Category Archives: Book

What I’ve Learned about Book Reviews (by writing them): Part 1

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books, reading

5-star books of 2015 (photo: Vicki Weisfeld)

You may have read some of the book reviews I’ve written for vweisfeld.com and Crime Fiction Lover. Perhaps you’ve wondered what criteria I use in assessing a book and assigning the stars. For one, you may have noticed that most books reviewed cluster in the 3-4 star range (good to excellent). There’s a reason for that. I really don’t read books at random; unless they promise to be pretty good, they aren’t on my reading pile. Another way to say this is, there’s so much good stuff out there these days, why waste time on schlock?

Offhand, I can think of only two one-star reviews I’ve given, and those books were gifts, well-intended, of course. At the same time, a book has to be really a cut above—usually by having strong literary qualities or a truly compelling story—before I give five stars. Proof of this “high average” is that I’ve reviewed 36 fiction/memoirs so far this year; of these, 18 were four-star, while five were five-star. In 2014, I read 56 books, and gave 22 of them four stars and only half that many five stars. The stars are explained on this website’s “Reading . . .” page, as follows:

Book Review Rankings

***** Highly recommended
**** Excellent read
*** Some flaws, but good
** Take it or leave it
* Save your $

While good reviews are important to writers, book reviews are mainly for readers, so I try to focus on the factors that make a book a good reading experience. And, because they’re for readers, **no spoilers!** in my book (and movie) reviews. This probably doesn’t please my friend who turns to the back of a new book and reads the last chapter first.

It’s generally helpful to signal the genre of the book (some people love sci fi and other hate it, for example) and provide a short synopsis of the book’s set-up. This lets prospective readers know whether it’s the kind of book they would like in general, and whether the subject matter is likely to interest them.

Summary Judgment

First, I think about the overall impression a book makes. When I reach the last page and think, “Now THAT was a good book,” assigning the stars is easy. But it isn’t enough to tell other readers “it’s awesome” or “meh” and be done with it. Writing these reviews has helped me figure out why I have these overall impressions.

An important component of this summary impression is the idea or theme a book explores, which is accomplished by bringing together all its elements (plot, character, etc.) in a coherent, if sometimes invisible, way. Invisible or barely visible, because no reader wants to be lectured at. Ideas and themes must be presented artfully, something numerous critics (not me) felt Barbara Kingsolver’s Flight Behavior did not achieve, and which Neal Stephenson’s novels do so well. As the old Hollywood saying has it, “If you want to send a message, call Western Union.”

Ideas and themes are what a book is fundamentally about, and what it is about is not the same as plot. It took me a long time to learn that in my own writing. People would ask, “So, what’s your book about?” and I’d say, “It’s about a New York City architect who finds his mistress murdered and then what all happens as he tries to figure out why.” Now I say some of that, but I add “and what it’s really about is a man trying to regain his self-respect.” The “what a book is about,” stripped of plot intricacies, is the universal that readers respond to.

Tomorrow: Component Parts, Errors, & You

8 Exciting Summer Reads

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reading

(photo: Pedro Ribeiro Simōes, Creative Commons license)

With publishers so intent on finding the next blockbuster, it’s easy for good books, make that Very Good Books, to slip by unnoticed. I’d like to suggest that my writing coach Lauren Davis’s new book, Against a Darkening Sky, which is on top of my “to read” pile, is a book I hope escapes that fate. I also trust that the flow of good will and good media coming its way will continue.

Set in 7th century Northumbria, as Christianity sweeps the countryside, it considers issues that are universal and timeless. Says Pulitzer Prize-winning author Robert Olen Butler, it “brilliantly achieves the ideal for a historical novel: period and milieu seem utterly inextricable from characters and theme.” I’m looking forward to reading—and savoring!—it this summer.

More Recommendations

In case you missed Nancy Pearl’s “under the radar reads” segment on NPR’s Morning Edition late last week, here are her recommendations for intriguing and beautifully written works of fiction beyond the B&N front table that are well worth seeking out.

  • The Revolutions by Felix Gilman – A little steam punk, a little sci fi, a little magic and the occult—and the perils of dabbling in them. Says Pearl, “I’ve always believed that people learn from every book they read, . . . I think reading about the past in the context of the present is just fascinating.”
  • The Swimmer by Joakim Zander – in this fast-paced thriller a former spy tries to help a young woman with whom he has a strange connection. She’s seen something she shouldn’t have . . . and she’s on the run.
  • Etta and Otto and Russell and James by Emma Hooper – Says Pearl, this is another page-turner, not because of the speed of the plot, but because the characters from two time periods (around World War I and late 20th century) are so interesting. The story is set in motion when 83-year-old Etta decides she must see the ocean before she dies and sets out to walk there—from Saskatchewan.
  • Unbecoming by Rebecca Scherm – which is, Pearl says, “a novel about lying.” Not only is lying “unbecoming” in the old-fashioned sense, but the main character gradually “unbecomes” who she is. In a Paris antiquities shop she waits for her crimes to catch up with her.
  • The Half Brother by Holly LeCraw – We’ve all had strange coincidences in our lives, situations about which one says “if that were in a novel, no one would believe it!” Well, this novel takes on the issue of coincidence versus fate. How one choice would have created a totally different self—in other words, the spiraling kind of speculation that can drive you crazy.
  • The Strangler Vine by M.J. Carter – Carter is a historian, who can provide the convincing details of the exotic setting this novel uses. In 1837 India, its two British protagonists journey all over the subcontinent to find a missing writer. The first of a series, about which Pearl says, “I personally cannot wait for the second one.” (Awesome cover!)

A Sad History Tale

Morning Edition host Steve Inskeep himself has a new book out, Jacksonland: President Andrew Jackson, Cherokee Chief John Ross, and a Great American Land Grab. It’s the true story of an Indian leader who used the tools of American democracy to try to make the case for his people and their land rights. His futile legal battle continued for two decades and ended in the Trail of Tears.

Any of these books would make for memorable summer reading. Looking forward to hearing your thoughts on them and to reading at least some myself!

A Bookstore for Invisible Authors

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book store

Gulf Coast Books, Fort Myers, Florida (photo: facebook)

A great idea recently came out of Florida—and, no, I am not talking about aspiring Republican presidential candidates. According to a Publisher’s Weekly story by Judith Rosen, the first bookstore dedicated to self-published authors opened in Fort Myers earlier this month. The Gulf Coast Book Store was launched by two self-published authors: Patti Brassard Jefferson, who writes and illustrates children’s books and history author Timothy Jacobs.

The store addresses one of the biggest difficulties facing self-published authors—the near-impossibility of getting their books into stores. In traditional book stores, self-published authors—who conservatively publish some 450,000 books per year—are essentially invisible. Even books published by small presses may have difficulty appearing on store shelves if the publisher doesn’t invest in relationships with book distributors. Distributors’ sales teams are the people who promote a new author’s book to book store buyers. (A useful discussion of the difference between book wholesalers and distributors is here, a distinction many publishing services gloss over.)

At Gulf Coast, which is located in Fort Myers’s Butterfly Estates, self-published authors’ works are not vetted, but writers must be local. They can rent shelf space for three months for $60, plus a $15 set-up fee. In return, they receive 100% of every sale. (Bookstores willing to take a local author’s books typically do so on consignment, and the author may receive only about half of each sale.) Gulf Coast can offer these full returns because it doesn’t need staff. Butterfly Estates—which includes shops, a café, and butterfly conservatory—handles sales and credit-card processing.

In April, the store offered books by 36 local authors, plans to add 16 more in May, and currently has no spaces available. Each writer can display up to 10 books, and the 10 may be all the same title or multiple titles. Authors can display promotional materials—bookmarks, brochures, and the like—and are featured on the store’s website.

Gulf Coast’s space is available for book signings, too. For Jefferson and Jacobs, “the store is about building community and helping other authors,” writes PW contributor Rosen. Though Gulf Coast provides a tiny solution for now, if it caught on elsewhere, indie authors would rejoice.

The Glass Top-Hat

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NYPD, cops

(photo: Nick Gulotta, Creative Commons license)

Loved this Alexandra Alter article about crime novelist Richard Price and his adoption of a pseudonym, in the hope of producing a quickie novel (and not suffer years over it!). Why not use his skills to dash off a plot-heavy, (shudder) “commercial” novel and reap the proceeds? In fact, he found out he is who he is, and the new book took just as much time and care as ever.

Price, interviewed this week on the PBS New Hour, is the author of the well-crafted and popular novels Freedomland, Lush Life, and Clockers. This pseudonymous endeavor has now emerged as his ninth novel, The Whites, which The New Yorker review by Joyce Carol Oates describes as “a maze of a novel” about a case that haunts NYPD detective Billy Graves. (The ghosts of unsolved cases are a universal occupational hazard for cops, as Price described it for PBS.) The book’s awkward parentage is displayed on the cover as “Richard Price Writing as Harry Brandt.” Even though The Whites came out only about two weeks ago, it’s already a hardcover fiction best-sellers (#5 on the NYT list in it first week).

“You realize you only know one way to write,” Price said during his New York Times interview. In keeping with his stripped-down approach, he did no new research, but instead called upon his extensive experience in ride-alongs with police and their lengthy conversations for his previous novels, as well as in his writing for HBO’s The Wire.

The whole pseudonym exercise was a failure, Price now says. “It seemed like a good idea in the beginning, and now I wish I hadn’t done it.” And, in a line for the ages: “This pen name is like pulling a rabbit out of a glass hat.”

Related articles

****The Terrorist’s Dilemma

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laptops, soldiers

(photo: wikimedia)

By Jacob N. Shapiro – an academic’s look at the organizational constraints on traditional terrorist organizations—from those in pre-Revolution Russia to the Irish Republican Army to Al Qa’ida to Fatah and Hamas—and how groups manage these difficulties. Princeton professor Shapiro gave a fascinating talk about his research last December and resolved to read his book.

In part, his message is that terrorist organizations face many of the familiar challenges as do other organized human endeavors. They have resource management issues, they have personnel issues, they have issues related to achieving their goal. But operating as covert and violent organizations imposes a number of additional, unique security constraints.

A key factor is the extent to which “management”—the terrorist leaders at the top—and “line” personnel—the people carrying out day-to-day operations are in sync. Often, they are not. A terrorist organization’s leaders typically have a political agenda, which requires compromise, negotiation, a focus on long-term goals and, therefore—in an effort not to alienate national leaders or the populace of the host country—the need to keep a lid on violence, at least to some degree. This is because, as Shapiro says, “the groups that eventually win political power, or even major concessions, do so not on the strength of their violence, but on the back of large-scale political mobilization and participation in normal politics.”

By contrast, people drawn to the front lines of the same terrorist movement, to whom operational decisions may be delegated, are likely to be more extreme and to seek confrontation and heightened violence, “action in its own right,” Shapiro says. Disagreement in the ranks is common, as personal histories and captured documents amply demonstrate. Even Osama bin Laden counseled restraint among the rank-and-file.

However, controlling the troops requires a fair amount of communication, and every communication between underground organization leaders and the field entails a security risk. Thus, control is always imperfect. Similarly, it is the leaders of terrorist organizations who generally are the fundraisers and the people responsible for husbanding the organization’s resources. Closely managing who spends funds for what purposes again leads to security exposure. These two tradeoffs—operational security vs. tactical control and operational security vs. financial efficiency—play out in one underground terrorist organization after another, across time and geography.

Much has been learned about these organizations (via captured documents—and in one case reported here, which would be unbelievable if it were written into a political thriller, Wall Street Journal reporter Alan Cullison purchased a used laptop in Kabul as a quickie replacement and discovered his new machine had been that of Al Qa’ida #2 Ayman al-Zawahiri, turned in for resale without wiping the hard drive.)

Shapiro contends that understanding why terrorist organizations make the choices they do is an essential first step in designing counter-terror policies. For any number of reasons, ISIS may be different than these past organizations and not understanding those differences also will lead to tragedy.

****The Bad News Bible

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Jerusalem

(photo: David Holt, Creative Commons license)

By Anna Blundy – Reading and reviewing classics like The Long Goodbye or best-sellers like Mr. Mercedes and trying to develop my own take on them is fun, but even more rewarding is discovering an author whose books have flown under the radar and bringing them to your attention! In that category, here’s The Bad News Bible (2004), published by Felony and Mayhem Press, a murder mystery set in the heart of Jerusalem, with all the dangers and dislocations thereunto. Ask Brian Williams.

Perhaps because in real life her father was a British war correspondent, killed in El Salvador, Blundy made her protagonist a war correspondent, too. Faith Zanetti is ensconced with a profane, chain-smoking, hard-drinking crowd of journalists with whom she’s spent many dusty hours. Though they work in deadly dangerous places and though gallows humor is one way they stay sane, Faith doesn’t expect murder to invade this close circle of colleagues and competitors. Reviewers have said Faith “is a heroine who was waiting to be created,” the one “we’d love to be.” Faith has been carried along by her courage and her cynical sense of humor into four more books after this one, first in the series.

The book’s title is what Faith’s best friend calls the reams of advice the correspondents are given about staying safe in a war zone, information in stark contrast to the ever-present “Good News Bible” in their hotels’ bedside table drawers. Faith has humor, sharp perceptions, and calls them as she sees them, exactly the traits needed to survive—and Get the Story—in her tricky situation. And Blundy’s writing has the energy to carry it off.

(If you order this book, make sure you buy the one by Anna Blundy. Another has the same title but is a different thing altogether!)

Word Count to Movie Minutes

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The Wired crew set out to answer an interesting question for the January print edition—how does a book’s printed word count convert into movie minutes? Writer Seth Kadish took a look at 18 book-film pairs and found that, on average, every 1000 words of text translates into two movie minutes. Authors who struggle over each and every one of those words may blanch, but movies don’t have to spend time describing how people look or what they’re wearing—the casting and costume directors have supposedly taken care of that. They don’t have to describe the time of day or the setting, the audience can see it.

popcorn

(art: pixabay)

Peter Jackson’s movie version of The Hobbit (in three parts and clocking in at a full eight hours) is an outlier, spending five minutes per 1000 in visualizing that story, with the movie of The Lion, the Witch, and the Wardrobe not far behind. Padding stories out with special effects may be one way a movie gobbles up the clock. Adding new content, of course is another, which makes fans of the original squirm. The Harry Potter movies are generally right on the nose, but The Order of the Phoenix practically skims through the text, devoting less than a minute per 1000 words.

To be sure, the 1000-word standard is elastic. In my house we have two-hour (Greer Garson, Laurence Olivier), four-hour (BBC, Elizabeth Garvie, David Rintoul), and six-hour (BBC, Jennifer Ehle, Colin Firth) versions of Pride and Prejudice, and they’re all quite different. If you’ve just luxuriated through the long one, you can’t abide the two-hour 1940 version, much as you might admire the leads. You’re too aware of everything that’s been chopped.

If only someone would make a movie out of Neal Stephenson’s entertaining REAMDE. At 1056-pages, it’s three times the length of a today’s typical novel. That would be roughly nine hours, Peter Jackson, knock yourself out! And order me an extra-large popcorn! Meanwhile, Publisher’s Weekly has compiled a list of the most anticipated page-to-screen adaptations for 2015, with, at the top, a seriously toned down 50 Shades of Grey.

*****City of Thieves

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Siege of Leningrad

The Siege of Leningrad (Dennis Jarvis, flickr, CC license)

By David Benioff – Santa put this 2008 book in my Christmas stocking, and though I’d listened to it in the audio version several years ago, I enjoyed it just as much the second time around, in print. If you asked whether I’m a fan of coming-of-age novels, I’d probably say “no,” but this is the second one I’ve recently given a top ranking.

The story takes place during the 872-day siege of Leningrad, one of history’s longest, in which the starving residents were reduced to eating the glue in their books. Two young Russians, strangers to each other, are thrown together on an impossible quest: Lev—a short, dark, Jewish 17-year-old caught looting a dead German—and Kolya, 20 years old, tall, blond, and charming, a Red Army private accused of desertion. Either of these crimes is punishable by firing squad, no questions asked, and they have only this one sliver-thin chance to save themselves: find a dozen eggs so that the daughter of an NKVD colonel can have her wedding cake.

Lev narrates the tale of how the two search the desperate, lawless city and the countryside thick with snow and Nazis, in their search. It begins: “You have never been so hungry; you have never been so cold.” And while there is misery in drifts, Kolya’s irrepressible nature brings much humor to the telling as well so that, as USA Today said, “This spellbinding story perfectly blends tragedy and comedy.”

Benioff is the co-creator and showrunner for Game of Thrones, and wrote the screenplay for The Kite Runner, so it’s no surprise he can tell an exciting story—and he can tell it well.

Looking for Something Good to Read?

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reading

(photo: Nico Cavallotto, Creative Commons)

The stack of books I’m excited to read in 2015 is already pretty high, and to make room, sorted the books of 2014—keep, donate, donate, keep, keep. Handling them again and in writing last week’s post on the 11 very best, I couldn’t help thinking how many more really good ones there were! All 22 **** books of the past year.

Mysteries & Thrillers

  • Sandrine’s Case by Thomas H. Cook – originally I gave this 3 stars, but when I couldn’t stop thinking about it, slapped on a fourth
  • The Golden Hour by Todd Moss—believable political thriller, awesome first novel
  • Standing in Another Man’s Grave by Ian Rankin—an always-satisfying outing with Edinburgh’s Inspector John Rebus
  • Mystery Girl by David Gordon—a wacky Hollywood tale with oddball characters and LOL dialog
  • The Cottoncrest Curse by Michael H. Rubin—I met Rubin, so bought his book about late-1800s murders on a Louisiana plantation. So glad I did!
  • Ordinary Grace by William Kent Krueger—won all the big mystery world prizes in 2013
  • Spycraft by Robert Wallace, H. Keith Melton, and Henry Robert Schlesinger—non-fiction, describing the technologies of espionage (and avoiding recent scandals entirely)
  • The Reversal by Michael Connelly—Harry Bosch AND Mickey Haller
  • The Cold, Cold Ground by Adrian McKinty—really makes his Belfast-during-the-Troubles setting work for him

Other Fiction

 Biography, History, Politics

Great Places

  • The White Rock by Hugh Thomson—adventurers still discovering lost Inca outposts
  • The Danube by Nick Thorpe—from the Black Sea to the river’s origins in Germany
  • The New York Nobody Knows by William B. Helmreich—this sociologist walked more than 6000 miles of NYC streets and talked to everybody

 Stephen King

book, imagination

(Cinzia A. Rizzo, flickr.com, CC license)

****Don’t Get Mad, Get Even

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Christmas lights

(photo: Vicki Weisfeld)

By Barb Goffman – These “15 Tales of Revenge and More” are an amusing exploration of the way put-upon individuals’ revenge fantasies, carried out, can deliver juicy justice or go amazingly awry. Though some of the stories—many of which have been award-nominated—are told straight, in most, you can picture the diabolical twinkle in the author’s eye.

The collection offers a chance to reflect on the recent the holiday season, too, as a number of the stories feature the special opportunities for mayhem inherent in Thanksgiving, Hanukkah, and Christmas traditions—all that tricky family togetherness, all that food and gifts-with-a-message, that white carpet—as as well as tyro reporters with unorthodox ways of getting a story, deathbed confessions, and yard sale treasure.

If you enjoy clever short stories, the lively and refreshing reads in this Goffman’s tales will be right up your alley.