Category Archives: Detective

Like Printing Money by R.A. Cramblitt

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You may have a pretty good guess what the wonks working after hours at 3D printing company 3Make are up to—after all, only a few activities are likely to be Like Printing Money, the name of RA Cramblitt’s new technological crime novel. But, don’t worry, the technology isn’t so dense that it obscures the basic human motivation at work here—greed.

Set in Baltimore, Maryland, the story does evoke the city’s row houses and freeways and the backwoods countryside that’s not really that far away. Baltimore is coming into its own as a location for crime stories, building on the success of author Laura Lippman and the television series, Homicide: Life on the Streets and The Wire. It’s definitely a city, it has distinct neighborhoods, but it’s not so big as to be fictionally unmanageable—it doesn’t take three hours to drive across town, for example.

An interesting set of characters, Black and white, negotiate Cramblitt’s city streets, and you can be forgiven for not spotting who the star of the show is going to be. At first you may think it’s Bernard Jamal, college hoops player and successful venture capitalist, who’s kidnapped in the first chapter, his long legs folded into the uncomfortable confines of an automobile trunk. In fact, however, the story’s main character is Charlaine Pennington, an investigator in a private detective agency.

Charlaine is working on a case assigned to her by the detective agency owner, Tony Mancuso. It involves 3Make in some way, but she’s received precious little information about what the job entails. She doesn’t like it and objects, and if there’s one thing Charlaine is good at—several things, actually—it’s sticking up for herself. It turns out that Tony himself doesn’t know as much as he’d like to about why the sketchy Russian has hired them.

Something is very wrong at 3Make, and Charlaine and Tony are determined to find out what that is, even before they find the first body. And Jamal may have escaped his captors, but he hasn’t shed his desire to find out who they were and what they were up to. I loved the charming elderly Black man who helps him. Great character!

Cramblitt has a habit of overloading the narrative with back story. He’s good at showing, and I for one could do with a lot less telling. I like to see a novel’s characters in action and figure out their strengths and weaknesses for myself. Like Printing Money is Cramblitt’s first crime novel, though, and he may realize he doesn’t need all that history. The narrative screeches to a stop every time. You can certainly hope there aren’t any technological wizards like 3Make’s Barrett and Chen, working after hours on projects akin to the one exposed in this novel, but the sad truth is, there undoubtedly are. The book gives you fair warning.

confiscated drug money
Confiscated drug money (photo: wikimedia.org)

Two 5-Star Thrillers: Her, Too and Sleepless City

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Her, Too
Perhaps inevitably, the Me, Too movement would uncover complicated situations that go beyond simply punishing sexual predators (which is hardly simple in itself), and in Bonnie Kistler’s new thriller, Her, Too, she reveals a bundle of them.

When the story opens, Boston-based defense attorney Kelly McCann has just won a major case. Scientist George Carlson Benedict—the beloved Dr. George—is a pharmaceutical researcher whose discoveries related to Alzheimer’s Disease have short-listed him for the Nobel Prize in Medicine. Could such a valuable and visible member of society be guilty of raping a subordinate? In the trial just concluded, his former colleague Reeza Patel said yes. And so did three other women whom Kelly silenced with payoffs and non-disclosure agreements (NDAs). Benedict is a toad, really, but Kelly doesn’t consider him an actual rapist, until his next victim—her.

Kelly sets out for revenge. And she knows who can help. The three women who signed the NDAs, except that they hate her.

The story lays bare the manipulative and inequitable way NDAs are handled. A former executive at Benedict’s company received more than a million dollars, the office cleaner only $20,000. Kelly doesn’t draw Reeza Patel into the group’s sketchy plans—the way Kelly eviscerated her on the witness stand is just too recent, too raw. Soon, there’s no choice: Patel dies from a drug overdose. Was it really suicide? And her death is just the first.

You might think Kelly is pretty unlikable, someone who’s taken advantage of women at their most vulnerable. But the author takes pains to show she isn’t a monster. In other parts of her life, she bravely faces difficult issues involving care, caring, and letting go. These are big subjects, and in this provocative, well-written novel, the author doesn’t shrink from them.

In so many ways, the Kelly McCann you meet on page one is not the same person you leave on page 304. Go with her as she works her way through some of the most consequential social issues of our times. Bonnie Kistler is a former trial lawyer whose previous books were The Cage (or Seven Minutes Later) and House on Fire.

Sleepless City
Reed Farrel Coleman’s new crime thriller Sleepless City is for readers who like their noir black as ink and thick as pitch. You can’t really call it a police procedural, although the main character—Nick Ryan—is a detective working in the New York Police Department’s Intelligence Bureau, because he doesn’t follow any procedures learned in the Academy or that the higher-ups would publicly condone. Early in the story, he’s recruited to do exactly that—help the city solve intractable situations by, you might say, coloring outside the lines.

The department is beset by difficulties. The city’s waiting to erupt into chaos with the next cop-on-civilian killing. An investment fraudster has stolen billions, including police pensions, and won’t reveal where the money is. A reptilian right-wing podcaster is intent on sowing social discord and anti-police feeling with wacko conspiracy theories. Nick’s bosses would like to clear up these messes through normal channels, but it’s impossible.

Someone, Nick never knows precisely who, approaches him to use his creativity, initiative, and fearlessness to work out difficulties such as these. He’ll get whatever weaponry and manpower he needs plus access to files and security footage. Like a latter-day 007, he has a license to kill. I’m guessing, the powers-that-be hope he’ll use it.

This set-up creates a no-holds-barred fantasy of vengeance, a “simple” answer to complex questions. Although I used the word fantasy, Coleman’s writing is anchored in a gritty reality. Blood is shed. Bones are broken. Explosions dismember victims. Dirt is smeared.

Yet Nick doesn’t simply march through the city brandishing weapons and mowing down bad guys. He takes into account the consequences of his actions, their moral aspects, and selects his approach based in part on the lesson it will impart to other malefactors. In other words, he seeks justice more than revenge. Seeing his various clever plots unfold—and how he has to think on his feet when something goes awry—is one of the story’s chief pleasures. Plus, I chuckled to notice Coleman’s discreet nod to his fellow NYC crime writers Tom Straw and Charles Salzberg.

As a reflection of breakdowns in the social order, crime writing deserves the kind of attention to what makes the social order actually work that Coleman gives it here. Nick Ryan may be a fantastical creation, in terms of his deeds, but in terms of engaging with the quandaries facing big-city policing, he’s wrestling with modern reality. Sleepless City leaves you wondering, is this what it takes? Sounds to me like a series in-the-making.

Island Adventures

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Retribution by Robert McCaw

Retribution is the fifth in Robert McCaw’s series of police procedurals set on the Big Island of Hawai`i featuring Chief Detective Koa Kāne. Hawai`i of course has been on everyone’s mind lately, and McCaw creates an atmosphere thick, not with wildfire smoke, but with tropical sights, smells, and sounds. McCaw’s writing style is straightforward, yet he musical Hawaiian language and incidental descriptions of the environment create a rich portrayal of “place as character.”

Even a tropical paradise has its ne’er-do-wells. Late one night, as the book opens, a Philippine freighter heads toward the Big Island’s port of Hilo. Before it arrives, a mysterious passenger, with a single suitcase and a long flat gun case, disembarks on a powerboat—the first of a small company of mysterious characters whose presence presages a succession of violent attacks that rock the island.

Koa Kāne is called to investigate the vicious stabbing death of a local thief and drug user, in which his brother is soon implicated. Kāne must withdraw from this case, no matter how convinced he is his brother is being framed. The chief replaces him with Deputy Chief Detective Moreau, but Moreau has little investigatory experience and is trailed by accusations of excessive use of force. His only asset appears to be the unflinching support of Hilo’s ambitious new mayor.

The author conveys the kind of stand-up guy Kāne is, not in so many words, but by showing how those around him act toward him. Attacks on these people circle closer and closer to Kāne himself. What triggered this eruption of violence? The possible suspects operate on separate political and historical planes, and you don’t put the pieces of the story together until the last chapters.

McCaw never sacrifices character development to the maintenance of the story’s fast pace. While it’s hardly a tropical vacation, you nevertheless feel like the author has taken you someplace distinctive, and given you an engaging story there.

Incident at San Miguel by AJ Sidransky

Murder, lies, and corruption are the crimes at the center of this riveting piece of historical fiction, Incident at San Miguel, by AJ Sidransky. Like me, you may not have known or remember that, in the 1930s, with war clouds massing, many European Jews immigrated to Cuba, which welcomed them, gave them safe haven, and encouraged their businesses to thrive.

They did very well until 1959 and Fidel Castro’s communist revolution, when the Jews’ situation, like that of all wealthy Cubans, quickly deteriorated. The novels main characters are two brothers—Aarón and Moises Cohan—on opposite sides of the new political divide. Aarón is a lawyer, about to be married, and Moises is his younger brother, in love with a political firebrand and leader of the Havana-based rebels. Despite their differences, they share one core value: an abhorrence for corruption.

Sidransky does a remarkable job describing the island, the Old Havana, the colorful streets, the foods, the music drifting from every radio, rum and cigars—all the minutia of daily life. What I particularly admire is how he conveys the substance of the brothers’ lives: Aarón trying to figure out which staff members to trust, Moises traveling the broken highways to remote manufacturers, both of them trying to relate to old friends without putting either themselves or the friends at risk. And the risks can be deadly. The spies of the Revolution are everywhere. You can be on the inside one day and on the outside the next. Jail or worse awaits people deemed traitors to the Revolution.

Sidransky gives an especially thoughtful portrayal of Moises. Despite his hardline views and occasional bursts of feverish political orthodoxy, he never becomes a two-dimensional character. He believes absolutely in his work, and his biggest blind spot is his wife.

Their livelihoods and even their lives threatened, many Jews (and others) try to flee the island—a dangerous undertaking demanding much planning and absolute secrecy. When Aarón realizes he cannot stay, and indeed, at other times over the years, the brothers desperately need each other.

In the last section of the book, the brothers reunite after decades of infrequent communication, and we learn much more about their lives’ key events. At the end, I expect you’ll be satisfied that the big questions have been answered and understand how each man has found his own way. You’ll want to read the introductory material that explains how the novel is based on a true story and where it diverges from that history to become exemplary historical fiction.

Crime Stories That Take the Heat

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Heavy-duty noir seems not quite right for sunny, summery August. So here are two recent books light and bright enough to compete with surf and sand: The Tumbling Girl by Bridget Walsh and the comic novel Clonk! by JP Rieger.

The new Victorian-era mystery The Tumbling Girl blends murderous deeds with a healthy dose of romance between an unlikely pair of investigators. It evokes the sights, smells, and sounds of 1870s London, while believably capturing the social class distinctions of the day.

Minnie Ward is a retired music hall performer who writes songs and skits, and day-to-day oversees the Variety Theatre’s mix of tumblers, tightrope walkers, singers, not-so-funny comedians, Shakespearean actors, plate-spinners, and more, including a troublesome monkey. With this crew, something is always going on—cast-member drama, audience eruptions, the monkey in the rafters peeing on the customers below. Author Walsh has created a world that is intriguing, full of story possibilities, and rife with unexpected developments.

Albert Easterbrook is a public school-educated private detective. His friends in the police force are tracking a serial killer who has targeted the city’s women for a decade. Footsteps in the dark and chance encounters can be more than a little anxiety-provoking for Minnie and her friends.

When one of the acrobats is found hanged below the pest-ridden Adelphi Arches, the police dismiss her death as a suicide. But Minnie and the girl’s mother don’t believe it; they want Albert to find out what really happened. Minnie volunteers to help him, despite his objections that it’s too dangerous, as it proves to be. You also have a chance to see a bit of Victorian high-life, as members of the most exclusive gentlemen’s club in London seem to be involved.

If I had to sum up this story in a single word, it might be “romp,” because it moves fast, there’s plenty of entertainment along the way, and, even if you’re pretty sure where Minnie and Albert’s relationship will end up, getting there is half the fun.

In Clonk! you follow eight guys, friends from high school, who’ve managed to stay in touch and call on each other’s help for all kinds of matters, great and small. You might term the book a police procedural, because the main character, Kev Dixit, is a Baltimore, Maryland, police officer, but his procedures are hardly textbook. He has a brilliant way of subverting the system and solving problems outside—sometimes far outside—any approved method. His way of outfoxing the detective exam is LOL.

Two of these longtime friends are not nearly as bright as they think they are and become embroiled in a fraudulent real estate scheme. Arson is involved. In their worst possible moment, their old pal Kev helps them out, along with Chris, an ever-optimistic actor and terrible singer who believes his big theatrical break is always just around the corner, and Brian (the Troll), an undertaker. Yes, a dead body is involved.

Three more alumni of their Catholic high school who play smaller, but plot-vital parts are a disgraced doctor, an agoraphobic FBI agent, and an over-the-top attorney called in to save the doctor’s bacon.

You’ll find some uniquely Baltomorean touches and topics here, yet you can get the sense that these guys are essentially well-meaning, occasional screw-ups whom you could find almost anywhere. Occasionally they reminisce about their high school days as (no surprise!) the weirdos no one else wanted to spend time with. These backward glances lay the groundwork for how they react in a crisis as adults. And the crises keep coming.

A lot happens in this book’s 217 pages, as the world of policing the Dixit way hurtles forward. The novel is a testament to the value of loyalty and friendship, with Dixit, as author Rieger says, “a fortress in the storm of life’s absurdities.” Loved it!

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Imagining Holmes’s Place in History – Guest Post by Richard T. Ryan

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Where exactly is Sherlock Holmes’s place in history? Well, if you’re a writer the answer to that is rather simple: It’s anyplace you care to put him—within reason.

Like so many other pasticheurs, I enjoy placing Sherlock Holmes in situations that are grounded in reality. In other words, I think of my works as a blend of history and mystery. I like to think of it as Conan Doyle meets Dan Brown.

With a background in the medieval and early Renaissance periods, I’m always seeing various connections that span the centuries. As a result, druids figure prominently in one of my works, The Druid of Death, as does the ogham system of writing, used hundreds of years ago by the Irish.

In another work, I focused on the plique-à-jour style of jewelry-making, and was fortunate that the best example of this technique—The Mérode Cup—happened to be housed in the South Kensington Museum (which became the Victoria and Albert Museum some years later) and shown here.

An article about Fabergé eggs, and the discovery that Consuela Vanderbilt, Duchess of Marlborough, had commissioned the Pink Serpent Egg served as the starting point for my novel The Merchant of Menace. Also worth noting is that the Duchess was the first person outside of Russia to own one of these masterpieces.

Sometimes an event sends me scurrying down the research rabbit hole. I was intrigued when I learned that a group of Scottish students had stolen the Stone of Scone on Christmas Day in 1950. They pilfered the artifact in an effort to attract attention to the cause of Home Rule for Scotland. In The Stone of Destiny, I changed things a bit to suit the history of Holmes’s times and had a group of Irish separatists abscond with the stone in order to delay the coronation of King Edward VII.

In my most recent book, The Devil’s Disciples, which is due out later this year, I once again examine the question of Home Rule for Ireland. This time I focus on the Fenian dynamite campaign that plagued London in the mid- and early 1880s. Among the targets was the London Bridge, followed a few weeks later by the Tower of London, the House of Commons, and Westminster Hall—all on the same night!

At that point, Holmes is contacted by Her Majesty’s government and tasked with bringing the bombers to heel. This is a more in-depth look at the question of freedom for Ireland, and I touch on such events as the potato famine; the support for the movement in America, specifically from a group called the Clan na Gael; and one particular individual who shall live in Irish infamy forever.

The challenge in my books is to insert Holmes into these events without disturbing the line that is history. Sometimes, it’s fairly easily accomplished, but at other times it can be a real struggle. And, of course, I also have to find a place for Dr. Watson, so in some instances it is doubly tricky.

If you’d like to check out The Devil’s Disciples, this link will take you to its page on Kickstarter, and you can see part of the cover and check out the various rewards. Right now, we are at 94 backers, if we get to 100, everyone will receive $50 worth of free Holmes ebooks as a bonus.

The Mérode Cup photograph is licensed by CC (view license here).

Philip Marlowe’s Big Leap

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“Philip Marlowe has taken his place among characters of American myth, with Natty Bumppo, Captain Ahab, Huckleberry Finn, and Thomas Sutpen,” Apparently myth-deprived, I had to look up Sutpen—protagonist of William Faulkner’s Absalom, Absalom! But you knew that.

Marlowe was elevated to this status by Nasrullah Mambrol in a fascinating essay in Literary Theory and Criticism I’d missed until now. Time helps. It’s been sixty-five years since publication of Chandler’s last Marlowe novel, Playback.

Mambrol says Chandler believed detective fiction was a heroic form modern readers could believe in. Modern writers, too, since they continue to follow in his footsteps with greater or lesser success. In last year’s The Goodbye Coast (my review), author Joe Ide erases any doubt about whom he’s emulating by naming his protagonist Philip Marlowe.

Raymond Chandler, Philip Marlowe, Humphrey Bogart
(art: wikimedia.org)

Establishing a realistic hero in modern times wasn’t an easy decision. The American frontier had disappeared, removing the possibility of stories about the self-reliant loner pitted against the hostile forces of man, beast, and terrain. (I’m ignoring the nomadic Jack Reacher here.) Chandler’s heroes instead inhabit what he termed “the mean streets,” whether they emerge from a back alley or run past gilded mansions. Says Mambrol, he’s “more interested in exploring cruelty and viciousness among the very rich than among the people of the streets.” This to me also has many more dramatic possibilities. Characters at the very bottom of the social ladder rarely have much agency. It’s the people higher up in society who do have choices and who make bad ones that interest me.

Chandler believed strongly in the possibilities of redemption, though many of his contemporaries were shunning that aspect of heroic tradition. Except, Chandler believed, Hemingway. When a character in Farewell, My Lovely, asks Marlowe who Hemingway is, he says “A guy that keeps saying the same thing over and over until you begin to believe it must be good.”

Marlowe’s instinct is to help society’s victims. This makes him both interesting and vulnerable, and he shields himself with a tough-guy persona, but it’s a pose, in which he wisecracks his way through tricky situations. You’ll recognize his protective impulse in the symbolism deployed in The Big Sleep, where a stained glass panel shows a knight in armor rescuing a lady.

With all the forces rending the social fabric and leaving gaping holes for corruption to slip through, Marlowe lives and works by one principle: loyalty, especially client loyalty. In the age of chivalry, people believed in rigid established standards of behavior. In modern times—and one might say, increasingly so—there is no common understanding of “good behavior,” which is why Marlowe developed his own guiding principle.

In this much longer and fascinating essay, Mambrol credits Chandler, particularly The Long Goodbye, with marking the transition of the detective novel into “the realm of serious fiction.” Any crime novels you’ve read lately that make that leap?

Blue Book by Tom Harley Campbell

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In the mid-sized, middle-America town of Dayton, Ohio, retired homicide detective John Burke isn’t wildly happy about the reduced pace of his life, but in this quick-moving new thriller by Tom Harley Campbell, unexpected trouble—and a fascinating mystery—are headed straight toward him. They arrive in the form of 18-year-old Alex Johnson, all the way from Hattiesburg, Mississippi. Alex’s father was a Mississippi cop whose body was found in Dayton’s Mad River four years earlier. Not solving that case has haunted Burke ever since. Now Alex provides a tantalizing clue.

A news story starts another pot simmering. Al-Jazeera reports that Yasser Arafat died from polonium210 poisoning. Deeply interested in this development is Hattiesburg history professor Charles Robinson. He’s haunted by the mysterious 2004 death of his own father, a retired Air Force lieutenant colonel, which Charles believes was also a polonium poisoning. Charles’s father had a secret, post-World War II assignment in Dayton, called Project Blue Book (in real life), to investigate reports of UFOs (now called Unidentified Aerial Phenomena), and determine whether they threaten national security.

In the post-War era, while the older Robinson was sifting evidence, the Air Force, the military, and the Central Intelligence Agency conducted an unrelenting public information campaign to discredit UFO reports and depict the believers as tin-foil-hat-wearing kooks. (Last week, Enigma Labs released a mobile app in which users can report and record an unexplainable event as it happens, potentially turning random anecdotal information into data.)

Whether you believe UFOs exist or not, you will understand that, in dicey situations, it’s always the cover-up that presents the greatest difficulties. The more extreme the effort to hide something, the more important it’s likely to be. Project Blue Book’s work and conclusions have been secret for fifty years. As John Burke probes the death of these two fathers, the campaign to cover up Project Blue Book seems to threaten all of them.

John Burke is an exceedingly likeable character. He may be retired, but don’t sell him short. There’s a complex plot here, as befits a story with so many deep secrets, housed in an inaccessible area of Dayton’s Wright-Patterson Air Force Base.

Author Campbell effectively conveys the intimate feel of Dayton (population less than 140,000), a relatively small dog wagged by the big tail of the defense, aerospace, and aviation industries. A local police department can’t help but feel that a giant hovers over its shoulder. And that giant, Burke learns, isn’t always friendly.

There’s just enough science here to make the story interesting and give it plausibility, without weighing it down. Campbell does an especially good job interleaving actual events with his fictional tale. It’s a wild ride, and a fun one! You can order it here with my affiliate link.

Want more? The multi-episode docuseries, “UFOs: Investigating the Unknown” premieres on the National Geographic TV channel Feb. 13.

Annals of New Jersey Crime, Part 2

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Yesterday’s post described the murder of Atlantic County, N.J., man John Kingsbury and the flawed investigation into his death, in which martial arts gym owner Michael Castro was the chief suspect.

Castro’s Day—Make that Decade—in Court

On April 5, 2013, 15 months after John Kingsbury’s murder at his Atlantic County home, the county prosecutor authorized charges of murder and felony murder against Michael Castro. While Castro languished in jail for 15 months, his lawyer diligently picked apart the prosecution’s case. He made plenty of holes in it, and a judge dismissed the murder indictment in June 2014.

In January 2016, the investigators obtained a second murder indictment. By that time, new evidence suggested that two people connected to Castro’s martial arts gym might have committed the crime or participated in it, further muddying the waters. Castro wasn’t jailed this time, but required to wear an ankle monitor for the next 15 months.

A man known to both Castro and his friend Lauren Kohl (whose missing gun apparently was the murder weapon) was driving Kohl’s Jeep Wrangler back and forth near the Kingsbury home shortly before the murder occurred there, and his alibi for the actual presumed time of the murder didn’t hold up. Investigators waited another 19 months to confront him about these actions.

A teenager whom Reporter Rebecca Everett describes as “Castro’s martial arts protégé” matched a witness description of a person seen near the house. He had no alibi for the afternoon of the death. Again the investigators dawdled, and when they asked for the youth’s cellphone data two years later, the company no longer retained it. By May 2017, prosecutors believed they could not win the case against Michael Castro and dropped the charges.

Impact on Michael Castro

Years of uncertainty had taken a toll on Michael Castro. He’d filed a civil rights lawsuit in 2015, put on hold when the second indictment came down. After the dropped charges, his lawyer dug in, finding in his investigation of the investigation “a pattern of deliberate misconduct.”

Such suits rarely succeed, but in 2021, a U.S. District Judge decided the problems were big enough that a jury should decide. New shortcomings in the investigation emerged—failure to document meetings, text exchanges, and steps in the investigation, including interviews and the results of a photo lineup. Those flaws were on top of the mishandling of evidence, inadequate case preparation, and damaging delays.

In a rare outcome in such suits, Castro received a $5 million settlement.

And in the Court of Public Opinion

Castro made a 37-minute YouTube video posted August 2021. In it, he talks about his initial surprise at being considered a suspect, his arrest more than a year later, and his months in jail and with the monitor. He talks about his abusive mother, his absent stepfather, the ten different schools he attended, his military service and resultant PTSD, and his persistent financial problems. Twice accused of murder, yet never convicted, he can’t escape public suspicion.

Says the dead man’s son, Glenn, “The whole thing’s awful. And it’s gonna go on till the day I die. And in theory, it may go on till the day my children die.”

Did Michael Castro get away with murder, or is he another victim?

Parts 1 and 2 of this story are based primarily on reporting by Rebecca Everett for the Trenton, N.J., Times.

Annals of New Jersey Crime

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The Trenton, N.J., Times, recently devoted several pages to a true-crime mystery from the Garden State. Reporter Rebecca Everett detailed the investigation and failed prosecutions of the murder of 77-year-old John Kingsbury. Kingsbury died on Super Bowl Sunday 2012 at his home in Mullica, a rural township in New Jersey’s Pinelands area. His son Glenn, who returned home and discovered the body, as well as first responders, thought a fall or stroke accounted for the blood on and around the elderly man’s head. None of them saw the bullet holes from a gun described as “small enough to fit in the palm of your hand.”

Glenn and his girlfriend, Karen Drew, cleaning up, found two spent .380 shell casings and called emergency services immediately. Too late. John died before reaching the hospital, and they had just cleaned up a murder scene. Now, eleven years later, no one has been convicted of John Kingsbury’s murder. Reporter Everett says the cold case is “filled with enough shocking twists, shadowy characters and law enforcement bungling to fill a ‘Knives Out’ sequel.”

Who are John and Glenn Kingsbury?

John Kingsbury was a retired RCA electronics specialist, a member of Mensa, and Korean War veteran who trained K-9s. In shaky health, he’d moved to New Jersey a few months before his death to live with his son. Glenn and Karen own lucrative cheerleading event companies Cheer Tech and Spirit Brands. When they return home after a typical event, they’re holding tens of thousands of dollars in cash. “Anyone who worked with them would know that,” Everett wrote, “Including Michael Castro.”

Robbery seemed the likely motive.

The Crime

John Kingsbury was at home alone when the killer or killers arrived at the family home. There was no weekend’s worth of event receipts, Karen Drew had already taken them to the bank.

Police found no indication of a break-in, and nothing appeared to be missing, but, unexpectedly, the video surveillance system had been disabled. Karen’s suspicion immediately fell on Castro, who she said had been pestering her that afternoon with cell phone calls about her and family members’ whereabouts. What’s more, Castro owed Glenn several thousand dollars, some of which he’d used to set up a mixed martial arts studio.

After the lead detective, Michael Mattioli, interviewed Castro four days after the killing, Castro immediately called a Camden County Sheriff’s Officer he knew, Lauren Kohl. It wasn’t until after she was contacted by Mattioli that Kohl reported two handguns missing from her home.

An Investigation Botched from the Start

The Atlantic County prosecutors worked on the case against Michael Castro for more than a year, in an investigation “torpedoed by errors and oversights,” Everett was told. Among them:

  • Investigators lost track of John’s cellphone, so it couldn’t be analyzed for years
  • They had a warrant to search Castro’s vehicle, but didn’t do it
  • They didn’t ask the medical examiner to estimate the time of the shooting
  • They didn’t collect surveillance footage from area stores that might have confirmed whether Castro (or other possible suspects) were in the area
  • They didn’t subpoena the cellphones of other possible suspects to confirm their locations
  • And, when it appeared one of Lauren Kohl’s missing handguns might be the murder weapon (and eventually was proved to be, on what basis is unclear, as the gun is apparently still missing), it was months before investigators actually followed up with her.

During this period, the prosecutor’s office had internal organizational problems, handing off the Kingsbury murder to three separate lead investigators in just over a year. Months passed between any investigatory actions they logged, with much not logged at all. The cellphone evidence fell apart. Stories changed. New suspects emerged, fogging the investigatory lenses.

Tomorrow: Michael Castro’s Day—Make that Decade—in Court

Thanks, Ellery Queen!

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As always, the Jan-Feb issue of Ellery Queen Mystery Magazine is packed with good reading. Here are some of the standout stories for me:

“The Killing of Henry Davenport” by John Shen Yen Nee and S.J. Rozan – Admittedly, this story, set in London in 1924, was bound to be a hit with me, as it involves both Sherlock Holmes and my favorite detective, Dee Goong An (hearkening back to a real-life personage from the Tang Dynasty). Holmes, Watson, Dee, and the narrator, Lao She (another real-life character), set out to solve an English murder in which a Chinese man stands accused. The story is a foretaste of a new project Rozan is working on that fans (me!) eagerly await.

“The Soiled Dove of Shallow Hollow” by Sean McCluskey – It’s always fun to see a nicely crafted story in the mag’s Department of First Stories. A hint of more good stuff to come. And I’m easily seduced by a con job where the question of who’s being conned is up for grabs. Nice!

“The Bowser Boys Are Back in Town” by Hal Charles – You can expect some humor in a story that begins, “Like a loud rooster, the bomb in Beverly Dezarn Memorial Park awoke the entire town of Woodhole . . .” The bad-luck Bowser duo is on what turns out to be an all-too-brief (for them) return home from jail, but it looks like they’re headed back to the slammer.

“Can the Cat Catch the Rat” by Steve Hockensmith – This is another in his entertaining series about Big Red and Old Red Amlingmeyer, tyro detectives in an Old West where the frequent shenanigans offers steady employment. The surprise in this episode is that Old Red has finally agreed to let Big Red teach him to read. However, identifying the counterfeit coins someone’s producing requires nothing more than a healthy set of teeth.

Read these and more good stories in EQMM. Subscribe here!