Tag Archives: wars and conflicts

On Stage: And A Nightingale Sang . . .

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A business trip to Las Vegas kept me from attending the opening weekend of The Shakespeare Theatre of New Jersey’s new production, And A Nightingale Sang . . ., but I didn’t want to go without mentioning it to friends in the area, and encourage you to see it. A not-very-often produced play by Scottish playwright C.P.Taylor, it’s on stage for only one more week (through Sunday, July 30). Taylor was a native of Newcastle upon Tyne, and his characters speak with the broad Geordie dialect that must have been a bear for the actors to master (which they did!). This accent will be familiar to viewers of the television mystery series, Vera.

And a Nightingale Sang . . .the story of a northern England family during the Blitz and how, as one character says, Hitler changed their lives. There are lots of funny moments and sad ones too. The actors, particularly Monette Magrath whose role involves breaking the fourth wall and helping the audience understand how the pieces fit, do a remarkable job keeping up. Something—often more than one thing—is always happening.

Older sister Helen (played by Monette) believes she’s plain until she meets the friend (Benjamin Eakeley) of younger sister Joyce’s (Sarah Deaver) fiancé, Eric (Christian Frost). The men are in the army, training for battle, and the play’s six scenes take place at pivotal points in the war. The mother (Marion Adler) is religious—to a fault you might say—and her husband (John Little) distracts himself with playing the piano, including the title song, and politics. The grandfather (Sam Tsoutsouvas) always weighs in where he’s not wanted.

Retiring Shakespeare Theatre artistic Director Bonnie Monte chose this play for the aptness of its moment “as I read about what the Ukrainians are dealing with on a daily basis,” she says. Big world events affect individual people and families in a personal and private way.

Mention must be made of the set design by Brittany Vasta, economical in space for the small stage, but with multiple areas to hold the disparate action and suggestions of the war’s destruction. The lighting (Matthew E. Adelson) and sound (Drew Sensue-Weinstein) designs effectively evoked the terror as planes overhead drop their bombs nearer and nearer. Shakespeare Theatre of New Jersey productions are hosted at Drew University in Madison, N.J. (easily reachable from NYC by train). For tickets, contact the Box Office.

Two Novels that Couldn’t Be More Different

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Between Two Strangers by Kate White

Skyler Moore can’t escape the past in Kate White’s new psychological mystery, Between Two Strangers. The disappearance of her younger sister twelve years earlier not only haunts her, but forever damaged her relationship with her mother.

This psychic blow ended her graduate studies. She left Boston for New York, and she put her art studies behind her. Now nearing her mid-thirties, increasingly isolated, she has no promising relationship that would get her the one thing she really wants—a child. You may think as I did that she isn’t a very promising maternal figure for any number of reasons, but a child is what she wants.

At least she’s started creating art again. She’s good too, and a small gallery in lower Manhattan is organizing a show for her. As the show’s opening approaches, a call from a lawyer in the tony suburb of Scarsdale changes everything. He’s the estate administrator for a recently deceased pharmaceutical executive whose name she doesn’t recognize. He’s left her a bequest. How much? $3.5 million. It’s a life-saver, but unraveling the dead man’s motive will take some work.

If you are as skeptical of coincidence as Sherlock Holmes and most police detectives are, you may think Skyler is a bit slow to realize there’s a relationship between her windfall and the harassment she’s newly subjected to. But once she finally tumbles to it, White keeps the story twists coming.

Chapters alternate between Skyler’s current life and the fateful weekend Chloe disappeared. Each leaves you on the brink of learning something critical, giving time to develop your own theories (all of mine were wrong!). With the story’s nice pacing, it’s a highly entertaining page-turner.

White is the former editor-in-chief of Cosmopolitan magazine and author of several previous thrillers.

Back to the Dirt by Frank Bill

If you imagined the full spectrum of crime, mystery, and thriller stories, you might slot tidy Miss Marple and the cosies on the left extreme. Well, hang onto your hat, because Frank Bill will shoot you all the way to the right, literally Back to the Dirt. His story is reminiscent of the late Cormac McCarthy’s Blood Meridian or Donald Ray Pollock’s The Heavenly Table in giving no quarter to sentiment.

The main character, Miles Knox, is a Vietnam vet living in rural Indiana who saw some horrible things perpetrated there, and not just by the enemy. These episodes and his dead comrades haunt him, and when he’s under stress, they come roaring back into his head in sounds, smells, and sensations. He’s tried counselling with little apparent success. The only thing that relieves the stress is pumping iron. Since he’s no longer young, he has to jack himself full of steroids, which take their own toll. Maybe somewhat more responsible than a loose cannon, don’t get him angry.

His friend Nathaniel shows up with his eight-year-old nephew, Shadrach, who just saw his parents murdered. They were big-time drug dealers, but when the cops arrive, the trailer is clear of both drugs and money. Nathaniel  takes Miles on a long, drug-fueled night of pursuit and frustration. Whatever bad stuff happened that day, it’s only going to get worse.

Author Bill paints a bleak picture of rural America, swamped with opioids, fully stocked with guns, and overtaken by despair. (This is the theme of Barbara Kingsolver’s excellent Pulitzer-Prize winning novel, Demon Copperhead. An author has to find a way into such a morass, and Kingsolver chose Dickens’s David Copperfield for inspiration; Bill chose the Vietnam War and PTSD. Worlds where there are no easy answers.).

I wouldn’t recommend this book for the faint-hearted or easily offended, but if you are up for a bracing look at a segment of society rarely described so unflinchingly, this will do.

It took a while to get into the rhythm of Bill’s writing. He writes characters’ thoughts and dialog not just phonetically, but the way the characters perceive\s the words, adding considerable color to the text. Just when you think there should be an end to the legacy of Vietnam—a war that ended for the politicians some forty-five years ago—you are reminded that for many of the men who fought there, the war is a daily reality.

The Power of Story

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Howard Gordon, executive producer and showrunner for American television shows like Homeland and 24 was the guest on a recent podcast produced by The Cipher Brief, a think tank focused on national security issues. It’s part of the site’s dip into the way national security is portrayed in popular media—television, movies, and books. And it reflects a truth that Gordon says is found in Richard Powers’s book, The Overstory, “The best arguments in the world won’t change a person’s mind. The only thing that can do that is a good story.”

So, what does it take to make a Hollywood hit “in an age of geopolitical turmoil?” as Suzanne Kelly, head of The Cipher Brief termed it. You don’t have to look far to see that turmoil. Today’s news headlines include the Russia-Ukraine war, China’s world role, a new generation of Palestinian fighters, and repression in Iran and Afghanistan, for starters.

Gordon maintains that his new crime show, Accused, which addresses current social issues, is also germane to national security, because society’s strength is affected by how and how well it functions. Accused, which airs on the Fox network, challenges audiences to understand why a crime was committed. The plot lines are drawn from contemporary issues: violence, race, identity and, as what Gordon called “a vital accelerant to the drama,” social media. He says the show is “a new game every week.”

C’mon, this is tv. Is it just wishful thinking to believe fictional television is “important” in a world where so much serious stuff seems out of whack? We’re so polarized along numerous fault lines there seems no good way for people to come together. Stories, culture, food, are all “Trojan horses for empathy,” Gordon believes. If you show someone other types of people in the context of a story, maybe they will come to look differently at people they encounter in real life.

Again, how do these “culture wars” affect national security? Kelly noted that the age of interpretation and context is gone—people seem too eager “to line up on sides.” As retired four-star General Michael Hayden, a frequent contributor to The Cipher Brief has said, society is not suffering so much from a need to find truth, what we have lost is much more important—a desire and critical capacity to want to find the truth. We’ve lost the desire to respectfully disagree, to negotiate. It’s a loss that affects national security because it makes the job of our enemies so much easier.

Judgment at Tokyo

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Did you know?

Last week was the first lecture in a local series on “Crime and Punishment,” which includes both real-life crime (true crime, write large), and an examination of fictional crime, as in the works of Raymond Chandler and Victor Hugo. There’s a bit on crime science, with a procedural lecture (the work of crime labs) and the intersection of juvenile justice practices and advances in brain science. In other words, a very big and loosely woven net of topics.

The first lecture, given by Gary Bass, a Professor of Politics and International Affairs at Princeton was on the Tokyo War Crimes Tribunal after World War II and is based on a book he’s been researching for years, expected in 2023 (watch for it!). I don’t know about you, but I was a tabula rasa for this one. If you’d asked me if there was such a tribunal, I would have said, “Uh, probably.” Alas, I don’t know enough to go into the details.

It’s interesting (and sad, really), how popular culture has shaped much of our views of this aspect of post-WWII actions. We can probably thank Hollywood and Spencer Tracy for that—at least for periodic reminders of those dramatic events–and it’s a shame there hasn’t been an equivalently memorable treatment of the actions and personalities at the Tokyo Tribunal, which went on for twice as long (two and a half years). Though Americans may be marginally aware of it, most certainly the Asian nations that had suffered at the hands of the Japanese occupiers were acutely aware.

For example, China was consumed with memories of the bombings and privations as well as the Nanjing massacre of 1937, during which more than 200,000 civilians were slaughtered. Post-war Australia and New Zealand were fixated on the grim fates of their captured soldiers whom the Japanese worked to death. Again, popular culture fills in a few blanks, if you remember the movie The Bridge Over the River Kwai or Richard Flanagan’s The Narrow Road to the Deep North, the 2014 Booker Prize winner.

One of the most interesting personalities involved was Indian jurist Radhabinod Pal, who became the only one of the judges who insisted all the defendants were not guilty, based in part on his questioning of the tribunal’s legitimacy. The interests of Empire and the U.S. use of the atomic bomb meant, to Pal at least, that no one’s hands were clean.He’s still held in high esteem in Japan today.

Europe-based World War II stories are a staple of crime and espionage thrillers. Thinking about some of the complexities the Tokyo Tribunal exposed, I thought I saw a deep well of new and compelling inspiration.

South American Literary Adventures

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Three books I’ve read lately take place in the countries of our neighbors to the south. There Are No Happy Loves is the third in a series by Sergio Olguín that features irrepressible and libidinous investigative reporter Verónica Rosenthal. This time she tangles with a shady adoption ring run by the Catholic Church. Annamaria Alfieri’s historical mystery, Invisible Country, is set in Paraguay, a country whose history I knew less than nothing about, so appreciated the care with which she described that world. And, finally, The Lisbon Syndrome, by award-winning Spanish writer Eduardo Sánchez Rugeles, is not much about the Portuguese capital, but instead about the chaos in Venezuela, home to a large group of Portuguese émigrés.

There Are No Happy Loves Once again, Rosenthal happens upon a potentially outrageous crime in which the pursuit of justice starts her reportorial juices—and reader interest—going. Once again, her love affair with the lawyer Federico sputters along tantalizingly. Two of the three vignettes that begin the book turn out to be intimately related. A children’s book author named Darío Valrossa is driving his extended family home one night, when a terrible three-vehicle crash occurs involving a fuel truck. Everyone but the author dies at once, and he is left with terrible scars, the worst of which affect his mind and spirit. And, Federico, part of a team on late-night stake-out at the port of Buenos Aires that expects to confiscate a large cocaine shipment, instead seizes a truck filled with a grisly cargo. The previous two books in the series, also reviewed here, were The Fragility of Bodies (2019) and The Foreign Girls (2021). Translated by Miranda France.

Invisible Country Alfieri’s story, set in 1868, describes the meager lives of a small village as the Paraguayan economy is devasted by its disastrous war with its much larger neighbors, Brazil and Argentina, as well as Uruguay. Most men ages eight to eighty are dead. The village priest suggests the local women should abandon the conventional religious strictures and have sex with whoever is left, in order to repopulate the town. You can imagine the reaction. Meanwhile a murdered body is found in the church, and everyone is afraid the blame will be assigned based on politics, not evidence. In the midst of everything, young love finds a way to thrive. (The painting is from the war’s Battle of Tuyuti by Cándido Lopez.)

The Lisbon Syndrome In this novel, set in the near future, Portugal is hit by a giant asteroid and essentially disappears. The many Portuguese who have relocated to Caracas are heart-broken, knowing they can never go home. As a consequence, the disruptions and violence of the dysfunctional Venezuelan government rankle all the worse. It’s a time of student unrest in Caracas, and a popular theater teacher must figure out how boldly to oppose the ruling forces. Critics note the book’s wry humor, and call it “the most trenchant contemporary novel to offer a glimpse of life and death in Venezuela.” Worse than you thought. Translated by Paul Filev.

“Just One More”

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Michael Venutolo-Mantovani has written a riveting piece for the October 2022 issue of Wired, “Just One More.” Late on the night of August 15, 2021, Worth Parker’s North Carolina cell phone received a Facebook message about the chaos in Afghanistan. It read: “Sir. I hope you are well. By any chance do you know any Marines who are on the ground right now?” Having retired from the US Marines as a Lt. Colonel six weeks before, Parker thought he’d cut those ties.

The message described the plight of the sender’s brother and father who had both worked for the US military in Afghanistan. With the American pullout scheduled for the end of the month, their lives were in increasing peril. The sender, Jason Essazay, had also worked for the US, but had obtained a Special Immigrant Visa for his service and was living in Houston. “Parker was Essazay’s last resort,” Venutolo-Mantovani writes. At the time the pullout was announced, 81,000 Afghans had pending applications for a SIV. US intelligence reports predicted it would take several months for the Taliban to take Kabul, but as we now know, the fall of Kabul occurred only days later.

When Parker read that the 24th Marine Expeditionary Unit was helping with the evacuation, he called an old friend in the unit who said he’d try to help. Working in the eye of a fast-moving hurricane of fragmentary information, changing requirements, and coordination difficulties involving violent extremists and desperate families, Parker’s initiative succeeded.

Three days before Essazay’s contact with Parker, Joe Saboe, who’d left the Army 20 years earlier received a call from his younger brother, wanting help to get a friend and his family out of Afghanistan. Saboe didn’t know how he could help, but “tried the closest thing to a Noncombatant Evacuation Operations tool he had: Facebook. His post asking for help generated a message from a friend of twenty years before also trying to rescue someone. The two men strategized. Soon he heard from more veterans, each worried about a single contact. By August 17, Saboe had a group of volunteers working on the cases of 128 potential evacuees. A story in the Military Times generated more than a thousand contacts from Afghans looking for help and Americans wanting to provide it.

Parker, the former Lt. Colonel, enlisted his high-powered connections in the military establishment to form a group calling itself “the Graybeards.” Learning about Saboe’s operation, Parker hoped to convince Saboe’s volunteers to support the Graybeards’ efforts. “But almost immediately, Parker realized (the younger generation) was comically more tech savvy” than the retired military and civilian leaders. “It was time to reject the chain of command that had been drilled into him from the minute he joined the Marines.” He put the Graybeards’ Project Dunkirk in direct support of Saboe, giving him “some of the best-connected people in the US military and intelligence worlds.”

Heroic efforts were made in a fluid and increasingly dangerous Kabul. They achieved the rescue of more than 1,500 Afghans and, even today, more people continue to be evacuated in ones and twos. Each is a victory, but, collectively, they represent only five percent of Saboe’s database. Volunteers continue to chip away at that list, trying to save, as Project Dunkirk’s motto has it, “Just one more.” This whole inspiring and infuriating article is well worth a read.

Memories of a Queen

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Maybe it’s having been named Victoria, but the history and doings of the British royal family have always fascinated me—not the scandals so much as, in the present day, the Queen herself. Like her predecessor, Elizabeth I, she took on a tremendous responsibility at the age of 25 and bore it with grace during good times and bad (Victoria was 18).

I have never seen any of the royals up close—except once. In May 1985, we were visiting the town of Reims, with its famous cathedral, in the heart of France’s champagne region—reason enough to stop over there. Reims is also the town where Colonel General Alfred Jodl signed Germany’s unconditional surrender at the end of World War II. Coincidentally, we were there the day before the fortieth anniversary of the signing, a bit proud that General Eisenhower declined to attend the signing. Not only did he outrank Jodl, but he’d seen the camps. He knew what had been done.

As we wandered the cathedral aisles, practically the only visitors, one aisle to our right I saw a smiling elderly woman wearing a pale blue suit and matching hat. A few well-dressed men orbited in her vicinity. “Look! It’s the Queen Mum!” I whispered. My husband, knowing how poor I am at recognizing people, took a closer look. “Oh, my god, it IS!” I discreetly took a couple of pictures, now rather faded, and the headline from the newspaper the next day confirms the presence of the “reine-mère.”

In 2012, we again stumbled into royal doings, when we visited London to take in the special exhibits for the 200th birthday of favorite author Charles Dickens. They were quite fun. The photo is of the writing retreat he used, probably to escape the clamor of his many children. Coincidentally, again, we arrived right at the time of the Queen’s Diamond Jubilee—her 60th year on the throne. We saw a great deal of Jubilee-related pageantry, a Royal Air Force flyover, and thousands of cheering Britons. I saw a dress I liked too.

Dickens
Dickens’s writing retreat in Rochester, England (photo: vweisfeld)

Weekend Movie Pick: The Courier

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The Cold War spy film The Courier, which came out last year (I missed it totally), is available on Netflix. A “based on true events” tale that took place around the time of the Cuban Missile Crisis, it describes how a British businessman was persuaded by MI6 and the CIA to make contact with a Soviet scientist who appeared eager to share information about his country’s nuclear program with the West. As we now know, that cascade of events in 1962 came much closer to disaster than our leaders and the American public believed.

The film, directed by Dominic Cooke and written by Tom O’Connor (trailer), stars Benedict Cumberbatch as real-life businessman Grenville Wynne. The Soviet contact, Oleg Penkovsky, is played by a sad-eyed Merab Ninidze. The cast is great and the story gripping, even though it follows a well-trodden path. The stakes couldn’t have been higher. For both Wynne and Penkovsky, it was either take the risk or total annihilation.

The film was originally titled Ironbark, the Brits’ code name for Penkovsky, but the star turn belongs to Cumberbatch, the courier. The touches of Soviet perfidy seem right out of John le Carré. When the MI6 crowd starts talking about exfiltrating Penkovsky, it seemed like an impossible long-shot. (I wish they’d make a film about Oleg Gordievsky, another real-life Soviet spy, whose story was told in Ben Macintyre’s The Spy and the Traitor, which gives a hair-raising account of how difficult saving Soviet spies really was.

The Courier is a cautionary tale and a solid bit of filmmaking about a period people under 60 weren’t alive to experience.Rotten Tomatoes critics’ rating: 87%; audiences 95%

Santa’s Bookshelf

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Santa Claus, reading

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Still looking for that perfect book for under the Christmas tree? Here are a few ideas for your weekend shopping that might suit some of the hard-to-buy for people on your list:

Film Noir Junkies – A.J. Finn filled his blockbuster psychological thriller, The Woman in the Window, with references to classic noir, and the main character watches quite a few too. And drinks Merlot by the case (trigger warning, Sideways fans).

Intrepid Travelers – if you can’t give a trip to Paris, you can give Mark Helprin’s Paris in the Present Tense. If they’re also classical music devotees, bonus points to you for finding this story about an aging cellist in the City of Light who really makes crime pay.

Jive-Talking Rap Music Lovers – Righteous or any of the other I.Q. books by Joe Ide. His characters’ language unspools across the page in pure urban poetry, as they solve crimes and right wrongs.

Unrepentant Bookworms – a book they can burrow into for days and maybe never sort out all the plot shenanigans, Lost Empress is about football, Rikers’ Island, a missing Salvador Dali painting, a man and his mom, transcribing 911 calls, Paterson, New Jersey, and so much, much more.

Armchair Psychologists – OK, does he have dementia or doesn’t he? Grace may not live long enough to find out on a Texas road trip with the elderly man she believes murdered her sister. Paper Ghosts is nice work from Julia Heaberlin.

Inveterate Classicists – David Hewson’s Juliet & Romeo is another in his fine adaptations of Shakespeare’s plays. Always inventive, always interesting. His Macbeth and Hamlet were winners too.

Road Warriors – She Rides Shotgun is Jordan Harper’s award-winning debut thriller about a man and his young daughter on the run. They won’t be able to turn the pages fast enough.

Fairy Tale Fans – True, they may be startled at the liberties Karen Dionne took with Hans Christian Anderson’s tale, but in The Marsh King’s Daughter, she’s created a compelling story of a girl raised off the grid and what it takes for her to build a conventional life. Can she keep it?

Anyone Who Just Likes a Damn Good Book – You should get a twofer for Philip Kerr’s book Prussian Blue, which does a deep dive into both the dark days of the Third Reich and early 1950s France. Detective Bernie Gunther’s skill at solving murders doesn’t always make him friends.

A Sea of Blistered Tongues

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Richard III, Laurence Olivier

Laurence Olivier as Richard III

Shakespeare scholar Stephen Greenblatt made an absorbing presentation last week, here in Princeton, based on his new book, Tyrant: Shakespeare on Politics. What Shakespeare has to say about pretty much any domain of human behavior is worth thinking about, and Greenblatt’s current preoccupation was clearly shared by his receptive audience.

He edged into the topic by describing how Shakespeare has been used in many countries and settings as a screen on which people may project their views about their own leaders—views that very often would cost them their freedom or more, if stated directly. Shakespeare’s notable tyrants—Macbeth, Coriolanus, Lear, and, especially, Richard III—become stand-ins for narcissistic demagogues across time and geography.

He highlighted the would-be king (and real-life character) Jack Cade, who appears in 2 Henry VI, as a populist leader deploying eerily familiar tactics. In Shakespeare’s dialog, Cade makes blatantly absurd promises to the rabble he incites, to wit:

“There shall be in England seven half-penny loaves sold for a penny;

The three-hooped pot shall have ten hoops;

And I will make it a felony to drink small [weak] beer. . . .

There shall be no money; all shall eat and drink on my score;

And I will apparel them all in one livery,

That they may agree like brothers and worship me their lord.”

This peroration is followed by what Greenblatt supposed (correctly in my case) was the only line most people can quote from that particular play, “The first thing we do, let’s kill all the lawyers.” Greenblatt says that, while the cheering rabble could not have truly believed these extravagant promises, their support for Cade was unwavering. Not until scheming Macbeth is exposed as a regicide and murderer, does Malcolm regret his former loyalty, saying, “This tyrant, whose sole name blisters our tongues, was once thought honest.”

Shakespeare’s tyrants arise in eras when, as the book blurb summarizes, “Cherished institutions seem fragile, political classes are in disarray, economic misery fuels populist anger, people knowingly accept being lied to, partisan rancor dominates, spectacular indecency rules.” Such fraught times inspired Shakespeare, as did the tyrants’ narcissistic personalities and the “cynicism and opportunism of the various enablers and hangers-on” surrounding them. These same forces, personalities, and motives give his work continued relevance.

Greenblatt sounded a discouraging note in saying that, while Shakespeare was brilliant at portraying causes and effects in his history plays, he does not point a way to solutions. “There aren’t any good ones,” he said. Yet, remarkably, civilization survived these conflicts and setbacks. On a more positive note, he concluded that what Shakespeare also teaches us is, “We are not alone.”

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