revelations of government spying on U.S. citizens led to two new mechanisms for privacy protection: FISA courts (authorized under the Foreign Intelligence Surveillance Act) and congressional oversight. Unfortunately, Rogers said, the public has lost confidence in both those approaches at a time when threats have rapidly escalated.

“Would we even be having this conversation if it weren’t for the whistleblowers?” an audience member asked.

Rogers responded, “I don’t know any whistleblowers. I only know of thieves who stole government information.” He went on to say that he wished he had that information back, because the loss of it has imperiled troops overseas and many other individuals and activities, as well as entailed considerable costs. He tells his staff that, if they see any information or process of gathering it that they consider illegal, immoral, or unethical, they should raise it within the chain of command, and it isn’t up to each individual person to pick and choose which laws to obey.

In deciding how to respond to a cyber-attack, his command uses the same principle of proportionality that the military does in general. The exact means of retaliation is a policy decision, not his alone. In North Korea’s hacking attack against Sony last November, for example, he urged the President to “think more broadly,” beyond just cyber-methods, and the U.S. government response to date includes economic sanctions against Pyongyang.

A questioner asked what happens when information amassed on foreigners includes information about Americans (“incidental” information). Rogers wouldn’t speak to whether the FBI or CIA access such information but said the NSA treats it differently, as to whether and how long it is kept, than it does information on foreigners.

Another controversy raised was the NSA’s practice of bulk data storage. Rogers said that at least some bulk data storage is necessary because the agency does not know now what may be useful down the road. There are limits on how long information is retained, but these are currently “more of an art than a science,” he said. A January report by an expert panel convened by the National Academy of Sciences concluded that, at present, there are no screening methods that are a viable alternative to bulk data collection, although privacy protections can be strengthened.

The Flock

River, sunrise

The Wabash River (photo by Bala K, Creative Commons license)

The speck of Indiana called Waverly rests in a placid region near the banks of the Wabash, where the river loops and wriggles, coyly postponing its inevitable rendezvous with the Ohio. The surrounding hills rise modestly above the horizon and, in the late 1800’s, this unassuming topography pretty well reflected local opinion of how people should behave.

At that time, a newcomer could easily disrupt the regular thrumming of Waverly’s carefully controlled existence. And did, one particular December. The townspeople knew two things about her for sure: her name—Mary Bight (the postmistress had told them that much)—and that she’d moved into old Mr. Thompson’s cottage soon after it was empty, since he now occupied an even smaller and more permanent space in the cemetery behind the Methodist church.

Word was he’d caught a chill from sleeping with the bedroom window open past Thanksgiving. “Never had a lick of sense,” the neighbors said, and the deteriorating condition of the cottage, with its reclusive tenant, confirmed it. They predicted the house wouldn’t last the winter, and the women of the town shook their heads and tsk-tsked as they hurried by on their way to Mr. Grassley’s store, as fast as the frozen puddles allowed.

No one knew where Mary came from, why she was there, or who her people were, providing a vacuum they filled with endless speculation. Mary thanked Rev. Applewood for his brief visit, but she didn’t appear at church. She nodded to postmistress Quaid when picking up her parcels, but turned away, studying the return addresses, unmindful of Miss Quaid’s affronted eagerness. Mary politely greeted the women who paid calls shortly after her arrival, but did not invite them inside. The tiny house was “too much of a mess,” she said, and their invitations to Christmas teas and open houses were neither accepted nor reciprocated.

In the winter, when Mary should have shoveled the front walk and knocked the heavy snow off the evergreens—and since she didn’t do this, several of the yews had become grotesque topiaries—she put on her crimson coat, and the townspeople saw her ramble across the fields that edged the town, a drop of red on snow clean as bandages.

In spring, when Mary should have planted her peas and lettuces and later her annuals and still later her tomatoes and peppers, she instead sat at a deal table by the open front window and clattered away on her new typewriting machine. Grassley’s young clerk, Tom Cooper, had delivered the big wooden crate on a handcart and would have helped her with it, but Mary told him to leave the box on the porch and prized it open herself. Stenciling on the box showed it arrived by train. If the new railway service, not yet a year old, brought goods that filled the crowded shelves of Grassley’s store, it also brought unfamiliar people—including Mary Bight—and noisy typewriters and city newspapers, and it made the places along its lengthy route seem closer than they ought to be.

Mrs. Parker next door complained far and wide that she had to listen to the unsettling sound of Mary’s clackety-clack-ping!, clackety-clack-ping!, morning to night. Mrs. Parker, whose few ideas were doled out by a parsimonious husband, couldn’t for the life of her figure out what Mary could be writing, day after day. Who could she be writing to? How could she have so much to say? Why couldn’t she use a pen, like regular folks? Curiosity flamed and crackled.

Postmistress Quaid, who regularly sharpened her eyes, nose, and tongue on the whetstone of local gossip, swore Mary Bight wasn’t writing letters. She hardly ever mailed or received a one. “Books, books, books. That’s it.”

As spring arrived and Indiana turned its face to the sun, Waverly’s menfolk passed the Thompson house at a stroll, hands in pockets, as if they had nothing really to do and might be available for any odd job, should Mary appear at the front door with its sagging screen and call out to them. Their palms fairly itched as they considered how a hammer and some strong nails could repair the sprung boards on the porch and right the tilting shutters. And, what they could do with a brush and a couple gallons of Grassley’s white paint!

Mary was a good-looking young woman, and the men hoped to (but never did) catch a glimpse of her bending over a laundry basket or trimming the distorted shrubbery, chestnut hair pinned away from her face, lissome arms stretching overhead.

So, she lived among them, almost unseen but very present, when the events began that were fixed in the memories of Waverlians as distinctly as photographs glued to the crackling pages of a family album. Even townsfolk who only heard the story many years later, as it was passed parent to child, could recount some version of the debacle, which had about it the mingled clarity and confusion of a dream.

 

The townspeople awoke that June Sunday to weather so fine it must have been sent direct from God to encourage churchgoing. Along Mary Bight’s street came the weekly procession of straight-backed ladies done up in corsets and restless men choking in their neckties, all of them in their too-tight Sunday shoes, truly church-bound. But their progress halted at the Thompson cottage, where a growing cluster of citizens gathered, heedless of the church’s nagging bell.

A length of clothesline stretched across Mary’s yard, and pinned to it like miniature bedsheets and waving from the lower branches of the new-leafed trees like starched handkerchiefs were pages and pages and pages covered with Mary’s typing. From outside the yard’s tired fence, the torrent of words blurred grey. Several larking older boys tried to reach over the splintered pickets and grab one of those tantalizing papers, but they were just out of reach.

“Who does she think she is?” stout Mrs. Grassley asked, a sufficiently vague and all-purpose indictment.

“That’s a lot of writing, surely,” said young Tom Cooper, awestruck. The church bell rang insistently, and, out of lifelong habit, they at last responded. For generations the bell had been the town crier as well as its timepiece, even though the bell’s latter role was somewhat supplanted by the ear-piercing whistle of the 12:15 pm train arriving from points west, the 5:30 pm en route to Chicago, and finally the 8:27 pm speeding south, all the way to New Orleans.

On that Sunday, after the opening hymn and before the benediction, a bank of dense clouds rolled across the darkening sky, accompanied by a west wind that scoured the churchyard, sought out the dessicated leaves lodged against untended gravestones, swept them neatly into corners, then scattered them again. The wind slipped through an open church window and danced with the feathers on Mrs. Grassley’s fashionable hat and startled Mr. Grassley awake. And it played with the papers hung in Mary Bight’s yard, teasing them down from the trees and off the clothesline.

When the good folk of Waverly arrived home, a few found one of Mary’s pages skipping across their lawns or wind-plastered to their porch rails, and what would have been a drowsy chicken-and-dumplings afternoon became a scavenger hunt, as older children were sent to find more of the intriguing pages, if they could.

In all, twelve. Their contents mystified the families possessing them. Neighbors compared pages, and the puzzlement deepened. The suggestion quickly spread that those who had pages should bring them to the church that evening, in the hope that, all together, they might make sense. No one entertained the most obvious thought, to return them to Mary herself, the stranger in their midst.

 

After evening services, they congregated in Fellowship Hall, but soon discovered the random pages were still too random. In fact, reading all of them—in whatever order they attempted, since the pages were not numbered—made no more sense than reading them separately.

In a clear voice, young Evan George read out the paper his family had found. Evan had attended one semester at Indiana University, and the congregation deemed him well prepared for oratory.

Evan’s page started near the end of a sentence. “ . . . the means. But if he had not, would events have unfolded differently? Definitely not, thought those who claimed to know the doctor and his depraved intentions, who recorded his dabbling in the Black Arts. Most people avoided passing his noisome laboratory after dark. They heard frightening nighttime shrieks; the village’s many stray cats had disappeared. A vagrant who helped him move some firmly padlocked chests claimed the laboratory’s shelves held skeletons of small animals, baskets of dark, bitter-smelling herbs and roots, and loathsome things floating in jars. All this so unnerved the poor man that he refused to return for his meager pay.” A murmur from the crowd. “The doctor claimed he engaged in strictly scientific pursuits, but the eerie glow from his laboratory fed doubts. A pale and breathless stranger stopped by the tavern late one November evening and told the publican he’d peeked through the laboratory’s grime-streaked window and seen a green luminescence coil and swirl like mist, until it formed a grinning mask. The doctor spoke to it in an unfamiliar language. Its guttural reply made the . . .”

Mrs. Belden, one of the church’s eldest parishioners, gasped and came close to fainting—whether because of the frightening text, the heat of Fellowship Hall, or the constriction of her implacable corsetry. While several church ladies chafed her wrists and brought cold water, the others decided it best to move on, and Evan George sat down, disappointed.

Postmistress Quaid had left for the church in such a rush that she brought the wrong piece of paper, but she peered over her steel-rimmed glasses and in a pinched voice explained it contained a vile chemical concoction. Her elaborate description evoked sulphurous high school science experiments. She distinctly remembered a “bubbling cauldron” and a list of unsavory ingredients that made her hearers shudder.

Her dark expression prompted uneasy glances at Mrs. Belden, still vigorously fanned by Mrs. Parker. Doc Murray, the pharmacist, said the ingredients Miss Quaid cited were fantastical and that she must have gotten them wrong. Her vehement denials reinforced the muttered notion, repeating through the assembled group like the refrain of some popular song, that someone, somewhere was “up to no good.”

“Pure gibberish,” Doc Murray pronounced and shook his head.

The next page contained only four lines:

            midnight sun and again
the wash of strongest light
months pass fleetly by
til Aurora paints the star–specked night.

The reader—the shy clerk Cooper, who harbored a romantic streak—thought it might be the end of a poem, but Grassley declared there was nothing poetic about it. His clerk sank into chastened and accustomed silence.

“Well, it rhymes,” said Mrs. Grassley, puckering her mouth in opposition to her husband.

Grassley snorted. “It ain’t grammatical. Wouldn’t a poet know their grammar?”

The other pages likewise raised unanswerable questions. The group finally laid the matter at their minister’s feet. Rev. Applewood had sat quietly through the recitations, gazing heavenward—or at the stain on the ceiling he’d just noticed, which would require costly repairs to the church roof—pinching his chin thoughtfully.

“What does it mean?” the parishioners asked.

“Is it dangerous?” Mr. Parker refined the question.

“It’s subversive,” said Grassley.

“She frightens me,” said Mrs. Parker, a statement all the weightier because of her family’s unlucky proximity to the author.

Rev. Applewood was a quiet, self-contained man, a plausible vessel for keeping Eternal secrets. Because he had trained at a leading Methodist theological school—Boston or Drew, no one could remember which—he was expected to voice a considered and definite opinion. He sighed.

“It’s a puzzle, all right. We need to know more.” He heard the restless shuffling. His congregation wanted answers, not intellectual shilly-shallying. He quickly went on, “and I think it would be unwise—un-Christian,” he retreated to high ground, “to come to rash conclusions.” This didn’t sit well, either, so he ended with an ambiguous “one way or the other.” Much better. A few people understood this final emendation as laudably even-handed, but most fixated on its delicious hint that something dire remained possible. They went home uneasy, but oddly satisfied.

By the next morning, Mary Bight had taken down all the papers. Meanwhile, a dozen Waverly families laid out the mysterious sheets on their kitchen tables for intensive study. The post office became the central reservoir for growing speculations and overheated reactions, and few patrons went away without dipping from Miss Quaid’s overflowing pool.

One of the twelve papers was especially troublesome. It described an enormous monster, white as ice, with a devil’s cold and malevolent gaze. The monster struck the unfortunate men who encountered it with overwhelming terror, and the certainty it would be nearly impossible to destroy. Two members of Dr. Waylon’s family, which possessed the page, were acutely affected. Johnny Waylon, age eight, had screaming nightmares. Mrs. Waylon “heard things” in the night and, between comforting Johnny and repeatedly bolting out of bed to check the house’s previously unused door locks and window latches, barely slept four nights running.

“Take that thing down to Rev. Applewood,” she said to her husband Thursday at dinnertime, pointing a shaking finger at the paper. “I don’t want it in the house.” He promised to do so first thing in the morning, but just as the Waylons prepared for bed, a man pounded on the back door and pleaded with the doctor to hitch up his horse and hurry out to the farm to help his wife, struggling with a difficult labor. Dr. Waylon did not arrive home until nearly noon the next day. Exhausted, he lay down to rest while his wife cooked his lunch.

A shriek from the kitchen woke him, and he rushed in to find Mrs. Waylon bent over a bowl of potatoes, blood dripping from a cut on her hand, staining the white slices. He whipped out his handkerchief and fashioned a tourniquet. They sensed movement in the doorway and turned. The menacing page had blown off the hall table and lay on the floor, fluttering lightly.

Mrs. Waylon shrieked again, and her husband had no choice but to carry that page to Rev. Applewood as soon as he had properly bandaged her wound.

The story of the papery attack on Mrs. Waylon flew around town as fast as Johnny Waylon could run. Shortly thereafter, Rev. Applewood possessed all dozen riddle-pages. Mr. Parker rushed to buy tickets for his wife and children on the 5:30 Chicago-bound train, penning a short letter for her to take to his sister, explaining the precipitate visit.

 

The following Sunday, when the Methodist Church’s bell summoned the town, many congregants looked uneasy as they slipped into their familiar pews, their usual good humor and benevolent nods set aside. Rev. Applewood chose as his text, Joshua 1:9, “Be not afraid.”

During the week he had felt the blood quickening in the townspeople’s veins. “Do not let your imaginations take control of you, just because of a few puzzling sheets of paper,” he said. But his warning went unheeded, and that night, in the shadows of the trees across from the Thompson cottage, two or three men gathered, watching for they knew not what.

On Monday, the event the town had vaguely expected became all too real. Helen Jackson found her three young children behind the barn, vomiting clotted blood and moaning “as if possessed,” a neighbor said. Desperate, Mrs. Jackson sent for Dr. Waylon, but he was several miles outside town, tending a farmhand whose horse had kicked him in the chest. The story of the poisoned children reached every corner of the nerve-wracked town before Dr. Waylon could return, apparently just in time.

As ever, good news travels at leisure, while bad news takes the express, and only several hours later did everyone who had heard about the poisoning learn about the children’s recovery, time enough for the idea that confirmed their prejudices to become rooted in many minds, free of discordant facts.

That night, eight or ten men loitered outside old Mr. Thompson’s house, and they carried guns. They’d brought out two or three hunting rifles, Grassley’s father’s Spencer carbine, and several revolvers not loaded for decades and more likely to explode in their owners’ hands than to hit any target. The small guns stuck ostentatiously from the belts of men lucky to be sober. They stared at Mary’s night-blackened house, alert to every noise, but saw and heard nothing.

Rev. Applewood might not be a man to act precipitously, but he could detect the brimstone odor of moral danger. He sniffed it now. He called on Waverly’s leaders: Dr. Waylon, attorney Horace Silpatt, who was also the town’s mayor, and Doc Murray, the pharmacist—the town’s most respected and level-headed men, men with “a sense of consequences,” he said to Mrs. Applewood. “And we need Miss Byron’s good sense. She can calm the children.”

Janel Byron, Waverly’s schoolteacher, had spent the last month of the school year in St. Louis, attending her mother’s final illness. They expected her back in Waverly on the 12:15, and when the train clamored into the station screeching its brakes and whuffing steam, the four men stood silently waiting.

“I didn’t expect such a prestigious welcoming committee,” she greeted them.

“We surely would not descend on you in this way, out of consideration for your loss,” the Reverend said, “if it weren’t absolutely necessary.”

Questions flew to the woman’s lips, but before she could ask them, Dr. Waylon said, “This is unpardonably rude, but can you come with us now, to the church?”

“Now?” Miss Byron looked around the platform for her luggage. She gave a young man leaning against the station wall a dime to carry her bags the several blocks to her rooming house. On the walk to Rev. Applewood’s office, the men condoled with her by describing in detail the agonizing deaths of their own parents.

They’d soon told the whole tale—the mysterious pages, the growing anxiety, the odd events that fed the fearmongrels. And, in the midst of everything, Mary Bight, secluded, unaware, and going about her work, whatever it was.

“Let me see the pages.” The men sat silently as she studied them. The church bell chimed one o’clock. Miss Byron looked up.

“Well?” A chord of voices.

“First we must talk to Mary Bight.” Miss Byron’s obvious suggestion was a chink of light that immediately brought them to their feet.

“We’ve meant to do that, but,” Rev. Applewood reddened, “we don’t really know her, and we thought it would go better with you there.”

“And the situation has gotten worse so quickly,” said Mayor Silpatt.

“We’ll go now.” Miss Byron said.

If Mary was surprised to see Waverly’s five leading citizens on her sagging front porch, she did not reveal it, and promptly invited them inside. Unlike the house’s shabby exterior, the inside, though tight on space, was clean and orderly. True, boxes and piles of books outnumbered pieces of furniture, but even without knowing the volumes’ contents the visitors could see there was method to their arrangement. By the window sat the typewriter that punctuated Mrs. Parker’s days, flanked by a stack of clean paper on the left and typed sheets on the right. Less than an hour later, Mary’s visitors departed.

 

Church bells

(photo: goodpixgallery.com)

At six-thirty that evening, the church bell’s urgent summons boosted husbands out of their chairs to put on their coats and prompted wives to set aside the dish-washing, dry their hands, and gather the children. Only an urgent matter would call them out at this unusual hour, and they guessed what it was.

The townspeople approached the church afraid to learn what new depredations might have been revealed that day and keen to hear about them. They filled the sanctuary quickly and quietly, eyes fixed on the five town leaders who sat in front of the altar, facing them.

Rev. Applewood stepped to the lectern. “Dear friends, a pall of fear and confusion has lain over our town these last days. I know certain strange events and coincidences have alarmed many of you.” His audience stirred on the uncushioned pews, alert, backs straight, eyes on him. “Some rather wild speculations have circulated. And some of you believe these rumors justify strong actions.” Nods and mutterings of assent.

“I’ve called you here tonight with great relief, because we can finally put these matters to rest.” He told them how he and the others had visited Mary Bight that day. “She made a good impression on all of us. She’s bright, studious, and completely absorbed in her work, as we’ve all recognized.”

“The Devil hath power to assume a pleasing shape,” a rumbling voice called out from the back of the sanctuary.

Rev. Applewood held out his arms in a mollifying gesture. “We are very, very far from needing to think along those lines,” he said. “I’d like Miss Byron to explain.”

“When these gentlemen showed me the twelve sheets today,” the schoolteacher said, “I observed a theme—a thread—among them. A thread related to their purpose, not their content.” The audience looked wary. “When we spoke with Miss Bight, we found my supposition was correct.

“Far from being alarming or dangerous, these are pages of a scholarly work. Miss Bight recently received her doctoral degree in English literature and is writing a textbook exploring many of its masterworks.”

“What about my page—the chemistry problem? That’s no literature,” Miss Quaid interrupted.

“I’m surprised no one recognized it,” Miss Byron said and turned to Doc Murray, who stood.

“I said the ingredients sounded odd, and I couldn’t understand the ‘Hell broth boil and bubble,’ that Miss Quaid recalled for us. But today when I saw the actual paper,” he paused, “it’s Shakespeare! We read it in high school!”

The crowd shifted in their seats. “Many of you surely remember the three witches who foretold Macbeth’s fate,” Miss Byron said. “‘Double double toil and trouble, fire burn and caldron bubble?’” She looked at them expectantly. “Miss Quaid’s paper had a fragment of that speech. And, yes, the witches’ cauldron did contain odd ingredients, like ‘eye of newt and toe of frog.’”

Miss Quaid fumed. Mrs. Grassley jabbed her husband with her sharp elbow. “You should of got that,” she muttered.

Unconsciously clutching her bandaged hand, Mrs. Waylon asked, “What about the white devil?”

“Part of a summary of Melville’s Moby Dick,” Miss Byron said. “The Great White Whale.”

“But, my hand?” she asked in a weak voice and held it up.

“I’m sorry, my dear.” Her husband smiled gently. “I’m afraid you are somewhat prone to household accidents.” Before she could take offense, he added, “It’s one of the chief reasons I’m glad I’m a physician.” The audience chuckled, and she blushed, but returned the smile.

“The man in the laboratory?” someone inquired, cobwebs of uncertainty still clinging to him.

“That page describes a type of story that uses science to give its plot a base of plausibility, then erects on it a most unscientific edifice. You may have read or heard about Robert Louis Stevenson’s new story, ‘Dr. Jekyll and Mr. Hyde,’ or remember Mary Shelley’s Frankenstein.”

Like balloons losing their air, the townspeople gradually slumped. Their heads sank further with each benign explanation.

“But why did she hang those papers outdoors like that?” Miss Quaid launched a flanking attack.

Rev. Applewood returned to the lectern. “In a way, she had the same problem we did. She’d neglected to number the pages. She went shopping on Saturday, and a sudden thunderstorm came up. The wind through the open window blew a good many of her papers onto the floor and hopelessly scrambled them. She didn’t have room to lay them out inside the house and had the idea of hanging them up so she could see them all and put them back in order. Which, in fact, she did.”

“What about the Jackson children?”

“Ah,” said Rev. Applewood. “That was unfortunate. But it had nothing to do with Mary.”

Dr. Waylon spoke up. “The children spent the afternoon climbing in their neighbor’s cherry trees. They ate too much fruit, plain and simple. Nothing supernatural about it.” A few people nodded, having had children of their own.

After a prolonged silence, a woman’s peevish voice asked, “Why don’t she take better care of that place?” Everyone burst out laughing, including Rev. Applewood.

The mayor spoke up. “Mary is renting the Thompson house for a few months, just until she finishes her book. Meanwhile, Sarah and Hiram Thompson took some of the old man’s money—yes, he had quite a hoard, believe it or not—and went to Europe.” The townspeople shook their heads. “When they return to Indianapolis, they’ll see about the house.”

“By the way,” Rev. Applewood said, “Mary did number the pages, once they were all in order. She realized some were missing and was pleased to get them back.”

There were no more questions, and soon the church emptied, the people seemingly embarrassed to have needed such an explanation.

“Mrs. Parker’s idea, the trip to Chicago,” Parker said to the Grassleys, as they walked toward home. “I knew that young woman wasn’t a witch.”

“Of course not,” sighed Mrs. Grassley and glared at her husband.

“Hmph,” said Grassley, muttering, “‘eye of newt.’ Hmph.” He hoped no one remembered he’d suggested the guns.

Miss Quaid, head held high, turned off at the next corner. “I just can’t believe how gullible people are, letting themselves get carried away like that,” she said.

Behind closed doors that night, the townspeople gradually came to accept this alternate and benign set of realities. A lot of conversations that started out talking about “protecting my family” and “can’t be too careful” ended up with “benefit of the doubt” and “jumping to conclusions,” as well as “sorry.” The men who’d held the guns said little, but their hands trembled. Just one more step, which the night before had seemed almost inevitable, and they would have fallen into an abyss of error and regret.

 

Over time, the people of Waverly drew upon this lesson again and again, as they confronted new challenges to their established ways—the prejudices sparked by immigration, the hatreds born of wars, the meanness of the Depression, and all the other upheavals in small town life whose beginning they dated to the arrival of the railroad, so many years before.

On the morning after the community meeting, Mary Bight opened her front door to find a bouquet of garden flowers, two pies, and a loaf of fresh-baked bread. Mid-morning, a half-dozen men carrying tools strode up her walk. By Sunday, the porch floor was secure, the shutters straight, and, most surprising of all, Grassley had donated several gallons of white paint that the men put to good use. She’d learned a lesson, too, and regularly appeared at church and took time to know her neighbors.

As I grew up, I often heard this story from Waverly’s old-timers. And I know that Johnny Waylon, my grandfather, lived its lessons throughout his own generous life. Still, whenever he told it, I could hear, just dusting his dry voice, a small boy’s disappointment that the most exciting event of his childhood had evaporated like a mysterious green mist.

country bouquet, flowers

(photo: brunifia, Creative Commons license)

How ISIS is Different

desert, man in desert

(photo: Ilker Ender, creative commons license)

The issue of terrorism and the response of secular societies to it is the sharp edge of international relations and of much current interest. Recently, this website has included my summary of Graeme Wood’s article in The Atlantic, “What ISIS Really Wants,” as well as a review of the book The Terrorist’s Dilemma, by Princeton professor Jacob Shapiro about how covert organizations organize themselves.

Putting these two analysis side-by-side, ISIS appears to be both fundamentally and functionally different from the “traditional” terrorist organizations Shapiro describes in a number of key ways, including:

  • traditional terrorist organizations, including al-Qa’ida, have political aims (getting Westerners out of the Arabian peninsula, etc.), whereas ISIS’s aims are religious
  • because of their political goals, traditional terrorist organizations have at least some interest in controlling ultra-violence, as it decreases their political capital, whereas ISIS is focused on establishing absolute, undiluted Sharia and the accompanying violence is part of the package
  • traditional terrorist organizations want to protect their leaders, whereas ISIS appears to court confrontation, or at least is not dissuaded from pursuing its tactics by fear of Western reprisal and
  • traditional terrorist organizations must operate “underground” in their host countries, so their activities—including communication with their agents in the field—always carry a security risk, whereas ISIS is operating in the open in its captured territories, and indeed must hold those territories in order to maintain the caliphate it has declared.

With respect to how an organization can behave when it has territory (a safe haven), ISIS does follow the pattern of traditional terrorist organizations by exploiting that benefit. In addition, traditional terrorist organizations suffer when there is a complete security vacuum and see the need to establish social institutions; not surprisingly, then, ISIS’s plans include a kind of social agenda (albeit along lines endorsed by Mohammed), though whether the organization can pull it off is another question.

These differences call for different approaches, not approaching ISIS like a spinoff al-Qa’ida or the Provisional IRA. This is new.

A Cozy Arrangement

Murder, She Read, is a research report from Nielsen Book Research (a copy will set you back $1,500), on the book-buying preferences and habits of some 6000 nationally representative U.S. mystery/crime readers. The researchers defined “mystery/crime” as

a genre of fiction typically focused on the investigation of a crime. Mystery fiction is often used as a synonym for detective fiction or crime fiction—in other words, a novel or short story in which a detective (either professional or amateur) investigates and solves a crime mystery.

This is a more restrictive definition than most, but a lot of books fit it. Highlights of the study results:

  • cat reading

    (photo: raider of gin, creative commons license)

    Most “mystery” readers (70%) are female

  • The biggest age group of mystery readers (28%) comprises people 65 and older, with almost half of mystery readers 55 and older and
  • Many mystery readers are not actually buying their books; they’re getting them free.

The gender and age concentrations revealed come as no surprise. Month after month, I see lists of the mysteries agents and publishers are signing. Their decisions are creating and reinforcing this important audience, and its dominance is an effect of the choices they make.

I certainly don’t want to suggest there shouldn’t be books geared to the older female demographic, but mysteries that involve clever kitties, cutesy shops, knitting patterns, and recipes not only succeed in appealing to one specific group but also fail to develop new communities of interest.

Authors can—and do—write novels that appeal to both men and women. And many women readers devour books by Michael Connelly, Tana French, Ian Rankin, and Laura Lippman just as much as men do. However, a focus on novels with marketing appeal to only one segment of the population (and a low- or non-paying one at that) may prove counterproductive in the long run. I hope authors and publishers read the Nielsen findings as a call to reach out to tomorrow’s audiences—readers who will be as loyal and enthusiastic as the older woman audience is today.

Whiplash

J.K.Simmons, Miles Teller, Whiplash

J.K.Simmons and Miles Teller in Whiplash

Another Oscar movie (trailer) with a Princeton connection. Director Damien Chazelle was “inspired by” his musical experience at Princeton High School to explore how the drive to excel can become all-consuming. Not that the character Fletcher, superbly played by Oscar-winner J. K. Simmons, the tightly wound and sadistic studio band leader, mirrored Chazelle’s own band leader (“fear inspires greatness”), he is at pains to say, but still . . . Chazelle wanted the film to explore the line between a healthy passion and an obsession, and, boy, did he do that, garnering five Oscar nominations in the process.

Miles Teller is terrific as the young drummer pushed to the limits of his skills and endurance—and beyond—by teacher Fletcher, “sworn enemy of the merely O.K.,” says Anthony Lane in The New Yorker. Characteristically, Fletcher says, “There are no two words in the English language more harmful than ‘good job.’” The Hank Levy tune “Whiplash” is the rack of a tune upon which the drummers in Fletcher’s jazz band are broken.

Here’s a movie where I really felt the tension—it made me clench my fists to the point where my hands, too, were almost bleeding. The playing of the drums enters your skull, and your heart must keep time. If you missed it in theaters, Netflix has it!

Rotten Tomatoes critics rating 95%; viewers, 96%. “Bring a welder’s mask to ward off sparks,” advised critic Donald Clarke in the Irish Times.

***Mortal Prey

St. Louis arch

(photo: wikipedia.org)

By John Sandford – At a big family celebration last year, I queried my tablemates about the thriller writers they most like to read, and one guest enthusiastically endorsed John Sandford. Since I generally steer clear of Big Type book covers, I was happy to have this recommendation.

In Mortal Prey, Sandford did a strong job establishing the main characters (#13 in a loooooong series)—Lucas Davenport, a Minneapolis deputy police chief, and his primary antagonist, Clara Rinker, a hit-woman Davenport has tangled with previously. Now she’s gunning for some of the lowest lifes in St. Louis, and the FBI wants to stop her. There’s a passel of semi-bumbling FBI agents who’ve apparently spent too much time behind desks. Even more entertaining were the street-smart retired local St. Louis cops Davenport hooks up with. Lots of amusing manly banter.

In a flimsy pretext typical of thrillers that the reader can sail on by, the Minneapolis cop is working out of his jurisdiction and with the feds, which both limits his action and frees him from certain other constraints. Much of the plotting is believable (again, in the thriller context), until near the end, when Sandford abandons the point of view of the sniper, and her actions become increasingly risky to herself and others. Until she becomes a top spinning out of control, she’s a step or two ahead the feebs all the way.

I do wish Sandford had paid more attention to his character names. When Davenport met with agents Mallard and Malone and Mexican police colonel Manuel Martin and the Mejia family, I got kinda lost. No need for that. Thank goodness it wasn’t an audiobook.

Fast-paced, good humor, I’d read another one of these!